Plus Magazine
A biannual magazine redefining art, design & culture.

ISSUE 10 - Edges of Becoming / Cover 3 of 3
Ronan Bouroullec, photographed by @lee__whittaker.
For @ronanbouroullec, an object’s life begins when it leaves the studio — designed to enter other lives, to modify the atmosphere of a room, to become someone’s everyday life. From his Paris studio, he sits with @alisalarsen on decades of work and the thread that connects one direction to the next.
Pre-order Issue 10 via the link in bio. Available in stores worldwide May 14!

ISSUE 10 - Edges of Becoming / Cover 2 of 3
Erwin Wurm, photographed by @byjuhi.
From his studio in Limberg, @erwinwurm returns to the question of what sculpture is — in conversation with @mona.heinlein, Wurrm speaks on duration, deformation, how a body in motion becomes sculpture in a moment.
Pre-order Issue 10 via the link in bio. Available in stores worldwide May 14!

ISSUE 10 - Edges of Becoming / Cover 1 of 3
Maurizio Cattelan, photographed by @robertrieger.
In this issue, @mauriziocattelan takes us through Milan, its open squares, narrow alleys, and the spaces in between. He reflects with Travis Diehl on staying unpredictable and why ambivalence drives an artist’s life.
Pre-order Issue 10 via the link in bio. Available in stores worldwide May 14!
Issue 10, Edges of Becoming — out soon!
From studio visits to conversations, across cities and around the world, this issue brings ideas into focus, what it means to work through uncertainty, and how a practice continues to develop.
We are excited to share the contributors of Issue 10 and the voices shaping its pages.
𝗘𝗱𝗶𝘁𝗼𝗿-𝗶𝗻-𝗖𝗵𝗶𝗲𝗳: Subin Anderson (@_soobs_)
𝗖𝗿𝗲𝗮𝘁𝗶𝘃𝗲 𝗗𝗶𝗿𝗲𝗰𝘁𝗼𝗿: Jae Kim (@kimmmmjae)
𝗚𝗿𝗮𝗽𝗵𝗶𝗰 𝗗𝗲𝘀𝗶𝗴𝗻: Kiyeol Kim (@kimgiyeol) & Workbüro Studio (@workburo)
𝗖𝗼𝗽𝘆 𝗘𝗱𝗶𝘁𝗼𝗿: Diana Isabel Colón (@diaisaco)
𝗖𝗼𝗻𝘁𝗿𝗶𝗯𝘂𝘁𝗼𝗿𝘀:
Larry Bell (@larrybellstudio)
Oliver Bell
Ronan Bouroullec (@ronanbouroullec)
Maurizio Cattelan (@mauriziocattelan)
Xinyi Cheng (@oxinyio)
Elizabeth Dee (e.dee.art)
Adrienne Edwards (@whitneymuseum)
Pam Evelyn (@pamevelyn)
Annie Gawlak
Arne Glimcher (@pacegallery)
Antony Gormley (@antonygormley420)
Ruba Katrib (@momaps1)
Sang Woo Kim (@sangwo0)
Tina Kim (@tinakimgallery)
Alicja Kwade (@alicjakwade)
Keisuke Nakamura (@daikei_mills)
Nengi Omuku (@nengiomuku)
Deborah Royer (@lelabofragrances)
Kathleen Ryan (@katieryankatieryan)
Charlotte Sitbon (@balboste_paris)
Erwin Wurm (@erwinwurm )
𝗪𝗿𝗶𝘁𝗲𝗿𝘀 & 𝗣𝗵𝗼𝘁𝗼𝗴𝗿𝗮𝗽𝗵𝗲𝗿𝘀 :
Bryony Dawson (@bryony_jean)
Travis Diehl
Dominic Eichler (@dominicveichler)
Salomé Gómez-Upegui (@salomegomezu)
Ramona Heinlein (@mona.heinlein)
Phin Jennings (@phinphinphinphi)
Alisa Larsen (@alisalarsen)
Elodie Saint-Louis (@aselodie)
Ludovic Balay (@ludovicbalay)
Edvinas Bruzas (@edvinasbruzas)
Franz Grünewald (@franzgruenewald)
Julius Hirtzberger (@byjuhi)
Jack Johnstone (@jackrjohnstone)
Youn Kim (@_younjungkim_)
Jacob Lillis (@jacoblillis)
Robert Rieger (@robertrieger)
Tea Sirbiladze (@tea.sirbiladze)
Joshua J. Sneade (@joshuajsneade)
Shana Trajanoska (@shanajade)
Lee Whittaker (@lee__whittaker)

Marina Adams (@marinaadams)’s latest exhibition at @peterblumgallery brings together works on paper made over several decades, many of them shown publicly for the first time. The exhibition focuses on paper as a continuous part of Adams’s practice and offers a closer view of how these works have informed the paintings alongside them.
Read the full conversation via link in bio.
📷 @kimmmmjae

Marina Adams (@marinaadams)’s latest exhibition at @peterblumgallery brings together works on paper made over several decades, many of them shown publicly for the first time. The exhibition focuses on paper as a continuous part of Adams’s practice and offers a closer view of how these works have informed the paintings alongside them.
Read the full conversation via link in bio.
📷 @kimmmmjae

Marina Adams (@marinaadams)’s latest exhibition at @peterblumgallery brings together works on paper made over several decades, many of them shown publicly for the first time. The exhibition focuses on paper as a continuous part of Adams’s practice and offers a closer view of how these works have informed the paintings alongside them.
Read the full conversation via link in bio.
📷 @kimmmmjae

Marina Adams (@marinaadams)’s latest exhibition at @peterblumgallery brings together works on paper made over several decades, many of them shown publicly for the first time. The exhibition focuses on paper as a continuous part of Adams’s practice and offers a closer view of how these works have informed the paintings alongside them.
Read the full conversation via link in bio.
📷 @kimmmmjae

Marina Adams (@marinaadams)’s latest exhibition at @peterblumgallery brings together works on paper made over several decades, many of them shown publicly for the first time. The exhibition focuses on paper as a continuous part of Adams’s practice and offers a closer view of how these works have informed the paintings alongside them.
Read the full conversation via link in bio.
📷 @kimmmmjae

Marina Adams (@marinaadams)’s latest exhibition at @peterblumgallery brings together works on paper made over several decades, many of them shown publicly for the first time. The exhibition focuses on paper as a continuous part of Adams’s practice and offers a closer view of how these works have informed the paintings alongside them.
Read the full conversation via link in bio.
📷 @kimmmmjae

Sarah Morris (@sarahmorris) has long examined the systems that shape contemporary life, translating the language of corporations, government bodies, and financial institutions into paintings of sharp geometry and charged color.
Her current exhibition at @whitecube, brings these strands together through a new group of paintings and two films made nearly three decades apart. Across them, New York runs through as a recurring presence, a city shaped by ambition, performance, and power, and one that has long informed Morris’s way of seeing.
Read the full conversation via link in bio.
📷 @kimmmmjae

Sarah Morris (@sarahmorris) has long examined the systems that shape contemporary life, translating the language of corporations, government bodies, and financial institutions into paintings of sharp geometry and charged color.
Her current exhibition at @whitecube, brings these strands together through a new group of paintings and two films made nearly three decades apart. Across them, New York runs through as a recurring presence, a city shaped by ambition, performance, and power, and one that has long informed Morris’s way of seeing.
Read the full conversation via link in bio.
📷 @kimmmmjae

Sarah Morris (@sarahmorris) has long examined the systems that shape contemporary life, translating the language of corporations, government bodies, and financial institutions into paintings of sharp geometry and charged color.
Her current exhibition at @whitecube, brings these strands together through a new group of paintings and two films made nearly three decades apart. Across them, New York runs through as a recurring presence, a city shaped by ambition, performance, and power, and one that has long informed Morris’s way of seeing.
Read the full conversation via link in bio.
📷 @kimmmmjae

Sarah Morris (@sarahmorris) has long examined the systems that shape contemporary life, translating the language of corporations, government bodies, and financial institutions into paintings of sharp geometry and charged color.
Her current exhibition at @whitecube, brings these strands together through a new group of paintings and two films made nearly three decades apart. Across them, New York runs through as a recurring presence, a city shaped by ambition, performance, and power, and one that has long informed Morris’s way of seeing.
Read the full conversation via link in bio.
📷 @kimmmmjae

Sarah Morris (@sarahmorris) has long examined the systems that shape contemporary life, translating the language of corporations, government bodies, and financial institutions into paintings of sharp geometry and charged color.
Her current exhibition at @whitecube, brings these strands together through a new group of paintings and two films made nearly three decades apart. Across them, New York runs through as a recurring presence, a city shaped by ambition, performance, and power, and one that has long informed Morris’s way of seeing.
Read the full conversation via link in bio.
📷 @kimmmmjae

Sarah Morris (@sarahmorris) has long examined the systems that shape contemporary life, translating the language of corporations, government bodies, and financial institutions into paintings of sharp geometry and charged color.
Her current exhibition at @whitecube, brings these strands together through a new group of paintings and two films made nearly three decades apart. Across them, New York runs through as a recurring presence, a city shaped by ambition, performance, and power, and one that has long informed Morris’s way of seeing.
Read the full conversation via link in bio.
📷 @kimmmmjae

Bi-Weekly Picks: Takeover
This month, Courtney Blair Willis, US Senior Director at White Cube (@whitecube) shares her favorite spots in New York to see, eat, and explore!
Join our newsletter via link in bio for the full guide 📧✨

Bi-Weekly Picks: Takeover
This month, Courtney Blair Willis, US Senior Director at White Cube (@whitecube) shares her favorite spots in New York to see, eat, and explore!
Join our newsletter via link in bio for the full guide 📧✨

Bi-Weekly Picks: Takeover
This month, Courtney Blair Willis, US Senior Director at White Cube (@whitecube) shares her favorite spots in New York to see, eat, and explore!
Join our newsletter via link in bio for the full guide 📧✨

Bi-Weekly Picks: Takeover
This month, Courtney Blair Willis, US Senior Director at White Cube (@whitecube) shares her favorite spots in New York to see, eat, and explore!
Join our newsletter via link in bio for the full guide 📧✨

Bi-Weekly Picks: Takeover
This month, Courtney Blair Willis, US Senior Director at White Cube (@whitecube) shares her favorite spots in New York to see, eat, and explore!
Join our newsletter via link in bio for the full guide 📧✨

A peek inside artist Danh Vo’s home for Issue 9. 🌿 It’s a mix of raw plywood, vintage details, and overgrown gardens that’s completely taken over. A radical rejection of the purely decorative.
📷 @robertrieger

A peek inside artist Danh Vo’s home for Issue 9. 🌿 It’s a mix of raw plywood, vintage details, and overgrown gardens that’s completely taken over. A radical rejection of the purely decorative.
📷 @robertrieger

A peek inside artist Danh Vo’s home for Issue 9. 🌿 It’s a mix of raw plywood, vintage details, and overgrown gardens that’s completely taken over. A radical rejection of the purely decorative.
📷 @robertrieger

A peek inside artist Danh Vo’s home for Issue 9. 🌿 It’s a mix of raw plywood, vintage details, and overgrown gardens that’s completely taken over. A radical rejection of the purely decorative.
📷 @robertrieger

A specific tension runs through Tamo Jugeli (@tamo__j)’s newest canvases, where churning, dense clusters of paint meet quiet color fields. On view simultaneously at Karma (@karmakarma9) and Polina Berlin Gallery (@polinaberlingallery), the paintings function as a single exhibition mapped across two distinct physical realities. As Jugeli describes it: “two presences, two durations, unfolding at the same time within the same stretch.”
Read the full conversation via link in bio.
📷 @_younjungkim_

A specific tension runs through Tamo Jugeli (@tamo__j)’s newest canvases, where churning, dense clusters of paint meet quiet color fields. On view simultaneously at Karma (@karmakarma9) and Polina Berlin Gallery (@polinaberlingallery), the paintings function as a single exhibition mapped across two distinct physical realities. As Jugeli describes it: “two presences, two durations, unfolding at the same time within the same stretch.”
Read the full conversation via link in bio.
📷 @_younjungkim_

A specific tension runs through Tamo Jugeli (@tamo__j)’s newest canvases, where churning, dense clusters of paint meet quiet color fields. On view simultaneously at Karma (@karmakarma9) and Polina Berlin Gallery (@polinaberlingallery), the paintings function as a single exhibition mapped across two distinct physical realities. As Jugeli describes it: “two presences, two durations, unfolding at the same time within the same stretch.”
Read the full conversation via link in bio.
📷 @_younjungkim_

A specific tension runs through Tamo Jugeli (@tamo__j)’s newest canvases, where churning, dense clusters of paint meet quiet color fields. On view simultaneously at Karma (@karmakarma9) and Polina Berlin Gallery (@polinaberlingallery), the paintings function as a single exhibition mapped across two distinct physical realities. As Jugeli describes it: “two presences, two durations, unfolding at the same time within the same stretch.”
Read the full conversation via link in bio.
📷 @_younjungkim_

A specific tension runs through Tamo Jugeli (@tamo__j)’s newest canvases, where churning, dense clusters of paint meet quiet color fields. On view simultaneously at Karma (@karmakarma9) and Polina Berlin Gallery (@polinaberlingallery), the paintings function as a single exhibition mapped across two distinct physical realities. As Jugeli describes it: “two presences, two durations, unfolding at the same time within the same stretch.”
Read the full conversation via link in bio.
📷 @_younjungkim_

Kamrooz Aram (@kamroozegar) works on a painting until it feels ready to exist on its own. He layers gesso, draws, wipes, and returns, letting the lines settle slowly. The paintings now on view at Alexander Gray Associates span six years of patient attention, each surface holding the memory of its making.
Read the full conversation via link in bio.
📷 @kimmmmjae

Kamrooz Aram (@kamroozegar) works on a painting until it feels ready to exist on its own. He layers gesso, draws, wipes, and returns, letting the lines settle slowly. The paintings now on view at Alexander Gray Associates span six years of patient attention, each surface holding the memory of its making.
Read the full conversation via link in bio.
📷 @kimmmmjae

Kamrooz Aram (@kamroozegar) works on a painting until it feels ready to exist on its own. He layers gesso, draws, wipes, and returns, letting the lines settle slowly. The paintings now on view at Alexander Gray Associates span six years of patient attention, each surface holding the memory of its making.
Read the full conversation via link in bio.
📷 @kimmmmjae

Kamrooz Aram (@kamroozegar) works on a painting until it feels ready to exist on its own. He layers gesso, draws, wipes, and returns, letting the lines settle slowly. The paintings now on view at Alexander Gray Associates span six years of patient attention, each surface holding the memory of its making.
Read the full conversation via link in bio.
📷 @kimmmmjae

Kamrooz Aram (@kamroozegar) works on a painting until it feels ready to exist on its own. He layers gesso, draws, wipes, and returns, letting the lines settle slowly. The paintings now on view at Alexander Gray Associates span six years of patient attention, each surface holding the memory of its making.
Read the full conversation via link in bio.
📷 @kimmmmjae

Bi-Weekly Picks: Takeover
This month, Ivana Somorai (@ivanasomorai) and Aleksandar Tosic (@_ske_), co-founding couple of RHYTHM ZERO (@rhythmzeronyc), shares some of their favorite places in New York.
Join our newsletter via link in bio for the full guide 📧

Bi-Weekly Picks: Takeover
This month, Ivana Somorai (@ivanasomorai) and Aleksandar Tosic (@_ske_), co-founding couple of RHYTHM ZERO (@rhythmzeronyc), shares some of their favorite places in New York.
Join our newsletter via link in bio for the full guide 📧

Bi-Weekly Picks: Takeover
This month, Ivana Somorai (@ivanasomorai) and Aleksandar Tosic (@_ske_), co-founding couple of RHYTHM ZERO (@rhythmzeronyc), shares some of their favorite places in New York.
Join our newsletter via link in bio for the full guide 📧

Bi-Weekly Picks: Takeover
This month, Ivana Somorai (@ivanasomorai) and Aleksandar Tosic (@_ske_), co-founding couple of RHYTHM ZERO (@rhythmzeronyc), shares some of their favorite places in New York.
Join our newsletter via link in bio for the full guide 📧

Bi-Weekly Picks: Takeover
This month, Ivana Somorai (@ivanasomorai) and Aleksandar Tosic (@_ske_), co-founding couple of RHYTHM ZERO (@rhythmzeronyc), shares some of their favorite places in New York.
Join our newsletter via link in bio for the full guide 📧
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
View profiles and photos anonymously with ease using the Private Profile Viewer.
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Anonstories lets users view Instagram stories without alerting the creator.
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Prioritizes secure, anonymous browsing without requiring login credentials.
Users can view public stories by simply entering a username—no account needed.
Downloads photos (JPEG) and videos (MP4) with ease.
The service is free to use.
Content from private accounts can only be accessed by followers.
Files are for personal or educational use only and must comply with copyright rules.
Enter a public username to view or download stories. The service generates direct links for saving content locally.