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indigenousscreen
Indigenous Screen Office
Expanding the opportunity, reach and impact of Indigenous storytellers in Canada
The Production program for Features & TV Series closes on May 20, 2026. This program offers support to Indigenous screen-based creators in the production of a TV series or feature-length film.
📎 Link in bio
-
Le programme de production du BEA pour les longs métrages et les séries télévisées prend fin le 20 mai 2026. Ce programme offre un soutien aux créateurs autochtones du domaine de l'écran pour la production d'une série télévisée ou d'un long métrage.
📎 Lien dans la bio
The Production program for Features & TV Series closes on May 20, 2026. This program offers support to Indigenous screen-based creators in the production of a TV series or feature-length film.
📎 Link in bio
-
Le programme de production du BEA pour les longs métrages et les séries télévisées prend fin le 20 mai 2026. Ce programme offre un soutien aux créateurs autochtones du domaine de l'écran pour la production d'une série télévisée ou d'un long métrage.
📎 Lien dans la bio
From the panel to day at @marchedufilm , Arctic Storytelling and the New World Order. The panel highlighted Indigenous storytelling with a particular focus on the current geopolitical situation in the arctic, and how this different fundingssystems are supporting Indigenous films across boarders.
The panels was recorded and is available in Cinando with a MDF industry access.
Speakers: Emile Hertling Péronard, producer Ánoräk Film (Greenland), Jason Ryle, CEO, Arctic Indigenous Film Fund (AIFF)
Kerry Swanson, CEO, Indigenous Screen Office (ISO), Anne Lajla Utsi, Managing director, International Sámi Film Institute (ISFI).
Moderated by Melanie Nepinak Hadley, VP, Indigenous Screen Office.
From the panel to day at @marchedufilm , Arctic Storytelling and the New World Order. The panel highlighted Indigenous storytelling with a particular focus on the current geopolitical situation in the arctic, and how this different fundingssystems are supporting Indigenous films across boarders.
The panels was recorded and is available in Cinando with a MDF industry access.
Speakers: Emile Hertling Péronard, producer Ánoräk Film (Greenland), Jason Ryle, CEO, Arctic Indigenous Film Fund (AIFF)
Kerry Swanson, CEO, Indigenous Screen Office (ISO), Anne Lajla Utsi, Managing director, International Sámi Film Institute (ISFI).
Moderated by Melanie Nepinak Hadley, VP, Indigenous Screen Office.
From the panel to day at @marchedufilm , Arctic Storytelling and the New World Order. The panel highlighted Indigenous storytelling with a particular focus on the current geopolitical situation in the arctic, and how this different fundingssystems are supporting Indigenous films across boarders.
The panels was recorded and is available in Cinando with a MDF industry access.
Speakers: Emile Hertling Péronard, producer Ánoräk Film (Greenland), Jason Ryle, CEO, Arctic Indigenous Film Fund (AIFF)
Kerry Swanson, CEO, Indigenous Screen Office (ISO), Anne Lajla Utsi, Managing director, International Sámi Film Institute (ISFI).
Moderated by Melanie Nepinak Hadley, VP, Indigenous Screen Office.
From the panel to day at @marchedufilm , Arctic Storytelling and the New World Order. The panel highlighted Indigenous storytelling with a particular focus on the current geopolitical situation in the arctic, and how this different fundingssystems are supporting Indigenous films across boarders.
The panels was recorded and is available in Cinando with a MDF industry access.
Speakers: Emile Hertling Péronard, producer Ánoräk Film (Greenland), Jason Ryle, CEO, Arctic Indigenous Film Fund (AIFF)
Kerry Swanson, CEO, Indigenous Screen Office (ISO), Anne Lajla Utsi, Managing director, International Sámi Film Institute (ISFI).
Moderated by Melanie Nepinak Hadley, VP, Indigenous Screen Office.
From the panel to day at @marchedufilm , Arctic Storytelling and the New World Order. The panel highlighted Indigenous storytelling with a particular focus on the current geopolitical situation in the arctic, and how this different fundingssystems are supporting Indigenous films across boarders.
The panels was recorded and is available in Cinando with a MDF industry access.
Speakers: Emile Hertling Péronard, producer Ánoräk Film (Greenland), Jason Ryle, CEO, Arctic Indigenous Film Fund (AIFF)
Kerry Swanson, CEO, Indigenous Screen Office (ISO), Anne Lajla Utsi, Managing director, International Sámi Film Institute (ISFI).
Moderated by Melanie Nepinak Hadley, VP, Indigenous Screen Office.
From the panel to day at @marchedufilm , Arctic Storytelling and the New World Order. The panel highlighted Indigenous storytelling with a particular focus on the current geopolitical situation in the arctic, and how this different fundingssystems are supporting Indigenous films across boarders.
The panels was recorded and is available in Cinando with a MDF industry access.
Speakers: Emile Hertling Péronard, producer Ánoräk Film (Greenland), Jason Ryle, CEO, Arctic Indigenous Film Fund (AIFF)
Kerry Swanson, CEO, Indigenous Screen Office (ISO), Anne Lajla Utsi, Managing director, International Sámi Film Institute (ISFI).
Moderated by Melanie Nepinak Hadley, VP, Indigenous Screen Office.
From the panel to day at @marchedufilm , Arctic Storytelling and the New World Order. The panel highlighted Indigenous storytelling with a particular focus on the current geopolitical situation in the arctic, and how this different fundingssystems are supporting Indigenous films across boarders.
The panels was recorded and is available in Cinando with a MDF industry access.
Speakers: Emile Hertling Péronard, producer Ánoräk Film (Greenland), Jason Ryle, CEO, Arctic Indigenous Film Fund (AIFF)
Kerry Swanson, CEO, Indigenous Screen Office (ISO), Anne Lajla Utsi, Managing director, International Sámi Film Institute (ISFI).
Moderated by Melanie Nepinak Hadley, VP, Indigenous Screen Office.
From the panel to day at @marchedufilm , Arctic Storytelling and the New World Order. The panel highlighted Indigenous storytelling with a particular focus on the current geopolitical situation in the arctic, and how this different fundingssystems are supporting Indigenous films across boarders.
The panels was recorded and is available in Cinando with a MDF industry access.
Speakers: Emile Hertling Péronard, producer Ánoräk Film (Greenland), Jason Ryle, CEO, Arctic Indigenous Film Fund (AIFF)
Kerry Swanson, CEO, Indigenous Screen Office (ISO), Anne Lajla Utsi, Managing director, International Sámi Film Institute (ISFI).
Moderated by Melanie Nepinak Hadley, VP, Indigenous Screen Office.
From the panel to day at @marchedufilm , Arctic Storytelling and the New World Order. The panel highlighted Indigenous storytelling with a particular focus on the current geopolitical situation in the arctic, and how this different fundingssystems are supporting Indigenous films across boarders.
The panels was recorded and is available in Cinando with a MDF industry access.
Speakers: Emile Hertling Péronard, producer Ánoräk Film (Greenland), Jason Ryle, CEO, Arctic Indigenous Film Fund (AIFF)
Kerry Swanson, CEO, Indigenous Screen Office (ISO), Anne Lajla Utsi, Managing director, International Sámi Film Institute (ISFI).
Moderated by Melanie Nepinak Hadley, VP, Indigenous Screen Office.
From the panel to day at @marchedufilm , Arctic Storytelling and the New World Order. The panel highlighted Indigenous storytelling with a particular focus on the current geopolitical situation in the arctic, and how this different fundingssystems are supporting Indigenous films across boarders.
The panels was recorded and is available in Cinando with a MDF industry access.
Speakers: Emile Hertling Péronard, producer Ánoräk Film (Greenland), Jason Ryle, CEO, Arctic Indigenous Film Fund (AIFF)
Kerry Swanson, CEO, Indigenous Screen Office (ISO), Anne Lajla Utsi, Managing director, International Sámi Film Institute (ISFI).
Moderated by Melanie Nepinak Hadley, VP, Indigenous Screen Office.
The Marketing, Promotion, and Distribution program supports Indigenous screen-based companies in accessing markets and audiences for their short and feature films, tv and web series, and interactive and immersive projects.
This program has a rolling deadline until March 1, 2027, or until all funds have been allocated.
📎 Link in bio
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Le programme « Marketing, promotion et distribution » aide les sociétés autochtones du secteur audiovisuel à accéder aux marchés et au public pour leurs courts et longs métrages, leurs séries télévisées et web, ainsi que leurs projets interactifs et immersifs.
Les candidatures pour ce programme peuvent être déposées à tout moment jusqu'au 1er mars 2027 ou jusqu'à épuisement des fonds.
📎 Lien dans la bio
The Marketing, Promotion, and Distribution program supports Indigenous screen-based companies in accessing markets and audiences for their short and feature films, tv and web series, and interactive and immersive projects.
This program has a rolling deadline until March 1, 2027, or until all funds have been allocated.
📎 Link in bio
-
Le programme « Marketing, promotion et distribution » aide les sociétés autochtones du secteur audiovisuel à accéder aux marchés et au public pour leurs courts et longs métrages, leurs séries télévisées et web, ainsi que leurs projets interactifs et immersifs.
Les candidatures pour ce programme peuvent être déposées à tout moment jusqu'au 1er mars 2027 ou jusqu'à épuisement des fonds.
📎 Lien dans la bio
The ISO and the @cmf.fmc announce a $480,000.00 combined investment in three projects selected for funding through the ISO’s 2025-2026 Interactive and Immersive Program.
The projects are:
Project: Dàsa
Key Creatives: Amanda Strong, Métis
Format: Video game
Project: The Seven Dancers
Key Creatives: Kahentawaks Tiewishaw-Poirier, Kanien’kehá:ka
Format: Video game series
Project: Waves of Buffalo
Key Creatives: Tasha Hubbard, Cree
Format: XR Installation
🔗 link in bio
-
Le Bureau de l’écran autochtone (BEA) et le Fonds des médias du Canada (FMC) annoncent un investissement combiné de 480 000 $ pour trois projets sélectionnés dans le cadre du programme interactif et immersif 2025-2026 du BEA.
Les projets sont les suivants :
Projet : Dàsa
Direction créative : Amanda Strong, Métisse
Format : Jeu vidéo
Projet : The Seven Dancers
Direction créative : Kahentawaks Tiewishaw-Poirier, Kanien’kehá:ka
Format : Série de jeux vidéo
Projet : Waves of Buffalo
Direction créative : Tasha Hubbard, Crie
Format : Installation en réalité étendue
🔗 lien dans la bio
The ISO and the @cmf.fmc announce a $480,000.00 combined investment in three projects selected for funding through the ISO’s 2025-2026 Interactive and Immersive Program.
The projects are:
Project: Dàsa
Key Creatives: Amanda Strong, Métis
Format: Video game
Project: The Seven Dancers
Key Creatives: Kahentawaks Tiewishaw-Poirier, Kanien’kehá:ka
Format: Video game series
Project: Waves of Buffalo
Key Creatives: Tasha Hubbard, Cree
Format: XR Installation
🔗 link in bio
-
Le Bureau de l’écran autochtone (BEA) et le Fonds des médias du Canada (FMC) annoncent un investissement combiné de 480 000 $ pour trois projets sélectionnés dans le cadre du programme interactif et immersif 2025-2026 du BEA.
Les projets sont les suivants :
Projet : Dàsa
Direction créative : Amanda Strong, Métisse
Format : Jeu vidéo
Projet : The Seven Dancers
Direction créative : Kahentawaks Tiewishaw-Poirier, Kanien’kehá:ka
Format : Série de jeux vidéo
Projet : Waves of Buffalo
Direction créative : Tasha Hubbard, Crie
Format : Installation en réalité étendue
🔗 lien dans la bio
Join us at Cannes and @marchedufilm for impACT | Arctic Storytelling and the New World Order | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office.
What happens when Arctic nations collaborate directly across borders, languages, and colonial histories to build a shared screen ecosystem? Which new narratives emerge when the Arctic is not a backdrop, but a point of view? And, how can Indigenous cinema support larger political movements? Through the lens of Indigenous cinema, these representatives and institutions will highlight how Indigenous organisations are • Reframing the Arctic from object to author • Building circumpolar creative alliances • Asserting narrative sovereignty alongside political sovereignty • Positioning the North as a global force in storytelling, not a niche
🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online
A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO).
Come and listen and connect with us at Marché du Film! 💫
#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026
Join us at Cannes and @marchedufilm for impACT | Arctic Storytelling and the New World Order | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office.
What happens when Arctic nations collaborate directly across borders, languages, and colonial histories to build a shared screen ecosystem? Which new narratives emerge when the Arctic is not a backdrop, but a point of view? And, how can Indigenous cinema support larger political movements? Through the lens of Indigenous cinema, these representatives and institutions will highlight how Indigenous organisations are • Reframing the Arctic from object to author • Building circumpolar creative alliances • Asserting narrative sovereignty alongside political sovereignty • Positioning the North as a global force in storytelling, not a niche
🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online
A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO).
Come and listen and connect with us at Marché du Film! 💫
#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026
Join us at Cannes and @marchedufilm for impACT | Arctic Storytelling and the New World Order | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office.
What happens when Arctic nations collaborate directly across borders, languages, and colonial histories to build a shared screen ecosystem? Which new narratives emerge when the Arctic is not a backdrop, but a point of view? And, how can Indigenous cinema support larger political movements? Through the lens of Indigenous cinema, these representatives and institutions will highlight how Indigenous organisations are • Reframing the Arctic from object to author • Building circumpolar creative alliances • Asserting narrative sovereignty alongside political sovereignty • Positioning the North as a global force in storytelling, not a niche
🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online
A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO).
Come and listen and connect with us at Marché du Film! 💫
#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026
Join us at Cannes and @marchedufilm for impACT | Arctic Storytelling and the New World Order | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office.
What happens when Arctic nations collaborate directly across borders, languages, and colonial histories to build a shared screen ecosystem? Which new narratives emerge when the Arctic is not a backdrop, but a point of view? And, how can Indigenous cinema support larger political movements? Through the lens of Indigenous cinema, these representatives and institutions will highlight how Indigenous organisations are • Reframing the Arctic from object to author • Building circumpolar creative alliances • Asserting narrative sovereignty alongside political sovereignty • Positioning the North as a global force in storytelling, not a niche
🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online
A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO).
Come and listen and connect with us at Marché du Film! 💫
#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026
Join us at Cannes and @marchedufilm for impACT | Arctic Storytelling and the New World Order | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office.
What happens when Arctic nations collaborate directly across borders, languages, and colonial histories to build a shared screen ecosystem? Which new narratives emerge when the Arctic is not a backdrop, but a point of view? And, how can Indigenous cinema support larger political movements? Through the lens of Indigenous cinema, these representatives and institutions will highlight how Indigenous organisations are • Reframing the Arctic from object to author • Building circumpolar creative alliances • Asserting narrative sovereignty alongside political sovereignty • Positioning the North as a global force in storytelling, not a niche
🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online
A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO).
Come and listen and connect with us at Marché du Film! 💫
#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026
Join us at Cannes and @marchedufilm for impACT | Arctic Storytelling and the New World Order | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office.
What happens when Arctic nations collaborate directly across borders, languages, and colonial histories to build a shared screen ecosystem? Which new narratives emerge when the Arctic is not a backdrop, but a point of view? And, how can Indigenous cinema support larger political movements? Through the lens of Indigenous cinema, these representatives and institutions will highlight how Indigenous organisations are • Reframing the Arctic from object to author • Building circumpolar creative alliances • Asserting narrative sovereignty alongside political sovereignty • Positioning the North as a global force in storytelling, not a niche
🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online
A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO).
Come and listen and connect with us at Marché du Film! 💫
#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026
Deadline reminder!
🗓️ The CMF Indigenous Predevelopment & Development program closes on May 13, 2026
🗓️ The CMF Indigenous Production program closes on May 13, 2026
🔗 link in bio
-
Rappel de la date limite !
🗓️ Le programme de pré-développement et développement autochtones du FMC prend fin le 13 mai 2026.
🗓️ Le programme de production autochtone du FMC prend fin le 13 mai 2026.
🔗 lien dans la bio
Deadline reminder!
🗓️ The CMF Indigenous Predevelopment & Development program closes on May 13, 2026
🗓️ The CMF Indigenous Production program closes on May 13, 2026
🔗 link in bio
-
Rappel de la date limite !
🗓️ Le programme de pré-développement et développement autochtones du FMC prend fin le 13 mai 2026.
🗓️ Le programme de production autochtone du FMC prend fin le 13 mai 2026.
🔗 lien dans la bio
Join us at Cannes and @marchedufilm for:
impACT | Arctic Storytelling and the New World Order | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office
🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online
A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO).
Come and listen and connect with us at Marché du Film! 💫
Photo from the ÁRRAN 360° project Ovias, by Ann Aurebekk.
#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026
Join us at Cannes and @marchedufilm for:
impACT | Arctic Storytelling and the New World Order | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office
🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online
A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO).
Come and listen and connect with us at Marché du Film! 💫
Photo from the ÁRRAN 360° project Ovias, by Ann Aurebekk.
#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026
Join us at Cannes and @marchedufilm for:
impACT | Arctic Storytelling and the New World Order | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office
🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online
A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO).
Come and listen and connect with us at Marché du Film! 💫
Photo from the ÁRRAN 360° project Ovias, by Ann Aurebekk.
#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026
Join us at Cannes and @marchedufilm for:
impACT | Arctic Storytelling and the New World Order | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office
🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online
A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO).
Come and listen and connect with us at Marché du Film! 💫
Photo from the ÁRRAN 360° project Ovias, by Ann Aurebekk.
#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026
Join us at Cannes and @marchedufilm for:
impACT | Arctic Storytelling and the New World Order | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office
🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online
A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO).
Come and listen and connect with us at Marché du Film! 💫
Photo from the ÁRRAN 360° project Ovias, by Ann Aurebekk.
#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026
May 5 is the national day of awareness for Missing and Murdered Indigenous Women, Girls, and 2SLGBTQIA+ People, also known as Red Dress Day. Join ISO in remembering and amplifying Indigenous voices as we stand with survivors, families, and advocates who call for change.
—
Le 5 mai est la journée nationale de sensibilisation aux femmes, filles et personnes 2SLGBTQIA+ autochtones disparues et assassinées, également connue sous le nom de « Red Dress Day » (Journée de la robe rouge). Joignez-vous au BEA pour honorer la mémoire des victimes et faire entendre la voix des communautés autochtones, aux côtés des survivantes, des familles et des défenseurs qui réclament un changement.
May 5 is the national day of awareness for Missing and Murdered Indigenous Women, Girls, and 2SLGBTQIA+ People, also known as Red Dress Day. Join ISO in remembering and amplifying Indigenous voices as we stand with survivors, families, and advocates who call for change.
—
Le 5 mai est la journée nationale de sensibilisation aux femmes, filles et personnes 2SLGBTQIA+ autochtones disparues et assassinées, également connue sous le nom de « Red Dress Day » (Journée de la robe rouge). Joignez-vous au BEA pour honorer la mémoire des victimes et faire entendre la voix des communautés autochtones, aux côtés des survivantes, des familles et des défenseurs qui réclament un changement.
Watch our 2026-2027 Funding program changes webinar
The ISO has recorded a webinar to provide our community with Funding Program updates! The team presents changes that impact all programs and individual programs. Have a question? Email us at funding@iso-bea.ca
🔗 link in bio
-
Regardez notre webinaire sur les changements apportés au programme de financement 2026-2027
Le BEA a enregistré un webinaire afin de faire le point sur les programmes de financement destinés à notre communauté ! L'équipe y présente les changements qui concernent l'ensemble des programmes ainsi que certains programmes spécifiques. Vous avez une question ? Écrivez-nous à l'adresse financement@iso-bea.ca
🔗 lien dans la bio
Watch our 2026-2027 Funding program changes webinar
The ISO has recorded a webinar to provide our community with Funding Program updates! The team presents changes that impact all programs and individual programs. Have a question? Email us at funding@iso-bea.ca
🔗 link in bio
-
Regardez notre webinaire sur les changements apportés au programme de financement 2026-2027
Le BEA a enregistré un webinaire afin de faire le point sur les programmes de financement destinés à notre communauté ! L'équipe y présente les changements qui concernent l'ensemble des programmes ainsi que certains programmes spécifiques. Vous avez une question ? Écrivez-nous à l'adresse financement@iso-bea.ca
🔗 lien dans la bio
At the Toronto screening of At the Place of Ghosts (Sk+te’kmujue’katik) yesterday with director Bretten Hannam.
In theatres May 8!
Shot by @arthurmola
#attheplaceofghosts #brettenhannam
At the Toronto screening of At the Place of Ghosts (Sk+te’kmujue’katik) yesterday with director Bretten Hannam.
In theatres May 8!
Shot by @arthurmola
#attheplaceofghosts #brettenhannam
At the Toronto screening of At the Place of Ghosts (Sk+te’kmujue’katik) yesterday with director Bretten Hannam.
In theatres May 8!
Shot by @arthurmola
#attheplaceofghosts #brettenhannam
At the Toronto screening of At the Place of Ghosts (Sk+te’kmujue’katik) yesterday with director Bretten Hannam.
In theatres May 8!
Shot by @arthurmola
#attheplaceofghosts #brettenhannam
At the Toronto screening of At the Place of Ghosts (Sk+te’kmujue’katik) yesterday with director Bretten Hannam.
In theatres May 8!
Shot by @arthurmola
#attheplaceofghosts #brettenhannam
@aptn_ca, @radiocanada et le BEA sont ravis d’annoncer le projet choisi dans le cadre du programme visant à soutenir les créateur·trice·s autochtones dans la phase de pré-développement de leurs projets.
Le projet sélectionné est :
Uassat (documentaire – 52 minutes)
Créatrice: Lily Bellefleur
Province : Québec
Ainsi, Lily Bellefleur recevra un soutien adapté à son projet, dans le but de mener celui-ci à la phase du développement et ultimement, le cas échéant, à la production.
🔗 lien dans la bio
We're excited to highlight the 5 podcasts that @youtube Canada will support through our Podcasting program ❤️❤️❤️
Project: Before I Go – Embracing the Journey of MAiD – Season 2
Company: Vision Quest Communications Inc.
Key Creative: Danielle Wilson-Brown, Gitxaała Nation
@bigpodcastbyvqc
Project: Indigenous Midwives: Our Stories – Season 1
Company: IndigeKin Productions Inc.
Key Creative: Lolly de Jonge, Métis
@indigekinproductions
Project: Lynx River Revisited: A North of 60 Rewatch Podcast – Season 2
Key Creative: Melaw Nakehk’o, Dene/Dënesųłıné
@lynxriverpod
Project: Matriarch Movement Video Podcast – Season 6: Indigenous Voices of This Generation
Company: Matriarch Movement Foundation
Key Creative: Shayla Oulette, Métis-Cree
@matriarch.movement
Project: The Aunties Dandelion – Season 5
Company: The Aunties Dandelion Inc.
Key Creative: Kahstoserakwathe Paulette Moore, Kanyen’kehà:ka/Mohawk
@theauntiesdandelion
We're excited to highlight the 5 podcasts that @youtube Canada will support through our Podcasting program ❤️❤️❤️
Project: Before I Go – Embracing the Journey of MAiD – Season 2
Company: Vision Quest Communications Inc.
Key Creative: Danielle Wilson-Brown, Gitxaała Nation
@bigpodcastbyvqc
Project: Indigenous Midwives: Our Stories – Season 1
Company: IndigeKin Productions Inc.
Key Creative: Lolly de Jonge, Métis
@indigekinproductions
Project: Lynx River Revisited: A North of 60 Rewatch Podcast – Season 2
Key Creative: Melaw Nakehk’o, Dene/Dënesųłıné
@lynxriverpod
Project: Matriarch Movement Video Podcast – Season 6: Indigenous Voices of This Generation
Company: Matriarch Movement Foundation
Key Creative: Shayla Oulette, Métis-Cree
@matriarch.movement
Project: The Aunties Dandelion – Season 5
Company: The Aunties Dandelion Inc.
Key Creative: Kahstoserakwathe Paulette Moore, Kanyen’kehà:ka/Mohawk
@theauntiesdandelion
We're excited to highlight the 5 podcasts that @youtube Canada will support through our Podcasting program ❤️❤️❤️
Project: Before I Go – Embracing the Journey of MAiD – Season 2
Company: Vision Quest Communications Inc.
Key Creative: Danielle Wilson-Brown, Gitxaała Nation
@bigpodcastbyvqc
Project: Indigenous Midwives: Our Stories – Season 1
Company: IndigeKin Productions Inc.
Key Creative: Lolly de Jonge, Métis
@indigekinproductions
Project: Lynx River Revisited: A North of 60 Rewatch Podcast – Season 2
Key Creative: Melaw Nakehk’o, Dene/Dënesųłıné
@lynxriverpod
Project: Matriarch Movement Video Podcast – Season 6: Indigenous Voices of This Generation
Company: Matriarch Movement Foundation
Key Creative: Shayla Oulette, Métis-Cree
@matriarch.movement
Project: The Aunties Dandelion – Season 5
Company: The Aunties Dandelion Inc.
Key Creative: Kahstoserakwathe Paulette Moore, Kanyen’kehà:ka/Mohawk
@theauntiesdandelion
We're excited to highlight the 5 podcasts that @youtube Canada will support through our Podcasting program ❤️❤️❤️
Project: Before I Go – Embracing the Journey of MAiD – Season 2
Company: Vision Quest Communications Inc.
Key Creative: Danielle Wilson-Brown, Gitxaała Nation
@bigpodcastbyvqc
Project: Indigenous Midwives: Our Stories – Season 1
Company: IndigeKin Productions Inc.
Key Creative: Lolly de Jonge, Métis
@indigekinproductions
Project: Lynx River Revisited: A North of 60 Rewatch Podcast – Season 2
Key Creative: Melaw Nakehk’o, Dene/Dënesųłıné
@lynxriverpod
Project: Matriarch Movement Video Podcast – Season 6: Indigenous Voices of This Generation
Company: Matriarch Movement Foundation
Key Creative: Shayla Oulette, Métis-Cree
@matriarch.movement
Project: The Aunties Dandelion – Season 5
Company: The Aunties Dandelion Inc.
Key Creative: Kahstoserakwathe Paulette Moore, Kanyen’kehà:ka/Mohawk
@theauntiesdandelion
We're excited to highlight the 5 podcasts that @youtube Canada will support through our Podcasting program ❤️❤️❤️
Project: Before I Go – Embracing the Journey of MAiD – Season 2
Company: Vision Quest Communications Inc.
Key Creative: Danielle Wilson-Brown, Gitxaała Nation
@bigpodcastbyvqc
Project: Indigenous Midwives: Our Stories – Season 1
Company: IndigeKin Productions Inc.
Key Creative: Lolly de Jonge, Métis
@indigekinproductions
Project: Lynx River Revisited: A North of 60 Rewatch Podcast – Season 2
Key Creative: Melaw Nakehk’o, Dene/Dënesųłıné
@lynxriverpod
Project: Matriarch Movement Video Podcast – Season 6: Indigenous Voices of This Generation
Company: Matriarch Movement Foundation
Key Creative: Shayla Oulette, Métis-Cree
@matriarch.movement
Project: The Aunties Dandelion – Season 5
Company: The Aunties Dandelion Inc.
Key Creative: Kahstoserakwathe Paulette Moore, Kanyen’kehà:ka/Mohawk
@theauntiesdandelion
We're excited to highlight the 5 podcasts that @youtube Canada will support through our Podcasting program ❤️❤️❤️
Project: Before I Go – Embracing the Journey of MAiD – Season 2
Company: Vision Quest Communications Inc.
Key Creative: Danielle Wilson-Brown, Gitxaała Nation
@bigpodcastbyvqc
Project: Indigenous Midwives: Our Stories – Season 1
Company: IndigeKin Productions Inc.
Key Creative: Lolly de Jonge, Métis
@indigekinproductions
Project: Lynx River Revisited: A North of 60 Rewatch Podcast – Season 2
Key Creative: Melaw Nakehk’o, Dene/Dënesųłıné
@lynxriverpod
Project: Matriarch Movement Video Podcast – Season 6: Indigenous Voices of This Generation
Company: Matriarch Movement Foundation
Key Creative: Shayla Oulette, Métis-Cree
@matriarch.movement
Project: The Aunties Dandelion – Season 5
Company: The Aunties Dandelion Inc.
Key Creative: Kahstoserakwathe Paulette Moore, Kanyen’kehà:ka/Mohawk
@theauntiesdandelion
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.