Instagram Story Viewer
View Instagram Stories Anonymously
pfdop
Philipp Friesenbichler
Cinematographer
Homicide: New York — Season 2
Some of our interviews for this season.
Every frame is the result of collaboration — everyone working toward a shared visual language in service of the story.
Grateful to be part of a team that approached these stories with care, discipline, and trust.
@netflix @wolfentertainment @alfredstreetindustries @sonycine @aputure.lighting #HomicideNewYork
#Cinematography #TrueCrimeSeries
Homicide: New York — Season 2
Some of our interviews for this season.
Every frame is the result of collaboration — everyone working toward a shared visual language in service of the story.
Grateful to be part of a team that approached these stories with care, discipline, and trust.
@netflix @wolfentertainment @alfredstreetindustries @sonycine @aputure.lighting #HomicideNewYork
#Cinematography #TrueCrimeSeries
Homicide: New York — Season 2
Some of our interviews for this season.
Every frame is the result of collaboration — everyone working toward a shared visual language in service of the story.
Grateful to be part of a team that approached these stories with care, discipline, and trust.
@netflix @wolfentertainment @alfredstreetindustries @sonycine @aputure.lighting #HomicideNewYork
#Cinematography #TrueCrimeSeries
Homicide: New York — Season 2
Some of our interviews for this season.
Every frame is the result of collaboration — everyone working toward a shared visual language in service of the story.
Grateful to be part of a team that approached these stories with care, discipline, and trust.
@netflix @wolfentertainment @alfredstreetindustries @sonycine @aputure.lighting #HomicideNewYork
#Cinematography #TrueCrimeSeries
Homicide: New York — Season 2
Some of our interviews for this season.
Every frame is the result of collaboration — everyone working toward a shared visual language in service of the story.
Grateful to be part of a team that approached these stories with care, discipline, and trust.
@netflix @wolfentertainment @alfredstreetindustries @sonycine @aputure.lighting #HomicideNewYork
#Cinematography #TrueCrimeSeries
Homicide: New York — Season 2
Some of our interviews for this season.
Every frame is the result of collaboration — everyone working toward a shared visual language in service of the story.
Grateful to be part of a team that approached these stories with care, discipline, and trust.
@netflix @wolfentertainment @alfredstreetindustries @sonycine @aputure.lighting #HomicideNewYork
#Cinematography #TrueCrimeSeries
Homicide: New York — Season 2
Some of our interviews for this season.
Every frame is the result of collaboration — everyone working toward a shared visual language in service of the story.
Grateful to be part of a team that approached these stories with care, discipline, and trust.
@netflix @wolfentertainment @alfredstreetindustries @sonycine @aputure.lighting #HomicideNewYork
#Cinematography #TrueCrimeSeries
Homicide: New York — Season 2
Some of our interviews for this season.
Every frame is the result of collaboration — everyone working toward a shared visual language in service of the story.
Grateful to be part of a team that approached these stories with care, discipline, and trust.
@netflix @wolfentertainment @alfredstreetindustries @sonycine @aputure.lighting #HomicideNewYork
#Cinematography #TrueCrimeSeries
Homicide: New York — Season 2
Some of our interviews for this season.
Every frame is the result of collaboration — everyone working toward a shared visual language in service of the story.
Grateful to be part of a team that approached these stories with care, discipline, and trust.
@netflix @wolfentertainment @alfredstreetindustries @sonycine @aputure.lighting #HomicideNewYork
#Cinematography #TrueCrimeSeries
Homicide: New York — Season 2
Some of our interviews for this season.
Every frame is the result of collaboration — everyone working toward a shared visual language in service of the story.
Grateful to be part of a team that approached these stories with care, discipline, and trust.
@netflix @wolfentertainment @alfredstreetindustries @sonycine @aputure.lighting #HomicideNewYork
#Cinematography #TrueCrimeSeries
Check out the latest season of Homicide NY on @netflix. For this 3rd installment of the series we got to return back to New York to capture 5 #truecrime stories culminating in a very powerful final episode about 9/11. Thanks to a fantastic team in New York, the excellent recre crew in Los Angeles and the passionate leadership of our Show Runner and Director Adam Kassen! Thank you all! #netflix #dickwolf @artistry.agency #Cinematographer #documentary #sonyvenice #docuseries
Last summer I got to team up with director @jackmacinnes to capture the Black Hawk flight sequences along with some of the soldier reenactments for his @netflix doc series Surviving Black Hawk Down coming out Feb 10th. Ridley Scott Associates produced the 3 episodes telling the stories of the Somali people and soldiers who survived this battle. To capture the aerial sequences we deployed Sony Venice cameras with the Rialto extension which allowed us to move around the Black Hawk with ease while the camera bodies were secured to the @moviehawk. It made for an intense, successful day of flying. Thanks to the whole team!
Last summer I got to team up with director @jackmacinnes to capture the Black Hawk flight sequences along with some of the soldier reenactments for his @netflix doc series Surviving Black Hawk Down coming out Feb 10th. Ridley Scott Associates produced the 3 episodes telling the stories of the Somali people and soldiers who survived this battle. To capture the aerial sequences we deployed Sony Venice cameras with the Rialto extension which allowed us to move around the Black Hawk with ease while the camera bodies were secured to the @moviehawk. It made for an intense, successful day of flying. Thanks to the whole team!
Last summer I got to team up with director @jackmacinnes to capture the Black Hawk flight sequences along with some of the soldier reenactments for his @netflix doc series Surviving Black Hawk Down coming out Feb 10th. Ridley Scott Associates produced the 3 episodes telling the stories of the Somali people and soldiers who survived this battle. To capture the aerial sequences we deployed Sony Venice cameras with the Rialto extension which allowed us to move around the Black Hawk with ease while the camera bodies were secured to the @moviehawk. It made for an intense, successful day of flying. Thanks to the whole team!
Last summer I got to team up with director @jackmacinnes to capture the Black Hawk flight sequences along with some of the soldier reenactments for his @netflix doc series Surviving Black Hawk Down coming out Feb 10th. Ridley Scott Associates produced the 3 episodes telling the stories of the Somali people and soldiers who survived this battle. To capture the aerial sequences we deployed Sony Venice cameras with the Rialto extension which allowed us to move around the Black Hawk with ease while the camera bodies were secured to the @moviehawk. It made for an intense, successful day of flying. Thanks to the whole team!
Last summer I got to team up with director @jackmacinnes to capture the Black Hawk flight sequences along with some of the soldier reenactments for his @netflix doc series Surviving Black Hawk Down coming out Feb 10th. Ridley Scott Associates produced the 3 episodes telling the stories of the Somali people and soldiers who survived this battle. To capture the aerial sequences we deployed Sony Venice cameras with the Rialto extension which allowed us to move around the Black Hawk with ease while the camera bodies were secured to the @moviehawk. It made for an intense, successful day of flying. Thanks to the whole team!
Some of our interview frames from Season 1 of HOMICIDE - New York @netflix. Proud of our “compact” but strong team - they enabled us to embrace and capture NYs textures and the ever changing light conditions during the fall&winter of ’22. @jeremymusher handled the cameras & data while @travis_ulmer was our entire G&E team :-) With the help of various production members we edited/re-dressed the locations, purchased more practicals and did last minute wardrobe and set-dec runs. Teamwork makes the dream work! Many interviews ran more than 6 hours, into the night and some times spanned multiple days. Bi-Color LEDs by @aputure.lighting linked to Ipads and all controls close to camera allowed us to film uninterrupted, while riding the levels to adjust for ever changing ambient levels. All interviews were shot on @sonycine FX9s with Canon FDs 24mm & 85mm & BlackPromist. All B-roll was Sony Venice with a 50mm Kowa anamorphic with the Rialto Extension on the DJI RS3 Pro gimbal. #Cinematographer #netflix #documentary #sony #sonyvenice #docuseries #aputure
Some of our interview frames from Season 1 of HOMICIDE - New York @netflix. Proud of our “compact” but strong team - they enabled us to embrace and capture NYs textures and the ever changing light conditions during the fall&winter of ’22. @jeremymusher handled the cameras & data while @travis_ulmer was our entire G&E team :-) With the help of various production members we edited/re-dressed the locations, purchased more practicals and did last minute wardrobe and set-dec runs. Teamwork makes the dream work! Many interviews ran more than 6 hours, into the night and some times spanned multiple days. Bi-Color LEDs by @aputure.lighting linked to Ipads and all controls close to camera allowed us to film uninterrupted, while riding the levels to adjust for ever changing ambient levels. All interviews were shot on @sonycine FX9s with Canon FDs 24mm & 85mm & BlackPromist. All B-roll was Sony Venice with a 50mm Kowa anamorphic with the Rialto Extension on the DJI RS3 Pro gimbal. #Cinematographer #netflix #documentary #sony #sonyvenice #docuseries #aputure
Some of our interview frames from Season 1 of HOMICIDE - New York @netflix. Proud of our “compact” but strong team - they enabled us to embrace and capture NYs textures and the ever changing light conditions during the fall&winter of ’22. @jeremymusher handled the cameras & data while @travis_ulmer was our entire G&E team :-) With the help of various production members we edited/re-dressed the locations, purchased more practicals and did last minute wardrobe and set-dec runs. Teamwork makes the dream work! Many interviews ran more than 6 hours, into the night and some times spanned multiple days. Bi-Color LEDs by @aputure.lighting linked to Ipads and all controls close to camera allowed us to film uninterrupted, while riding the levels to adjust for ever changing ambient levels. All interviews were shot on @sonycine FX9s with Canon FDs 24mm & 85mm & BlackPromist. All B-roll was Sony Venice with a 50mm Kowa anamorphic with the Rialto Extension on the DJI RS3 Pro gimbal. #Cinematographer #netflix #documentary #sony #sonyvenice #docuseries #aputure
Some of our interview frames from Season 1 of HOMICIDE - New York @netflix. Proud of our “compact” but strong team - they enabled us to embrace and capture NYs textures and the ever changing light conditions during the fall&winter of ’22. @jeremymusher handled the cameras & data while @travis_ulmer was our entire G&E team :-) With the help of various production members we edited/re-dressed the locations, purchased more practicals and did last minute wardrobe and set-dec runs. Teamwork makes the dream work! Many interviews ran more than 6 hours, into the night and some times spanned multiple days. Bi-Color LEDs by @aputure.lighting linked to Ipads and all controls close to camera allowed us to film uninterrupted, while riding the levels to adjust for ever changing ambient levels. All interviews were shot on @sonycine FX9s with Canon FDs 24mm & 85mm & BlackPromist. All B-roll was Sony Venice with a 50mm Kowa anamorphic with the Rialto Extension on the DJI RS3 Pro gimbal. #Cinematographer #netflix #documentary #sony #sonyvenice #docuseries #aputure
Some of our interview frames from Season 1 of HOMICIDE - New York @netflix. Proud of our “compact” but strong team - they enabled us to embrace and capture NYs textures and the ever changing light conditions during the fall&winter of ’22. @jeremymusher handled the cameras & data while @travis_ulmer was our entire G&E team :-) With the help of various production members we edited/re-dressed the locations, purchased more practicals and did last minute wardrobe and set-dec runs. Teamwork makes the dream work! Many interviews ran more than 6 hours, into the night and some times spanned multiple days. Bi-Color LEDs by @aputure.lighting linked to Ipads and all controls close to camera allowed us to film uninterrupted, while riding the levels to adjust for ever changing ambient levels. All interviews were shot on @sonycine FX9s with Canon FDs 24mm & 85mm & BlackPromist. All B-roll was Sony Venice with a 50mm Kowa anamorphic with the Rialto Extension on the DJI RS3 Pro gimbal. #Cinematographer #netflix #documentary #sony #sonyvenice #docuseries #aputure
Some of our interview frames from Season 1 of HOMICIDE - New York @netflix. Proud of our “compact” but strong team - they enabled us to embrace and capture NYs textures and the ever changing light conditions during the fall&winter of ’22. @jeremymusher handled the cameras & data while @travis_ulmer was our entire G&E team :-) With the help of various production members we edited/re-dressed the locations, purchased more practicals and did last minute wardrobe and set-dec runs. Teamwork makes the dream work! Many interviews ran more than 6 hours, into the night and some times spanned multiple days. Bi-Color LEDs by @aputure.lighting linked to Ipads and all controls close to camera allowed us to film uninterrupted, while riding the levels to adjust for ever changing ambient levels. All interviews were shot on @sonycine FX9s with Canon FDs 24mm & 85mm & BlackPromist. All B-roll was Sony Venice with a 50mm Kowa anamorphic with the Rialto Extension on the DJI RS3 Pro gimbal. #Cinematographer #netflix #documentary #sony #sonyvenice #docuseries #aputure
Some of our interview frames from Season 1 of HOMICIDE - New York @netflix. Proud of our “compact” but strong team - they enabled us to embrace and capture NYs textures and the ever changing light conditions during the fall&winter of ’22. @jeremymusher handled the cameras & data while @travis_ulmer was our entire G&E team :-) With the help of various production members we edited/re-dressed the locations, purchased more practicals and did last minute wardrobe and set-dec runs. Teamwork makes the dream work! Many interviews ran more than 6 hours, into the night and some times spanned multiple days. Bi-Color LEDs by @aputure.lighting linked to Ipads and all controls close to camera allowed us to film uninterrupted, while riding the levels to adjust for ever changing ambient levels. All interviews were shot on @sonycine FX9s with Canon FDs 24mm & 85mm & BlackPromist. All B-roll was Sony Venice with a 50mm Kowa anamorphic with the Rialto Extension on the DJI RS3 Pro gimbal. #Cinematographer #netflix #documentary #sony #sonyvenice #docuseries #aputure
Some of our interview frames from Season 1 of HOMICIDE - New York @netflix. Proud of our “compact” but strong team - they enabled us to embrace and capture NYs textures and the ever changing light conditions during the fall&winter of ’22. @jeremymusher handled the cameras & data while @travis_ulmer was our entire G&E team :-) With the help of various production members we edited/re-dressed the locations, purchased more practicals and did last minute wardrobe and set-dec runs. Teamwork makes the dream work! Many interviews ran more than 6 hours, into the night and some times spanned multiple days. Bi-Color LEDs by @aputure.lighting linked to Ipads and all controls close to camera allowed us to film uninterrupted, while riding the levels to adjust for ever changing ambient levels. All interviews were shot on @sonycine FX9s with Canon FDs 24mm & 85mm & BlackPromist. All B-roll was Sony Venice with a 50mm Kowa anamorphic with the Rialto Extension on the DJI RS3 Pro gimbal. #Cinematographer #netflix #documentary #sony #sonyvenice #docuseries #aputure
Some of our interview frames from Season 1 of HOMICIDE - New York @netflix. Proud of our “compact” but strong team - they enabled us to embrace and capture NYs textures and the ever changing light conditions during the fall&winter of ’22. @jeremymusher handled the cameras & data while @travis_ulmer was our entire G&E team :-) With the help of various production members we edited/re-dressed the locations, purchased more practicals and did last minute wardrobe and set-dec runs. Teamwork makes the dream work! Many interviews ran more than 6 hours, into the night and some times spanned multiple days. Bi-Color LEDs by @aputure.lighting linked to Ipads and all controls close to camera allowed us to film uninterrupted, while riding the levels to adjust for ever changing ambient levels. All interviews were shot on @sonycine FX9s with Canon FDs 24mm & 85mm & BlackPromist. All B-roll was Sony Venice with a 50mm Kowa anamorphic with the Rialto Extension on the DJI RS3 Pro gimbal. #Cinematographer #netflix #documentary #sony #sonyvenice #docuseries #aputure
Some of our interview frames from Season 1 of HOMICIDE - New York @netflix. Proud of our “compact” but strong team - they enabled us to embrace and capture NYs textures and the ever changing light conditions during the fall&winter of ’22. @jeremymusher handled the cameras & data while @travis_ulmer was our entire G&E team :-) With the help of various production members we edited/re-dressed the locations, purchased more practicals and did last minute wardrobe and set-dec runs. Teamwork makes the dream work! Many interviews ran more than 6 hours, into the night and some times spanned multiple days. Bi-Color LEDs by @aputure.lighting linked to Ipads and all controls close to camera allowed us to film uninterrupted, while riding the levels to adjust for ever changing ambient levels. All interviews were shot on @sonycine FX9s with Canon FDs 24mm & 85mm & BlackPromist. All B-roll was Sony Venice with a 50mm Kowa anamorphic with the Rialto Extension on the DJI RS3 Pro gimbal. #Cinematographer #netflix #documentary #sony #sonyvenice #docuseries #aputure
Now on @netflix Season 1 of HOMICIDE - New York. Check it out if you like true crime! Thanks to our fearless leader #adamkassen and his fantastic producing team. Grateful for an excellent crew both in NY and LA! I appreciate the trust by @wolfentertainment & @dickwolf to get to create the visuals for this new show. Thank you all! #netflix #dickwolf @ddatalentagents #Cinematographer #documentary @sonycine #sonyvenice #docuseries
We didn’t clinch the win but had a fun night at the Doc Emmys last night! Thank you to the @televisionacad for our nomination in “Outstanding Lighting & Scenic Design” of our @cnn @nytimes docu series “The Murdochs: Empire of Influence”. Thank you Erica Sashin, Banks Tarver, Ken Druckerman, the amazing production team of Left/Right and the fantastic work by my camera and G&E friends! Emmy we shall meet again :-)
WRITTEN, DIRECTED, & PRODUCED BY @sheldoncandis
STARRING @meaganholder
CINEMATOGRAPHY BY 🤚
EDITED BY @kristinyawata
KEY GRIP @c_stalsworth
STEADICAM @danielwurschl
1st AC Isaiah Fortajada
PRODUCTION DESIGN BY @tonylovespizza21
SOUND DESIGN & MIX BY @branfreeze
COSTUME DESIGN BY @salsatilidie
VFX BY Avocado Toast
ORIGINAL SCORE BY @theechosociety
PRODUCED BY @daaaaav
EXECUTIVE PRODUCED BY @qadreeholmes
YOUNG BESS @marajacksons
POST PRODUCTION BY @littlefarmpost
POST SOUND BY @formosagroup
CINEPHILE SOCIETY & @quriosityproductions
@netflix @strongblacklead @filmindependent
100 years ago an American Aviatrix reached for new heights and inspired future generations far beyond aviation. Thankful to be able to help amplify her inspiring story with our passion project together with director @sheldoncandisfor @filmindependent @netflixfilm . Looking forward to share this short film with everyone next week!
Fog rolled in up here in the mountains and made for a moody evening walk.
Fog rolled in up here in the mountains and made for a moody evening walk.
Fog rolled in up here in the mountains and made for a moody evening walk.
Fog rolled in up here in the mountains and made for a moody evening walk.
Deep gratitude to all the fantastic moms that love, teach, protect, nourish, inspire and hold us tight. Thank you!
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.