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Super happy to share that I’ve been selected as Judge’s Pick for the OD Photo Prize 2025!
Thank you Tom Page for selecting me
@odprintsales @odtakeovers
Looking forward to the end of year groupshow at Open Doors Gallery, London (UK) opening on Nov 27th.
Congrats to @_ja_youn_g for being the Grand Prize winner, very well deserved🫶
Super happy to share that I’ve been selected as Judge’s Pick for the OD Photo Prize 2025!
Thank you Tom Page for selecting me
@odprintsales @odtakeovers
Looking forward to the end of year groupshow at Open Doors Gallery, London (UK) opening on Nov 27th.
Congrats to @_ja_youn_g for being the Grand Prize winner, very well deserved🫶
Super happy to share that I’ve been selected as Judge’s Pick for the OD Photo Prize 2025!
Thank you Tom Page for selecting me
@odprintsales @odtakeovers
Looking forward to the end of year groupshow at Open Doors Gallery, London (UK) opening on Nov 27th.
Congrats to @_ja_youn_g for being the Grand Prize winner, very well deserved🫶
Super happy to share that I’ve been selected as Judge’s Pick for the OD Photo Prize 2025!
Thank you Tom Page for selecting me
@odprintsales @odtakeovers
Looking forward to the end of year groupshow at Open Doors Gallery, London (UK) opening on Nov 27th.
Congrats to @_ja_youn_g for being the Grand Prize winner, very well deserved🫶
Like a sculptur’d thing of stone, 2024
Oak bark-toned cyanotypes in stainless steel frame, 121 x 76 cm
@todaysalternative #todaysalternative #cyanotype #contemporaryphotography #contemporaryart #geology #humboldt
Like a sculptur’d thing of stone, 2024
Oak bark-toned cyanotypes in stainless steel frame, 121 x 76 cm
@todaysalternative #todaysalternative #cyanotype #contemporaryphotography #contemporaryart #geology #humboldt
My new publication ‘Mycelium’ is here
Order through dm or link in bio!
Design
@jord_noorbeek
Print
@npndrukkers
#artbooks #bookdesign #mycelium #contemporaryart #artphotography #photography
My new publication ‘Mycelium’ is here
Order through dm or link in bio!
Design
@jord_noorbeek
Print
@npndrukkers
#artbooks #bookdesign #mycelium #contemporaryart #artphotography #photography
• Screening times •
Katabasis (2026) will be premiering this week at @photolondonfair in their new video section, The Screening Room.
Screening times:
Wednesday 13 May (Preview)
16:00 - 17:30
Thursday 14 May
17:00 - 18:00
Friday 15 May
15:30 - 16:30
Saturday 16 May
15:30 - 16:30
Sunday 17 May
17:00 - 18:00
Ground floor, National hall, Olympia, London
Sound design @nakanoblu 🦇
Supported by @culturemoveseurope
• Screening times •
Katabasis (2026) will be premiering this week at @photolondonfair in their new video section, The Screening Room.
Screening times:
Wednesday 13 May (Preview)
16:00 - 17:30
Thursday 14 May
17:00 - 18:00
Friday 15 May
15:30 - 16:30
Saturday 16 May
15:30 - 16:30
Sunday 17 May
17:00 - 18:00
Ground floor, National hall, Olympia, London
Sound design @nakanoblu 🦇
Supported by @culturemoveseurope
Looking forward to @photolondonfair, opening next week. Besides premiering Katabasis (2026) in the Screening Room, I will be showing a couple of works (including this one) with Open Doors Gallery, booth 101. I will be around, so let me know if you are!
In the early days of our planet, 2024. Toned cyanotype in steel frame, 61 x 46 cm. Edition of 3 + 2 AP.
14 - 17 May, Olympia, London
13 May preview day
@odprintsales @odtakeovers @photolondonfair
Looking forward to @photolondonfair, opening next week. Besides premiering Katabasis (2026) in the Screening Room, I will be showing a couple of works (including this one) with Open Doors Gallery, booth 101. I will be around, so let me know if you are!
In the early days of our planet, 2024. Toned cyanotype in steel frame, 61 x 46 cm. Edition of 3 + 2 AP.
14 - 17 May, Olympia, London
13 May preview day
@odprintsales @odtakeovers @photolondonfair
Very very excited to introduce Katabasis (2026), my first video work, premiering at @photolondonfair next week.
Katabasis (2026, single channel 4K video, 5:35 min loop) is part of the larger body of work Heaving Stone, Winged Dream (2026), drawing on the cave as a living archive in response to ambiguous loss. Rooted in both archaeological and classical reference, the work follows a descent into and out of a cave in futile search of reunion. The cave seems alive, emerging and retreating in slow succession, breathing. Moving between weight and release, presence and absence, the familiar briefly surfaces and retreats again in a cycle without closure. Field recordings from the cave form the basis of the soundscape, developed in collaboration with sound designer NAKANO BLU (@nakanoblu ).
Katabasis will be screening next week at the new video section of @photolondonfair
14 - 17 may
Preview day on 13 May
Screening Room
Ground Floor, National Hall, Olympia, London (UK)
A big thank you to @culturemoveseurope for supporting this project and to @jeanmichelmabrukimussa for assisting me
Slide 1: video still
Slide 2: video fragment
Very very excited to introduce Katabasis (2026), my first video work, premiering at @photolondonfair next week.
Katabasis (2026, single channel 4K video, 5:35 min loop) is part of the larger body of work Heaving Stone, Winged Dream (2026), drawing on the cave as a living archive in response to ambiguous loss. Rooted in both archaeological and classical reference, the work follows a descent into and out of a cave in futile search of reunion. The cave seems alive, emerging and retreating in slow succession, breathing. Moving between weight and release, presence and absence, the familiar briefly surfaces and retreats again in a cycle without closure. Field recordings from the cave form the basis of the soundscape, developed in collaboration with sound designer NAKANO BLU (@nakanoblu ).
Katabasis will be screening next week at the new video section of @photolondonfair
14 - 17 may
Preview day on 13 May
Screening Room
Ground Floor, National Hall, Olympia, London (UK)
A big thank you to @culturemoveseurope for supporting this project and to @jeanmichelmabrukimussa for assisting me
Slide 1: video still
Slide 2: video fragment
Like a sculptur’d thing of stone, 2024
Toned cyanotype in steel frame, 61 x 46 cm
Ed. 3 + 2 AP
Like a sculptur’d thing of stone, 2024
Toned cyanotype in steel frame, 61 x 46 cm
Ed. 3 + 2 AP
A skull of a cave bear, left resting on a rock some 33,000 years ago in Chauvet Cave, subject of Werner Herzog’s The Cave of Forgotten Dreams (2010). Traces of charcoal surrounding the skull and archectonic modification of the Skull Chamber spark speculation about symbolic meaning, spirituality and ritual behavior in the Upper Paleolithic.
A skull of a cave bear, left resting on a rock some 33,000 years ago in Chauvet Cave, subject of Werner Herzog’s The Cave of Forgotten Dreams (2010). Traces of charcoal surrounding the skull and archectonic modification of the Skull Chamber spark speculation about symbolic meaning, spirituality and ritual behavior in the Upper Paleolithic.
In the cracked bark of trees, 2025
Toned cyanotype in steel frame, 32 x 60 cm
Really happy to be joining @flatlandgalleryamsterdam in their plans this fall, opening their doors for the public presentation days from 9 - 19 October, followed by PAN Amsterdam 2 - 9 November.
Looking forward to be in company of @vincent_munier_photographer @kimboske @stl_kar @leilajeffreys 🦇
Fall is Taking Shape
Public presentation days at FLAT // LAND Gallery
Artemisstraat 22, Amsterdam
9 - 19 October
Thu - Sun, 12 - 18h
Pan Amsterdam
2 - 9 November
RAI, Amsterdam
@pan_amsterdam
One is treated to the sight of the wild, 2024.
Toned cyanotype in steel frame, 61 x 46 cm.
The disguise of night often brings back these pictures of the past, 2025
Toned cyanotype in steel frame, 61 x 31 cm
The disguise of night often brings back these pictures of the past, 2025
Toned cyanotype in steel frame, 61 x 31 cm
In the early days of our planet, 2024
Toned cyanotypes in steel frame, 81 x 101 cm
In the early days of our planet, 2024
Toned cyanotypes in steel frame, 81 x 101 cm
View Instagram Stories in Secret
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