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odellsstudios
Tom O’Dell | O’Dell’s Studios
British Stylist & Creative Director
Set design
Brand consultant
Studio for hire: London
odellsstudios@gmail.com
March
It’s been a busy old month…taking on a wide range of roles and projects. I’m lucky to find myself doing it.
Self taught and somehow luckily been paid professionally to do so for 15 years…. Variety’s always been important to me. The spice of life is what makes it exciting, challenging and keeps me on my toes.
It’s been a mad one.
From styling VIP clients to working on brand campaigns, alongside art direction jobs, set design and props, alongside being a studio owner, managing my team and doing some great test shoots with some brilliant models and fellow creatives.
Throw in a couple of trips, and the year as a whole hasn’t really slowed down.
I’ve never stuck to one lane, and I don’t think I ever will. I like getting 5 emails and they are all for different things across different fields.
Most of the work’s been hands-on. Sketching ideas, building sets, sourcing props, moving things around…figuring things out properly, rather than just on a screen. Long days, but good ones.
Back-to-back, but each job still gets the same level of care. That matters to me. I like doing things properly, even when things are busy.
Sourcing runs through everything. I use pieces from my own archive, but I’m always out looking too..markets ( so many good bits from Bologna), charity shops, wherever really. It takes time, but it makes the difference.
VIP styling has been a big part of the month as well. It’s very relationship-led understanding people, what suits them, what they feel good in. It has to feel like them, not something imposed. Love some of the relationships I’ve built and now have with people I would just see on television.
I’ve also started building a small team around me. I couldn’t do it without them, hard-working, thoughtful, all bringing something different. It’s been a real team effort.
There are probably easier ways to do this job, but I’ve never been interested in that. I’d rather put the time in and get it right.
Writing this quickly before heading to the studio to tidy up ahead of a brand recce. Then a meeting about dressing a client for one of the biggest film releases this year. Next week,four shoots, back-to-back.
March
It’s been a busy old month…taking on a wide range of roles and projects. I’m lucky to find myself doing it.
Self taught and somehow luckily been paid professionally to do so for 15 years…. Variety’s always been important to me. The spice of life is what makes it exciting, challenging and keeps me on my toes.
It’s been a mad one.
From styling VIP clients to working on brand campaigns, alongside art direction jobs, set design and props, alongside being a studio owner, managing my team and doing some great test shoots with some brilliant models and fellow creatives.
Throw in a couple of trips, and the year as a whole hasn’t really slowed down.
I’ve never stuck to one lane, and I don’t think I ever will. I like getting 5 emails and they are all for different things across different fields.
Most of the work’s been hands-on. Sketching ideas, building sets, sourcing props, moving things around…figuring things out properly, rather than just on a screen. Long days, but good ones.
Back-to-back, but each job still gets the same level of care. That matters to me. I like doing things properly, even when things are busy.
Sourcing runs through everything. I use pieces from my own archive, but I’m always out looking too..markets ( so many good bits from Bologna), charity shops, wherever really. It takes time, but it makes the difference.
VIP styling has been a big part of the month as well. It’s very relationship-led understanding people, what suits them, what they feel good in. It has to feel like them, not something imposed. Love some of the relationships I’ve built and now have with people I would just see on television.
I’ve also started building a small team around me. I couldn’t do it without them, hard-working, thoughtful, all bringing something different. It’s been a real team effort.
There are probably easier ways to do this job, but I’ve never been interested in that. I’d rather put the time in and get it right.
Writing this quickly before heading to the studio to tidy up ahead of a brand recce. Then a meeting about dressing a client for one of the biggest film releases this year. Next week,four shoots, back-to-back.
March
It’s been a busy old month…taking on a wide range of roles and projects. I’m lucky to find myself doing it.
Self taught and somehow luckily been paid professionally to do so for 15 years…. Variety’s always been important to me. The spice of life is what makes it exciting, challenging and keeps me on my toes.
It’s been a mad one.
From styling VIP clients to working on brand campaigns, alongside art direction jobs, set design and props, alongside being a studio owner, managing my team and doing some great test shoots with some brilliant models and fellow creatives.
Throw in a couple of trips, and the year as a whole hasn’t really slowed down.
I’ve never stuck to one lane, and I don’t think I ever will. I like getting 5 emails and they are all for different things across different fields.
Most of the work’s been hands-on. Sketching ideas, building sets, sourcing props, moving things around…figuring things out properly, rather than just on a screen. Long days, but good ones.
Back-to-back, but each job still gets the same level of care. That matters to me. I like doing things properly, even when things are busy.
Sourcing runs through everything. I use pieces from my own archive, but I’m always out looking too..markets ( so many good bits from Bologna), charity shops, wherever really. It takes time, but it makes the difference.
VIP styling has been a big part of the month as well. It’s very relationship-led understanding people, what suits them, what they feel good in. It has to feel like them, not something imposed. Love some of the relationships I’ve built and now have with people I would just see on television.
I’ve also started building a small team around me. I couldn’t do it without them, hard-working, thoughtful, all bringing something different. It’s been a real team effort.
There are probably easier ways to do this job, but I’ve never been interested in that. I’d rather put the time in and get it right.
Writing this quickly before heading to the studio to tidy up ahead of a brand recce. Then a meeting about dressing a client for one of the biggest film releases this year. Next week,four shoots, back-to-back.
March
It’s been a busy old month…taking on a wide range of roles and projects. I’m lucky to find myself doing it.
Self taught and somehow luckily been paid professionally to do so for 15 years…. Variety’s always been important to me. The spice of life is what makes it exciting, challenging and keeps me on my toes.
It’s been a mad one.
From styling VIP clients to working on brand campaigns, alongside art direction jobs, set design and props, alongside being a studio owner, managing my team and doing some great test shoots with some brilliant models and fellow creatives.
Throw in a couple of trips, and the year as a whole hasn’t really slowed down.
I’ve never stuck to one lane, and I don’t think I ever will. I like getting 5 emails and they are all for different things across different fields.
Most of the work’s been hands-on. Sketching ideas, building sets, sourcing props, moving things around…figuring things out properly, rather than just on a screen. Long days, but good ones.
Back-to-back, but each job still gets the same level of care. That matters to me. I like doing things properly, even when things are busy.
Sourcing runs through everything. I use pieces from my own archive, but I’m always out looking too..markets ( so many good bits from Bologna), charity shops, wherever really. It takes time, but it makes the difference.
VIP styling has been a big part of the month as well. It’s very relationship-led understanding people, what suits them, what they feel good in. It has to feel like them, not something imposed. Love some of the relationships I’ve built and now have with people I would just see on television.
I’ve also started building a small team around me. I couldn’t do it without them, hard-working, thoughtful, all bringing something different. It’s been a real team effort.
There are probably easier ways to do this job, but I’ve never been interested in that. I’d rather put the time in and get it right.
Writing this quickly before heading to the studio to tidy up ahead of a brand recce. Then a meeting about dressing a client for one of the biggest film releases this year. Next week,four shoots, back-to-back.
March
It’s been a busy old month…taking on a wide range of roles and projects. I’m lucky to find myself doing it.
Self taught and somehow luckily been paid professionally to do so for 15 years…. Variety’s always been important to me. The spice of life is what makes it exciting, challenging and keeps me on my toes.
It’s been a mad one.
From styling VIP clients to working on brand campaigns, alongside art direction jobs, set design and props, alongside being a studio owner, managing my team and doing some great test shoots with some brilliant models and fellow creatives.
Throw in a couple of trips, and the year as a whole hasn’t really slowed down.
I’ve never stuck to one lane, and I don’t think I ever will. I like getting 5 emails and they are all for different things across different fields.
Most of the work’s been hands-on. Sketching ideas, building sets, sourcing props, moving things around…figuring things out properly, rather than just on a screen. Long days, but good ones.
Back-to-back, but each job still gets the same level of care. That matters to me. I like doing things properly, even when things are busy.
Sourcing runs through everything. I use pieces from my own archive, but I’m always out looking too..markets ( so many good bits from Bologna), charity shops, wherever really. It takes time, but it makes the difference.
VIP styling has been a big part of the month as well. It’s very relationship-led understanding people, what suits them, what they feel good in. It has to feel like them, not something imposed. Love some of the relationships I’ve built and now have with people I would just see on television.
I’ve also started building a small team around me. I couldn’t do it without them, hard-working, thoughtful, all bringing something different. It’s been a real team effort.
There are probably easier ways to do this job, but I’ve never been interested in that. I’d rather put the time in and get it right.
Writing this quickly before heading to the studio to tidy up ahead of a brand recce. Then a meeting about dressing a client for one of the biggest film releases this year. Next week,four shoots, back-to-back.
March
It’s been a busy old month…taking on a wide range of roles and projects. I’m lucky to find myself doing it.
Self taught and somehow luckily been paid professionally to do so for 15 years…. Variety’s always been important to me. The spice of life is what makes it exciting, challenging and keeps me on my toes.
It’s been a mad one.
From styling VIP clients to working on brand campaigns, alongside art direction jobs, set design and props, alongside being a studio owner, managing my team and doing some great test shoots with some brilliant models and fellow creatives.
Throw in a couple of trips, and the year as a whole hasn’t really slowed down.
I’ve never stuck to one lane, and I don’t think I ever will. I like getting 5 emails and they are all for different things across different fields.
Most of the work’s been hands-on. Sketching ideas, building sets, sourcing props, moving things around…figuring things out properly, rather than just on a screen. Long days, but good ones.
Back-to-back, but each job still gets the same level of care. That matters to me. I like doing things properly, even when things are busy.
Sourcing runs through everything. I use pieces from my own archive, but I’m always out looking too..markets ( so many good bits from Bologna), charity shops, wherever really. It takes time, but it makes the difference.
VIP styling has been a big part of the month as well. It’s very relationship-led understanding people, what suits them, what they feel good in. It has to feel like them, not something imposed. Love some of the relationships I’ve built and now have with people I would just see on television.
I’ve also started building a small team around me. I couldn’t do it without them, hard-working, thoughtful, all bringing something different. It’s been a real team effort.
There are probably easier ways to do this job, but I’ve never been interested in that. I’d rather put the time in and get it right.
Writing this quickly before heading to the studio to tidy up ahead of a brand recce. Then a meeting about dressing a client for one of the biggest film releases this year. Next week,four shoots, back-to-back.
March
It’s been a busy old month…taking on a wide range of roles and projects. I’m lucky to find myself doing it.
Self taught and somehow luckily been paid professionally to do so for 15 years…. Variety’s always been important to me. The spice of life is what makes it exciting, challenging and keeps me on my toes.
It’s been a mad one.
From styling VIP clients to working on brand campaigns, alongside art direction jobs, set design and props, alongside being a studio owner, managing my team and doing some great test shoots with some brilliant models and fellow creatives.
Throw in a couple of trips, and the year as a whole hasn’t really slowed down.
I’ve never stuck to one lane, and I don’t think I ever will. I like getting 5 emails and they are all for different things across different fields.
Most of the work’s been hands-on. Sketching ideas, building sets, sourcing props, moving things around…figuring things out properly, rather than just on a screen. Long days, but good ones.
Back-to-back, but each job still gets the same level of care. That matters to me. I like doing things properly, even when things are busy.
Sourcing runs through everything. I use pieces from my own archive, but I’m always out looking too..markets ( so many good bits from Bologna), charity shops, wherever really. It takes time, but it makes the difference.
VIP styling has been a big part of the month as well. It’s very relationship-led understanding people, what suits them, what they feel good in. It has to feel like them, not something imposed. Love some of the relationships I’ve built and now have with people I would just see on television.
I’ve also started building a small team around me. I couldn’t do it without them, hard-working, thoughtful, all bringing something different. It’s been a real team effort.
There are probably easier ways to do this job, but I’ve never been interested in that. I’d rather put the time in and get it right.
Writing this quickly before heading to the studio to tidy up ahead of a brand recce. Then a meeting about dressing a client for one of the biggest film releases this year. Next week,four shoots, back-to-back.
March
It’s been a busy old month…taking on a wide range of roles and projects. I’m lucky to find myself doing it.
Self taught and somehow luckily been paid professionally to do so for 15 years…. Variety’s always been important to me. The spice of life is what makes it exciting, challenging and keeps me on my toes.
It’s been a mad one.
From styling VIP clients to working on brand campaigns, alongside art direction jobs, set design and props, alongside being a studio owner, managing my team and doing some great test shoots with some brilliant models and fellow creatives.
Throw in a couple of trips, and the year as a whole hasn’t really slowed down.
I’ve never stuck to one lane, and I don’t think I ever will. I like getting 5 emails and they are all for different things across different fields.
Most of the work’s been hands-on. Sketching ideas, building sets, sourcing props, moving things around…figuring things out properly, rather than just on a screen. Long days, but good ones.
Back-to-back, but each job still gets the same level of care. That matters to me. I like doing things properly, even when things are busy.
Sourcing runs through everything. I use pieces from my own archive, but I’m always out looking too..markets ( so many good bits from Bologna), charity shops, wherever really. It takes time, but it makes the difference.
VIP styling has been a big part of the month as well. It’s very relationship-led understanding people, what suits them, what they feel good in. It has to feel like them, not something imposed. Love some of the relationships I’ve built and now have with people I would just see on television.
I’ve also started building a small team around me. I couldn’t do it without them, hard-working, thoughtful, all bringing something different. It’s been a real team effort.
There are probably easier ways to do this job, but I’ve never been interested in that. I’d rather put the time in and get it right.
Writing this quickly before heading to the studio to tidy up ahead of a brand recce. Then a meeting about dressing a client for one of the biggest film releases this year. Next week,four shoots, back-to-back.
March
It’s been a busy old month…taking on a wide range of roles and projects. I’m lucky to find myself doing it.
Self taught and somehow luckily been paid professionally to do so for 15 years…. Variety’s always been important to me. The spice of life is what makes it exciting, challenging and keeps me on my toes.
It’s been a mad one.
From styling VIP clients to working on brand campaigns, alongside art direction jobs, set design and props, alongside being a studio owner, managing my team and doing some great test shoots with some brilliant models and fellow creatives.
Throw in a couple of trips, and the year as a whole hasn’t really slowed down.
I’ve never stuck to one lane, and I don’t think I ever will. I like getting 5 emails and they are all for different things across different fields.
Most of the work’s been hands-on. Sketching ideas, building sets, sourcing props, moving things around…figuring things out properly, rather than just on a screen. Long days, but good ones.
Back-to-back, but each job still gets the same level of care. That matters to me. I like doing things properly, even when things are busy.
Sourcing runs through everything. I use pieces from my own archive, but I’m always out looking too..markets ( so many good bits from Bologna), charity shops, wherever really. It takes time, but it makes the difference.
VIP styling has been a big part of the month as well. It’s very relationship-led understanding people, what suits them, what they feel good in. It has to feel like them, not something imposed. Love some of the relationships I’ve built and now have with people I would just see on television.
I’ve also started building a small team around me. I couldn’t do it without them, hard-working, thoughtful, all bringing something different. It’s been a real team effort.
There are probably easier ways to do this job, but I’ve never been interested in that. I’d rather put the time in and get it right.
Writing this quickly before heading to the studio to tidy up ahead of a brand recce. Then a meeting about dressing a client for one of the biggest film releases this year. Next week,four shoots, back-to-back.
March
It’s been a busy old month…taking on a wide range of roles and projects. I’m lucky to find myself doing it.
Self taught and somehow luckily been paid professionally to do so for 15 years…. Variety’s always been important to me. The spice of life is what makes it exciting, challenging and keeps me on my toes.
It’s been a mad one.
From styling VIP clients to working on brand campaigns, alongside art direction jobs, set design and props, alongside being a studio owner, managing my team and doing some great test shoots with some brilliant models and fellow creatives.
Throw in a couple of trips, and the year as a whole hasn’t really slowed down.
I’ve never stuck to one lane, and I don’t think I ever will. I like getting 5 emails and they are all for different things across different fields.
Most of the work’s been hands-on. Sketching ideas, building sets, sourcing props, moving things around…figuring things out properly, rather than just on a screen. Long days, but good ones.
Back-to-back, but each job still gets the same level of care. That matters to me. I like doing things properly, even when things are busy.
Sourcing runs through everything. I use pieces from my own archive, but I’m always out looking too..markets ( so many good bits from Bologna), charity shops, wherever really. It takes time, but it makes the difference.
VIP styling has been a big part of the month as well. It’s very relationship-led understanding people, what suits them, what they feel good in. It has to feel like them, not something imposed. Love some of the relationships I’ve built and now have with people I would just see on television.
I’ve also started building a small team around me. I couldn’t do it without them, hard-working, thoughtful, all bringing something different. It’s been a real team effort.
There are probably easier ways to do this job, but I’ve never been interested in that. I’d rather put the time in and get it right.
Writing this quickly before heading to the studio to tidy up ahead of a brand recce. Then a meeting about dressing a client for one of the biggest film releases this year. Next week,four shoots, back-to-back.
March
It’s been a busy old month…taking on a wide range of roles and projects. I’m lucky to find myself doing it.
Self taught and somehow luckily been paid professionally to do so for 15 years…. Variety’s always been important to me. The spice of life is what makes it exciting, challenging and keeps me on my toes.
It’s been a mad one.
From styling VIP clients to working on brand campaigns, alongside art direction jobs, set design and props, alongside being a studio owner, managing my team and doing some great test shoots with some brilliant models and fellow creatives.
Throw in a couple of trips, and the year as a whole hasn’t really slowed down.
I’ve never stuck to one lane, and I don’t think I ever will. I like getting 5 emails and they are all for different things across different fields.
Most of the work’s been hands-on. Sketching ideas, building sets, sourcing props, moving things around…figuring things out properly, rather than just on a screen. Long days, but good ones.
Back-to-back, but each job still gets the same level of care. That matters to me. I like doing things properly, even when things are busy.
Sourcing runs through everything. I use pieces from my own archive, but I’m always out looking too..markets ( so many good bits from Bologna), charity shops, wherever really. It takes time, but it makes the difference.
VIP styling has been a big part of the month as well. It’s very relationship-led understanding people, what suits them, what they feel good in. It has to feel like them, not something imposed. Love some of the relationships I’ve built and now have with people I would just see on television.
I’ve also started building a small team around me. I couldn’t do it without them, hard-working, thoughtful, all bringing something different. It’s been a real team effort.
There are probably easier ways to do this job, but I’ve never been interested in that. I’d rather put the time in and get it right.
Writing this quickly before heading to the studio to tidy up ahead of a brand recce. Then a meeting about dressing a client for one of the biggest film releases this year. Next week,four shoots, back-to-back.
March
It’s been a busy old month…taking on a wide range of roles and projects. I’m lucky to find myself doing it.
Self taught and somehow luckily been paid professionally to do so for 15 years…. Variety’s always been important to me. The spice of life is what makes it exciting, challenging and keeps me on my toes.
It’s been a mad one.
From styling VIP clients to working on brand campaigns, alongside art direction jobs, set design and props, alongside being a studio owner, managing my team and doing some great test shoots with some brilliant models and fellow creatives.
Throw in a couple of trips, and the year as a whole hasn’t really slowed down.
I’ve never stuck to one lane, and I don’t think I ever will. I like getting 5 emails and they are all for different things across different fields.
Most of the work’s been hands-on. Sketching ideas, building sets, sourcing props, moving things around…figuring things out properly, rather than just on a screen. Long days, but good ones.
Back-to-back, but each job still gets the same level of care. That matters to me. I like doing things properly, even when things are busy.
Sourcing runs through everything. I use pieces from my own archive, but I’m always out looking too..markets ( so many good bits from Bologna), charity shops, wherever really. It takes time, but it makes the difference.
VIP styling has been a big part of the month as well. It’s very relationship-led understanding people, what suits them, what they feel good in. It has to feel like them, not something imposed. Love some of the relationships I’ve built and now have with people I would just see on television.
I’ve also started building a small team around me. I couldn’t do it without them, hard-working, thoughtful, all bringing something different. It’s been a real team effort.
There are probably easier ways to do this job, but I’ve never been interested in that. I’d rather put the time in and get it right.
Writing this quickly before heading to the studio to tidy up ahead of a brand recce. Then a meeting about dressing a client for one of the biggest film releases this year. Next week,four shoots, back-to-back.
March
It’s been a busy old month…taking on a wide range of roles and projects. I’m lucky to find myself doing it.
Self taught and somehow luckily been paid professionally to do so for 15 years…. Variety’s always been important to me. The spice of life is what makes it exciting, challenging and keeps me on my toes.
It’s been a mad one.
From styling VIP clients to working on brand campaigns, alongside art direction jobs, set design and props, alongside being a studio owner, managing my team and doing some great test shoots with some brilliant models and fellow creatives.
Throw in a couple of trips, and the year as a whole hasn’t really slowed down.
I’ve never stuck to one lane, and I don’t think I ever will. I like getting 5 emails and they are all for different things across different fields.
Most of the work’s been hands-on. Sketching ideas, building sets, sourcing props, moving things around…figuring things out properly, rather than just on a screen. Long days, but good ones.
Back-to-back, but each job still gets the same level of care. That matters to me. I like doing things properly, even when things are busy.
Sourcing runs through everything. I use pieces from my own archive, but I’m always out looking too..markets ( so many good bits from Bologna), charity shops, wherever really. It takes time, but it makes the difference.
VIP styling has been a big part of the month as well. It’s very relationship-led understanding people, what suits them, what they feel good in. It has to feel like them, not something imposed. Love some of the relationships I’ve built and now have with people I would just see on television.
I’ve also started building a small team around me. I couldn’t do it without them, hard-working, thoughtful, all bringing something different. It’s been a real team effort.
There are probably easier ways to do this job, but I’ve never been interested in that. I’d rather put the time in and get it right.
Writing this quickly before heading to the studio to tidy up ahead of a brand recce. Then a meeting about dressing a client for one of the biggest film releases this year. Next week,four shoots, back-to-back.
March
It’s been a busy old month…taking on a wide range of roles and projects. I’m lucky to find myself doing it.
Self taught and somehow luckily been paid professionally to do so for 15 years…. Variety’s always been important to me. The spice of life is what makes it exciting, challenging and keeps me on my toes.
It’s been a mad one.
From styling VIP clients to working on brand campaigns, alongside art direction jobs, set design and props, alongside being a studio owner, managing my team and doing some great test shoots with some brilliant models and fellow creatives.
Throw in a couple of trips, and the year as a whole hasn’t really slowed down.
I’ve never stuck to one lane, and I don’t think I ever will. I like getting 5 emails and they are all for different things across different fields.
Most of the work’s been hands-on. Sketching ideas, building sets, sourcing props, moving things around…figuring things out properly, rather than just on a screen. Long days, but good ones.
Back-to-back, but each job still gets the same level of care. That matters to me. I like doing things properly, even when things are busy.
Sourcing runs through everything. I use pieces from my own archive, but I’m always out looking too..markets ( so many good bits from Bologna), charity shops, wherever really. It takes time, but it makes the difference.
VIP styling has been a big part of the month as well. It’s very relationship-led understanding people, what suits them, what they feel good in. It has to feel like them, not something imposed. Love some of the relationships I’ve built and now have with people I would just see on television.
I’ve also started building a small team around me. I couldn’t do it without them, hard-working, thoughtful, all bringing something different. It’s been a real team effort.
There are probably easier ways to do this job, but I’ve never been interested in that. I’d rather put the time in and get it right.
Writing this quickly before heading to the studio to tidy up ahead of a brand recce. Then a meeting about dressing a client for one of the biggest film releases this year. Next week,four shoots, back-to-back.
March
It’s been a busy old month…taking on a wide range of roles and projects. I’m lucky to find myself doing it.
Self taught and somehow luckily been paid professionally to do so for 15 years…. Variety’s always been important to me. The spice of life is what makes it exciting, challenging and keeps me on my toes.
It’s been a mad one.
From styling VIP clients to working on brand campaigns, alongside art direction jobs, set design and props, alongside being a studio owner, managing my team and doing some great test shoots with some brilliant models and fellow creatives.
Throw in a couple of trips, and the year as a whole hasn’t really slowed down.
I’ve never stuck to one lane, and I don’t think I ever will. I like getting 5 emails and they are all for different things across different fields.
Most of the work’s been hands-on. Sketching ideas, building sets, sourcing props, moving things around…figuring things out properly, rather than just on a screen. Long days, but good ones.
Back-to-back, but each job still gets the same level of care. That matters to me. I like doing things properly, even when things are busy.
Sourcing runs through everything. I use pieces from my own archive, but I’m always out looking too..markets ( so many good bits from Bologna), charity shops, wherever really. It takes time, but it makes the difference.
VIP styling has been a big part of the month as well. It’s very relationship-led understanding people, what suits them, what they feel good in. It has to feel like them, not something imposed. Love some of the relationships I’ve built and now have with people I would just see on television.
I’ve also started building a small team around me. I couldn’t do it without them, hard-working, thoughtful, all bringing something different. It’s been a real team effort.
There are probably easier ways to do this job, but I’ve never been interested in that. I’d rather put the time in and get it right.
Writing this quickly before heading to the studio to tidy up ahead of a brand recce. Then a meeting about dressing a client for one of the biggest film releases this year. Next week,four shoots, back-to-back.
March
It’s been a busy old month…taking on a wide range of roles and projects. I’m lucky to find myself doing it.
Self taught and somehow luckily been paid professionally to do so for 15 years…. Variety’s always been important to me. The spice of life is what makes it exciting, challenging and keeps me on my toes.
It’s been a mad one.
From styling VIP clients to working on brand campaigns, alongside art direction jobs, set design and props, alongside being a studio owner, managing my team and doing some great test shoots with some brilliant models and fellow creatives.
Throw in a couple of trips, and the year as a whole hasn’t really slowed down.
I’ve never stuck to one lane, and I don’t think I ever will. I like getting 5 emails and they are all for different things across different fields.
Most of the work’s been hands-on. Sketching ideas, building sets, sourcing props, moving things around…figuring things out properly, rather than just on a screen. Long days, but good ones.
Back-to-back, but each job still gets the same level of care. That matters to me. I like doing things properly, even when things are busy.
Sourcing runs through everything. I use pieces from my own archive, but I’m always out looking too..markets ( so many good bits from Bologna), charity shops, wherever really. It takes time, but it makes the difference.
VIP styling has been a big part of the month as well. It’s very relationship-led understanding people, what suits them, what they feel good in. It has to feel like them, not something imposed. Love some of the relationships I’ve built and now have with people I would just see on television.
I’ve also started building a small team around me. I couldn’t do it without them, hard-working, thoughtful, all bringing something different. It’s been a real team effort.
There are probably easier ways to do this job, but I’ve never been interested in that. I’d rather put the time in and get it right.
Writing this quickly before heading to the studio to tidy up ahead of a brand recce. Then a meeting about dressing a client for one of the biggest film releases this year. Next week,four shoots, back-to-back.
March
It’s been a busy old month…taking on a wide range of roles and projects. I’m lucky to find myself doing it.
Self taught and somehow luckily been paid professionally to do so for 15 years…. Variety’s always been important to me. The spice of life is what makes it exciting, challenging and keeps me on my toes.
It’s been a mad one.
From styling VIP clients to working on brand campaigns, alongside art direction jobs, set design and props, alongside being a studio owner, managing my team and doing some great test shoots with some brilliant models and fellow creatives.
Throw in a couple of trips, and the year as a whole hasn’t really slowed down.
I’ve never stuck to one lane, and I don’t think I ever will. I like getting 5 emails and they are all for different things across different fields.
Most of the work’s been hands-on. Sketching ideas, building sets, sourcing props, moving things around…figuring things out properly, rather than just on a screen. Long days, but good ones.
Back-to-back, but each job still gets the same level of care. That matters to me. I like doing things properly, even when things are busy.
Sourcing runs through everything. I use pieces from my own archive, but I’m always out looking too..markets ( so many good bits from Bologna), charity shops, wherever really. It takes time, but it makes the difference.
VIP styling has been a big part of the month as well. It’s very relationship-led understanding people, what suits them, what they feel good in. It has to feel like them, not something imposed. Love some of the relationships I’ve built and now have with people I would just see on television.
I’ve also started building a small team around me. I couldn’t do it without them, hard-working, thoughtful, all bringing something different. It’s been a real team effort.
There are probably easier ways to do this job, but I’ve never been interested in that. I’d rather put the time in and get it right.
Writing this quickly before heading to the studio to tidy up ahead of a brand recce. Then a meeting about dressing a client for one of the biggest film releases this year. Next week,four shoots, back-to-back.
March
It’s been a busy old month…taking on a wide range of roles and projects. I’m lucky to find myself doing it.
Self taught and somehow luckily been paid professionally to do so for 15 years…. Variety’s always been important to me. The spice of life is what makes it exciting, challenging and keeps me on my toes.
It’s been a mad one.
From styling VIP clients to working on brand campaigns, alongside art direction jobs, set design and props, alongside being a studio owner, managing my team and doing some great test shoots with some brilliant models and fellow creatives.
Throw in a couple of trips, and the year as a whole hasn’t really slowed down.
I’ve never stuck to one lane, and I don’t think I ever will. I like getting 5 emails and they are all for different things across different fields.
Most of the work’s been hands-on. Sketching ideas, building sets, sourcing props, moving things around…figuring things out properly, rather than just on a screen. Long days, but good ones.
Back-to-back, but each job still gets the same level of care. That matters to me. I like doing things properly, even when things are busy.
Sourcing runs through everything. I use pieces from my own archive, but I’m always out looking too..markets ( so many good bits from Bologna), charity shops, wherever really. It takes time, but it makes the difference.
VIP styling has been a big part of the month as well. It’s very relationship-led understanding people, what suits them, what they feel good in. It has to feel like them, not something imposed. Love some of the relationships I’ve built and now have with people I would just see on television.
I’ve also started building a small team around me. I couldn’t do it without them, hard-working, thoughtful, all bringing something different. It’s been a real team effort.
There are probably easier ways to do this job, but I’ve never been interested in that. I’d rather put the time in and get it right.
Writing this quickly before heading to the studio to tidy up ahead of a brand recce. Then a meeting about dressing a client for one of the biggest film releases this year. Next week,four shoots, back-to-back.
March
It’s been a busy old month…taking on a wide range of roles and projects. I’m lucky to find myself doing it.
Self taught and somehow luckily been paid professionally to do so for 15 years…. Variety’s always been important to me. The spice of life is what makes it exciting, challenging and keeps me on my toes.
It’s been a mad one.
From styling VIP clients to working on brand campaigns, alongside art direction jobs, set design and props, alongside being a studio owner, managing my team and doing some great test shoots with some brilliant models and fellow creatives.
Throw in a couple of trips, and the year as a whole hasn’t really slowed down.
I’ve never stuck to one lane, and I don’t think I ever will. I like getting 5 emails and they are all for different things across different fields.
Most of the work’s been hands-on. Sketching ideas, building sets, sourcing props, moving things around…figuring things out properly, rather than just on a screen. Long days, but good ones.
Back-to-back, but each job still gets the same level of care. That matters to me. I like doing things properly, even when things are busy.
Sourcing runs through everything. I use pieces from my own archive, but I’m always out looking too..markets ( so many good bits from Bologna), charity shops, wherever really. It takes time, but it makes the difference.
VIP styling has been a big part of the month as well. It’s very relationship-led understanding people, what suits them, what they feel good in. It has to feel like them, not something imposed. Love some of the relationships I’ve built and now have with people I would just see on television.
I’ve also started building a small team around me. I couldn’t do it without them, hard-working, thoughtful, all bringing something different. It’s been a real team effort.
There are probably easier ways to do this job, but I’ve never been interested in that. I’d rather put the time in and get it right.
Writing this quickly before heading to the studio to tidy up ahead of a brand recce. Then a meeting about dressing a client for one of the biggest film releases this year. Next week,four shoots, back-to-back.
March
It’s been a busy old month…taking on a wide range of roles and projects. I’m lucky to find myself doing it.
Self taught and somehow luckily been paid professionally to do so for 15 years…. Variety’s always been important to me. The spice of life is what makes it exciting, challenging and keeps me on my toes.
It’s been a mad one.
From styling VIP clients to working on brand campaigns, alongside art direction jobs, set design and props, alongside being a studio owner, managing my team and doing some great test shoots with some brilliant models and fellow creatives.
Throw in a couple of trips, and the year as a whole hasn’t really slowed down.
I’ve never stuck to one lane, and I don’t think I ever will. I like getting 5 emails and they are all for different things across different fields.
Most of the work’s been hands-on. Sketching ideas, building sets, sourcing props, moving things around…figuring things out properly, rather than just on a screen. Long days, but good ones.
Back-to-back, but each job still gets the same level of care. That matters to me. I like doing things properly, even when things are busy.
Sourcing runs through everything. I use pieces from my own archive, but I’m always out looking too..markets ( so many good bits from Bologna), charity shops, wherever really. It takes time, but it makes the difference.
VIP styling has been a big part of the month as well. It’s very relationship-led understanding people, what suits them, what they feel good in. It has to feel like them, not something imposed. Love some of the relationships I’ve built and now have with people I would just see on television.
I’ve also started building a small team around me. I couldn’t do it without them, hard-working, thoughtful, all bringing something different. It’s been a real team effort.
There are probably easier ways to do this job, but I’ve never been interested in that. I’d rather put the time in and get it right.
Writing this quickly before heading to the studio to tidy up ahead of a brand recce. Then a meeting about dressing a client for one of the biggest film releases this year. Next week,four shoots, back-to-back.
O’Dell Studios
Studio & Prop Hire
O’Dell Studios is a daylight studio and prop house in the sweet spot between Peckham and Camberwell.
The space is available for half-day or full-day hire, with parking just outside and a quiet, flexible shooting space inside.
There’s natural light through the day, a selection of colouramas, and a large, ever-growing collection of props and furniture available to use during shoots.
Mid-century cabinets, tables, ladders, chairs, period artwork, ceramics, books, magazines, old cameras…lots of pieces with character that have been collected over the past 15 years…that help build a set quickly.
We also keep a large archive of clothing in the studio:
suiting, shirts, ties, shoes and vintage pieces that can be pulled for styling at an additional cost
Over the last three months the studio has hosted more than 20 shoots.
It’s a practical space, well stocked, and priced competitively.
If you need a studio with props already here, O’Dell Studios is available for half-day and full-day hire.
Hope to hear from you
Tom and the team xx
O’Dell Studios
Studio & Prop Hire
O’Dell Studios is a daylight studio and prop house in the sweet spot between Peckham and Camberwell.
The space is available for half-day or full-day hire, with parking just outside and a quiet, flexible shooting space inside.
There’s natural light through the day, a selection of colouramas, and a large, ever-growing collection of props and furniture available to use during shoots.
Mid-century cabinets, tables, ladders, chairs, period artwork, ceramics, books, magazines, old cameras…lots of pieces with character that have been collected over the past 15 years…that help build a set quickly.
We also keep a large archive of clothing in the studio:
suiting, shirts, ties, shoes and vintage pieces that can be pulled for styling at an additional cost
Over the last three months the studio has hosted more than 20 shoots.
It’s a practical space, well stocked, and priced competitively.
If you need a studio with props already here, O’Dell Studios is available for half-day and full-day hire.
Hope to hear from you
Tom and the team xx
O’Dell Studios
Studio & Prop Hire
O’Dell Studios is a daylight studio and prop house in the sweet spot between Peckham and Camberwell.
The space is available for half-day or full-day hire, with parking just outside and a quiet, flexible shooting space inside.
There’s natural light through the day, a selection of colouramas, and a large, ever-growing collection of props and furniture available to use during shoots.
Mid-century cabinets, tables, ladders, chairs, period artwork, ceramics, books, magazines, old cameras…lots of pieces with character that have been collected over the past 15 years…that help build a set quickly.
We also keep a large archive of clothing in the studio:
suiting, shirts, ties, shoes and vintage pieces that can be pulled for styling at an additional cost
Over the last three months the studio has hosted more than 20 shoots.
It’s a practical space, well stocked, and priced competitively.
If you need a studio with props already here, O’Dell Studios is available for half-day and full-day hire.
Hope to hear from you
Tom and the team xx
O’Dell Studios
Studio & Prop Hire
O’Dell Studios is a daylight studio and prop house in the sweet spot between Peckham and Camberwell.
The space is available for half-day or full-day hire, with parking just outside and a quiet, flexible shooting space inside.
There’s natural light through the day, a selection of colouramas, and a large, ever-growing collection of props and furniture available to use during shoots.
Mid-century cabinets, tables, ladders, chairs, period artwork, ceramics, books, magazines, old cameras…lots of pieces with character that have been collected over the past 15 years…that help build a set quickly.
We also keep a large archive of clothing in the studio:
suiting, shirts, ties, shoes and vintage pieces that can be pulled for styling at an additional cost
Over the last three months the studio has hosted more than 20 shoots.
It’s a practical space, well stocked, and priced competitively.
If you need a studio with props already here, O’Dell Studios is available for half-day and full-day hire.
Hope to hear from you
Tom and the team xx
O’Dell Studios
Studio & Prop Hire
O’Dell Studios is a daylight studio and prop house in the sweet spot between Peckham and Camberwell.
The space is available for half-day or full-day hire, with parking just outside and a quiet, flexible shooting space inside.
There’s natural light through the day, a selection of colouramas, and a large, ever-growing collection of props and furniture available to use during shoots.
Mid-century cabinets, tables, ladders, chairs, period artwork, ceramics, books, magazines, old cameras…lots of pieces with character that have been collected over the past 15 years…that help build a set quickly.
We also keep a large archive of clothing in the studio:
suiting, shirts, ties, shoes and vintage pieces that can be pulled for styling at an additional cost
Over the last three months the studio has hosted more than 20 shoots.
It’s a practical space, well stocked, and priced competitively.
If you need a studio with props already here, O’Dell Studios is available for half-day and full-day hire.
Hope to hear from you
Tom and the team xx
O’Dell Studios
Studio & Prop Hire
O’Dell Studios is a daylight studio and prop house in the sweet spot between Peckham and Camberwell.
The space is available for half-day or full-day hire, with parking just outside and a quiet, flexible shooting space inside.
There’s natural light through the day, a selection of colouramas, and a large, ever-growing collection of props and furniture available to use during shoots.
Mid-century cabinets, tables, ladders, chairs, period artwork, ceramics, books, magazines, old cameras…lots of pieces with character that have been collected over the past 15 years…that help build a set quickly.
We also keep a large archive of clothing in the studio:
suiting, shirts, ties, shoes and vintage pieces that can be pulled for styling at an additional cost
Over the last three months the studio has hosted more than 20 shoots.
It’s a practical space, well stocked, and priced competitively.
If you need a studio with props already here, O’Dell Studios is available for half-day and full-day hire.
Hope to hear from you
Tom and the team xx
O’Dell Studios
Studio & Prop Hire
O’Dell Studios is a daylight studio and prop house in the sweet spot between Peckham and Camberwell.
The space is available for half-day or full-day hire, with parking just outside and a quiet, flexible shooting space inside.
There’s natural light through the day, a selection of colouramas, and a large, ever-growing collection of props and furniture available to use during shoots.
Mid-century cabinets, tables, ladders, chairs, period artwork, ceramics, books, magazines, old cameras…lots of pieces with character that have been collected over the past 15 years…that help build a set quickly.
We also keep a large archive of clothing in the studio:
suiting, shirts, ties, shoes and vintage pieces that can be pulled for styling at an additional cost
Over the last three months the studio has hosted more than 20 shoots.
It’s a practical space, well stocked, and priced competitively.
If you need a studio with props already here, O’Dell Studios is available for half-day and full-day hire.
Hope to hear from you
Tom and the team xx
O’Dell Studios
Studio & Prop Hire
O’Dell Studios is a daylight studio and prop house in the sweet spot between Peckham and Camberwell.
The space is available for half-day or full-day hire, with parking just outside and a quiet, flexible shooting space inside.
There’s natural light through the day, a selection of colouramas, and a large, ever-growing collection of props and furniture available to use during shoots.
Mid-century cabinets, tables, ladders, chairs, period artwork, ceramics, books, magazines, old cameras…lots of pieces with character that have been collected over the past 15 years…that help build a set quickly.
We also keep a large archive of clothing in the studio:
suiting, shirts, ties, shoes and vintage pieces that can be pulled for styling at an additional cost
Over the last three months the studio has hosted more than 20 shoots.
It’s a practical space, well stocked, and priced competitively.
If you need a studio with props already here, O’Dell Studios is available for half-day and full-day hire.
Hope to hear from you
Tom and the team xx
O’Dell Studios
Studio & Prop Hire
O’Dell Studios is a daylight studio and prop house in the sweet spot between Peckham and Camberwell.
The space is available for half-day or full-day hire, with parking just outside and a quiet, flexible shooting space inside.
There’s natural light through the day, a selection of colouramas, and a large, ever-growing collection of props and furniture available to use during shoots.
Mid-century cabinets, tables, ladders, chairs, period artwork, ceramics, books, magazines, old cameras…lots of pieces with character that have been collected over the past 15 years…that help build a set quickly.
We also keep a large archive of clothing in the studio:
suiting, shirts, ties, shoes and vintage pieces that can be pulled for styling at an additional cost
Over the last three months the studio has hosted more than 20 shoots.
It’s a practical space, well stocked, and priced competitively.
If you need a studio with props already here, O’Dell Studios is available for half-day and full-day hire.
Hope to hear from you
Tom and the team xx
In the studio…
Gathered some items together from the studio… working around the colour blue.
I can see this character…he came together quite quickly.
Purchased the fish book last week, such a lovely thing!
Put this little set together at the end of day yesterday just before we left the studio.
Thanks to @emilyhoughton6 for your help yesterday and help with this.
If you want to work together then get in touch. Styling, set design, art direction, props and everything in between. I’ve worked with the likes of Aime Leon Dore, Toast, Mr Porter, New Balance/ Stone Island, Levis….
In the studio…
Gathered some items together from the studio… working around the colour blue.
I can see this character…he came together quite quickly.
Purchased the fish book last week, such a lovely thing!
Put this little set together at the end of day yesterday just before we left the studio.
Thanks to @emilyhoughton6 for your help yesterday and help with this.
If you want to work together then get in touch. Styling, set design, art direction, props and everything in between. I’ve worked with the likes of Aime Leon Dore, Toast, Mr Porter, New Balance/ Stone Island, Levis….
In the studio…
Gathered some items together from the studio… working around the colour blue.
I can see this character…he came together quite quickly.
Purchased the fish book last week, such a lovely thing!
Put this little set together at the end of day yesterday just before we left the studio.
Thanks to @emilyhoughton6 for your help yesterday and help with this.
If you want to work together then get in touch. Styling, set design, art direction, props and everything in between. I’ve worked with the likes of Aime Leon Dore, Toast, Mr Porter, New Balance/ Stone Island, Levis….
In the studio…
Gathered some items together from the studio… working around the colour blue.
I can see this character…he came together quite quickly.
Purchased the fish book last week, such a lovely thing!
Put this little set together at the end of day yesterday just before we left the studio.
Thanks to @emilyhoughton6 for your help yesterday and help with this.
If you want to work together then get in touch. Styling, set design, art direction, props and everything in between. I’ve worked with the likes of Aime Leon Dore, Toast, Mr Porter, New Balance/ Stone Island, Levis….
In the studio…
Gathered some items together from the studio… working around the colour blue.
I can see this character…he came together quite quickly.
Purchased the fish book last week, such a lovely thing!
Put this little set together at the end of day yesterday just before we left the studio.
Thanks to @emilyhoughton6 for your help yesterday and help with this.
If you want to work together then get in touch. Styling, set design, art direction, props and everything in between. I’ve worked with the likes of Aime Leon Dore, Toast, Mr Porter, New Balance/ Stone Island, Levis….
In the studio…
Gathered some items together from the studio… working around the colour blue.
I can see this character…he came together quite quickly.
Purchased the fish book last week, such a lovely thing!
Put this little set together at the end of day yesterday just before we left the studio.
Thanks to @emilyhoughton6 for your help yesterday and help with this.
If you want to work together then get in touch. Styling, set design, art direction, props and everything in between. I’ve worked with the likes of Aime Leon Dore, Toast, Mr Porter, New Balance/ Stone Island, Levis….
In the studio…
Gathered some items together from the studio… working around the colour blue.
I can see this character…he came together quite quickly.
Purchased the fish book last week, such a lovely thing!
Put this little set together at the end of day yesterday just before we left the studio.
Thanks to @emilyhoughton6 for your help yesterday and help with this.
If you want to work together then get in touch. Styling, set design, art direction, props and everything in between. I’ve worked with the likes of Aime Leon Dore, Toast, Mr Porter, New Balance/ Stone Island, Levis….
In the studio…
Gathered some items together from the studio… working around the colour blue.
I can see this character…he came together quite quickly.
Purchased the fish book last week, such a lovely thing!
Put this little set together at the end of day yesterday just before we left the studio.
Thanks to @emilyhoughton6 for your help yesterday and help with this.
If you want to work together then get in touch. Styling, set design, art direction, props and everything in between. I’ve worked with the likes of Aime Leon Dore, Toast, Mr Porter, New Balance/ Stone Island, Levis….
Work for beautiful men’s jewellery brand @prevaut.official
Styling & Creative Direction by me, Tom O’Dell
Photography @nicktydeman
Grooming @ezove
Production by armoire productions by Tom O’Dell
Production & Styling Assistant @benjamin_wigmore
Model @jacob.coupe
Location @house_of_logan
A pleasure to be involved helping to launch the brand alongside owner Philippe. Please follow @prevaut.official for more information and to view the collection.
Jacob wears all clothes from my ‘armoire’vintage archive collection. An inventory of clothes available for hire.
Work for beautiful men’s jewellery brand @prevaut.official
Styling & Creative Direction by me, Tom O’Dell
Photography @nicktydeman
Grooming @ezove
Production by armoire productions by Tom O’Dell
Production & Styling Assistant @benjamin_wigmore
Model @jacob.coupe
Location @house_of_logan
A pleasure to be involved helping to launch the brand alongside owner Philippe. Please follow @prevaut.official for more information and to view the collection.
Jacob wears all clothes from my ‘armoire’vintage archive collection. An inventory of clothes available for hire.
Work for beautiful men’s jewellery brand @prevaut.official
Styling & Creative Direction by me, Tom O’Dell
Photography @nicktydeman
Grooming @ezove
Production by armoire productions by Tom O’Dell
Production & Styling Assistant @benjamin_wigmore
Model @jacob.coupe
Location @house_of_logan
A pleasure to be involved helping to launch the brand alongside owner Philippe. Please follow @prevaut.official for more information and to view the collection.
Jacob wears all clothes from my ‘armoire’vintage archive collection. An inventory of clothes available for hire.
Work for beautiful men’s jewellery brand @prevaut.official
Styling & Creative Direction by me, Tom O’Dell
Photography @nicktydeman
Grooming @ezove
Production by armoire productions by Tom O’Dell
Production & Styling Assistant @benjamin_wigmore
Model @jacob.coupe
Location @house_of_logan
A pleasure to be involved helping to launch the brand alongside owner Philippe. Please follow @prevaut.official for more information and to view the collection.
Jacob wears all clothes from my ‘armoire’vintage archive collection. An inventory of clothes available for hire.
Work for beautiful men’s jewellery brand @prevaut.official
Styling & Creative Direction by me, Tom O’Dell
Photography @nicktydeman
Grooming @ezove
Production by armoire productions by Tom O’Dell
Production & Styling Assistant @benjamin_wigmore
Model @jacob.coupe
Location @house_of_logan
A pleasure to be involved helping to launch the brand alongside owner Philippe. Please follow @prevaut.official for more information and to view the collection.
Jacob wears all clothes from my ‘armoire’vintage archive collection. An inventory of clothes available for hire.
Chair you go… a nice collection of brown/red based ties from my collection.
( sorry posted the wrong main image 3 times)
Chair you go… a nice collection of brown/red based ties from my collection.
( sorry posted the wrong main image 3 times)
Chair you go… a nice collection of brown/red based ties from my collection.
( sorry posted the wrong main image 3 times)
Chair you go… a nice collection of brown/red based ties from my collection.
( sorry posted the wrong main image 3 times)
Chair you go… a nice collection of brown/red based ties from my collection.
( sorry posted the wrong main image 3 times)
Chair you go… a nice collection of brown/red based ties from my collection.
( sorry posted the wrong main image 3 times)
Chair you go… a nice collection of brown/red based ties from my collection.
( sorry posted the wrong main image 3 times)
April was full of fits, kits, fittings, finishings and family & family time
but no fitness (5 weeks and counting… thanks to a football injury).
From hosting the Paul Smith @paulsmithdesign team in the studio,
to dressing long-time client Sir Kenneth Branagh for the The Devil Wears Prada 2 premieres in New York & London…
Michael Socha @michaelsocha13 on The One Show, shoots across London, 3 studio tests, 3 new clients hiring the studio
2 brand styling jobs, 2 art direction projects,
Much needed and great new wardrobes fitted and finished,
vintage finds throughout and even a couple of days away by the sea…
Huge help to @kenna.bates @emilyhoughton6 for all your help with work this month.
A full one. A fulfilling one. Counting down the days till I can gym, box, run and play football again
April was full of fits, kits, fittings, finishings and family & family time
but no fitness (5 weeks and counting… thanks to a football injury).
From hosting the Paul Smith @paulsmithdesign team in the studio,
to dressing long-time client Sir Kenneth Branagh for the The Devil Wears Prada 2 premieres in New York & London…
Michael Socha @michaelsocha13 on The One Show, shoots across London, 3 studio tests, 3 new clients hiring the studio
2 brand styling jobs, 2 art direction projects,
Much needed and great new wardrobes fitted and finished,
vintage finds throughout and even a couple of days away by the sea…
Huge help to @kenna.bates @emilyhoughton6 for all your help with work this month.
A full one. A fulfilling one. Counting down the days till I can gym, box, run and play football again
April was full of fits, kits, fittings, finishings and family & family time
but no fitness (5 weeks and counting… thanks to a football injury).
From hosting the Paul Smith @paulsmithdesign team in the studio,
to dressing long-time client Sir Kenneth Branagh for the The Devil Wears Prada 2 premieres in New York & London…
Michael Socha @michaelsocha13 on The One Show, shoots across London, 3 studio tests, 3 new clients hiring the studio
2 brand styling jobs, 2 art direction projects,
Much needed and great new wardrobes fitted and finished,
vintage finds throughout and even a couple of days away by the sea…
Huge help to @kenna.bates @emilyhoughton6 for all your help with work this month.
A full one. A fulfilling one. Counting down the days till I can gym, box, run and play football again
April was full of fits, kits, fittings, finishings and family & family time
but no fitness (5 weeks and counting… thanks to a football injury).
From hosting the Paul Smith @paulsmithdesign team in the studio,
to dressing long-time client Sir Kenneth Branagh for the The Devil Wears Prada 2 premieres in New York & London…
Michael Socha @michaelsocha13 on The One Show, shoots across London, 3 studio tests, 3 new clients hiring the studio
2 brand styling jobs, 2 art direction projects,
Much needed and great new wardrobes fitted and finished,
vintage finds throughout and even a couple of days away by the sea…
Huge help to @kenna.bates @emilyhoughton6 for all your help with work this month.
A full one. A fulfilling one. Counting down the days till I can gym, box, run and play football again
April was full of fits, kits, fittings, finishings and family & family time
but no fitness (5 weeks and counting… thanks to a football injury).
From hosting the Paul Smith @paulsmithdesign team in the studio,
to dressing long-time client Sir Kenneth Branagh for the The Devil Wears Prada 2 premieres in New York & London…
Michael Socha @michaelsocha13 on The One Show, shoots across London, 3 studio tests, 3 new clients hiring the studio
2 brand styling jobs, 2 art direction projects,
Much needed and great new wardrobes fitted and finished,
vintage finds throughout and even a couple of days away by the sea…
Huge help to @kenna.bates @emilyhoughton6 for all your help with work this month.
A full one. A fulfilling one. Counting down the days till I can gym, box, run and play football again
April was full of fits, kits, fittings, finishings and family & family time
but no fitness (5 weeks and counting… thanks to a football injury).
From hosting the Paul Smith @paulsmithdesign team in the studio,
to dressing long-time client Sir Kenneth Branagh for the The Devil Wears Prada 2 premieres in New York & London…
Michael Socha @michaelsocha13 on The One Show, shoots across London, 3 studio tests, 3 new clients hiring the studio
2 brand styling jobs, 2 art direction projects,
Much needed and great new wardrobes fitted and finished,
vintage finds throughout and even a couple of days away by the sea…
Huge help to @kenna.bates @emilyhoughton6 for all your help with work this month.
A full one. A fulfilling one. Counting down the days till I can gym, box, run and play football again
April was full of fits, kits, fittings, finishings and family & family time
but no fitness (5 weeks and counting… thanks to a football injury).
From hosting the Paul Smith @paulsmithdesign team in the studio,
to dressing long-time client Sir Kenneth Branagh for the The Devil Wears Prada 2 premieres in New York & London…
Michael Socha @michaelsocha13 on The One Show, shoots across London, 3 studio tests, 3 new clients hiring the studio
2 brand styling jobs, 2 art direction projects,
Much needed and great new wardrobes fitted and finished,
vintage finds throughout and even a couple of days away by the sea…
Huge help to @kenna.bates @emilyhoughton6 for all your help with work this month.
A full one. A fulfilling one. Counting down the days till I can gym, box, run and play football again
April was full of fits, kits, fittings, finishings and family & family time
but no fitness (5 weeks and counting… thanks to a football injury).
From hosting the Paul Smith @paulsmithdesign team in the studio,
to dressing long-time client Sir Kenneth Branagh for the The Devil Wears Prada 2 premieres in New York & London…
Michael Socha @michaelsocha13 on The One Show, shoots across London, 3 studio tests, 3 new clients hiring the studio
2 brand styling jobs, 2 art direction projects,
Much needed and great new wardrobes fitted and finished,
vintage finds throughout and even a couple of days away by the sea…
Huge help to @kenna.bates @emilyhoughton6 for all your help with work this month.
A full one. A fulfilling one. Counting down the days till I can gym, box, run and play football again
April was full of fits, kits, fittings, finishings and family & family time
but no fitness (5 weeks and counting… thanks to a football injury).
From hosting the Paul Smith @paulsmithdesign team in the studio,
to dressing long-time client Sir Kenneth Branagh for the The Devil Wears Prada 2 premieres in New York & London…
Michael Socha @michaelsocha13 on The One Show, shoots across London, 3 studio tests, 3 new clients hiring the studio
2 brand styling jobs, 2 art direction projects,
Much needed and great new wardrobes fitted and finished,
vintage finds throughout and even a couple of days away by the sea…
Huge help to @kenna.bates @emilyhoughton6 for all your help with work this month.
A full one. A fulfilling one. Counting down the days till I can gym, box, run and play football again
April was full of fits, kits, fittings, finishings and family & family time
but no fitness (5 weeks and counting… thanks to a football injury).
From hosting the Paul Smith @paulsmithdesign team in the studio,
to dressing long-time client Sir Kenneth Branagh for the The Devil Wears Prada 2 premieres in New York & London…
Michael Socha @michaelsocha13 on The One Show, shoots across London, 3 studio tests, 3 new clients hiring the studio
2 brand styling jobs, 2 art direction projects,
Much needed and great new wardrobes fitted and finished,
vintage finds throughout and even a couple of days away by the sea…
Huge help to @kenna.bates @emilyhoughton6 for all your help with work this month.
A full one. A fulfilling one. Counting down the days till I can gym, box, run and play football again
April was full of fits, kits, fittings, finishings and family & family time
but no fitness (5 weeks and counting… thanks to a football injury).
From hosting the Paul Smith @paulsmithdesign team in the studio,
to dressing long-time client Sir Kenneth Branagh for the The Devil Wears Prada 2 premieres in New York & London…
Michael Socha @michaelsocha13 on The One Show, shoots across London, 3 studio tests, 3 new clients hiring the studio
2 brand styling jobs, 2 art direction projects,
Much needed and great new wardrobes fitted and finished,
vintage finds throughout and even a couple of days away by the sea…
Huge help to @kenna.bates @emilyhoughton6 for all your help with work this month.
A full one. A fulfilling one. Counting down the days till I can gym, box, run and play football again
April was full of fits, kits, fittings, finishings and family & family time
but no fitness (5 weeks and counting… thanks to a football injury).
From hosting the Paul Smith @paulsmithdesign team in the studio,
to dressing long-time client Sir Kenneth Branagh for the The Devil Wears Prada 2 premieres in New York & London…
Michael Socha @michaelsocha13 on The One Show, shoots across London, 3 studio tests, 3 new clients hiring the studio
2 brand styling jobs, 2 art direction projects,
Much needed and great new wardrobes fitted and finished,
vintage finds throughout and even a couple of days away by the sea…
Huge help to @kenna.bates @emilyhoughton6 for all your help with work this month.
A full one. A fulfilling one. Counting down the days till I can gym, box, run and play football again
April was full of fits, kits, fittings, finishings and family & family time
but no fitness (5 weeks and counting… thanks to a football injury).
From hosting the Paul Smith @paulsmithdesign team in the studio,
to dressing long-time client Sir Kenneth Branagh for the The Devil Wears Prada 2 premieres in New York & London…
Michael Socha @michaelsocha13 on The One Show, shoots across London, 3 studio tests, 3 new clients hiring the studio
2 brand styling jobs, 2 art direction projects,
Much needed and great new wardrobes fitted and finished,
vintage finds throughout and even a couple of days away by the sea…
Huge help to @kenna.bates @emilyhoughton6 for all your help with work this month.
A full one. A fulfilling one. Counting down the days till I can gym, box, run and play football again
BEA
‘Gathering thoughts’
Styling, photography and direction by me, Tom O’Dell
Model @beaaxe
Styling assistant & direction @kenna.bates
Thanks to @nevsmodels @bboybooker
Shot on film over 3 cameras in Camberwell
All clothes, props and set from my archive armoire collection
Such a great morning in the studio with Bea. The sun was shining, we had 20 mins in the studio and an hour out and about in Camberwell in the sunshine.
BEA
‘Gathering thoughts’
Styling, photography and direction by me, Tom O’Dell
Model @beaaxe
Styling assistant & direction @kenna.bates
Thanks to @nevsmodels @bboybooker
Shot on film over 3 cameras in Camberwell
All clothes, props and set from my archive armoire collection
Such a great morning in the studio with Bea. The sun was shining, we had 20 mins in the studio and an hour out and about in Camberwell in the sunshine.
BEA
‘Gathering thoughts’
Styling, photography and direction by me, Tom O’Dell
Model @beaaxe
Styling assistant & direction @kenna.bates
Thanks to @nevsmodels @bboybooker
Shot on film over 3 cameras in Camberwell
All clothes, props and set from my archive armoire collection
Such a great morning in the studio with Bea. The sun was shining, we had 20 mins in the studio and an hour out and about in Camberwell in the sunshine.
BEA
‘Gathering thoughts’
Styling, photography and direction by me, Tom O’Dell
Model @beaaxe
Styling assistant & direction @kenna.bates
Thanks to @nevsmodels @bboybooker
Shot on film over 3 cameras in Camberwell
All clothes, props and set from my archive armoire collection
Such a great morning in the studio with Bea. The sun was shining, we had 20 mins in the studio and an hour out and about in Camberwell in the sunshine.
BEA
‘Gathering thoughts’
Styling, photography and direction by me, Tom O’Dell
Model @beaaxe
Styling assistant & direction @kenna.bates
Thanks to @nevsmodels @bboybooker
Shot on film over 3 cameras in Camberwell
All clothes, props and set from my archive armoire collection
Such a great morning in the studio with Bea. The sun was shining, we had 20 mins in the studio and an hour out and about in Camberwell in the sunshine.
BEA
‘Gathering thoughts’
Styling, photography and direction by me, Tom O’Dell
Model @beaaxe
Styling assistant & direction @kenna.bates
Thanks to @nevsmodels @bboybooker
Shot on film over 3 cameras in Camberwell
All clothes, props and set from my archive armoire collection
Such a great morning in the studio with Bea. The sun was shining, we had 20 mins in the studio and an hour out and about in Camberwell in the sunshine.
armoire - women’s
Some Spring items from our inventory of women’s items from my armoire archive collection.
Shot and styled in the studio by me, Tom O’Dell
Assisted by @kenna.bates
armoire - women’s
Some Spring items from our inventory of women’s items from my armoire archive collection.
Shot and styled in the studio by me, Tom O’Dell
Assisted by @kenna.bates
armoire - women’s
Some Spring items from our inventory of women’s items from my armoire archive collection.
Shot and styled in the studio by me, Tom O’Dell
Assisted by @kenna.bates
armoire - women’s
Some Spring items from our inventory of women’s items from my armoire archive collection.
Shot and styled in the studio by me, Tom O’Dell
Assisted by @kenna.bates
armoire - women’s
Some Spring items from our inventory of women’s items from my armoire archive collection.
Shot and styled in the studio by me, Tom O’Dell
Assisted by @kenna.bates
armoire - women’s
Some Spring items from our inventory of women’s items from my armoire archive collection.
Shot and styled in the studio by me, Tom O’Dell
Assisted by @kenna.bates
BEA
‘Gathering thoughts’
Styling, photography and direction by me, Tom O’Dell
Model @beaaxe
Styling assistant & direction @kenna.bates
Thanks to @nevsmodels @bboybooker
Shot on film over 3 cameras in Camberwell
All clothes, props and set from my archive armoire collection
BEA
‘Gathering thoughts’
Styling, photography and direction by me, Tom O’Dell
Model @beaaxe
Styling assistant & direction @kenna.bates
Thanks to @nevsmodels @bboybooker
Shot on film over 3 cameras in Camberwell
All clothes, props and set from my archive armoire collection
BEA
‘Gathering thoughts’
Styling, photography and direction by me, Tom O’Dell
Model @beaaxe
Styling assistant & direction @kenna.bates
Thanks to @nevsmodels @bboybooker
Shot on film over 3 cameras in Camberwell
All clothes, props and set from my archive armoire collection
BEA
‘Gathering thoughts’
Styling, photography and direction by me, Tom O’Dell
Model @beaaxe
Styling assistant & direction @kenna.bates
Thanks to @nevsmodels @bboybooker
Shot on film over 3 cameras in Camberwell
All clothes, props and set from my archive armoire collection
BEA
‘Gathering thoughts’
Styling, photography and direction by me, Tom O’Dell
Model @beaaxe
Styling assistant & direction @kenna.bates
Thanks to @nevsmodels @bboybooker
Shot on film over 3 cameras in Camberwell
All clothes, props and set from my archive armoire collection
BEA
‘Gathering thoughts’
Styling, photography and direction by me, Tom O’Dell
Model @beaaxe
Styling assistant & direction @kenna.bates
Thanks to @nevsmodels @bboybooker
Shot on film over 3 cameras in Camberwell
All clothes, props and set from my archive armoire collection
BEA
‘Gathering thoughts’
Styling, photography and direction by me, Tom O’Dell
Model @beaaxe
Styling assistant & direction @kenna.bates
Thanks to @nevsmodels @bboybooker
Shot on film over 3 cameras in Camberwell
All clothes, props and set from my archive armoire collection
BEA
‘Gathering thoughts’
Styling, photography and direction by me, Tom O’Dell
Model @beaaxe
Styling assistant & direction @kenna.bates
Thanks to @nevsmodels @bboybooker
Shot on film over 3 cameras in Camberwell
All clothes, props and set from my archive armoire collection
BEA
‘Gathering thoughts’
Styling, photography and direction by me, Tom O’Dell
Model @beaaxe
Styling assistant & direction @kenna.bates
Thanks to @nevsmodels @bboybooker
Shot on film over 3 cameras in Camberwell
All clothes, props and set from my archive armoire collection
BEA
‘Gathering thoughts’
Styling, photography and direction by me, Tom O’Dell
Model @beaaxe
Styling assistant & direction @kenna.bates
Thanks to @nevsmodels @bboybooker
Shot on film over 3 cameras in Camberwell
All clothes, props and set from my archive armoire collection
Scans of printed photographs from the studio.
Our studio…A beautiful daylight studio available to hire on a half-day or full-day rate, based in Camberwell, right in the sweet spot between Camberwell and Peckham, just behind Toad Bakery.
The space is filled with natural light throughout the day (8am–5pm) and is designed for photography, videography, interviews, podcasts, and more.
We also offer access to a large in-house inventory of clothing, props, artwork, furniture, backdrops, and objects — everything you might need to build out a shoot.
We’ve had over 30 creatives through the space already, with a growing list of clients and collaborators making use of the studio.
If you’d like to book, please email or message to enquire.
Scans of printed photographs from the studio.
Our studio…A beautiful daylight studio available to hire on a half-day or full-day rate, based in Camberwell, right in the sweet spot between Camberwell and Peckham, just behind Toad Bakery.
The space is filled with natural light throughout the day (8am–5pm) and is designed for photography, videography, interviews, podcasts, and more.
We also offer access to a large in-house inventory of clothing, props, artwork, furniture, backdrops, and objects — everything you might need to build out a shoot.
We’ve had over 30 creatives through the space already, with a growing list of clients and collaborators making use of the studio.
If you’d like to book, please email or message to enquire.
Scans of printed photographs from the studio.
Our studio…A beautiful daylight studio available to hire on a half-day or full-day rate, based in Camberwell, right in the sweet spot between Camberwell and Peckham, just behind Toad Bakery.
The space is filled with natural light throughout the day (8am–5pm) and is designed for photography, videography, interviews, podcasts, and more.
We also offer access to a large in-house inventory of clothing, props, artwork, furniture, backdrops, and objects — everything you might need to build out a shoot.
We’ve had over 30 creatives through the space already, with a growing list of clients and collaborators making use of the studio.
If you’d like to book, please email or message to enquire.
Scans of printed photographs from the studio.
Our studio…A beautiful daylight studio available to hire on a half-day or full-day rate, based in Camberwell, right in the sweet spot between Camberwell and Peckham, just behind Toad Bakery.
The space is filled with natural light throughout the day (8am–5pm) and is designed for photography, videography, interviews, podcasts, and more.
We also offer access to a large in-house inventory of clothing, props, artwork, furniture, backdrops, and objects — everything you might need to build out a shoot.
We’ve had over 30 creatives through the space already, with a growing list of clients and collaborators making use of the studio.
If you’d like to book, please email or message to enquire.
Scans of printed photographs from the studio.
Our studio…A beautiful daylight studio available to hire on a half-day or full-day rate, based in Camberwell, right in the sweet spot between Camberwell and Peckham, just behind Toad Bakery.
The space is filled with natural light throughout the day (8am–5pm) and is designed for photography, videography, interviews, podcasts, and more.
We also offer access to a large in-house inventory of clothing, props, artwork, furniture, backdrops, and objects — everything you might need to build out a shoot.
We’ve had over 30 creatives through the space already, with a growing list of clients and collaborators making use of the studio.
If you’d like to book, please email or message to enquire.
Scans of printed photographs from the studio.
Our studio…A beautiful daylight studio available to hire on a half-day or full-day rate, based in Camberwell, right in the sweet spot between Camberwell and Peckham, just behind Toad Bakery.
The space is filled with natural light throughout the day (8am–5pm) and is designed for photography, videography, interviews, podcasts, and more.
We also offer access to a large in-house inventory of clothing, props, artwork, furniture, backdrops, and objects — everything you might need to build out a shoot.
We’ve had over 30 creatives through the space already, with a growing list of clients and collaborators making use of the studio.
If you’d like to book, please email or message to enquire.
Scans of printed photographs from the studio.
Our studio…A beautiful daylight studio available to hire on a half-day or full-day rate, based in Camberwell, right in the sweet spot between Camberwell and Peckham, just behind Toad Bakery.
The space is filled with natural light throughout the day (8am–5pm) and is designed for photography, videography, interviews, podcasts, and more.
We also offer access to a large in-house inventory of clothing, props, artwork, furniture, backdrops, and objects — everything you might need to build out a shoot.
We’ve had over 30 creatives through the space already, with a growing list of clients and collaborators making use of the studio.
If you’d like to book, please email or message to enquire.
Mia @miabrown_
Styling by me, Tom O’Dell
Photography @hollyyjann
Styling assistant @kenna.bates
Shot in the studio last month.
All clothes from my archive armoire collection.
Mia’s own shoes
Mia @miabrown_
Styling by me, Tom O’Dell
Photography @hollyyjann
Styling assistant @kenna.bates
Shot in the studio last month.
All clothes from my archive armoire collection.
Mia’s own shoes
Mia @miabrown_
Styling by me, Tom O’Dell
Photography @hollyyjann
Styling assistant @kenna.bates
Shot in the studio last month.
All clothes from my archive armoire collection.
Mia’s own shoes
Mia @miabrown_
Styling by me, Tom O’Dell
Photography @hollyyjann
Styling assistant @kenna.bates
Shot in the studio last month.
All clothes from my archive armoire collection.
Mia’s own shoes
Mia @miabrown_
Styling by me, Tom O’Dell
Photography @hollyyjann
Styling assistant @kenna.bates
Shot in the studio last month.
All clothes from my archive armoire collection.
Mia’s own shoes
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.