Instagram Story Viewer

NILI LOTAN SWIM

NILI LOTAN SWIM

THE JANE BAG, NOW IN TAWNY SUEDE

THE JANE BAG, NOW IN TAWNY SUEDE

The Evel Biker Jacket is one of my favorites for Spring paired back to denim.

The Evel Biker Jacket is one of my favorites for Spring paired back to denim.

From the beach to the everyday, swim becomes part of the luxury wardrobe: layered, styled, and seamlessly integrated.

From the beach to the everyday, swim becomes part of the luxury wardrobe: layered, styled, and seamlessly integrated.

From the beach to the everyday, swim becomes part of the luxury wardrobe: layered, styled, and seamlessly integrated.

There are certain pieces that quietly inform what follows. The Earl Pant is one of them.
Rooted in true Americana vintage uniform trousers, it began as a study in utility—function refined over time. For years, I interpreted that influence in parts—borrowing an element here, refining a detail there. With the Earl, I wanted to return to it fully, to honor the original shape of the vintage utilitarian uniform pant as it was intended.
For me, this pant is part of a larger way of dressing. A uniform, mixed with denim—something I’ve returned to for years. There’s a specific green that carries a sense of permanence. It has been worn by women across decades, each making it their own. From Joan Baez to how I wear it today, it becomes a code of dressing—grounded, effortless, instinctively cool.
That idea has always been at the core of how I design. The Earl sits within that foundation, alongside pieces like the Howard Overshirt—meant to be worn with denim. A balance of utility and ease.
Not just a pant, but part of a uniform.

There are certain pieces that quietly inform what follows. The Earl Pant is one of them.
Rooted in true Americana vintage uniform trousers, it began as a study in utility—function refined over time. For years, I interpreted that influence in parts—borrowing an element here, refining a detail there. With the Earl, I wanted to return to it fully, to honor the original shape of the vintage utilitarian uniform pant as it was intended.
For me, this pant is part of a larger way of dressing. A uniform, mixed with denim—something I’ve returned to for years. There’s a specific green that carries a sense of permanence. It has been worn by women across decades, each making it their own. From Joan Baez to how I wear it today, it becomes a code of dressing—grounded, effortless, instinctively cool.
That idea has always been at the core of how I design. The Earl sits within that foundation, alongside pieces like the Howard Overshirt—meant to be worn with denim. A balance of utility and ease.
Not just a pant, but part of a uniform.

There are certain pieces that quietly inform what follows. The Earl Pant is one of them.
Rooted in true Americana vintage uniform trousers, it began as a study in utility—function refined over time. For years, I interpreted that influence in parts—borrowing an element here, refining a detail there. With the Earl, I wanted to return to it fully, to honor the original shape of the vintage utilitarian uniform pant as it was intended.
For me, this pant is part of a larger way of dressing. A uniform, mixed with denim—something I’ve returned to for years. There’s a specific green that carries a sense of permanence. It has been worn by women across decades, each making it their own. From Joan Baez to how I wear it today, it becomes a code of dressing—grounded, effortless, instinctively cool.
That idea has always been at the core of how I design. The Earl sits within that foundation, alongside pieces like the Howard Overshirt—meant to be worn with denim. A balance of utility and ease.
Not just a pant, but part of a uniform.

There are certain pieces that quietly inform what follows. The Earl Pant is one of them.
Rooted in true Americana vintage uniform trousers, it began as a study in utility—function refined over time. For years, I interpreted that influence in parts—borrowing an element here, refining a detail there. With the Earl, I wanted to return to it fully, to honor the original shape of the vintage utilitarian uniform pant as it was intended.
For me, this pant is part of a larger way of dressing. A uniform, mixed with denim—something I’ve returned to for years. There’s a specific green that carries a sense of permanence. It has been worn by women across decades, each making it their own. From Joan Baez to how I wear it today, it becomes a code of dressing—grounded, effortless, instinctively cool.
That idea has always been at the core of how I design. The Earl sits within that foundation, alongside pieces like the Howard Overshirt—meant to be worn with denim. A balance of utility and ease.
Not just a pant, but part of a uniform.

There are certain pieces that quietly inform what follows. The Earl Pant is one of them.
Rooted in true Americana vintage uniform trousers, it began as a study in utility—function refined over time. For years, I interpreted that influence in parts—borrowing an element here, refining a detail there. With the Earl, I wanted to return to it fully, to honor the original shape of the vintage utilitarian uniform pant as it was intended.
For me, this pant is part of a larger way of dressing. A uniform, mixed with denim—something I’ve returned to for years. There’s a specific green that carries a sense of permanence. It has been worn by women across decades, each making it their own. From Joan Baez to how I wear it today, it becomes a code of dressing—grounded, effortless, instinctively cool.
That idea has always been at the core of how I design. The Earl sits within that foundation, alongside pieces like the Howard Overshirt—meant to be worn with denim. A balance of utility and ease.
Not just a pant, but part of a uniform.

There are certain pieces that quietly inform what follows. The Earl Pant is one of them.
Rooted in true Americana vintage uniform trousers, it began as a study in utility—function refined over time. For years, I interpreted that influence in parts—borrowing an element here, refining a detail there. With the Earl, I wanted to return to it fully, to honor the original shape of the vintage utilitarian uniform pant as it was intended.
For me, this pant is part of a larger way of dressing. A uniform, mixed with denim—something I’ve returned to for years. There’s a specific green that carries a sense of permanence. It has been worn by women across decades, each making it their own. From Joan Baez to how I wear it today, it becomes a code of dressing—grounded, effortless, instinctively cool.
That idea has always been at the core of how I design. The Earl sits within that foundation, alongside pieces like the Howard Overshirt—meant to be worn with denim. A balance of utility and ease.
Not just a pant, but part of a uniform.

There are certain pieces that quietly inform what follows. The Earl Pant is one of them.
Rooted in true Americana vintage uniform trousers, it began as a study in utility—function refined over time. For years, I interpreted that influence in parts—borrowing an element here, refining a detail there. With the Earl, I wanted to return to it fully, to honor the original shape of the vintage utilitarian uniform pant as it was intended.
For me, this pant is part of a larger way of dressing. A uniform, mixed with denim—something I’ve returned to for years. There’s a specific green that carries a sense of permanence. It has been worn by women across decades, each making it their own. From Joan Baez to how I wear it today, it becomes a code of dressing—grounded, effortless, instinctively cool.
That idea has always been at the core of how I design. The Earl sits within that foundation, alongside pieces like the Howard Overshirt—meant to be worn with denim. A balance of utility and ease.
Not just a pant, but part of a uniform.

At 183 Duane, denim meets utility. Come visit us and meet the new Earl Pant.

I love how elegant and chic I feel traveling with my collection. The pieces I carry are as considered as the journey itself—the Lou, Passport Cover, and Luggage Tag in croc, paired with the Voyager in Italian grain leather.

I love how elegant and chic I feel traveling with my collection. The pieces I carry are as considered as the journey itself—the Lou, Passport Cover, and Luggage Tag in croc, paired with the Voyager in Italian grain leather.

I love how elegant and chic I feel traveling with my collection. The pieces I carry are as considered as the journey itself—the Lou, Passport Cover, and Luggage Tag in croc, paired with the Voyager in Italian grain leather.

I love how elegant and chic I feel traveling with my collection. The pieces I carry are as considered as the journey itself—the Lou, Passport Cover, and Luggage Tag in croc, paired with the Voyager in Italian grain leather.

I love how elegant and chic I feel traveling with my collection. The pieces I carry are as considered as the journey itself—the Lou, Passport Cover, and Luggage Tag in croc, paired with the Voyager in Italian grain leather.

The Robin Shawl is an expression of refined artistry—cashmere rendered in intricate crochet, finished by hand with a soft, fluid fringe. Weightless yet enveloping, it moves effortlessly from sunlit afternoons to cool summer evenings.

The Robin Shawl is an expression of refined artistry—cashmere rendered in intricate crochet, finished by hand with a soft, fluid fringe. Weightless yet enveloping, it moves effortlessly from sunlit afternoons to cool summer evenings.

The Robin Shawl is an expression of refined artistry—cashmere rendered in intricate crochet, finished by hand with a soft, fluid fringe. Weightless yet enveloping, it moves effortlessly from sunlit afternoons to cool summer evenings.

Rooted in utility, the Howard Overshirt defines a modern uniform. Relaxed and lived-in, it layers naturally with a sense of authenticity, ease, and purpose.

Rooted in utility, the Howard Overshirt defines a modern uniform. Relaxed and lived-in, it layers naturally with a sense of authenticity, ease, and purpose.

Rooted in utility, the Howard Overshirt defines a modern uniform. Relaxed and lived-in, it layers naturally with a sense of authenticity, ease, and purpose.

On my recent trip to Italy, I brought three bags—each with its place. Voyager for travel, Lou for day, Debbie for evening. They carried me through it all, effortlessly.

On my recent trip to Italy, I brought three bags—each with its place. Voyager for travel, Lou for day, Debbie for evening. They carried me through it all, effortlessly.

On my recent trip to Italy, I brought three bags—each with its place. Voyager for travel, Lou for day, Debbie for evening. They carried me through it all, effortlessly.

For my birthday evening in Italy, I wanted to feel chic, elegant, and at ease. The Adele Blazer in Stone, worn with the Gaia Silk Shirt and Joan Jean in black, gave me exactly that—perfect for the setting and the people I was celebrating with. Among friends, in a home, it felt effortless. Paired with denim, it’s about the feeling it creates—a relaxed yet elevated. It’s the kind of jacket that lifts any evening—especially with black.

For my birthday evening in Italy, I wanted to feel chic, elegant, and at ease. The Adele Blazer in Stone, worn with the Gaia Silk Shirt and Joan Jean in black, gave me exactly that—perfect for the setting and the people I was celebrating with. Among friends, in a home, it felt effortless. Paired with denim, it’s about the feeling it creates—a relaxed yet elevated. It’s the kind of jacket that lifts any evening—especially with black.

For my birthday evening in Italy, I wanted to feel chic, elegant, and at ease. The Adele Blazer in Stone, worn with the Gaia Silk Shirt and Joan Jean in black, gave me exactly that—perfect for the setting and the people I was celebrating with. Among friends, in a home, it felt effortless. Paired with denim, it’s about the feeling it creates—a relaxed yet elevated. It’s the kind of jacket that lifts any evening—especially with black.

For my birthday evening in Italy, I wanted to feel chic, elegant, and at ease. The Adele Blazer in Stone, worn with the Gaia Silk Shirt and Joan Jean in black, gave me exactly that—perfect for the setting and the people I was celebrating with. Among friends, in a home, it felt effortless. Paired with denim, it’s about the feeling it creates—a relaxed yet elevated. It’s the kind of jacket that lifts any evening—especially with black.

Honoring Tribeca with love and gratitude. Our team spent the day at Duane Park—cleaning, trimming, and painting.

For Earth Day, we created a tee honoring the heart of Tribeca, featuring an archival image and the year it became a public space. Through April 30, 100% of net proceeds will be donated to Friends of Duane Park (@friendsofduanepark).

Honoring Tribeca with love and gratitude. Our team spent the day at Duane Park—cleaning, trimming, and painting.

For Earth Day, we created a tee honoring the heart of Tribeca, featuring an archival image and the year it became a public space. Through April 30, 100% of net proceeds will be donated to Friends of Duane Park (@friendsofduanepark).

Honoring Tribeca with love and gratitude. Our team spent the day at Duane Park—cleaning, trimming, and painting.

For Earth Day, we created a tee honoring the heart of Tribeca, featuring an archival image and the year it became a public space. Through April 30, 100% of net proceeds will be donated to Friends of Duane Park (@friendsofduanepark).

Honoring Tribeca with love and gratitude. Our team spent the day at Duane Park—cleaning, trimming, and painting.

For Earth Day, we created a tee honoring the heart of Tribeca, featuring an archival image and the year it became a public space. Through April 30, 100% of net proceeds will be donated to Friends of Duane Park (@friendsofduanepark).

Honoring Tribeca with love and gratitude. Our team spent the day at Duane Park—cleaning, trimming, and painting.

For Earth Day, we created a tee honoring the heart of Tribeca, featuring an archival image and the year it became a public space. Through April 30, 100% of net proceeds will be donated to Friends of Duane Park (@friendsofduanepark).

Honoring Tribeca with love and gratitude. Our team spent the day at Duane Park—cleaning, trimming, and painting.

For Earth Day, we created a tee honoring the heart of Tribeca, featuring an archival image and the year it became a public space. Through April 30, 100% of net proceeds will be donated to Friends of Duane Park (@friendsofduanepark).

Honoring Tribeca with love and gratitude. Our team spent the day at Duane Park—cleaning, trimming, and painting.

For Earth Day, we created a tee honoring the heart of Tribeca, featuring an archival image and the year it became a public space. Through April 30, 100% of net proceeds will be donated to Friends of Duane Park (@friendsofduanepark).

Honoring Tribeca with love and gratitude. Our team spent the day at Duane Park—cleaning, trimming, and painting.

For Earth Day, we created a tee honoring the heart of Tribeca, featuring an archival image and the year it became a public space. Through April 30, 100% of net proceeds will be donated to Friends of Duane Park (@friendsofduanepark).

Honoring Tribeca with love and gratitude. Our team spent the day at Duane Park—cleaning, trimming, and painting.

For Earth Day, we created a tee honoring the heart of Tribeca, featuring an archival image and the year it became a public space. Through April 30, 100% of net proceeds will be donated to Friends of Duane Park (@friendsofduanepark).

Honoring Tribeca with love and gratitude. Our team spent the day at Duane Park—cleaning, trimming, and painting.

For Earth Day, we created a tee honoring the heart of Tribeca, featuring an archival image and the year it became a public space. Through April 30, 100% of net proceeds will be donated to Friends of Duane Park (@friendsofduanepark).