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Opening tonight in Berlin: “hyper soft: double down”, at @galerieklemms curated by @gvilhenamartins

Happy to be showing “Muzzle” alongside works by @maxime.chabal and @tollwvt

“The exhibition brings together a group of works that hover at the threshold between the bodily, the psychological, and the architectural. Spanning drawing, installation, and painting, hyper-soft: double-down unfolds as a field of tension. On one hand, the works mirror a social anxiety embodied through architectural containment and repression; on the other, they pry open these conditions, gesturing toward flight, shelter, and ambiguity, as industrial materials and formal vocabularies are appropriated and transformed into gestures of tenderness.” @gvilhenamartins

PV 6-9pm

Opening tonight in Berlin: “hyper soft: double down”, at @galerieklemms curated by @gvilhenamartins

Happy to be showing “Muzzle” alongside works by @maxime.chabal and @tollwvt

“The exhibition brings together a group of works that hover at the threshold between the bodily, the psychological, and the architectural. Spanning drawing, installation, and painting, hyper-soft: double-down unfolds as a field of tension. On one hand, the works mirror a social anxiety embodied through architectural containment and repression; on the other, they pry open these conditions, gesturing toward flight, shelter, and ambiguity, as industrial materials and formal vocabularies are appropriated and transformed into gestures of tenderness.” @gvilhenamartins

PV 6-9pm

New interview out now with @nastymagazine - link in my bio to read in full!

Words by @annalisa_fabbrucci

New interview out now with @nastymagazine - link in my bio to read in full!

Words by @annalisa_fabbrucci

New interview out now with @nastymagazine - link in my bio to read in full!

Words by @annalisa_fabbrucci

My solo presentation “Laughter and Fear” continues at The Cabin LA until the end of February.

Please contact Danny directly to arrange a visit!

@dannyfirst

My solo presentation “Laughter and Fear” continues at The Cabin LA until the end of February.

Please contact Danny directly to arrange a visit!

@dannyfirst

My solo presentation “Laughter and Fear” continues at The Cabin LA until the end of February.

Please contact Danny directly to arrange a visit!

@dannyfirst

My solo presentation “Laughter and Fear” continues at The Cabin LA until the end of February.

Please contact Danny directly to arrange a visit!

@dannyfirst

My solo presentation “Laughter and Fear” continues at The Cabin LA until the end of February.

Please contact Danny directly to arrange a visit!

@dannyfirst

My solo presentation “Laughter and Fear” continues at The Cabin LA until the end of February.

Please contact Danny directly to arrange a visit!

@dannyfirst

My solo presentation “Laughter and Fear” continues at The Cabin LA until the end of February.

Please contact Danny directly to arrange a visit!

@dannyfirst

“Laughter and Fear” opens today with @dannyfirst at The Cabin LA.

When does a scream of pleasure mutate into a cry of pain? When does a laugh produce tears? This body of work uses facial expression as a way to explore emotional landscapes, questioning the subtle and shifting nature of our daily psychology and the emotions we choose to mask.

Opening today 3-6pm.

“Laughter and Fear” opens today with @dannyfirst at The Cabin LA.

When does a scream of pleasure mutate into a cry of pain? When does a laugh produce tears? This body of work uses facial expression as a way to explore emotional landscapes, questioning the subtle and shifting nature of our daily psychology and the emotions we choose to mask.

Opening today 3-6pm.

“Laughter and Fear” opens today with @dannyfirst at The Cabin LA.

When does a scream of pleasure mutate into a cry of pain? When does a laugh produce tears? This body of work uses facial expression as a way to explore emotional landscapes, questioning the subtle and shifting nature of our daily psychology and the emotions we choose to mask.

Opening today 3-6pm.

“Laughter and Fear” opens today with @dannyfirst at The Cabin LA.

When does a scream of pleasure mutate into a cry of pain? When does a laugh produce tears? This body of work uses facial expression as a way to explore emotional landscapes, questioning the subtle and shifting nature of our daily psychology and the emotions we choose to mask.

Opening today 3-6pm.

“Laughter and Fear” opens today with @dannyfirst at The Cabin LA.

When does a scream of pleasure mutate into a cry of pain? When does a laugh produce tears? This body of work uses facial expression as a way to explore emotional landscapes, questioning the subtle and shifting nature of our daily psychology and the emotions we choose to mask.

Opening today 3-6pm.

“Laughter and Fear” opens today with @dannyfirst at The Cabin LA.

When does a scream of pleasure mutate into a cry of pain? When does a laugh produce tears? This body of work uses facial expression as a way to explore emotional landscapes, questioning the subtle and shifting nature of our daily psychology and the emotions we choose to mask.

Opening today 3-6pm.

“Laughter and Fear” opens today with @dannyfirst at The Cabin LA.

When does a scream of pleasure mutate into a cry of pain? When does a laugh produce tears? This body of work uses facial expression as a way to explore emotional landscapes, questioning the subtle and shifting nature of our daily psychology and the emotions we choose to mask.

Opening today 3-6pm.

“Laughter and Fear” opens today with @dannyfirst at The Cabin LA.

When does a scream of pleasure mutate into a cry of pain? When does a laugh produce tears? This body of work uses facial expression as a way to explore emotional landscapes, questioning the subtle and shifting nature of our daily psychology and the emotions we choose to mask.

Opening today 3-6pm.

Happy to be in LA with @dannyfirst making some new paintings.

My solo presentation “Laughter & Fear” opens on 1st Feb at The Cabin!

Maskenfreiheit

2025, oil on canvas, site specific installation.

Part of “Polyphonic Views” at @funkhaus_berlin with @passage_art , thank you to everyone that came to see the show!

Physically integrated within the walls of the Funkhaus, Maskenfreiheit is a site-specific installation exploring the emotional disguises we wear in our daily lives to conform to societal expectations. Laughter is often a persona we present to the exterior world in order to fit in, masking our true feelings. Specifically made to fit within the buildings stark interior, the figures rendered in the diptych become part of the structure that contains them, exploring how urban structures and societal conformities frame and fragment our true self: our real emotions.

Maskenfreiheit

2025, oil on canvas, site specific installation.

Part of “Polyphonic Views” at @funkhaus_berlin with @passage_art , thank you to everyone that came to see the show!

Physically integrated within the walls of the Funkhaus, Maskenfreiheit is a site-specific installation exploring the emotional disguises we wear in our daily lives to conform to societal expectations. Laughter is often a persona we present to the exterior world in order to fit in, masking our true feelings. Specifically made to fit within the buildings stark interior, the figures rendered in the diptych become part of the structure that contains them, exploring how urban structures and societal conformities frame and fragment our true self: our real emotions.

Maskenfreiheit

2025, oil on canvas, site specific installation.

Part of “Polyphonic Views” at @funkhaus_berlin with @passage_art , thank you to everyone that came to see the show!

Physically integrated within the walls of the Funkhaus, Maskenfreiheit is a site-specific installation exploring the emotional disguises we wear in our daily lives to conform to societal expectations. Laughter is often a persona we present to the exterior world in order to fit in, masking our true feelings. Specifically made to fit within the buildings stark interior, the figures rendered in the diptych become part of the structure that contains them, exploring how urban structures and societal conformities frame and fragment our true self: our real emotions.

Maskenfreiheit

2025, oil on canvas, site specific installation.

Part of “Polyphonic Views” at @funkhaus_berlin with @passage_art , thank you to everyone that came to see the show!

Physically integrated within the walls of the Funkhaus, Maskenfreiheit is a site-specific installation exploring the emotional disguises we wear in our daily lives to conform to societal expectations. Laughter is often a persona we present to the exterior world in order to fit in, masking our true feelings. Specifically made to fit within the buildings stark interior, the figures rendered in the diptych become part of the structure that contains them, exploring how urban structures and societal conformities frame and fragment our true self: our real emotions.

Paranoid Architecture, 2024, found door, oil on canvas, 200 x 100cm, installation view.

One of three works included in “Polyphonic Views” at @funkhaus_berlin , curated by @passage_art , on view until 5th October.

It’s a particular honour for me that whilst viewing the works, Hermann Nitsch’s “Satz 1” can be heard from the room below. ❤️‍🩹

Paranoid Architecture, 2024, found door, oil on canvas, 200 x 100cm, installation view.

One of three works included in “Polyphonic Views” at @funkhaus_berlin , curated by @passage_art , on view until 5th October.

It’s a particular honour for me that whilst viewing the works, Hermann Nitsch’s “Satz 1” can be heard from the room below. ❤️‍🩹

Opening tonight @funkhaus_berlin : “Polyphonic Views”, curated by @passage_art and @monomstudios

‘Contained (I,II) (composite V)’, 2021-25, found security doors, paper, photographic print, newspaper, 210 x 110 cm.

This work presents a collection of drawings, notes, timesheets, and reference photography from my studio archive from 2021–25. Sealed beneath the reinforced glass of two security doors – found on the streets of Berlin – Contained (I,II), documents the process of making by preserving the ephemera generated from a restless mind. Moments of violence, vulnerability, physical performance and emotional release appear and disappear under the visual noise of its entirety, all while trapped within the negative space of the object’s facade. The work explores how certain urban structures might support or inhibit our sense of self and what intimate parts we choose to present to the external world.

As part of @berlinartweek

Opening tonight @funkhaus_berlin : “Polyphonic Views”, curated by @passage_art and @monomstudios

‘Contained (I,II) (composite V)’, 2021-25, found security doors, paper, photographic print, newspaper, 210 x 110 cm.

This work presents a collection of drawings, notes, timesheets, and reference photography from my studio archive from 2021–25. Sealed beneath the reinforced glass of two security doors – found on the streets of Berlin – Contained (I,II), documents the process of making by preserving the ephemera generated from a restless mind. Moments of violence, vulnerability, physical performance and emotional release appear and disappear under the visual noise of its entirety, all while trapped within the negative space of the object’s facade. The work explores how certain urban structures might support or inhibit our sense of self and what intimate parts we choose to present to the external world.

As part of @berlinartweek

Opening tonight @funkhaus_berlin : “Polyphonic Views”, curated by @passage_art and @monomstudios

‘Contained (I,II) (composite V)’, 2021-25, found security doors, paper, photographic print, newspaper, 210 x 110 cm.

This work presents a collection of drawings, notes, timesheets, and reference photography from my studio archive from 2021–25. Sealed beneath the reinforced glass of two security doors – found on the streets of Berlin – Contained (I,II), documents the process of making by preserving the ephemera generated from a restless mind. Moments of violence, vulnerability, physical performance and emotional release appear and disappear under the visual noise of its entirety, all while trapped within the negative space of the object’s facade. The work explores how certain urban structures might support or inhibit our sense of self and what intimate parts we choose to present to the external world.

As part of @berlinartweek

Opening tonight @funkhaus_berlin : “Polyphonic Views”, curated by @passage_art and @monomstudios

‘Contained (I,II) (composite V)’, 2021-25, found security doors, paper, photographic print, newspaper, 210 x 110 cm.

This work presents a collection of drawings, notes, timesheets, and reference photography from my studio archive from 2021–25. Sealed beneath the reinforced glass of two security doors – found on the streets of Berlin – Contained (I,II), documents the process of making by preserving the ephemera generated from a restless mind. Moments of violence, vulnerability, physical performance and emotional release appear and disappear under the visual noise of its entirety, all while trapped within the negative space of the object’s facade. The work explores how certain urban structures might support or inhibit our sense of self and what intimate parts we choose to present to the external world.

As part of @berlinartweek

Opening tonight @funkhaus_berlin : “Polyphonic Views”, curated by @passage_art and @monomstudios

‘Contained (I,II) (composite V)’, 2021-25, found security doors, paper, photographic print, newspaper, 210 x 110 cm.

This work presents a collection of drawings, notes, timesheets, and reference photography from my studio archive from 2021–25. Sealed beneath the reinforced glass of two security doors – found on the streets of Berlin – Contained (I,II), documents the process of making by preserving the ephemera generated from a restless mind. Moments of violence, vulnerability, physical performance and emotional release appear and disappear under the visual noise of its entirety, all while trapped within the negative space of the object’s facade. The work explores how certain urban structures might support or inhibit our sense of self and what intimate parts we choose to present to the external world.

As part of @berlinartweek

Opening tonight @funkhaus_berlin : “Polyphonic Views”, curated by @passage_art and @monomstudios

‘Contained (I,II) (composite V)’, 2021-25, found security doors, paper, photographic print, newspaper, 210 x 110 cm.

This work presents a collection of drawings, notes, timesheets, and reference photography from my studio archive from 2021–25. Sealed beneath the reinforced glass of two security doors – found on the streets of Berlin – Contained (I,II), documents the process of making by preserving the ephemera generated from a restless mind. Moments of violence, vulnerability, physical performance and emotional release appear and disappear under the visual noise of its entirety, all while trapped within the negative space of the object’s facade. The work explores how certain urban structures might support or inhibit our sense of self and what intimate parts we choose to present to the external world.

As part of @berlinartweek

Studio 2025

Chatter (composite IV)

Wrought Iron, oil on canvas, 100 x 80cm, 2025

Chatter (composite IV)

Wrought Iron, oil on canvas, 100 x 80cm, 2025

Chatter (composite IV)

Wrought Iron, oil on canvas, 100 x 80cm, 2025

Chatter (composite IV)

Wrought Iron, oil on canvas, 100 x 80cm, 2025

Process / details / research for upcoming projects

Process / details / research for upcoming projects

Process / details / research for upcoming projects

Process / details / research for upcoming projects

Process / details / research for upcoming projects

Process / details / research for upcoming projects

Process / details / research for upcoming projects

Muzzle (composite III)

Steel, oil on canvas, 90 x 80cm, 2025

Muzzle (composite III)

Steel, oil on canvas, 90 x 80cm, 2025

Muzzle (composite III)

Steel, oil on canvas, 90 x 80cm, 2025

Muzzle (composite III)

Steel, oil on canvas, 90 x 80cm, 2025

Muzzle (composite III)

Steel, oil on canvas, 90 x 80cm, 2025