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kmorojele
bigheadbaby
johannesburg, east
MENEMENE for BROWN PAPER
Deceitful in its form. Never to be trusted.
Available now at the pop-up. Limited Stock.
Lulama wearing Menemene shorts for BROWN PAPER
Polyviscose deconstructed lined shorts with adjustable sizing, one size fits most (29,32,36) that can also be worn as a poncho coat with button and hook/bar fastenings.
Zero-waste pattern making — cut from two rectangles.
available for purchase at the pop-up. Limited stock.
Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44
RSVP LINK IN BIO
Lulama wearing Menemene shorts for BROWN PAPER
Polyviscose deconstructed lined shorts with adjustable sizing, one size fits most (29,32,36) that can also be worn as a poncho coat with button and hook/bar fastenings.
Zero-waste pattern making — cut from two rectangles.
available for purchase at the pop-up. Limited stock.
Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44
RSVP LINK IN BIO
Lulama wearing Menemene shorts for BROWN PAPER
Polyviscose deconstructed lined shorts with adjustable sizing, one size fits most (29,32,36) that can also be worn as a poncho coat with button and hook/bar fastenings.
Zero-waste pattern making — cut from two rectangles.
available for purchase at the pop-up. Limited stock.
Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44
RSVP LINK IN BIO
Lulama wearing Menemene shorts for BROWN PAPER
Polyviscose deconstructed lined shorts with adjustable sizing, one size fits most (29,32,36) that can also be worn as a poncho coat with button and hook/bar fastenings.
Zero-waste pattern making — cut from two rectangles.
available for purchase at the pop-up. Limited stock.
Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44
RSVP LINK IN BIO
Lulama wearing Menemene shorts for BROWN PAPER
Polyviscose deconstructed lined shorts with adjustable sizing, one size fits most (29,32,36) that can also be worn as a poncho coat with button and hook/bar fastenings.
Zero-waste pattern making — cut from two rectangles.
available for purchase at the pop-up. Limited stock.
Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44
RSVP LINK IN BIO
Lulama wearing Menemene shorts for BROWN PAPER
Polyviscose deconstructed lined shorts with adjustable sizing, one size fits most (29,32,36) that can also be worn as a poncho coat with button and hook/bar fastenings.
Zero-waste pattern making — cut from two rectangles.
available for purchase at the pop-up. Limited stock.
Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44
RSVP LINK IN BIO
Lulama wearing Menemene shorts for BROWN PAPER
Polyviscose deconstructed lined shorts with adjustable sizing, one size fits most (29,32,36) that can also be worn as a poncho coat with button and hook/bar fastenings.
Zero-waste pattern making — cut from two rectangles.
available for purchase at the pop-up. Limited stock.
Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44
RSVP LINK IN BIO
Lulama wearing Menemene shorts for BROWN PAPER
Polyviscose deconstructed lined shorts with adjustable sizing, one size fits most (29,32,36) that can also be worn as a poncho coat with button and hook/bar fastenings.
Zero-waste pattern making — cut from two rectangles.
available for purchase at the pop-up. Limited stock.
Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44
RSVP LINK IN BIO
Lulama wearing Menemene shorts for BROWN PAPER
Polyviscose deconstructed lined shorts with adjustable sizing, one size fits most (29,32,36) that can also be worn as a poncho coat with button and hook/bar fastenings.
Zero-waste pattern making — cut from two rectangles.
available for purchase at the pop-up. Limited stock.
Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44
RSVP LINK IN BIO
Lulama wearing Menemene shorts for BROWN PAPER
Polyviscose deconstructed lined shorts with adjustable sizing, one size fits most (29,32,36) that can also be worn as a poncho coat with button and hook/bar fastenings.
Zero-waste pattern making — cut from two rectangles.
available for purchase at the pop-up. Limited stock.
Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44
RSVP LINK IN BIO
Lulama wearing Menemene shorts for BROWN PAPER
Polyviscose deconstructed lined shorts with adjustable sizing, one size fits most (29,32,36) that can also be worn as a poncho coat with button and hook/bar fastenings.
Zero-waste pattern making — cut from two rectangles.
available for purchase at the pop-up. Limited stock.
Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44
RSVP LINK IN BIO
Lulama wearing Rich Aunty Poor Aunty boubou for BROWN PAPER
Raw black silk ruffled raglan sleeves with asymmetrical button stands
available for purchase at the pop-up. Limited stock.
Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44
RSVP LINK IN BIO
Lulama wearing Rich Aunty Poor Aunty boubou for BROWN PAPER
Raw black silk ruffled raglan sleeves with asymmetrical button stands
available for purchase at the pop-up. Limited stock.
Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44
RSVP LINK IN BIO
Lulama wearing Rich Aunty Poor Aunty boubou for BROWN PAPER
Raw black silk ruffled raglan sleeves with asymmetrical button stands
available for purchase at the pop-up. Limited stock.
Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44
RSVP LINK IN BIO
Lulama wearing Rich Aunty Poor Aunty boubou for BROWN PAPER
Raw black silk ruffled raglan sleeves with asymmetrical button stands
available for purchase at the pop-up. Limited stock.
Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44
RSVP LINK IN BIO
Lulama wearing Rich Aunty Poor Aunty boubou for BROWN PAPER
Raw black silk ruffled raglan sleeves with asymmetrical button stands
available for purchase at the pop-up. Limited stock.
Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44
RSVP LINK IN BIO
Lulama wearing Rich Aunty Poor Aunty boubou for BROWN PAPER
Raw black silk ruffled raglan sleeves with asymmetrical button stands
available for purchase at the pop-up. Limited stock.
Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44
RSVP LINK IN BIO
Lulama wearing Rich Aunty Poor Aunty boubou for BROWN PAPER
Raw black silk ruffled raglan sleeves with asymmetrical button stands
available for purchase at the pop-up. Limited stock.
Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44
RSVP LINK IN BIO
Lulama wearing Rich Aunty Poor Aunty boubou for BROWN PAPER
Raw black silk ruffled raglan sleeves with asymmetrical button stands
available for purchase at the pop-up. Limited stock.
Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44
RSVP LINK IN BIO
Me for BROWN PAPER
Where it all changes. Shifting the gaze to the peripheries. Turning a new leaf in South African Fashion
Pull up and smell the flowers x
@franzgrabeflowercouture @oovookoo @hennessy @bose @respect_your______elders_
Thru @peytonjoebasson’s eyes
RSVP LINK IN BO
Me for BROWN PAPER
Where it all changes. Shifting the gaze to the peripheries. Turning a new leaf in South African Fashion
Pull up and smell the flowers x
@franzgrabeflowercouture @oovookoo @hennessy @bose @respect_your______elders_
Thru @peytonjoebasson’s eyes
RSVP LINK IN BO
Me for BROWN PAPER
Where it all changes. Shifting the gaze to the peripheries. Turning a new leaf in South African Fashion
Pull up and smell the flowers x
@franzgrabeflowercouture @oovookoo @hennessy @bose @respect_your______elders_
Thru @peytonjoebasson’s eyes
RSVP LINK IN BO
Me for BROWN PAPER
Where it all changes. Shifting the gaze to the peripheries. Turning a new leaf in South African Fashion
Pull up and smell the flowers x
@franzgrabeflowercouture @oovookoo @hennessy @bose @respect_your______elders_
Thru @peytonjoebasson’s eyes
RSVP LINK IN BO
Me for BROWN PAPER
Where it all changes. Shifting the gaze to the peripheries. Turning a new leaf in South African Fashion
Pull up and smell the flowers x
@franzgrabeflowercouture @oovookoo @hennessy @bose @respect_your______elders_
Thru @peytonjoebasson’s eyes
RSVP LINK IN BO
Rich Aunty Poor Aunty Boubou. 2024.
Hand dyed raw silk by @tinyikomakwakwa
Fittings w @tracymokgopo
Looking back to move forward x
Rich Aunty Poor Aunty Boubou. 2024.
Hand dyed raw silk by @tinyikomakwakwa
Fittings w @tracymokgopo
Looking back to move forward x
CONCEPT LOOK 2 with @bulelanigram
‘O MO KAE?’ -Sublimated and Fragmented Basotho blanket patterns: Seana Marena, historically associated with royalty and chiefs, and Victoria England, also known as the “badges of the brave,” which commemorate Basotho soldiers who served alongside British and Allied forces during World War II.
Blanket text shortened excerpt from SM Mofokeng’s Sesotho books of essay and stories
CONCEPT LOOK 2 with @bulelanigram
‘O MO KAE?’ -Sublimated and Fragmented Basotho blanket patterns: Seana Marena, historically associated with royalty and chiefs, and Victoria England, also known as the “badges of the brave,” which commemorate Basotho soldiers who served alongside British and Allied forces during World War II.
Blanket text shortened excerpt from SM Mofokeng’s Sesotho books of essay and stories
CONCEPT LOOK 2 with @bulelanigram
‘O MO KAE?’ -Sublimated and Fragmented Basotho blanket patterns: Seana Marena, historically associated with royalty and chiefs, and Victoria England, also known as the “badges of the brave,” which commemorate Basotho soldiers who served alongside British and Allied forces during World War II.
Blanket text shortened excerpt from SM Mofokeng’s Sesotho books of essay and stories
CONCEPT LOOK 2 with @bulelanigram
‘O MO KAE?’ -Sublimated and Fragmented Basotho blanket patterns: Seana Marena, historically associated with royalty and chiefs, and Victoria England, also known as the “badges of the brave,” which commemorate Basotho soldiers who served alongside British and Allied forces during World War II.
Blanket text shortened excerpt from SM Mofokeng’s Sesotho books of essay and stories
CONCEPT LOOK 2 with @bulelanigram
‘O MO KAE?’ -Sublimated and Fragmented Basotho blanket patterns: Seana Marena, historically associated with royalty and chiefs, and Victoria England, also known as the “badges of the brave,” which commemorate Basotho soldiers who served alongside British and Allied forces during World War II.
Blanket text shortened excerpt from SM Mofokeng’s Sesotho books of essay and stories
CONCEPT LOOK 2 with @bulelanigram
‘O MO KAE?’ -Sublimated and Fragmented Basotho blanket patterns: Seana Marena, historically associated with royalty and chiefs, and Victoria England, also known as the “badges of the brave,” which commemorate Basotho soldiers who served alongside British and Allied forces during World War II.
Blanket text shortened excerpt from SM Mofokeng’s Sesotho books of essay and stories
CONCEPT LOOK 2 with @bulelanigram
‘O MO KAE?’ -Sublimated and Fragmented Basotho blanket patterns: Seana Marena, historically associated with royalty and chiefs, and Victoria England, also known as the “badges of the brave,” which commemorate Basotho soldiers who served alongside British and Allied forces during World War II.
Blanket text shortened excerpt from SM Mofokeng’s Sesotho books of essay and stories
CONCEPT LOOK 2 with @bulelanigram
‘O MO KAE?’ -Sublimated and Fragmented Basotho blanket patterns: Seana Marena, historically associated with royalty and chiefs, and Victoria England, also known as the “badges of the brave,” which commemorate Basotho soldiers who served alongside British and Allied forces during World War II.
Blanket text shortened excerpt from SM Mofokeng’s Sesotho books of essay and stories
CONCEPT LOOK 2 with @bulelanigram
‘O MO KAE?’ -Sublimated and Fragmented Basotho blanket patterns: Seana Marena, historically associated with royalty and chiefs, and Victoria England, also known as the “badges of the brave,” which commemorate Basotho soldiers who served alongside British and Allied forces during World War II.
Blanket text shortened excerpt from SM Mofokeng’s Sesotho books of essay and stories
CONCEPT LOOK 1 with @bulelanigram, playing around with form and shape
‘O MO KAE?’ - sublimated photo of my mother,puff quilted and distorted
CONCEPT LOOK 1 with @bulelanigram, playing around with form and shape
‘O MO KAE?’ - sublimated photo of my mother,puff quilted and distorted
CONCEPT LOOK 1 with @bulelanigram, playing around with form and shape
‘O MO KAE?’ - sublimated photo of my mother,puff quilted and distorted
CONCEPT LOOK 1 with @bulelanigram, playing around with form and shape
‘O MO KAE?’ - sublimated photo of my mother,puff quilted and distorted
CONCEPT LOOK 1 with @bulelanigram, playing around with form and shape
‘O MO KAE?’ - sublimated photo of my mother,puff quilted and distorted
CONCEPT LOOK 1 with @bulelanigram, playing around with form and shape
‘O MO KAE?’ - sublimated photo of my mother,puff quilted and distorted
CONCEPT LOOK 1 with @bulelanigram, playing around with form and shape
‘O MO KAE?’ - sublimated photo of my mother,puff quilted and distorted
Looking back at our MOTHER THIS ISN’T ME group exhibition in cape town
‘O MO KAE?’ — puff quilted sublimated blankets
A process of seam loss — where the image gives away as it comes back together ... like pixels.
Very vulnerable process not only making the blankets but also having to make sense of it to an audience.
But I’m grateful to the MTIM artists and liaisons for how we held and articulated each other’s work.
A group show that practiced collective grieving … in CHURCH HOUSE.
@studio_________402 — a belief system / political party
More declarations soon.
Photos by @kwei_shunya
Thank you Mamzo for the surprise x
Looking back at our MOTHER THIS ISN’T ME group exhibition in cape town
‘O MO KAE?’ — puff quilted sublimated blankets
A process of seam loss — where the image gives away as it comes back together ... like pixels.
Very vulnerable process not only making the blankets but also having to make sense of it to an audience.
But I’m grateful to the MTIM artists and liaisons for how we held and articulated each other’s work.
A group show that practiced collective grieving … in CHURCH HOUSE.
@studio_________402 — a belief system / political party
More declarations soon.
Photos by @kwei_shunya
Thank you Mamzo for the surprise x
Looking back at our MOTHER THIS ISN’T ME group exhibition in cape town
‘O MO KAE?’ — puff quilted sublimated blankets
A process of seam loss — where the image gives away as it comes back together ... like pixels.
Very vulnerable process not only making the blankets but also having to make sense of it to an audience.
But I’m grateful to the MTIM artists and liaisons for how we held and articulated each other’s work.
A group show that practiced collective grieving … in CHURCH HOUSE.
@studio_________402 — a belief system / political party
More declarations soon.
Photos by @kwei_shunya
Thank you Mamzo for the surprise x
Looking back at our MOTHER THIS ISN’T ME group exhibition in cape town
‘O MO KAE?’ — puff quilted sublimated blankets
A process of seam loss — where the image gives away as it comes back together ... like pixels.
Very vulnerable process not only making the blankets but also having to make sense of it to an audience.
But I’m grateful to the MTIM artists and liaisons for how we held and articulated each other’s work.
A group show that practiced collective grieving … in CHURCH HOUSE.
@studio_________402 — a belief system / political party
More declarations soon.
Photos by @kwei_shunya
Thank you Mamzo for the surprise x
Looking back at our MOTHER THIS ISN’T ME group exhibition in cape town
‘O MO KAE?’ — puff quilted sublimated blankets
A process of seam loss — where the image gives away as it comes back together ... like pixels.
Very vulnerable process not only making the blankets but also having to make sense of it to an audience.
But I’m grateful to the MTIM artists and liaisons for how we held and articulated each other’s work.
A group show that practiced collective grieving … in CHURCH HOUSE.
@studio_________402 — a belief system / political party
More declarations soon.
Photos by @kwei_shunya
Thank you Mamzo for the surprise x
Looking back at our MOTHER THIS ISN’T ME group exhibition in cape town
‘O MO KAE?’ — puff quilted sublimated blankets
A process of seam loss — where the image gives away as it comes back together ... like pixels.
Very vulnerable process not only making the blankets but also having to make sense of it to an audience.
But I’m grateful to the MTIM artists and liaisons for how we held and articulated each other’s work.
A group show that practiced collective grieving … in CHURCH HOUSE.
@studio_________402 — a belief system / political party
More declarations soon.
Photos by @kwei_shunya
Thank you Mamzo for the surprise x
Looking back at our MOTHER THIS ISN’T ME group exhibition in cape town
‘O MO KAE?’ — puff quilted sublimated blankets
A process of seam loss — where the image gives away as it comes back together ... like pixels.
Very vulnerable process not only making the blankets but also having to make sense of it to an audience.
But I’m grateful to the MTIM artists and liaisons for how we held and articulated each other’s work.
A group show that practiced collective grieving … in CHURCH HOUSE.
@studio_________402 — a belief system / political party
More declarations soon.
Photos by @kwei_shunya
Thank you Mamzo for the surprise x
Looking back at our MOTHER THIS ISN’T ME group exhibition in cape town
‘O MO KAE?’ — puff quilted sublimated blankets
A process of seam loss — where the image gives away as it comes back together ... like pixels.
Very vulnerable process not only making the blankets but also having to make sense of it to an audience.
But I’m grateful to the MTIM artists and liaisons for how we held and articulated each other’s work.
A group show that practiced collective grieving … in CHURCH HOUSE.
@studio_________402 — a belief system / political party
More declarations soon.
Photos by @kwei_shunya
Thank you Mamzo for the surprise x
Looking back at our MOTHER THIS ISN’T ME group exhibition in cape town
‘O MO KAE?’ — puff quilted sublimated blankets
A process of seam loss — where the image gives away as it comes back together ... like pixels.
Very vulnerable process not only making the blankets but also having to make sense of it to an audience.
But I’m grateful to the MTIM artists and liaisons for how we held and articulated each other’s work.
A group show that practiced collective grieving … in CHURCH HOUSE.
@studio_________402 — a belief system / political party
More declarations soon.
Photos by @kwei_shunya
Thank you Mamzo for the surprise x
Looking back at our MOTHER THIS ISN’T ME group exhibition in cape town
‘O MO KAE?’ — puff quilted sublimated blankets
A process of seam loss — where the image gives away as it comes back together ... like pixels.
Very vulnerable process not only making the blankets but also having to make sense of it to an audience.
But I’m grateful to the MTIM artists and liaisons for how we held and articulated each other’s work.
A group show that practiced collective grieving … in CHURCH HOUSE.
@studio_________402 — a belief system / political party
More declarations soon.
Photos by @kwei_shunya
Thank you Mamzo for the surprise x
‘O Mo Kae?’
Mother, This Isn’t Me.
Capetown Groupshow 20/02-22/02.
See you there.
@studio_________402
Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.
Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.
The project debuted at Design Week as part of The Price of Gold exhibition.
@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch
Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.
Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.
The project debuted at Design Week as part of The Price of Gold exhibition.
@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch
Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.
Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.
The project debuted at Design Week as part of The Price of Gold exhibition.
@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch
Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.
Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.
The project debuted at Design Week as part of The Price of Gold exhibition.
@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch
Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.
Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.
The project debuted at Design Week as part of The Price of Gold exhibition.
@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch
Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.
Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.
The project debuted at Design Week as part of The Price of Gold exhibition.
@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch
Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.
Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.
The project debuted at Design Week as part of The Price of Gold exhibition.
@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch
Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.
Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.
The project debuted at Design Week as part of The Price of Gold exhibition.
@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch
Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.
Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.
The project debuted at Design Week as part of The Price of Gold exhibition.
@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch
Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.
Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.
The project debuted at Design Week as part of The Price of Gold exhibition.
@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch
Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.
Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.
The project debuted at Design Week as part of The Price of Gold exhibition.
@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch
Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.
Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.
The project debuted at Design Week as part of The Price of Gold exhibition.
@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch
Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.
Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.
The project debuted at Design Week as part of The Price of Gold exhibition.
@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch
Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.
Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.
The project debuted at Design Week as part of The Price of Gold exhibition.
@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch
Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.
Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.
The project debuted at Design Week as part of The Price of Gold exhibition.
@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch
Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.
Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.
The project debuted at Design Week as part of The Price of Gold exhibition.
@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch
Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.
Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.
The project debuted at Design Week as part of The Price of Gold exhibition.
@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch
Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.
Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.
The project debuted at Design Week as part of The Price of Gold exhibition.
@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch
Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.
Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.
The project debuted at Design Week as part of The Price of Gold exhibition.
@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch
Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.
Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.
The project debuted at Design Week as part of The Price of Gold exhibition.
@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.