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multikromatix
𝖘y𝖆𝖋
je suis une ha(u)teur
the real heroes behind an exhibition are often those whose manual labour remain invisible.
.
doors reopen formally on 25 April.
.
i veri eroi dietro una mostra sono spesso il cui lavoro manuale rimane invisibile.
.
le porte riapriranno ufficialmente il 25 Aprile.
the real heroes behind an exhibition are often those whose manual labour remain invisible.
.
doors reopen formally on 25 April.
.
i veri eroi dietro una mostra sono spesso il cui lavoro manuale rimane invisibile.
.
le porte riapriranno ufficialmente il 25 Aprile.
the real heroes behind an exhibition are often those whose manual labour remain invisible.
.
doors reopen formally on 25 April.
.
i veri eroi dietro una mostra sono spesso il cui lavoro manuale rimane invisibile.
.
le porte riapriranno ufficialmente il 25 Aprile.
the real heroes behind an exhibition are often those whose manual labour remain invisible.
.
doors reopen formally on 25 April.
.
i veri eroi dietro una mostra sono spesso il cui lavoro manuale rimane invisibile.
.
le porte riapriranno ufficialmente il 25 Aprile.
the real heroes behind an exhibition are often those whose manual labour remain invisible.
.
doors reopen formally on 25 April.
.
i veri eroi dietro una mostra sono spesso il cui lavoro manuale rimane invisibile.
.
le porte riapriranno ufficialmente il 25 Aprile.
the real heroes behind an exhibition are often those whose manual labour remain invisible.
.
doors reopen formally on 25 April.
.
i veri eroi dietro una mostra sono spesso il cui lavoro manuale rimane invisibile.
.
le porte riapriranno ufficialmente il 25 Aprile.
the real heroes behind an exhibition are often those whose manual labour remain invisible.
.
doors reopen formally on 25 April.
.
i veri eroi dietro una mostra sono spesso il cui lavoro manuale rimane invisibile.
.
le porte riapriranno ufficialmente il 25 Aprile.
the real heroes behind an exhibition are often those whose manual labour remain invisible.
.
doors reopen formally on 25 April.
.
i veri eroi dietro una mostra sono spesso il cui lavoro manuale rimane invisibile.
.
le porte riapriranno ufficialmente il 25 Aprile.
the real heroes behind an exhibition are often those whose manual labour remain invisible.
.
doors reopen formally on 25 April.
.
i veri eroi dietro una mostra sono spesso il cui lavoro manuale rimane invisibile.
.
le porte riapriranno ufficialmente il 25 Aprile.
the real heroes behind an exhibition are often those whose manual labour remain invisible.
.
doors reopen formally on 25 April.
.
i veri eroi dietro una mostra sono spesso il cui lavoro manuale rimane invisibile.
.
le porte riapriranno ufficialmente il 25 Aprile.
the real heroes behind an exhibition are often those whose manual labour remain invisible.
.
doors reopen formally on 25 April.
.
i veri eroi dietro una mostra sono spesso il cui lavoro manuale rimane invisibile.
.
le porte riapriranno ufficialmente il 25 Aprile.
the real heroes behind an exhibition are often those whose manual labour remain invisible.
.
doors reopen formally on 25 April.
.
i veri eroi dietro una mostra sono spesso il cui lavoro manuale rimane invisibile.
.
le porte riapriranno ufficialmente il 25 Aprile.
the real heroes behind an exhibition are often those whose manual labour remain invisible.
.
doors reopen formally on 25 April.
.
i veri eroi dietro una mostra sono spesso il cui lavoro manuale rimane invisibile.
.
le porte riapriranno ufficialmente il 25 Aprile.
selamat hari raya buon eid mubarak 🌙✨
.
taken at the end of the day instead of the start for reasons + only posting now bcs i fell asleep. but i must say this new foundation kinda 🔥
selamat hari raya buon eid mubarak 🌙✨
.
taken at the end of the day instead of the start for reasons + only posting now bcs i fell asleep. but i must say this new foundation kinda 🔥
In honour of International Women's Rights Day, and seeing that in 2026 there remains Muslim men, yt-leaning feminists, "liberals", fascists, and racists who —although they hate each other — are strangely unified around the idea that Muslim women need saving/guidance, here are a selection of 4 critical works by Muslim women who have ignored all those nonsense and called out patriarchy, fake allyship and racism through their writings.
.
1. Sedigheh Vasmaghi, "Women, Jurisprudence, Islam"
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2. Fatima Mernissi, "Beyond the Veil"
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3. amina wadud, "Quran and Women"
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4. Ziba Mir-Hosseini, "Journeys towards Gender Equality in Islam"
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5. Not in the photo bcs it's an article, the classic "Do Muslim women need saving?" by Leila Abu Lughod
.
a reminder that muslim women are full, equal human beings, and neither patriarchy-inflected "religious laws" nor b0mbing them are the answers.
"(Such light shines) in houses (of worship) which God has permitted to be raised up, and in which His name is remembered, highly exalting Him therein, mornings and before sunset"
Surah An-Nur: 36
.
1: Duomo di Pienza (15th century)
2: Chiesa di San Francesco, Pienza (13th century)
3: Triptych with hilya sharif (Ottoman 18th century), Roma
4: Mausoleo di Santa Costanza, Roma (4th century)
"(Such light shines) in houses (of worship) which God has permitted to be raised up, and in which His name is remembered, highly exalting Him therein, mornings and before sunset"
Surah An-Nur: 36
.
1: Duomo di Pienza (15th century)
2: Chiesa di San Francesco, Pienza (13th century)
3: Triptych with hilya sharif (Ottoman 18th century), Roma
4: Mausoleo di Santa Costanza, Roma (4th century)
"(Such light shines) in houses (of worship) which God has permitted to be raised up, and in which His name is remembered, highly exalting Him therein, mornings and before sunset"
Surah An-Nur: 36
.
1: Duomo di Pienza (15th century)
2: Chiesa di San Francesco, Pienza (13th century)
3: Triptych with hilya sharif (Ottoman 18th century), Roma
4: Mausoleo di Santa Costanza, Roma (4th century)
"(Such light shines) in houses (of worship) which God has permitted to be raised up, and in which His name is remembered, highly exalting Him therein, mornings and before sunset"
Surah An-Nur: 36
.
1: Duomo di Pienza (15th century)
2: Chiesa di San Francesco, Pienza (13th century)
3: Triptych with hilya sharif (Ottoman 18th century), Roma
4: Mausoleo di Santa Costanza, Roma (4th century)
real kakak icons ✨
.
1. Sumpah Pontianak (1958)
.
2. Sundel Bolong (1981)
.
3. Pontianak Harum Sundal Malam (2004)
real kakak icons ✨
.
1. Sumpah Pontianak (1958)
.
2. Sundel Bolong (1981)
.
3. Pontianak Harum Sundal Malam (2004)
real kakak icons ✨
.
1. Sumpah Pontianak (1958)
.
2. Sundel Bolong (1981)
.
3. Pontianak Harum Sundal Malam (2004)
forgot about these but jawi manuscripts can be so goated like the neatness of the penmanship?? that 🔻?? those floral illustrations??
forgot about these but jawi manuscripts can be so goated like the neatness of the penmanship?? that 🔻?? those floral illustrations??
forgot about these but jawi manuscripts can be so goated like the neatness of the penmanship?? that 🔻?? those floral illustrations??
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