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👩🏫 a few works from the past months :)
2,3,4- Oil pastels on wood
5- Watercolor in Japanese paper
6- Scanned watercolor in Japanese paper
7- Sketchbook development for fashion and textiles
8- Graphic design task
9- Layered net and acrylic in a metal structure
10- Playing around with an animation projected onto my kitchen
👩🏫 a few works from the past months :)
2,3,4- Oil pastels on wood
5- Watercolor in Japanese paper
6- Scanned watercolor in Japanese paper
7- Sketchbook development for fashion and textiles
8- Graphic design task
9- Layered net and acrylic in a metal structure
10- Playing around with an animation projected onto my kitchen
👩🏫 a few works from the past months :)
2,3,4- Oil pastels on wood
5- Watercolor in Japanese paper
6- Scanned watercolor in Japanese paper
7- Sketchbook development for fashion and textiles
8- Graphic design task
9- Layered net and acrylic in a metal structure
10- Playing around with an animation projected onto my kitchen
👩🏫 a few works from the past months :)
2,3,4- Oil pastels on wood
5- Watercolor in Japanese paper
6- Scanned watercolor in Japanese paper
7- Sketchbook development for fashion and textiles
8- Graphic design task
9- Layered net and acrylic in a metal structure
10- Playing around with an animation projected onto my kitchen
👩🏫 a few works from the past months :)
2,3,4- Oil pastels on wood
5- Watercolor in Japanese paper
6- Scanned watercolor in Japanese paper
7- Sketchbook development for fashion and textiles
8- Graphic design task
9- Layered net and acrylic in a metal structure
10- Playing around with an animation projected onto my kitchen
👩🏫 a few works from the past months :)
2,3,4- Oil pastels on wood
5- Watercolor in Japanese paper
6- Scanned watercolor in Japanese paper
7- Sketchbook development for fashion and textiles
8- Graphic design task
9- Layered net and acrylic in a metal structure
10- Playing around with an animation projected onto my kitchen
👩🏫 a few works from the past months :)
2,3,4- Oil pastels on wood
5- Watercolor in Japanese paper
6- Scanned watercolor in Japanese paper
7- Sketchbook development for fashion and textiles
8- Graphic design task
9- Layered net and acrylic in a metal structure
10- Playing around with an animation projected onto my kitchen
👩🏫 a few works from the past months :)
2,3,4- Oil pastels on wood
5- Watercolor in Japanese paper
6- Scanned watercolor in Japanese paper
7- Sketchbook development for fashion and textiles
8- Graphic design task
9- Layered net and acrylic in a metal structure
10- Playing around with an animation projected onto my kitchen
👩🏫 a few works from the past months :)
2,3,4- Oil pastels on wood
5- Watercolor in Japanese paper
6- Scanned watercolor in Japanese paper
7- Sketchbook development for fashion and textiles
8- Graphic design task
9- Layered net and acrylic in a metal structure
10- Playing around with an animation projected onto my kitchen
It began with just a furniture shop,
full of misplaced, awkward, silent objects.
Objects touching, like strangers on a bus.
Now, after these days, I pass by and they’re still there ———— still touching —
but they don’t feel like strangers anymore.
They’re full of stories that were lived during these days.
So happy and grateful for these last few days — thank you to everyone who came to our exhibition!
This was my first collaborative exhibition, and it was so special to create it alongside my talented friends and artists: @samanthlam9 , @c44rmen , and @evelynnbryann .
We had the opportunity to exhibit inside Hackney Discount Furniture Shop, and the whole experience was unforgettable. From planning it together, visiting the shop every week for the past two months, to moving everything in and out each day and transforming the space — what started as a chain of chairs became something much more: a chain of love and a community.
Lots of love,
Luz
🪑
It began with just a furniture shop,
full of misplaced, awkward, silent objects.
Objects touching, like strangers on a bus.
Now, after these days, I pass by and they’re still there ———— still touching —
but they don’t feel like strangers anymore.
They’re full of stories that were lived during these days.
So happy and grateful for these last few days — thank you to everyone who came to our exhibition!
This was my first collaborative exhibition, and it was so special to create it alongside my talented friends and artists: @samanthlam9 , @c44rmen , and @evelynnbryann .
We had the opportunity to exhibit inside Hackney Discount Furniture Shop, and the whole experience was unforgettable. From planning it together, visiting the shop every week for the past two months, to moving everything in and out each day and transforming the space — what started as a chain of chairs became something much more: a chain of love and a community.
Lots of love,
Luz
🪑
It began with just a furniture shop,
full of misplaced, awkward, silent objects.
Objects touching, like strangers on a bus.
Now, after these days, I pass by and they’re still there ———— still touching —
but they don’t feel like strangers anymore.
They’re full of stories that were lived during these days.
So happy and grateful for these last few days — thank you to everyone who came to our exhibition!
This was my first collaborative exhibition, and it was so special to create it alongside my talented friends and artists: @samanthlam9 , @c44rmen , and @evelynnbryann .
We had the opportunity to exhibit inside Hackney Discount Furniture Shop, and the whole experience was unforgettable. From planning it together, visiting the shop every week for the past two months, to moving everything in and out each day and transforming the space — what started as a chain of chairs became something much more: a chain of love and a community.
Lots of love,
Luz
🪑
It began with just a furniture shop,
full of misplaced, awkward, silent objects.
Objects touching, like strangers on a bus.
Now, after these days, I pass by and they’re still there ———— still touching —
but they don’t feel like strangers anymore.
They’re full of stories that were lived during these days.
So happy and grateful for these last few days — thank you to everyone who came to our exhibition!
This was my first collaborative exhibition, and it was so special to create it alongside my talented friends and artists: @samanthlam9 , @c44rmen , and @evelynnbryann .
We had the opportunity to exhibit inside Hackney Discount Furniture Shop, and the whole experience was unforgettable. From planning it together, visiting the shop every week for the past two months, to moving everything in and out each day and transforming the space — what started as a chain of chairs became something much more: a chain of love and a community.
Lots of love,
Luz
🪑
It began with just a furniture shop,
full of misplaced, awkward, silent objects.
Objects touching, like strangers on a bus.
Now, after these days, I pass by and they’re still there ———— still touching —
but they don’t feel like strangers anymore.
They’re full of stories that were lived during these days.
So happy and grateful for these last few days — thank you to everyone who came to our exhibition!
This was my first collaborative exhibition, and it was so special to create it alongside my talented friends and artists: @samanthlam9 , @c44rmen , and @evelynnbryann .
We had the opportunity to exhibit inside Hackney Discount Furniture Shop, and the whole experience was unforgettable. From planning it together, visiting the shop every week for the past two months, to moving everything in and out each day and transforming the space — what started as a chain of chairs became something much more: a chain of love and a community.
Lots of love,
Luz
🪑
It began with just a furniture shop,
full of misplaced, awkward, silent objects.
Objects touching, like strangers on a bus.
Now, after these days, I pass by and they’re still there ———— still touching —
but they don’t feel like strangers anymore.
They’re full of stories that were lived during these days.
So happy and grateful for these last few days — thank you to everyone who came to our exhibition!
This was my first collaborative exhibition, and it was so special to create it alongside my talented friends and artists: @samanthlam9 , @c44rmen , and @evelynnbryann .
We had the opportunity to exhibit inside Hackney Discount Furniture Shop, and the whole experience was unforgettable. From planning it together, visiting the shop every week for the past two months, to moving everything in and out each day and transforming the space — what started as a chain of chairs became something much more: a chain of love and a community.
Lots of love,
Luz
🪑
It began with just a furniture shop,
full of misplaced, awkward, silent objects.
Objects touching, like strangers on a bus.
Now, after these days, I pass by and they’re still there ———— still touching —
but they don’t feel like strangers anymore.
They’re full of stories that were lived during these days.
So happy and grateful for these last few days — thank you to everyone who came to our exhibition!
This was my first collaborative exhibition, and it was so special to create it alongside my talented friends and artists: @samanthlam9 , @c44rmen , and @evelynnbryann .
We had the opportunity to exhibit inside Hackney Discount Furniture Shop, and the whole experience was unforgettable. From planning it together, visiting the shop every week for the past two months, to moving everything in and out each day and transforming the space — what started as a chain of chairs became something much more: a chain of love and a community.
Lots of love,
Luz
🪑
It began with just a furniture shop,
full of misplaced, awkward, silent objects.
Objects touching, like strangers on a bus.
Now, after these days, I pass by and they’re still there ———— still touching —
but they don’t feel like strangers anymore.
They’re full of stories that were lived during these days.
So happy and grateful for these last few days — thank you to everyone who came to our exhibition!
This was my first collaborative exhibition, and it was so special to create it alongside my talented friends and artists: @samanthlam9 , @c44rmen , and @evelynnbryann .
We had the opportunity to exhibit inside Hackney Discount Furniture Shop, and the whole experience was unforgettable. From planning it together, visiting the shop every week for the past two months, to moving everything in and out each day and transforming the space — what started as a chain of chairs became something much more: a chain of love and a community.
Lots of love,
Luz
🪑
It began with just a furniture shop,
full of misplaced, awkward, silent objects.
Objects touching, like strangers on a bus.
Now, after these days, I pass by and they’re still there ———— still touching —
but they don’t feel like strangers anymore.
They’re full of stories that were lived during these days.
So happy and grateful for these last few days — thank you to everyone who came to our exhibition!
This was my first collaborative exhibition, and it was so special to create it alongside my talented friends and artists: @samanthlam9 , @c44rmen , and @evelynnbryann .
We had the opportunity to exhibit inside Hackney Discount Furniture Shop, and the whole experience was unforgettable. From planning it together, visiting the shop every week for the past two months, to moving everything in and out each day and transforming the space — what started as a chain of chairs became something much more: a chain of love and a community.
Lots of love,
Luz
🪑
It began with just a furniture shop,
full of misplaced, awkward, silent objects.
Objects touching, like strangers on a bus.
Now, after these days, I pass by and they’re still there ———— still touching —
but they don’t feel like strangers anymore.
They’re full of stories that were lived during these days.
So happy and grateful for these last few days — thank you to everyone who came to our exhibition!
This was my first collaborative exhibition, and it was so special to create it alongside my talented friends and artists: @samanthlam9 , @c44rmen , and @evelynnbryann .
We had the opportunity to exhibit inside Hackney Discount Furniture Shop, and the whole experience was unforgettable. From planning it together, visiting the shop every week for the past two months, to moving everything in and out each day and transforming the space — what started as a chain of chairs became something much more: a chain of love and a community.
Lots of love,
Luz
🪑
Turned some of my paintings into prints for @at.nostos pop up 🩷❤️🧡💛💚🩵
my work keeps moving
breaking, slipping when I try to hold it.
it reflects the luz that remains in me
(acho eu)
falling into colours and shapes.
only a few of each — DM if you want one 🌀🛼🫧🌈
Turned some of my paintings into prints for @at.nostos pop up 🩷❤️🧡💛💚🩵
my work keeps moving
breaking, slipping when I try to hold it.
it reflects the luz that remains in me
(acho eu)
falling into colours and shapes.
only a few of each — DM if you want one 🌀🛼🫧🌈
Turned some of my paintings into prints for @at.nostos pop up 🩷❤️🧡💛💚🩵
my work keeps moving
breaking, slipping when I try to hold it.
it reflects the luz that remains in me
(acho eu)
falling into colours and shapes.
only a few of each — DM if you want one 🌀🛼🫧🌈
Turned some of my paintings into prints for @at.nostos pop up 🩷❤️🧡💛💚🩵
my work keeps moving
breaking, slipping when I try to hold it.
it reflects the luz that remains in me
(acho eu)
falling into colours and shapes.
only a few of each — DM if you want one 🌀🛼🫧🌈
Turned some of my paintings into prints for @at.nostos pop up 🩷❤️🧡💛💚🩵
my work keeps moving
breaking, slipping when I try to hold it.
it reflects the luz that remains in me
(acho eu)
falling into colours and shapes.
only a few of each — DM if you want one 🌀🛼🫧🌈
Turned some of my paintings into prints for @at.nostos pop up 🩷❤️🧡💛💚🩵
my work keeps moving
breaking, slipping when I try to hold it.
it reflects the luz that remains in me
(acho eu)
falling into colours and shapes.
only a few of each — DM if you want one 🌀🛼🫧🌈
Turned some of my paintings into prints for @at.nostos pop up 🩷❤️🧡💛💚🩵
my work keeps moving
breaking, slipping when I try to hold it.
it reflects the luz that remains in me
(acho eu)
falling into colours and shapes.
only a few of each — DM if you want one 🌀🛼🫧🌈
Turned some of my paintings into prints for @at.nostos pop up 🩷❤️🧡💛💚🩵
my work keeps moving
breaking, slipping when I try to hold it.
it reflects the luz that remains in me
(acho eu)
falling into colours and shapes.
only a few of each — DM if you want one 🌀🛼🫧🌈
Turned some of my paintings into prints for @at.nostos pop up 🩷❤️🧡💛💚🩵
my work keeps moving
breaking, slipping when I try to hold it.
it reflects the luz that remains in me
(acho eu)
falling into colours and shapes.
only a few of each — DM if you want one 🌀🛼🫧🌈
Turned some of my paintings into prints for @at.nostos pop up 🩷❤️🧡💛💚🩵
my work keeps moving
breaking, slipping when I try to hold it.
it reflects the luz that remains in me
(acho eu)
falling into colours and shapes.
only a few of each — DM if you want one 🌀🛼🫧🌈
Turned some of my paintings into prints for @at.nostos pop up 🩷❤️🧡💛💚🩵
my work keeps moving
breaking, slipping when I try to hold it.
it reflects the luz that remains in me
(acho eu)
falling into colours and shapes.
only a few of each — DM if you want one 🌀🛼🫧🌈
Turned some of my paintings into prints for @at.nostos pop up 🩷❤️🧡💛💚🩵
my work keeps moving
breaking, slipping when I try to hold it.
it reflects the luz that remains in me
(acho eu)
falling into colours and shapes.
only a few of each — DM if you want one 🌀🛼🫧🌈
Turned some of my paintings into prints for @at.nostos pop up 🩷❤️🧡💛💚🩵
my work keeps moving
breaking, slipping when I try to hold it.
it reflects the luz that remains in me
(acho eu)
falling into colours and shapes.
only a few of each — DM if you want one 🌀🛼🫧🌈
I made a small metal accordion 🪗
a glimpse into my mind
held in transparency
filled with fragments
thoughts, collages, images of me
fragments of me
it folds and unfolds
never fully fixed
the light almost erases them
like memory
like language
already always slipping
——-
Part of “não me lembro de mim assim”
YOUR FE(E)D exhibition
March 2026
I made a small metal accordion 🪗
a glimpse into my mind
held in transparency
filled with fragments
thoughts, collages, images of me
fragments of me
it folds and unfolds
never fully fixed
the light almost erases them
like memory
like language
already always slipping
——-
Part of “não me lembro de mim assim”
YOUR FE(E)D exhibition
March 2026
I made a small metal accordion 🪗
a glimpse into my mind
held in transparency
filled with fragments
thoughts, collages, images of me
fragments of me
it folds and unfolds
never fully fixed
the light almost erases them
like memory
like language
already always slipping
——-
Part of “não me lembro de mim assim”
YOUR FE(E)D exhibition
March 2026
I made a small metal accordion 🪗
a glimpse into my mind
held in transparency
filled with fragments
thoughts, collages, images of me
fragments of me
it folds and unfolds
never fully fixed
the light almost erases them
like memory
like language
already always slipping
——-
Part of “não me lembro de mim assim”
YOUR FE(E)D exhibition
March 2026
I made a small metal accordion 🪗
a glimpse into my mind
held in transparency
filled with fragments
thoughts, collages, images of me
fragments of me
it folds and unfolds
never fully fixed
the light almost erases them
like memory
like language
already always slipping
——-
Part of “não me lembro de mim assim”
YOUR FE(E)D exhibition
March 2026
I made a small metal accordion 🪗
a glimpse into my mind
held in transparency
filled with fragments
thoughts, collages, images of me
fragments of me
it folds and unfolds
never fully fixed
the light almost erases them
like memory
like language
already always slipping
——-
Part of “não me lembro de mim assim”
YOUR FE(E)D exhibition
March 2026
I made a small metal accordion 🪗
a glimpse into my mind
held in transparency
filled with fragments
thoughts, collages, images of me
fragments of me
it folds and unfolds
never fully fixed
the light almost erases them
like memory
like language
already always slipping
——-
Part of “não me lembro de mim assim”
YOUR FE(E)D exhibition
March 2026
I made a small metal accordion 🪗
a glimpse into my mind
held in transparency
filled with fragments
thoughts, collages, images of me
fragments of me
it folds and unfolds
never fully fixed
the light almost erases them
like memory
like language
already always slipping
——-
Part of “não me lembro de mim assim”
YOUR FE(E)D exhibition
March 2026
I made a small metal accordion 🪗
a glimpse into my mind
held in transparency
filled with fragments
thoughts, collages, images of me
fragments of me
it folds and unfolds
never fully fixed
the light almost erases them
like memory
like language
already always slipping
——-
Part of “não me lembro de mim assim”
YOUR FE(E)D exhibition
March 2026
I made a small metal accordion 🪗
a glimpse into my mind
held in transparency
filled with fragments
thoughts, collages, images of me
fragments of me
it folds and unfolds
never fully fixed
the light almost erases them
like memory
like language
already always slipping
——-
Part of “não me lembro de mim assim”
YOUR FE(E)D exhibition
March 2026
I made a small metal accordion 🪗
a glimpse into my mind
held in transparency
filled with fragments
thoughts, collages, images of me
fragments of me
it folds and unfolds
never fully fixed
the light almost erases them
like memory
like language
already always slipping
——-
Part of “não me lembro de mim assim”
YOUR FE(E)D exhibition
March 2026
I made a small metal accordion 🪗
a glimpse into my mind
held in transparency
filled with fragments
thoughts, collages, images of me
fragments of me
it folds and unfolds
never fully fixed
the light almost erases them
like memory
like language
already always slipping
——-
Part of “não me lembro de mim assim”
YOUR FE(E)D exhibition
March 2026
I made a small metal accordion 🪗
a glimpse into my mind
held in transparency
filled with fragments
thoughts, collages, images of me
fragments of me
it folds and unfolds
never fully fixed
the light almost erases them
like memory
like language
already always slipping
——-
Part of “não me lembro de mim assim”
YOUR FE(E)D exhibition
March 2026
images transferred onto metal
something stable
something that should hold
but it doesn’t fully preserve
it slips, fragments
like memory
the body breaks
it is displaced
misaligned
some
thing is always lost
——
“não me lembro de mim assim”
YOUR FE(E)D
March 2026
images transferred onto metal
something stable
something that should hold
but it doesn’t fully preserve
it slips, fragments
like memory
the body breaks
it is displaced
misaligned
some
thing is always lost
——
“não me lembro de mim assim”
YOUR FE(E)D
March 2026
images transferred onto metal
something stable
something that should hold
but it doesn’t fully preserve
it slips, fragments
like memory
the body breaks
it is displaced
misaligned
some
thing is always lost
——
“não me lembro de mim assim”
YOUR FE(E)D
March 2026
images transferred onto metal
something stable
something that should hold
but it doesn’t fully preserve
it slips, fragments
like memory
the body breaks
it is displaced
misaligned
some
thing is always lost
——
“não me lembro de mim assim”
YOUR FE(E)D
March 2026
images transferred onto metal
something stable
something that should hold
but it doesn’t fully preserve
it slips, fragments
like memory
the body breaks
it is displaced
misaligned
some
thing is always lost
——
“não me lembro de mim assim”
YOUR FE(E)D
March 2026
images transferred onto metal
something stable
something that should hold
but it doesn’t fully preserve
it slips, fragments
like memory
the body breaks
it is displaced
misaligned
some
thing is always lost
——
“não me lembro de mim assim”
YOUR FE(E)D
March 2026
images transferred onto metal
something stable
something that should hold
but it doesn’t fully preserve
it slips, fragments
like memory
the body breaks
it is displaced
misaligned
some
thing is always lost
——
“não me lembro de mim assim”
YOUR FE(E)D
March 2026
images transferred onto metal
something stable
something that should hold
but it doesn’t fully preserve
it slips, fragments
like memory
the body breaks
it is displaced
misaligned
some
thing is always lost
——
“não me lembro de mim assim”
YOUR FE(E)D
March 2026
images transferred onto metal
something stable
something that should hold
but it doesn’t fully preserve
it slips, fragments
like memory
the body breaks
it is displaced
misaligned
some
thing is always lost
——
“não me lembro de mim assim”
YOUR FE(E)D
March 2026
images transferred onto metal
something stable
something that should hold
but it doesn’t fully preserve
it slips, fragments
like memory
the body breaks
it is displaced
misaligned
some
thing is always lost
——
“não me lembro de mim assim”
YOUR FE(E)D
March 2026
images transferred onto metal
something stable
something that should hold
but it doesn’t fully preserve
it slips, fragments
like memory
the body breaks
it is displaced
misaligned
some
thing is always lost
——
“não me lembro de mim assim”
YOUR FE(E)D
March 2026
images transferred onto metal
something stable
something that should hold
but it doesn’t fully preserve
it slips, fragments
like memory
the body breaks
it is displaced
misaligned
some
thing is always lost
——
“não me lembro de mim assim”
YOUR FE(E)D
March 2026
images transferred onto metal
something stable
something that should hold
but it doesn’t fully preserve
it slips, fragments
like memory
the body breaks
it is displaced
misaligned
some
thing is always lost
——
“não me lembro de mim assim”
YOUR FE(E)D
March 2026
“não me lembro de mim assim”
march 2026
two weeks ago I showed these pieces in a group exhibition, YOUR FE(E)D, in London. they come from an ongoing exploration of how language fails — and how meaning and identity are still formed within that failure.
these pieces are not only about words. they are also about how my memory remembers me (or doesn’t).
language and memory behave similarly. they slip, distort, collapse. something is always lost.
so these pieces become a trace of me
(ou o que ainda estiver).
—
image 1
print on tracing paper
85 × 119 cm
2 prints
20 × 28 cm each
image 2
image transfer on metal structure
130 × 23 × 8 cm
image 3–5
prints on acetate mounted on 11 metal pieces
45 × 45 cm
image 6–7
ripped page from sketchbook
“não me lembro de mim assim”
march 2026
two weeks ago I showed these pieces in a group exhibition, YOUR FE(E)D, in London. they come from an ongoing exploration of how language fails — and how meaning and identity are still formed within that failure.
these pieces are not only about words. they are also about how my memory remembers me (or doesn’t).
language and memory behave similarly. they slip, distort, collapse. something is always lost.
so these pieces become a trace of me
(ou o que ainda estiver).
—
image 1
print on tracing paper
85 × 119 cm
2 prints
20 × 28 cm each
image 2
image transfer on metal structure
130 × 23 × 8 cm
image 3–5
prints on acetate mounted on 11 metal pieces
45 × 45 cm
image 6–7
ripped page from sketchbook
“não me lembro de mim assim”
march 2026
two weeks ago I showed these pieces in a group exhibition, YOUR FE(E)D, in London. they come from an ongoing exploration of how language fails — and how meaning and identity are still formed within that failure.
these pieces are not only about words. they are also about how my memory remembers me (or doesn’t).
language and memory behave similarly. they slip, distort, collapse. something is always lost.
so these pieces become a trace of me
(ou o que ainda estiver).
—
image 1
print on tracing paper
85 × 119 cm
2 prints
20 × 28 cm each
image 2
image transfer on metal structure
130 × 23 × 8 cm
image 3–5
prints on acetate mounted on 11 metal pieces
45 × 45 cm
image 6–7
ripped page from sketchbook
“não me lembro de mim assim”
march 2026
two weeks ago I showed these pieces in a group exhibition, YOUR FE(E)D, in London. they come from an ongoing exploration of how language fails — and how meaning and identity are still formed within that failure.
these pieces are not only about words. they are also about how my memory remembers me (or doesn’t).
language and memory behave similarly. they slip, distort, collapse. something is always lost.
so these pieces become a trace of me
(ou o que ainda estiver).
—
image 1
print on tracing paper
85 × 119 cm
2 prints
20 × 28 cm each
image 2
image transfer on metal structure
130 × 23 × 8 cm
image 3–5
prints on acetate mounted on 11 metal pieces
45 × 45 cm
image 6–7
ripped page from sketchbook
“não me lembro de mim assim”
march 2026
two weeks ago I showed these pieces in a group exhibition, YOUR FE(E)D, in London. they come from an ongoing exploration of how language fails — and how meaning and identity are still formed within that failure.
these pieces are not only about words. they are also about how my memory remembers me (or doesn’t).
language and memory behave similarly. they slip, distort, collapse. something is always lost.
so these pieces become a trace of me
(ou o que ainda estiver).
—
image 1
print on tracing paper
85 × 119 cm
2 prints
20 × 28 cm each
image 2
image transfer on metal structure
130 × 23 × 8 cm
image 3–5
prints on acetate mounted on 11 metal pieces
45 × 45 cm
image 6–7
ripped page from sketchbook
“não me lembro de mim assim”
march 2026
two weeks ago I showed these pieces in a group exhibition, YOUR FE(E)D, in London. they come from an ongoing exploration of how language fails — and how meaning and identity are still formed within that failure.
these pieces are not only about words. they are also about how my memory remembers me (or doesn’t).
language and memory behave similarly. they slip, distort, collapse. something is always lost.
so these pieces become a trace of me
(ou o que ainda estiver).
—
image 1
print on tracing paper
85 × 119 cm
2 prints
20 × 28 cm each
image 2
image transfer on metal structure
130 × 23 × 8 cm
image 3–5
prints on acetate mounted on 11 metal pieces
45 × 45 cm
image 6–7
ripped page from sketchbook
“não me lembro de mim assim”
march 2026
two weeks ago I showed these pieces in a group exhibition, YOUR FE(E)D, in London. they come from an ongoing exploration of how language fails — and how meaning and identity are still formed within that failure.
these pieces are not only about words. they are also about how my memory remembers me (or doesn’t).
language and memory behave similarly. they slip, distort, collapse. something is always lost.
so these pieces become a trace of me
(ou o que ainda estiver).
—
image 1
print on tracing paper
85 × 119 cm
2 prints
20 × 28 cm each
image 2
image transfer on metal structure
130 × 23 × 8 cm
image 3–5
prints on acetate mounted on 11 metal pieces
45 × 45 cm
image 6–7
ripped page from sketchbook
“não me lembro de mim assim”
march 2026
two weeks ago I showed these pieces in a group exhibition, YOUR FE(E)D, in London. they come from an ongoing exploration of how language fails — and how meaning and identity are still formed within that failure.
these pieces are not only about words. they are also about how my memory remembers me (or doesn’t).
language and memory behave similarly. they slip, distort, collapse. something is always lost.
so these pieces become a trace of me
(ou o que ainda estiver).
—
image 1
print on tracing paper
85 × 119 cm
2 prints
20 × 28 cm each
image 2
image transfer on metal structure
130 × 23 × 8 cm
image 3–5
prints on acetate mounted on 11 metal pieces
45 × 45 cm
image 6–7
ripped page from sketchbook
“não me lembro de mim assim”
march 2026
two weeks ago I showed these pieces in a group exhibition, YOUR FE(E)D, in London. they come from an ongoing exploration of how language fails — and how meaning and identity are still formed within that failure.
these pieces are not only about words. they are also about how my memory remembers me (or doesn’t).
language and memory behave similarly. they slip, distort, collapse. something is always lost.
so these pieces become a trace of me
(ou o que ainda estiver).
—
image 1
print on tracing paper
85 × 119 cm
2 prints
20 × 28 cm each
image 2
image transfer on metal structure
130 × 23 × 8 cm
image 3–5
prints on acetate mounted on 11 metal pieces
45 × 45 cm
image 6–7
ripped page from sketchbook
YOUR FE(E)D
we scroll
we consume
we produce
feeding
and being fed
A group exhibition bringing together different practices and mediums to explore the fragmented, fast-moving, algorithmic nature of contemporary image culture — questioning how social media and digital technologies reshape the way we see, remember, and understand reality.
Wednesday, March 18
5–8pm
Lower Clapton
🩶🧡🩶🧡🩶
Poster by me :)
YOUR FE(E)D
we scroll
we consume
we produce
feeding
and being fed
A group exhibition bringing together different practices and mediums to explore the fragmented, fast-moving, algorithmic nature of contemporary image culture — questioning how social media and digital technologies reshape the way we see, remember, and understand reality.
Wednesday, March 18
5–8pm
Lower Clapton
🩶🧡🩶🧡🩶
Poster by me :)
YOUR FE(E)D
we scroll
we consume
we produce
feeding
and being fed
A group exhibition bringing together different practices and mediums to explore the fragmented, fast-moving, algorithmic nature of contemporary image culture — questioning how social media and digital technologies reshape the way we see, remember, and understand reality.
Wednesday, March 18
5–8pm
Lower Clapton
🩶🧡🩶🧡🩶
Poster by me :)
YOUR FE(E)D
we scroll
we consume
we produce
feeding
and being fed
A group exhibition bringing together different practices and mediums to explore the fragmented, fast-moving, algorithmic nature of contemporary image culture — questioning how social media and digital technologies reshape the way we see, remember, and understand reality.
Wednesday, March 18
5–8pm
Lower Clapton
🩶🧡🩶🧡🩶
Poster by me :)
YOUR FE(E)D
we scroll
we consume
we produce
feeding
and being fed
A group exhibition bringing together different practices and mediums to explore the fragmented, fast-moving, algorithmic nature of contemporary image culture — questioning how social media and digital technologies reshape the way we see, remember, and understand reality.
Wednesday, March 18
5–8pm
Lower Clapton
🩶🧡🩶🧡🩶
Poster by me :)
YOUR FE(E)D
we scroll
we consume
we produce
feeding
and being fed
A group exhibition bringing together different practices and mediums to explore the fragmented, fast-moving, algorithmic nature of contemporary image culture — questioning how social media and digital technologies reshape the way we see, remember, and understand reality.
Wednesday, March 18
5–8pm
Lower Clapton
🩶🧡🩶🧡🩶
Poster by me :)
YOUR FE(E)D
we scroll
we consume
we produce
feeding
and being fed
A group exhibition bringing together different practices and mediums to explore the fragmented, fast-moving, algorithmic nature of contemporary image culture — questioning how social media and digital technologies reshape the way we see, remember, and understand reality.
Wednesday, March 18
5–8pm
Lower Clapton
🩶🧡🩶🧡🩶
Poster by me :)
YOUR FE(E)D
we scroll
we consume
we produce
feeding
and being fed
A group exhibition bringing together different practices and mediums to explore the fragmented, fast-moving, algorithmic nature of contemporary image culture — questioning how social media and digital technologies reshape the way we see, remember, and understand reality.
Wednesday, March 18
5–8pm
Lower Clapton
🩶🧡🩶🧡🩶
Poster by me :)
YOUR FE(E)D
we scroll
we consume
we produce
feeding
and being fed
A group exhibition bringing together different practices and mediums to explore the fragmented, fast-moving, algorithmic nature of contemporary image culture — questioning how social media and digital technologies reshape the way we see, remember, and understand reality.
Wednesday, March 18
5–8pm
Lower Clapton
🩶🧡🩶🧡🩶
Poster by me :)
A few months ago, my mum and I spent a morning in Solevu Village, on Malolo Island, Fiji.
Around 300 people live here. This open space is the heart of the village. Where weddings are celebrated, prayers are shared, and conflicts are talked through and resolved.
The cross marks the gathering point. Although there is a village leader, major decisions are made together, with one adult male representative from each family.
Fiji
Outubro 2025
A few months ago, my mum and I spent a morning in Solevu Village, on Malolo Island, Fiji.
Around 300 people live here. This open space is the heart of the village. Where weddings are celebrated, prayers are shared, and conflicts are talked through and resolved.
The cross marks the gathering point. Although there is a village leader, major decisions are made together, with one adult male representative from each family.
Fiji
Outubro 2025
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