Martijn van Boven
Artist

𝗦𝗣𝗘𝗖𝗜𝗔𝗟𝗦 💥IN COOPERATION WITH @this.is.short
Our specials include a film programme selected by visual artist 𝐌𝐚𝐫𝐭𝐢𝐣𝐧 𝐯𝐚𝐧 𝐁𝐨𝐯𝐞𝐧, 𝑅𝐴𝑊 𝐷𝐴𝑇𝐴: 𝑇𝐻𝐸 𝑂𝑅𝐼𝐺𝐼𝑁𝑆 𝑂𝐹 𝐷𝐼𝐺𝐼𝑇𝐴𝐿 𝐹𝐼𝐿𝑀, that showcases experimental audiovisual works that deal exclusively with the probabilities of digital image processing. Some of the featured artists are computer art pioneers Bart Vegter and Aldo Tambellini, and explorers of machine capabilities Joost Rekveld and Semiconductor. His program text is available on our web!📍 Thursday 25/9 @kinokinoteka 2PM
As part of the same program, we will host a panel titled 𝐹𝑖𝑙𝑚 𝐹𝑒𝑠𝑡𝑖𝑣𝑎𝑙𝑠 𝑎𝑛𝑑 𝑇ℎ𝑒𝑖𝑟 𝑁𝑒𝑤 𝑅𝑒𝑎𝑙𝑖𝑡𝑖𝑒𝑠: 𝐶𝐼𝑁𝐸𝑀𝐴𝐺𝑂𝐸𝑅𝑆 𝑊𝐼𝑇𝐻𝑂𝑈𝑇 𝐶𝐼𝑁𝐸𝑀𝐴𝑆, that aims to bring together film professionals, curators, and cultural strategists to discuss what the future of audience development looks like in cities losing cinemas, with a special focus on Zagreb. The panel will be held in Croatian. 📍 Saturday 27/9 12PM
𝗙𝗶𝗹𝗺 𝘀𝘁𝗶𝗹𝗹𝘀 💥
1 Semiconductor – Time Out of Place
2 Tom Klinkowstein – 3 Artists On-line on Slow-Scan-TV
3 Rosa Menkman – DCT: SYPHONING: The 1000000th (64th) interval
4 Bart Vegter – Nacht-Licht
5 Bas van Koolwijk – Arcadian Rhythms #160
6 Joost Rekveld – IFSfilm
7 Markus Maicher – 10 Megabytes of Memory
8 ReMI – Belchic QE
9 Martine Stig – NIR

𝗦𝗣𝗘𝗖𝗜𝗔𝗟𝗦 💥IN COOPERATION WITH @this.is.short
Our specials include a film programme selected by visual artist 𝐌𝐚𝐫𝐭𝐢𝐣𝐧 𝐯𝐚𝐧 𝐁𝐨𝐯𝐞𝐧, 𝑅𝐴𝑊 𝐷𝐴𝑇𝐴: 𝑇𝐻𝐸 𝑂𝑅𝐼𝐺𝐼𝑁𝑆 𝑂𝐹 𝐷𝐼𝐺𝐼𝑇𝐴𝐿 𝐹𝐼𝐿𝑀, that showcases experimental audiovisual works that deal exclusively with the probabilities of digital image processing. Some of the featured artists are computer art pioneers Bart Vegter and Aldo Tambellini, and explorers of machine capabilities Joost Rekveld and Semiconductor. His program text is available on our web!📍 Thursday 25/9 @kinokinoteka 2PM
As part of the same program, we will host a panel titled 𝐹𝑖𝑙𝑚 𝐹𝑒𝑠𝑡𝑖𝑣𝑎𝑙𝑠 𝑎𝑛𝑑 𝑇ℎ𝑒𝑖𝑟 𝑁𝑒𝑤 𝑅𝑒𝑎𝑙𝑖𝑡𝑖𝑒𝑠: 𝐶𝐼𝑁𝐸𝑀𝐴𝐺𝑂𝐸𝑅𝑆 𝑊𝐼𝑇𝐻𝑂𝑈𝑇 𝐶𝐼𝑁𝐸𝑀𝐴𝑆, that aims to bring together film professionals, curators, and cultural strategists to discuss what the future of audience development looks like in cities losing cinemas, with a special focus on Zagreb. The panel will be held in Croatian. 📍 Saturday 27/9 12PM
𝗙𝗶𝗹𝗺 𝘀𝘁𝗶𝗹𝗹𝘀 💥
1 Semiconductor – Time Out of Place
2 Tom Klinkowstein – 3 Artists On-line on Slow-Scan-TV
3 Rosa Menkman – DCT: SYPHONING: The 1000000th (64th) interval
4 Bart Vegter – Nacht-Licht
5 Bas van Koolwijk – Arcadian Rhythms #160
6 Joost Rekveld – IFSfilm
7 Markus Maicher – 10 Megabytes of Memory
8 ReMI – Belchic QE
9 Martine Stig – NIR

𝗦𝗣𝗘𝗖𝗜𝗔𝗟𝗦 💥IN COOPERATION WITH @this.is.short
Our specials include a film programme selected by visual artist 𝐌𝐚𝐫𝐭𝐢𝐣𝐧 𝐯𝐚𝐧 𝐁𝐨𝐯𝐞𝐧, 𝑅𝐴𝑊 𝐷𝐴𝑇𝐴: 𝑇𝐻𝐸 𝑂𝑅𝐼𝐺𝐼𝑁𝑆 𝑂𝐹 𝐷𝐼𝐺𝐼𝑇𝐴𝐿 𝐹𝐼𝐿𝑀, that showcases experimental audiovisual works that deal exclusively with the probabilities of digital image processing. Some of the featured artists are computer art pioneers Bart Vegter and Aldo Tambellini, and explorers of machine capabilities Joost Rekveld and Semiconductor. His program text is available on our web!📍 Thursday 25/9 @kinokinoteka 2PM
As part of the same program, we will host a panel titled 𝐹𝑖𝑙𝑚 𝐹𝑒𝑠𝑡𝑖𝑣𝑎𝑙𝑠 𝑎𝑛𝑑 𝑇ℎ𝑒𝑖𝑟 𝑁𝑒𝑤 𝑅𝑒𝑎𝑙𝑖𝑡𝑖𝑒𝑠: 𝐶𝐼𝑁𝐸𝑀𝐴𝐺𝑂𝐸𝑅𝑆 𝑊𝐼𝑇𝐻𝑂𝑈𝑇 𝐶𝐼𝑁𝐸𝑀𝐴𝑆, that aims to bring together film professionals, curators, and cultural strategists to discuss what the future of audience development looks like in cities losing cinemas, with a special focus on Zagreb. The panel will be held in Croatian. 📍 Saturday 27/9 12PM
𝗙𝗶𝗹𝗺 𝘀𝘁𝗶𝗹𝗹𝘀 💥
1 Semiconductor – Time Out of Place
2 Tom Klinkowstein – 3 Artists On-line on Slow-Scan-TV
3 Rosa Menkman – DCT: SYPHONING: The 1000000th (64th) interval
4 Bart Vegter – Nacht-Licht
5 Bas van Koolwijk – Arcadian Rhythms #160
6 Joost Rekveld – IFSfilm
7 Markus Maicher – 10 Megabytes of Memory
8 ReMI – Belchic QE
9 Martine Stig – NIR

𝗦𝗣𝗘𝗖𝗜𝗔𝗟𝗦 💥IN COOPERATION WITH @this.is.short
Our specials include a film programme selected by visual artist 𝐌𝐚𝐫𝐭𝐢𝐣𝐧 𝐯𝐚𝐧 𝐁𝐨𝐯𝐞𝐧, 𝑅𝐴𝑊 𝐷𝐴𝑇𝐴: 𝑇𝐻𝐸 𝑂𝑅𝐼𝐺𝐼𝑁𝑆 𝑂𝐹 𝐷𝐼𝐺𝐼𝑇𝐴𝐿 𝐹𝐼𝐿𝑀, that showcases experimental audiovisual works that deal exclusively with the probabilities of digital image processing. Some of the featured artists are computer art pioneers Bart Vegter and Aldo Tambellini, and explorers of machine capabilities Joost Rekveld and Semiconductor. His program text is available on our web!📍 Thursday 25/9 @kinokinoteka 2PM
As part of the same program, we will host a panel titled 𝐹𝑖𝑙𝑚 𝐹𝑒𝑠𝑡𝑖𝑣𝑎𝑙𝑠 𝑎𝑛𝑑 𝑇ℎ𝑒𝑖𝑟 𝑁𝑒𝑤 𝑅𝑒𝑎𝑙𝑖𝑡𝑖𝑒𝑠: 𝐶𝐼𝑁𝐸𝑀𝐴𝐺𝑂𝐸𝑅𝑆 𝑊𝐼𝑇𝐻𝑂𝑈𝑇 𝐶𝐼𝑁𝐸𝑀𝐴𝑆, that aims to bring together film professionals, curators, and cultural strategists to discuss what the future of audience development looks like in cities losing cinemas, with a special focus on Zagreb. The panel will be held in Croatian. 📍 Saturday 27/9 12PM
𝗙𝗶𝗹𝗺 𝘀𝘁𝗶𝗹𝗹𝘀 💥
1 Semiconductor – Time Out of Place
2 Tom Klinkowstein – 3 Artists On-line on Slow-Scan-TV
3 Rosa Menkman – DCT: SYPHONING: The 1000000th (64th) interval
4 Bart Vegter – Nacht-Licht
5 Bas van Koolwijk – Arcadian Rhythms #160
6 Joost Rekveld – IFSfilm
7 Markus Maicher – 10 Megabytes of Memory
8 ReMI – Belchic QE
9 Martine Stig – NIR

𝗦𝗣𝗘𝗖𝗜𝗔𝗟𝗦 💥IN COOPERATION WITH @this.is.short
Our specials include a film programme selected by visual artist 𝐌𝐚𝐫𝐭𝐢𝐣𝐧 𝐯𝐚𝐧 𝐁𝐨𝐯𝐞𝐧, 𝑅𝐴𝑊 𝐷𝐴𝑇𝐴: 𝑇𝐻𝐸 𝑂𝑅𝐼𝐺𝐼𝑁𝑆 𝑂𝐹 𝐷𝐼𝐺𝐼𝑇𝐴𝐿 𝐹𝐼𝐿𝑀, that showcases experimental audiovisual works that deal exclusively with the probabilities of digital image processing. Some of the featured artists are computer art pioneers Bart Vegter and Aldo Tambellini, and explorers of machine capabilities Joost Rekveld and Semiconductor. His program text is available on our web!📍 Thursday 25/9 @kinokinoteka 2PM
As part of the same program, we will host a panel titled 𝐹𝑖𝑙𝑚 𝐹𝑒𝑠𝑡𝑖𝑣𝑎𝑙𝑠 𝑎𝑛𝑑 𝑇ℎ𝑒𝑖𝑟 𝑁𝑒𝑤 𝑅𝑒𝑎𝑙𝑖𝑡𝑖𝑒𝑠: 𝐶𝐼𝑁𝐸𝑀𝐴𝐺𝑂𝐸𝑅𝑆 𝑊𝐼𝑇𝐻𝑂𝑈𝑇 𝐶𝐼𝑁𝐸𝑀𝐴𝑆, that aims to bring together film professionals, curators, and cultural strategists to discuss what the future of audience development looks like in cities losing cinemas, with a special focus on Zagreb. The panel will be held in Croatian. 📍 Saturday 27/9 12PM
𝗙𝗶𝗹𝗺 𝘀𝘁𝗶𝗹𝗹𝘀 💥
1 Semiconductor – Time Out of Place
2 Tom Klinkowstein – 3 Artists On-line on Slow-Scan-TV
3 Rosa Menkman – DCT: SYPHONING: The 1000000th (64th) interval
4 Bart Vegter – Nacht-Licht
5 Bas van Koolwijk – Arcadian Rhythms #160
6 Joost Rekveld – IFSfilm
7 Markus Maicher – 10 Megabytes of Memory
8 ReMI – Belchic QE
9 Martine Stig – NIR

𝗦𝗣𝗘𝗖𝗜𝗔𝗟𝗦 💥IN COOPERATION WITH @this.is.short
Our specials include a film programme selected by visual artist 𝐌𝐚𝐫𝐭𝐢𝐣𝐧 𝐯𝐚𝐧 𝐁𝐨𝐯𝐞𝐧, 𝑅𝐴𝑊 𝐷𝐴𝑇𝐴: 𝑇𝐻𝐸 𝑂𝑅𝐼𝐺𝐼𝑁𝑆 𝑂𝐹 𝐷𝐼𝐺𝐼𝑇𝐴𝐿 𝐹𝐼𝐿𝑀, that showcases experimental audiovisual works that deal exclusively with the probabilities of digital image processing. Some of the featured artists are computer art pioneers Bart Vegter and Aldo Tambellini, and explorers of machine capabilities Joost Rekveld and Semiconductor. His program text is available on our web!📍 Thursday 25/9 @kinokinoteka 2PM
As part of the same program, we will host a panel titled 𝐹𝑖𝑙𝑚 𝐹𝑒𝑠𝑡𝑖𝑣𝑎𝑙𝑠 𝑎𝑛𝑑 𝑇ℎ𝑒𝑖𝑟 𝑁𝑒𝑤 𝑅𝑒𝑎𝑙𝑖𝑡𝑖𝑒𝑠: 𝐶𝐼𝑁𝐸𝑀𝐴𝐺𝑂𝐸𝑅𝑆 𝑊𝐼𝑇𝐻𝑂𝑈𝑇 𝐶𝐼𝑁𝐸𝑀𝐴𝑆, that aims to bring together film professionals, curators, and cultural strategists to discuss what the future of audience development looks like in cities losing cinemas, with a special focus on Zagreb. The panel will be held in Croatian. 📍 Saturday 27/9 12PM
𝗙𝗶𝗹𝗺 𝘀𝘁𝗶𝗹𝗹𝘀 💥
1 Semiconductor – Time Out of Place
2 Tom Klinkowstein – 3 Artists On-line on Slow-Scan-TV
3 Rosa Menkman – DCT: SYPHONING: The 1000000th (64th) interval
4 Bart Vegter – Nacht-Licht
5 Bas van Koolwijk – Arcadian Rhythms #160
6 Joost Rekveld – IFSfilm
7 Markus Maicher – 10 Megabytes of Memory
8 ReMI – Belchic QE
9 Martine Stig – NIR

𝗦𝗣𝗘𝗖𝗜𝗔𝗟𝗦 💥IN COOPERATION WITH @this.is.short
Our specials include a film programme selected by visual artist 𝐌𝐚𝐫𝐭𝐢𝐣𝐧 𝐯𝐚𝐧 𝐁𝐨𝐯𝐞𝐧, 𝑅𝐴𝑊 𝐷𝐴𝑇𝐴: 𝑇𝐻𝐸 𝑂𝑅𝐼𝐺𝐼𝑁𝑆 𝑂𝐹 𝐷𝐼𝐺𝐼𝑇𝐴𝐿 𝐹𝐼𝐿𝑀, that showcases experimental audiovisual works that deal exclusively with the probabilities of digital image processing. Some of the featured artists are computer art pioneers Bart Vegter and Aldo Tambellini, and explorers of machine capabilities Joost Rekveld and Semiconductor. His program text is available on our web!📍 Thursday 25/9 @kinokinoteka 2PM
As part of the same program, we will host a panel titled 𝐹𝑖𝑙𝑚 𝐹𝑒𝑠𝑡𝑖𝑣𝑎𝑙𝑠 𝑎𝑛𝑑 𝑇ℎ𝑒𝑖𝑟 𝑁𝑒𝑤 𝑅𝑒𝑎𝑙𝑖𝑡𝑖𝑒𝑠: 𝐶𝐼𝑁𝐸𝑀𝐴𝐺𝑂𝐸𝑅𝑆 𝑊𝐼𝑇𝐻𝑂𝑈𝑇 𝐶𝐼𝑁𝐸𝑀𝐴𝑆, that aims to bring together film professionals, curators, and cultural strategists to discuss what the future of audience development looks like in cities losing cinemas, with a special focus on Zagreb. The panel will be held in Croatian. 📍 Saturday 27/9 12PM
𝗙𝗶𝗹𝗺 𝘀𝘁𝗶𝗹𝗹𝘀 💥
1 Semiconductor – Time Out of Place
2 Tom Klinkowstein – 3 Artists On-line on Slow-Scan-TV
3 Rosa Menkman – DCT: SYPHONING: The 1000000th (64th) interval
4 Bart Vegter – Nacht-Licht
5 Bas van Koolwijk – Arcadian Rhythms #160
6 Joost Rekveld – IFSfilm
7 Markus Maicher – 10 Megabytes of Memory
8 ReMI – Belchic QE
9 Martine Stig – NIR

𝗦𝗣𝗘𝗖𝗜𝗔𝗟𝗦 💥IN COOPERATION WITH @this.is.short
Our specials include a film programme selected by visual artist 𝐌𝐚𝐫𝐭𝐢𝐣𝐧 𝐯𝐚𝐧 𝐁𝐨𝐯𝐞𝐧, 𝑅𝐴𝑊 𝐷𝐴𝑇𝐴: 𝑇𝐻𝐸 𝑂𝑅𝐼𝐺𝐼𝑁𝑆 𝑂𝐹 𝐷𝐼𝐺𝐼𝑇𝐴𝐿 𝐹𝐼𝐿𝑀, that showcases experimental audiovisual works that deal exclusively with the probabilities of digital image processing. Some of the featured artists are computer art pioneers Bart Vegter and Aldo Tambellini, and explorers of machine capabilities Joost Rekveld and Semiconductor. His program text is available on our web!📍 Thursday 25/9 @kinokinoteka 2PM
As part of the same program, we will host a panel titled 𝐹𝑖𝑙𝑚 𝐹𝑒𝑠𝑡𝑖𝑣𝑎𝑙𝑠 𝑎𝑛𝑑 𝑇ℎ𝑒𝑖𝑟 𝑁𝑒𝑤 𝑅𝑒𝑎𝑙𝑖𝑡𝑖𝑒𝑠: 𝐶𝐼𝑁𝐸𝑀𝐴𝐺𝑂𝐸𝑅𝑆 𝑊𝐼𝑇𝐻𝑂𝑈𝑇 𝐶𝐼𝑁𝐸𝑀𝐴𝑆, that aims to bring together film professionals, curators, and cultural strategists to discuss what the future of audience development looks like in cities losing cinemas, with a special focus on Zagreb. The panel will be held in Croatian. 📍 Saturday 27/9 12PM
𝗙𝗶𝗹𝗺 𝘀𝘁𝗶𝗹𝗹𝘀 💥
1 Semiconductor – Time Out of Place
2 Tom Klinkowstein – 3 Artists On-line on Slow-Scan-TV
3 Rosa Menkman – DCT: SYPHONING: The 1000000th (64th) interval
4 Bart Vegter – Nacht-Licht
5 Bas van Koolwijk – Arcadian Rhythms #160
6 Joost Rekveld – IFSfilm
7 Markus Maicher – 10 Megabytes of Memory
8 ReMI – Belchic QE
9 Martine Stig – NIR

𝗦𝗣𝗘𝗖𝗜𝗔𝗟𝗦 💥IN COOPERATION WITH @this.is.short
Our specials include a film programme selected by visual artist 𝐌𝐚𝐫𝐭𝐢𝐣𝐧 𝐯𝐚𝐧 𝐁𝐨𝐯𝐞𝐧, 𝑅𝐴𝑊 𝐷𝐴𝑇𝐴: 𝑇𝐻𝐸 𝑂𝑅𝐼𝐺𝐼𝑁𝑆 𝑂𝐹 𝐷𝐼𝐺𝐼𝑇𝐴𝐿 𝐹𝐼𝐿𝑀, that showcases experimental audiovisual works that deal exclusively with the probabilities of digital image processing. Some of the featured artists are computer art pioneers Bart Vegter and Aldo Tambellini, and explorers of machine capabilities Joost Rekveld and Semiconductor. His program text is available on our web!📍 Thursday 25/9 @kinokinoteka 2PM
As part of the same program, we will host a panel titled 𝐹𝑖𝑙𝑚 𝐹𝑒𝑠𝑡𝑖𝑣𝑎𝑙𝑠 𝑎𝑛𝑑 𝑇ℎ𝑒𝑖𝑟 𝑁𝑒𝑤 𝑅𝑒𝑎𝑙𝑖𝑡𝑖𝑒𝑠: 𝐶𝐼𝑁𝐸𝑀𝐴𝐺𝑂𝐸𝑅𝑆 𝑊𝐼𝑇𝐻𝑂𝑈𝑇 𝐶𝐼𝑁𝐸𝑀𝐴𝑆, that aims to bring together film professionals, curators, and cultural strategists to discuss what the future of audience development looks like in cities losing cinemas, with a special focus on Zagreb. The panel will be held in Croatian. 📍 Saturday 27/9 12PM
𝗙𝗶𝗹𝗺 𝘀𝘁𝗶𝗹𝗹𝘀 💥
1 Semiconductor – Time Out of Place
2 Tom Klinkowstein – 3 Artists On-line on Slow-Scan-TV
3 Rosa Menkman – DCT: SYPHONING: The 1000000th (64th) interval
4 Bart Vegter – Nacht-Licht
5 Bas van Koolwijk – Arcadian Rhythms #160
6 Joost Rekveld – IFSfilm
7 Markus Maicher – 10 Megabytes of Memory
8 ReMI – Belchic QE
9 Martine Stig – NIR

Title design of a Philips instruction video on the effect of electrostatic on microcships and how to avoid ESD.

Wipe Patterns, commissioned by Amare Den Haag, is a vertical cinema work that synthesizes analog video signals with contemporary animation techniques to dynamically animate graphic forms. By employing advanced AI models, it generates an illusion of motion from static images, challenging traditional boundaries between stillness and movement. Wipe Patterns sits in-between the intersection of digital and analog processes, highlighting how algorithmic technologies can reinterpret static visual elements, thus reframing our perception of traditional animation techniques.

Wipe Patterns, commissioned by Amare Den Haag, is a vertical cinema work that synthesizes analog video signals with contemporary animation techniques to dynamically animate graphic forms. By employing advanced AI models, it generates an illusion of motion from static images, challenging traditional boundaries between stillness and movement. Wipe Patterns sits in-between the intersection of digital and analog processes, highlighting how algorithmic technologies can reinterpret static visual elements, thus reframing our perception of traditional animation techniques.

Wipe Patterns, commissioned by Amare Den Haag, is a vertical cinema work that synthesizes analog video signals with contemporary animation techniques to dynamically animate graphic forms. By employing advanced AI models, it generates an illusion of motion from static images, challenging traditional boundaries between stillness and movement. Wipe Patterns sits in-between the intersection of digital and analog processes, highlighting how algorithmic technologies can reinterpret static visual elements, thus reframing our perception of traditional animation techniques.

Wipe Patterns, commissioned by Amare Den Haag, is a vertical cinema work that synthesizes analog video signals with contemporary animation techniques to dynamically animate graphic forms. By employing advanced AI models, it generates an illusion of motion from static images, challenging traditional boundaries between stillness and movement. Wipe Patterns sits in-between the intersection of digital and analog processes, highlighting how algorithmic technologies can reinterpret static visual elements, thus reframing our perception of traditional animation techniques.

Wipe Patterns, commissioned by Amare Den Haag, is a vertical cinema work that synthesizes analog video signals with contemporary animation techniques to dynamically animate graphic forms. By employing advanced AI models, it generates an illusion of motion from static images, challenging traditional boundaries between stillness and movement. Wipe Patterns sits in-between the intersection of digital and analog processes, highlighting how algorithmic technologies can reinterpret static visual elements, thus reframing our perception of traditional animation techniques.

Wipe Patterns, commissioned by Amare Den Haag, is a vertical cinema work that synthesizes analog video signals with contemporary animation techniques to dynamically animate graphic forms. By employing advanced AI models, it generates an illusion of motion from static images, challenging traditional boundaries between stillness and movement. Wipe Patterns sits in-between the intersection of digital and analog processes, highlighting how algorithmic technologies can reinterpret static visual elements, thus reframing our perception of traditional animation techniques.

Wipe Patterns, commissioned by Amare Den Haag, is a vertical cinema work that synthesizes analog video signals with contemporary animation techniques to dynamically animate graphic forms. By employing advanced AI models, it generates an illusion of motion from static images, challenging traditional boundaries between stillness and movement. Wipe Patterns sits in-between the intersection of digital and analog processes, highlighting how algorithmic technologies can reinterpret static visual elements, thus reframing our perception of traditional animation techniques.

Wipe Patterns, commissioned by Amare Den Haag, is a vertical cinema work that synthesizes analog video signals with contemporary animation techniques to dynamically animate graphic forms. By employing advanced AI models, it generates an illusion of motion from static images, challenging traditional boundaries between stillness and movement. Wipe Patterns sits in-between the intersection of digital and analog processes, highlighting how algorithmic technologies can reinterpret static visual elements, thus reframing our perception of traditional animation techniques.

Wipe Patterns, commissioned by Amare Den Haag, is a vertical cinema work that synthesizes analog video signals with contemporary animation techniques to dynamically animate graphic forms. By employing advanced AI models, it generates an illusion of motion from static images, challenging traditional boundaries between stillness and movement. Wipe Patterns sits in-between the intersection of digital and analog processes, highlighting how algorithmic technologies can reinterpret static visual elements, thus reframing our perception of traditional animation techniques.

Wipe Patterns, commissioned by Amare Den Haag, is a vertical cinema work that synthesizes analog video signals with contemporary animation techniques to dynamically animate graphic forms. By employing advanced AI models, it generates an illusion of motion from static images, challenging traditional boundaries between stillness and movement. Wipe Patterns sits in-between the intersection of digital and analog processes, highlighting how algorithmic technologies can reinterpret static visual elements, thus reframing our perception of traditional animation techniques.

Mask
Part 1 of 18. “A series of 18 short videos showcasing the intricate process of integrated circuit (IC) production. Crafted from a rich archive of photos, IC mask designs, wafers, and blueprints from NXP Semiconductors, each clip highlights various stages of microchip manufacturing. By employing AI image models and feedback animation techniques, multiple video streams were produced from a single source image.
Commissioned for the live set of Fatima Yamaha.

Mask
Part 1 of 18. “A series of 18 short videos showcasing the intricate process of integrated circuit (IC) production. Crafted from a rich archive of photos, IC mask designs, wafers, and blueprints from NXP Semiconductors, each clip highlights various stages of microchip manufacturing. By employing AI image models and feedback animation techniques, multiple video streams were produced from a single source image.
Commissioned for the live set of Fatima Yamaha.

Mask
Part 1 of 18. “A series of 18 short videos showcasing the intricate process of integrated circuit (IC) production. Crafted from a rich archive of photos, IC mask designs, wafers, and blueprints from NXP Semiconductors, each clip highlights various stages of microchip manufacturing. By employing AI image models and feedback animation techniques, multiple video streams were produced from a single source image.
Commissioned for the live set of Fatima Yamaha.

Mask
Part 1 of 18. “A series of 18 short videos showcasing the intricate process of integrated circuit (IC) production. Crafted from a rich archive of photos, IC mask designs, wafers, and blueprints from NXP Semiconductors, each clip highlights various stages of microchip manufacturing. By employing AI image models and feedback animation techniques, multiple video streams were produced from a single source image.
Commissioned for the live set of Fatima Yamaha.

Atoms
Part 17 of 18. “A series of 18 short videos showcasing the intricate process of integrated circuit (IC) production. Crafted from a rich archive of photos, IC mask designs, wafers, and blueprints from NXP Semiconductors, each clip highlights various stages of microchip manufacturing. By employing AI image models and feedback animation techniques, multiple video streams were produced from a single source image.
Commissioned for the live set of Fatima Yamaha.

Atoms
Part 17 of 18. “A series of 18 short videos showcasing the intricate process of integrated circuit (IC) production. Crafted from a rich archive of photos, IC mask designs, wafers, and blueprints from NXP Semiconductors, each clip highlights various stages of microchip manufacturing. By employing AI image models and feedback animation techniques, multiple video streams were produced from a single source image.
Commissioned for the live set of Fatima Yamaha.

Atoms
Part 17 of 18. “A series of 18 short videos showcasing the intricate process of integrated circuit (IC) production. Crafted from a rich archive of photos, IC mask designs, wafers, and blueprints from NXP Semiconductors, each clip highlights various stages of microchip manufacturing. By employing AI image models and feedback animation techniques, multiple video streams were produced from a single source image.
Commissioned for the live set of Fatima Yamaha.

Atoms
Part 17 of 18. “A series of 18 short videos showcasing the intricate process of integrated circuit (IC) production. Crafted from a rich archive of photos, IC mask designs, wafers, and blueprints from NXP Semiconductors, each clip highlights various stages of microchip manufacturing. By employing AI image models and feedback animation techniques, multiple video streams were produced from a single source image.
Commissioned for the live set of Fatima Yamaha.

Waver
Part 16 of 18. “A series of 18 short videos showcasing the intricate process of integrated circuit (IC) production. Crafted from a rich archive of photos, IC mask designs, wafers, and blueprints from NXP Semiconductors, each clip highlights various stages of microchip manufacturing. By employing AI image models and feedback animation techniques, multiple video streams were produced from a single source image.
Commissioned for the live set of Fatima Yamaha.

Waver
Part 16 of 18. “A series of 18 short videos showcasing the intricate process of integrated circuit (IC) production. Crafted from a rich archive of photos, IC mask designs, wafers, and blueprints from NXP Semiconductors, each clip highlights various stages of microchip manufacturing. By employing AI image models and feedback animation techniques, multiple video streams were produced from a single source image.
Commissioned for the live set of Fatima Yamaha.

Waver
Part 16 of 18. “A series of 18 short videos showcasing the intricate process of integrated circuit (IC) production. Crafted from a rich archive of photos, IC mask designs, wafers, and blueprints from NXP Semiconductors, each clip highlights various stages of microchip manufacturing. By employing AI image models and feedback animation techniques, multiple video streams were produced from a single source image.
Commissioned for the live set of Fatima Yamaha.

Waver
Part 16 of 18. “A series of 18 short videos showcasing the intricate process of integrated circuit (IC) production. Crafted from a rich archive of photos, IC mask designs, wafers, and blueprints from NXP Semiconductors, each clip highlights various stages of microchip manufacturing. By employing AI image models and feedback animation techniques, multiple video streams were produced from a single source image.
Commissioned for the live set of Fatima Yamaha.

Chip Decap
Part 15 of 18. “A series of 18 short videos showcasing the intricate process of integrated circuit (IC) production. Crafted from a rich archive of photos, IC mask designs, wafers, and blueprints from NXP Semiconductors, each clip highlights various stages of microchip manufacturing. By employing AI image models and feedback animation techniques, multiple video streams were produced from a single source image.
Commissioned for the live set of Fatima Yamaha.

Chip Decap
Part 15 of 18. “A series of 18 short videos showcasing the intricate process of integrated circuit (IC) production. Crafted from a rich archive of photos, IC mask designs, wafers, and blueprints from NXP Semiconductors, each clip highlights various stages of microchip manufacturing. By employing AI image models and feedback animation techniques, multiple video streams were produced from a single source image.
Commissioned for the live set of Fatima Yamaha.

Chip Decap
Part 15 of 18. “A series of 18 short videos showcasing the intricate process of integrated circuit (IC) production. Crafted from a rich archive of photos, IC mask designs, wafers, and blueprints from NXP Semiconductors, each clip highlights various stages of microchip manufacturing. By employing AI image models and feedback animation techniques, multiple video streams were produced from a single source image.
Commissioned for the live set of Fatima Yamaha.

Chip Decap
Part 15 of 18. “A series of 18 short videos showcasing the intricate process of integrated circuit (IC) production. Crafted from a rich archive of photos, IC mask designs, wafers, and blueprints from NXP Semiconductors, each clip highlights various stages of microchip manufacturing. By employing AI image models and feedback animation techniques, multiple video streams were produced from a single source image.
Commissioned for the live set of Fatima Yamaha.

Cross Section
Part 14 of 18. “A series of 18 short videos showcasing the intricate process of integrated circuit (IC) production. Crafted from a rich archive of photos, IC mask designs, wafers, and blueprints from NXP Semiconductors, each clip highlights various stages of microchip manufacturing. By employing AI image models and feedback animation techniques, multiple video streams were produced from a single source image.
Commissioned for the live set of Fatima Yamaha.

Cross Section
Part 14 of 18. “A series of 18 short videos showcasing the intricate process of integrated circuit (IC) production. Crafted from a rich archive of photos, IC mask designs, wafers, and blueprints from NXP Semiconductors, each clip highlights various stages of microchip manufacturing. By employing AI image models and feedback animation techniques, multiple video streams were produced from a single source image.
Commissioned for the live set of Fatima Yamaha.

Cross Section
Part 14 of 18. “A series of 18 short videos showcasing the intricate process of integrated circuit (IC) production. Crafted from a rich archive of photos, IC mask designs, wafers, and blueprints from NXP Semiconductors, each clip highlights various stages of microchip manufacturing. By employing AI image models and feedback animation techniques, multiple video streams were produced from a single source image.
Commissioned for the live set of Fatima Yamaha.

Cross Section
Part 14 of 18. “A series of 18 short videos showcasing the intricate process of integrated circuit (IC) production. Crafted from a rich archive of photos, IC mask designs, wafers, and blueprints from NXP Semiconductors, each clip highlights various stages of microchip manufacturing. By employing AI image models and feedback animation techniques, multiple video streams were produced from a single source image.
Commissioned for the live set of Fatima Yamaha.

First Chip
Part 13 of 18. “A series of 18 short videos showcasing the intricate process of integrated circuit (IC) production. Crafted from a rich archive of photos, IC mask designs, wafers, and blueprints from NXP Semiconductors, each clip highlights various stages of microchip manufacturing. By employing AI image models and feedback animation techniques, multiple video streams were produced from a single source image.
Commissioned for the live set of Fatima Yamaha.

First Chip
Part 13 of 18. “A series of 18 short videos showcasing the intricate process of integrated circuit (IC) production. Crafted from a rich archive of photos, IC mask designs, wafers, and blueprints from NXP Semiconductors, each clip highlights various stages of microchip manufacturing. By employing AI image models and feedback animation techniques, multiple video streams were produced from a single source image.
Commissioned for the live set of Fatima Yamaha.

First Chip
Part 13 of 18. “A series of 18 short videos showcasing the intricate process of integrated circuit (IC) production. Crafted from a rich archive of photos, IC mask designs, wafers, and blueprints from NXP Semiconductors, each clip highlights various stages of microchip manufacturing. By employing AI image models and feedback animation techniques, multiple video streams were produced from a single source image.
Commissioned for the live set of Fatima Yamaha.

First Chip
Part 13 of 18. “A series of 18 short videos showcasing the intricate process of integrated circuit (IC) production. Crafted from a rich archive of photos, IC mask designs, wafers, and blueprints from NXP Semiconductors, each clip highlights various stages of microchip manufacturing. By employing AI image models and feedback animation techniques, multiple video streams were produced from a single source image.
Commissioned for the live set of Fatima Yamaha.

Input Output
Part 12 of 18. “A series of 18 short videos showcasing the intricate process of integrated circuit (IC) production. Crafted from a rich archive of photos, IC mask designs, wafers, and blueprints from NXP Semiconductors, each clip highlights various stages of microchip manufacturing. By employing AI image models and feedback animation techniques, multiple video streams were produced from a single source image.
Commissioned for the live set of Fatima Yamaha.

Input Output
Part 12 of 18. “A series of 18 short videos showcasing the intricate process of integrated circuit (IC) production. Crafted from a rich archive of photos, IC mask designs, wafers, and blueprints from NXP Semiconductors, each clip highlights various stages of microchip manufacturing. By employing AI image models and feedback animation techniques, multiple video streams were produced from a single source image.
Commissioned for the live set of Fatima Yamaha.

Input Output
Part 12 of 18. “A series of 18 short videos showcasing the intricate process of integrated circuit (IC) production. Crafted from a rich archive of photos, IC mask designs, wafers, and blueprints from NXP Semiconductors, each clip highlights various stages of microchip manufacturing. By employing AI image models and feedback animation techniques, multiple video streams were produced from a single source image.
Commissioned for the live set of Fatima Yamaha.

Input Output
Part 12 of 18. “A series of 18 short videos showcasing the intricate process of integrated circuit (IC) production. Crafted from a rich archive of photos, IC mask designs, wafers, and blueprints from NXP Semiconductors, each clip highlights various stages of microchip manufacturing. By employing AI image models and feedback animation techniques, multiple video streams were produced from a single source image.
Commissioned for the live set of Fatima Yamaha.
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
View profiles and photos anonymously with ease using the Private Profile Viewer.
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Anonstories lets users view Instagram stories without alerting the creator.
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Prioritizes secure, anonymous browsing without requiring login credentials.
Users can view public stories by simply entering a username—no account needed.
Downloads photos (JPEG) and videos (MP4) with ease.
The service is free to use.
Content from private accounts can only be accessed by followers.
Files are for personal or educational use only and must comply with copyright rules.
Enter a public username to view or download stories. The service generates direct links for saving content locally.