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RMIT Galleries
RMIT Galleries represents RMIT Gallery, First Site and Design Hub Gallery.
Announcing ‘The Concentric Influences of Sol LeWitt: Foundations, Pivots and Place’, opening at RMIT Gallery on 5 June 2026.
Instigated and directed by Dr Irene Barberis (RMIT School of Art), this exhibition emerges from her long-term friendship and mentorship with the esteemed American conceptual artist Sol LeWitt.
In the 1960s, LeWitt revolutionised the definition of contemporary art by presenting the simple but radical idea that a work of art’s concept is more important than its form.
RMIT Gallery is delighted to centre this exhibition around a LeWitt wall drawing; the first to be publicly exhibited in Victoria since 1977.
'Concentric Influences’ will showcase the work of an established nucleus of international artists who worked closely with LeWitt during his career: Irene Barberis (AUS), John Hogan (USA), Fransje Killaars (NLD), Janet Passehl (USA), Wilma Tabacco (AUS); with a group of invited contemporary Australian artists: Jonas Balsaitis, Emma Coulter, Sarah Duyshart, Robert Hunter, Robin Kingston, Simon Klose, Sara Lindsay, Jordan Mitchell-Fletcher, Kerrie Poliness, Antonia Sellbach, Jacqueline Stojanović, David Thomas and Anne Scott Wilson.
To find out more about this exhibition, head to the link in our bio.
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Curated by Irene Barberis with Helen Rayment.
The Sol LeWitt wall drawing is generously loaned by the LeWitt family and Estate.
This exhibition is presented by RMIT University at RMIT Gallery, in collaboration with Metasenta.
Graphic design by Zennie McLoughlin.
@irenebarberis1 @helenrayment @emma_coulter @sarahduyshart @slindsay.studio @antonia_sellbach @jordanm_f @annewilson7705
@rmituniversity @cultureatrmit
#ConcentricInfluences #SolLeWitt #RMITGallery #RMITGalleries #RMIT
Announcing
'Can I Hold You?' by Chloe Rose Thomas at First Site Gallery.
'Can I Hold You?' explores what it means to take traditional photographic portraits of non-normative bodies, centring queer community through embodied practices of care. Interested in queer tattooing, Thomas positions gender-diverse bodies as sites of transgression, care, protection and witness.
On exhibition from Tuesday 19 May — Friday 12 June
11am — 5pm, Tuesday — Friday
Please join us to celebrate the opening of this exhibition at First Site Gallery, 5—7pm, Wednesday 20 May.
@chloerose______
#RMITCulture #RMITGalleries #FirstSiteGallery
Image credit: Chloe Rose Thomas, ‘Self-Portrait/1993’, (video still, detail) 2026. Single-channel digital video. Image courtesy of the artist.
Announcing
'Can I Hold You?' by Chloe Rose Thomas at First Site Gallery.
'Can I Hold You?' explores what it means to take traditional photographic portraits of non-normative bodies, centring queer community through embodied practices of care. Interested in queer tattooing, Thomas positions gender-diverse bodies as sites of transgression, care, protection and witness.
On exhibition from Tuesday 19 May — Friday 12 June
11am — 5pm, Tuesday — Friday
Please join us to celebrate the opening of this exhibition at First Site Gallery, 5—7pm, Wednesday 20 May.
@chloerose______
#RMITCulture #RMITGalleries #FirstSiteGallery
Image credit: Chloe Rose Thomas, ‘Self-Portrait/1993’, (video still, detail) 2026. Single-channel digital video. Image courtesy of the artist.
Announcing
'Boiling Matters’ by Elisa Zorraquin at First Site Gallery.
'Boiling Matters’ employs Elisa Zorraquin's background in industrial design to consider the social capacity of jewellery to facilitate generous, caring and intimate exchanges between different peoples. The artist's participatory works engage both the mind and body through multiple handcrafted teacups threaded on a single chain, activated through a choregraphed sipping of tea. 'Boiling Matters' asks how shared rituals can become opportunities to slow down and partake in meditative communions.
On exhibition from Tuesday 19 May — Friday 12 June
11am — 5pm, Tuesday — Friday
Please join us to celebrate the opening of this exhibition at First Site Gallery, 5—7pm, Wednesday 20 May.
@elisa__zorraquin
#RMITCulture #RMITGalleries #FirstSiteGallery
Image credit: Elisa Zorraquin, ‘Untitled’ (detail), milk and vinegar bottle modules, glass beads and thread, 2024. Image courtesy of the artist.
Announcing
'Boiling Matters’ by Elisa Zorraquin at First Site Gallery.
'Boiling Matters’ employs Elisa Zorraquin's background in industrial design to consider the social capacity of jewellery to facilitate generous, caring and intimate exchanges between different peoples. The artist's participatory works engage both the mind and body through multiple handcrafted teacups threaded on a single chain, activated through a choregraphed sipping of tea. 'Boiling Matters' asks how shared rituals can become opportunities to slow down and partake in meditative communions.
On exhibition from Tuesday 19 May — Friday 12 June
11am — 5pm, Tuesday — Friday
Please join us to celebrate the opening of this exhibition at First Site Gallery, 5—7pm, Wednesday 20 May.
@elisa__zorraquin
#RMITCulture #RMITGalleries #FirstSiteGallery
Image credit: Elisa Zorraquin, ‘Untitled’ (detail), milk and vinegar bottle modules, glass beads and thread, 2024. Image courtesy of the artist.
Announcing
'Slip' by Noah Bridger at First Site Gallery.
'Slip' is a practice-led exhibition which seeks to reveal the poetic qualities of recently discarded bluestones around RMIT University. Through the process of moulding and casting these stones into beeswax, Noah Bridger investigates the role of the artist in mediating a relationship between public spaces and people. In softening the rigidity of bluestone, Bridger reimagines how we might interact with Melbourne’s urban landscapes.
On exhibition from Tuesday 19 May — Friday 12 June
11am — 5pm, Tuesday — Friday
Please join us to celebrate the opening of this exhibition at First Site Gallery, 5—7pm, Wednesday 20 May.
@___borboleta
#RMITCulture #RMITGalleries #FirstSiteGallery
Image credit: Noah Bridger, ‘Stony Town’ (detail), 2025. Image courtesy of the artist.
Announcing
'Slip' by Noah Bridger at First Site Gallery.
'Slip' is a practice-led exhibition which seeks to reveal the poetic qualities of recently discarded bluestones around RMIT University. Through the process of moulding and casting these stones into beeswax, Noah Bridger investigates the role of the artist in mediating a relationship between public spaces and people. In softening the rigidity of bluestone, Bridger reimagines how we might interact with Melbourne’s urban landscapes.
On exhibition from Tuesday 19 May — Friday 12 June
11am — 5pm, Tuesday — Friday
Please join us to celebrate the opening of this exhibition at First Site Gallery, 5—7pm, Wednesday 20 May.
@___borboleta
#RMITCulture #RMITGalleries #FirstSiteGallery
Image credit: Noah Bridger, ‘Stony Town’ (detail), 2025. Image courtesy of the artist.
Announcing
'Portable Stillness' by Ko Jou Chen at First Site Gallery.
'Portable Stillness' is an ongoing spatial installation where physical expressions of memory speak to the unstable and peripatetic nature of diasporic living. Motivated by the artist's own lived experience and personal collection of sentimental keepsakes, miniature handcrafted jewels and soldered objects are arranged on floating altar-like displays that speak not to preservation, but the transitory state of impermanence.
On exhibition from Tuesday 19 May — Friday 12 June
11am — 5pm, Tuesday — Friday
Please join us to celebrate the opening of this exhibition at First Site Gallery, 5—7pm, Wednesday 20 May.
@kojouchen
#RMITCulture #RMITGalleries #FirstSiteGallery
Image credit: Ko Jou Chen, ‘Portable Stillness’, 2025 (installation view). Balsa wood, brass, copper and fine silver. Image courtesy of the artist.
Announcing
'Portable Stillness' by Ko Jou Chen at First Site Gallery.
'Portable Stillness' is an ongoing spatial installation where physical expressions of memory speak to the unstable and peripatetic nature of diasporic living. Motivated by the artist's own lived experience and personal collection of sentimental keepsakes, miniature handcrafted jewels and soldered objects are arranged on floating altar-like displays that speak not to preservation, but the transitory state of impermanence.
On exhibition from Tuesday 19 May — Friday 12 June
11am — 5pm, Tuesday — Friday
Please join us to celebrate the opening of this exhibition at First Site Gallery, 5—7pm, Wednesday 20 May.
@kojouchen
#RMITCulture #RMITGalleries #FirstSiteGallery
Image credit: Ko Jou Chen, ‘Portable Stillness’, 2025 (installation view). Balsa wood, brass, copper and fine silver. Image courtesy of the artist.
Today is your LAST chance to visit ‘Creative Antarctica: Australian Artists and Writers in the Far South’ at RMIT Gallery and Design Hub Gallery.
Don’t miss out on this major exploration of Antarctic stories, sounds and images produced by Australian artists and writers.
Open 12 – 4pm
There’s snow place you’d rather be... 👀❄️
@cultureatrmit @rmituniversity
#CreativeAntarctica #RMITGallery #DesignHubGallery
Today is your LAST chance to visit ‘Creative Antarctica: Australian Artists and Writers in the Far South’ at RMIT Gallery and Design Hub Gallery.
Don’t miss out on this major exploration of Antarctic stories, sounds and images produced by Australian artists and writers.
Open 12 – 4pm
There’s snow place you’d rather be... 👀❄️
@cultureatrmit @rmituniversity
#CreativeAntarctica #RMITGallery #DesignHubGallery
Today is your LAST chance to visit ‘Creative Antarctica: Australian Artists and Writers in the Far South’ at RMIT Gallery and Design Hub Gallery.
Don’t miss out on this major exploration of Antarctic stories, sounds and images produced by Australian artists and writers.
Open 12 – 4pm
There’s snow place you’d rather be... 👀❄️
@cultureatrmit @rmituniversity
#CreativeAntarctica #RMITGallery #DesignHubGallery
Today is your LAST chance to visit ‘Creative Antarctica: Australian Artists and Writers in the Far South’ at RMIT Gallery and Design Hub Gallery.
Don’t miss out on this major exploration of Antarctic stories, sounds and images produced by Australian artists and writers.
Open 12 – 4pm
There’s snow place you’d rather be... 👀❄️
@cultureatrmit @rmituniversity
#CreativeAntarctica #RMITGallery #DesignHubGallery
Today is your LAST chance to visit ‘Creative Antarctica: Australian Artists and Writers in the Far South’ at RMIT Gallery and Design Hub Gallery.
Don’t miss out on this major exploration of Antarctic stories, sounds and images produced by Australian artists and writers.
Open 12 – 4pm
There’s snow place you’d rather be... 👀❄️
@cultureatrmit @rmituniversity
#CreativeAntarctica #RMITGallery #DesignHubGallery
Today is your LAST chance to visit ‘Creative Antarctica: Australian Artists and Writers in the Far South’ at RMIT Gallery and Design Hub Gallery.
Don’t miss out on this major exploration of Antarctic stories, sounds and images produced by Australian artists and writers.
Open 12 – 4pm
There’s snow place you’d rather be... 👀❄️
@cultureatrmit @rmituniversity
#CreativeAntarctica #RMITGallery #DesignHubGallery
Today is your LAST chance to visit ‘Creative Antarctica: Australian Artists and Writers in the Far South’ at RMIT Gallery and Design Hub Gallery.
Don’t miss out on this major exploration of Antarctic stories, sounds and images produced by Australian artists and writers.
Open 12 – 4pm
There’s snow place you’d rather be... 👀❄️
@cultureatrmit @rmituniversity
#CreativeAntarctica #RMITGallery #DesignHubGallery
Today is your LAST chance to visit these four exhibitions at First Site Gallery.
‘Inheritance’ by Mita Chowdhury
+
‘Surging through exits when the bell goes’ by Hilary Dodd
+
‘Steel Karkade’ by Maree Nikimaya
+
‘Oil & Fire’ by Huiyi Xiao
Don’t miss out!
@mita_chowdhury_au @hilary__dodd @a.moweng @xiao9107
Free entry, open 11am – 5pm
#RMITCulture #RMITGalleries #FirstSiteGallery
Today is your LAST chance to visit these four exhibitions at First Site Gallery.
‘Inheritance’ by Mita Chowdhury
+
‘Surging through exits when the bell goes’ by Hilary Dodd
+
‘Steel Karkade’ by Maree Nikimaya
+
‘Oil & Fire’ by Huiyi Xiao
Don’t miss out!
@mita_chowdhury_au @hilary__dodd @a.moweng @xiao9107
Free entry, open 11am – 5pm
#RMITCulture #RMITGalleries #FirstSiteGallery
Today is your LAST chance to visit these four exhibitions at First Site Gallery.
‘Inheritance’ by Mita Chowdhury
+
‘Surging through exits when the bell goes’ by Hilary Dodd
+
‘Steel Karkade’ by Maree Nikimaya
+
‘Oil & Fire’ by Huiyi Xiao
Don’t miss out!
@mita_chowdhury_au @hilary__dodd @a.moweng @xiao9107
Free entry, open 11am – 5pm
#RMITCulture #RMITGalleries #FirstSiteGallery
Today is your LAST chance to visit these four exhibitions at First Site Gallery.
‘Inheritance’ by Mita Chowdhury
+
‘Surging through exits when the bell goes’ by Hilary Dodd
+
‘Steel Karkade’ by Maree Nikimaya
+
‘Oil & Fire’ by Huiyi Xiao
Don’t miss out!
@mita_chowdhury_au @hilary__dodd @a.moweng @xiao9107
Free entry, open 11am – 5pm
#RMITCulture #RMITGalleries #FirstSiteGallery
Today is your LAST chance to visit these four exhibitions at First Site Gallery.
‘Inheritance’ by Mita Chowdhury
+
‘Surging through exits when the bell goes’ by Hilary Dodd
+
‘Steel Karkade’ by Maree Nikimaya
+
‘Oil & Fire’ by Huiyi Xiao
Don’t miss out!
@mita_chowdhury_au @hilary__dodd @a.moweng @xiao9107
Free entry, open 11am – 5pm
#RMITCulture #RMITGalleries #FirstSiteGallery
Don’t forget to reserve your place!
To celebrate the penultimate day of ‘Creative Antarctica: Australian Artists and Writers in the Far South’, join us TOMORROW in the Ice Salon for a very special public program.
In partnership with the School of Media and Communication and the non/fictionLab, writers Melody Ellis, Eloise Grills, Alice King, Gareth Morgan and Dior Angel Sutherland were invited by RMIT Galleries to respond to the exhibition. We are delighted to invite you to hear excerpts of their creative writing outcomes.
‘Creative Writing on Creative Antarctica’
Tomorrow, Friday 1 May
2:00—3:00pm
RMIT Gallery
This is a FREE event, register your attendance via the link in our bio.
Creative Antarctica closes this Saturday, 2 May. Catch it before it’s gone!
@non_fictionlab @grillzoid @possumprotect @feel_thelovegeneration @slash.virgule
@cultureatrmit @rmituniversity
#CreativeAntarctica #RMITGallery #DesignHubGallery
Image: Ice Salon for ‘Creative Antarctica: Australian Artists and Writers in the Far South’, RMIT Gallery, Melbourne, 2026. Photo by Christian Capurro.
“As I approached this extraordinary landscape, I felt a profound, almost childlike sense of wonder. I was stepping into a world that was both ancient and unfamiliar.”
In 2011, artist David Burrows had the opportunity to visit the icy continent as the Australian Antarctic Arts Fellow. Burrows accompanied a team of biologists to a small rocky site behind Casey Station where abundant moss has thrived for centuries. Nourished by guano from a long‑abandoned penguin colony, this fragile ecosystem persists in a place we rarely imagine as green.
Burrows describes his motivations for photographing the moss gardens, saying “I wanted to confront expectations of Antarctic imagery while also offering the grandeur these ancient ecosystems deserve: landscapes without snow, ice, or penguins; green valleys and primordial vegetation instead of white emptiness.”
You might have noticed the bold sky that reflects in the moss-encircled ponds of Burrows’ photographs exhibited in ‘Creative Antarctica: Australian Artists in the Far South’. These skies have been digitally composed and added to the photographs by the artist, who wished to pay homage to Frank Hurley, another artist featured in ‘Creative Antarctica’.
Burrows says that “this decision was informed by my respect for Hurley’s pioneering Antarctic photographs, the historical symmetry of making this work nearly a century after his expeditions, and by conversations with fellow expeditioners about truth and manipulation in photography.”
Are these vast panoramic scenes, or windows into a microscopic world? Are we looking at remnants of an ancient past, or visions of a possible future?
@dabid_burrows
-
‘Creative Antarctica: Australian Artists and Writers in the Far South’ closes this Saturday, 2 May.
#CreativeAntarctica #RMITGalleries
“As I approached this extraordinary landscape, I felt a profound, almost childlike sense of wonder. I was stepping into a world that was both ancient and unfamiliar.”
In 2011, artist David Burrows had the opportunity to visit the icy continent as the Australian Antarctic Arts Fellow. Burrows accompanied a team of biologists to a small rocky site behind Casey Station where abundant moss has thrived for centuries. Nourished by guano from a long‑abandoned penguin colony, this fragile ecosystem persists in a place we rarely imagine as green.
Burrows describes his motivations for photographing the moss gardens, saying “I wanted to confront expectations of Antarctic imagery while also offering the grandeur these ancient ecosystems deserve: landscapes without snow, ice, or penguins; green valleys and primordial vegetation instead of white emptiness.”
You might have noticed the bold sky that reflects in the moss-encircled ponds of Burrows’ photographs exhibited in ‘Creative Antarctica: Australian Artists in the Far South’. These skies have been digitally composed and added to the photographs by the artist, who wished to pay homage to Frank Hurley, another artist featured in ‘Creative Antarctica’.
Burrows says that “this decision was informed by my respect for Hurley’s pioneering Antarctic photographs, the historical symmetry of making this work nearly a century after his expeditions, and by conversations with fellow expeditioners about truth and manipulation in photography.”
Are these vast panoramic scenes, or windows into a microscopic world? Are we looking at remnants of an ancient past, or visions of a possible future?
@dabid_burrows
-
‘Creative Antarctica: Australian Artists and Writers in the Far South’ closes this Saturday, 2 May.
#CreativeAntarctica #RMITGalleries
“As I approached this extraordinary landscape, I felt a profound, almost childlike sense of wonder. I was stepping into a world that was both ancient and unfamiliar.”
In 2011, artist David Burrows had the opportunity to visit the icy continent as the Australian Antarctic Arts Fellow. Burrows accompanied a team of biologists to a small rocky site behind Casey Station where abundant moss has thrived for centuries. Nourished by guano from a long‑abandoned penguin colony, this fragile ecosystem persists in a place we rarely imagine as green.
Burrows describes his motivations for photographing the moss gardens, saying “I wanted to confront expectations of Antarctic imagery while also offering the grandeur these ancient ecosystems deserve: landscapes without snow, ice, or penguins; green valleys and primordial vegetation instead of white emptiness.”
You might have noticed the bold sky that reflects in the moss-encircled ponds of Burrows’ photographs exhibited in ‘Creative Antarctica: Australian Artists in the Far South’. These skies have been digitally composed and added to the photographs by the artist, who wished to pay homage to Frank Hurley, another artist featured in ‘Creative Antarctica’.
Burrows says that “this decision was informed by my respect for Hurley’s pioneering Antarctic photographs, the historical symmetry of making this work nearly a century after his expeditions, and by conversations with fellow expeditioners about truth and manipulation in photography.”
Are these vast panoramic scenes, or windows into a microscopic world? Are we looking at remnants of an ancient past, or visions of a possible future?
@dabid_burrows
-
‘Creative Antarctica: Australian Artists and Writers in the Far South’ closes this Saturday, 2 May.
#CreativeAntarctica #RMITGalleries
“The performances are all connected to the thing I explore, which is the psychological and sociopolitical tension within the Chinese diasporic experience”
Huiyi Xiao’s First Site exhibition ‘Oil & Fire’ traverses the subliminal experience of being a Chinese-Australian immigrant. The exhibition features two video works, each combining performance art, poetry and spoken word.
Filming herself in costume across various significant locations; Melbourne Chinatown or against a chili-oil-stained backdrop; Xiao uses her body as a physical reservoir of personal memory. Informed by her background in sculpture, Xiao enacts a somatic expression of the psychological negotiation of two cultures.
This is your LAST week to visit ‘Oil & Fire’, closing this Friday 1 May.
@xiao9107
@cultureatrmit @rmituniversity @rmit_art
@claires_arms
#FirstSiteGallery #RMITGalleries #RMIT #RMITUniversity
“The performances are all connected to the thing I explore, which is the psychological and sociopolitical tension within the Chinese diasporic experience”
Huiyi Xiao’s First Site exhibition ‘Oil & Fire’ traverses the subliminal experience of being a Chinese-Australian immigrant. The exhibition features two video works, each combining performance art, poetry and spoken word.
Filming herself in costume across various significant locations; Melbourne Chinatown or against a chili-oil-stained backdrop; Xiao uses her body as a physical reservoir of personal memory. Informed by her background in sculpture, Xiao enacts a somatic expression of the psychological negotiation of two cultures.
This is your LAST week to visit ‘Oil & Fire’, closing this Friday 1 May.
@xiao9107
@cultureatrmit @rmituniversity @rmit_art
@claires_arms
#FirstSiteGallery #RMITGalleries #RMIT #RMITUniversity
“The performances are all connected to the thing I explore, which is the psychological and sociopolitical tension within the Chinese diasporic experience”
Huiyi Xiao’s First Site exhibition ‘Oil & Fire’ traverses the subliminal experience of being a Chinese-Australian immigrant. The exhibition features two video works, each combining performance art, poetry and spoken word.
Filming herself in costume across various significant locations; Melbourne Chinatown or against a chili-oil-stained backdrop; Xiao uses her body as a physical reservoir of personal memory. Informed by her background in sculpture, Xiao enacts a somatic expression of the psychological negotiation of two cultures.
This is your LAST week to visit ‘Oil & Fire’, closing this Friday 1 May.
@xiao9107
@cultureatrmit @rmituniversity @rmit_art
@claires_arms
#FirstSiteGallery #RMITGalleries #RMIT #RMITUniversity
“The performances are all connected to the thing I explore, which is the psychological and sociopolitical tension within the Chinese diasporic experience”
Huiyi Xiao’s First Site exhibition ‘Oil & Fire’ traverses the subliminal experience of being a Chinese-Australian immigrant. The exhibition features two video works, each combining performance art, poetry and spoken word.
Filming herself in costume across various significant locations; Melbourne Chinatown or against a chili-oil-stained backdrop; Xiao uses her body as a physical reservoir of personal memory. Informed by her background in sculpture, Xiao enacts a somatic expression of the psychological negotiation of two cultures.
This is your LAST week to visit ‘Oil & Fire’, closing this Friday 1 May.
@xiao9107
@cultureatrmit @rmituniversity @rmit_art
@claires_arms
#FirstSiteGallery #RMITGalleries #RMIT #RMITUniversity
“The performances are all connected to the thing I explore, which is the psychological and sociopolitical tension within the Chinese diasporic experience”
Huiyi Xiao’s First Site exhibition ‘Oil & Fire’ traverses the subliminal experience of being a Chinese-Australian immigrant. The exhibition features two video works, each combining performance art, poetry and spoken word.
Filming herself in costume across various significant locations; Melbourne Chinatown or against a chili-oil-stained backdrop; Xiao uses her body as a physical reservoir of personal memory. Informed by her background in sculpture, Xiao enacts a somatic expression of the psychological negotiation of two cultures.
This is your LAST week to visit ‘Oil & Fire’, closing this Friday 1 May.
@xiao9107
@cultureatrmit @rmituniversity @rmit_art
@claires_arms
#FirstSiteGallery #RMITGalleries #RMIT #RMITUniversity
“Antarctica has quite a long history of literature and we really wanted to include Australians’ contribution to that literature in the exhibition.”
In imagining the ‘Creative Antarctica: Australian Artists and Writers in the Far South’, Professor Elizabeth Leane, lead of the Creative Antarctica Research Project, wanted to create an exhibition that championed not only visual arts, but the written word.
A plethora of writers who have visited and written on Antarctica are celebrated in the exhibition through the ‘ice salon’ reading room, an Antarctic dictionary, the ice words poetry table and excerpts from books displayed around the galleries. These interactive spaces of learning help demonstrate how writers play a valuable role in showcasing the ice continent’s role in global ecosystems.
To learn more about writing on Antarctica, attend our upcoming program, ‘Creative Writing on Creative Antarctica’
Friday 1 May
2:00—3:00pm
RMIT Gallery
This is a FREE event, register your attendance via the link in our bio!
@philip.2047 @emvleane
@cultureatrmit @rmituniversity
#CreativeAntarctica #RMITGallery #DesignHubGallery
Watch the full video via the link in our bio.
CLOSING SOON
This week is your last chance to visit ‘Creative Antarctica: Australian Artists and Writers in the Far South’ at RMIT Gallery and Design Hub Gallery, closing on Saturday 2 May.
First Site Gallery’s four exhibitions; ‘Surging through exits when the bell goes’ by Hilary Dodd; ‘Oil & Fire’ by Huiyi Xiao; ‘Steel Karkade’ by Maree Nikimaya; and ‘Inheritance’ by Mita Chowdhury are closing this Friday 1 May.
Can’t get enough of ‘Creative Antarctica’? We have two exciting public programs coming up to close out the exhibition.
‘Designing for Extremes’
Thursday 30 April
6:00—7:30pm
Design Hub Lecture Theatre
Level 3, Building 100
+
‘Creative Writing on Creative Antarctica’
Friday 1 May
2:00—3:00pm
RMIT Gallery
These events are FREE, register your attendance via the link in our bio!
@cultureatrmit @rmituniversity
#CreativeAntarctica #RMITGallery #DesignHubGallery #FirstSiteGallery
CLOSING SOON
This week is your last chance to visit ‘Creative Antarctica: Australian Artists and Writers in the Far South’ at RMIT Gallery and Design Hub Gallery, closing on Saturday 2 May.
First Site Gallery’s four exhibitions; ‘Surging through exits when the bell goes’ by Hilary Dodd; ‘Oil & Fire’ by Huiyi Xiao; ‘Steel Karkade’ by Maree Nikimaya; and ‘Inheritance’ by Mita Chowdhury are closing this Friday 1 May.
Can’t get enough of ‘Creative Antarctica’? We have two exciting public programs coming up to close out the exhibition.
‘Designing for Extremes’
Thursday 30 April
6:00—7:30pm
Design Hub Lecture Theatre
Level 3, Building 100
+
‘Creative Writing on Creative Antarctica’
Friday 1 May
2:00—3:00pm
RMIT Gallery
These events are FREE, register your attendance via the link in our bio!
@cultureatrmit @rmituniversity
#CreativeAntarctica #RMITGallery #DesignHubGallery #FirstSiteGallery
CLOSING SOON
This week is your last chance to visit ‘Creative Antarctica: Australian Artists and Writers in the Far South’ at RMIT Gallery and Design Hub Gallery, closing on Saturday 2 May.
First Site Gallery’s four exhibitions; ‘Surging through exits when the bell goes’ by Hilary Dodd; ‘Oil & Fire’ by Huiyi Xiao; ‘Steel Karkade’ by Maree Nikimaya; and ‘Inheritance’ by Mita Chowdhury are closing this Friday 1 May.
Can’t get enough of ‘Creative Antarctica’? We have two exciting public programs coming up to close out the exhibition.
‘Designing for Extremes’
Thursday 30 April
6:00—7:30pm
Design Hub Lecture Theatre
Level 3, Building 100
+
‘Creative Writing on Creative Antarctica’
Friday 1 May
2:00—3:00pm
RMIT Gallery
These events are FREE, register your attendance via the link in our bio!
@cultureatrmit @rmituniversity
#CreativeAntarctica #RMITGallery #DesignHubGallery #FirstSiteGallery
CLOSING SOON
This week is your last chance to visit ‘Creative Antarctica: Australian Artists and Writers in the Far South’ at RMIT Gallery and Design Hub Gallery, closing on Saturday 2 May.
First Site Gallery’s four exhibitions; ‘Surging through exits when the bell goes’ by Hilary Dodd; ‘Oil & Fire’ by Huiyi Xiao; ‘Steel Karkade’ by Maree Nikimaya; and ‘Inheritance’ by Mita Chowdhury are closing this Friday 1 May.
Can’t get enough of ‘Creative Antarctica’? We have two exciting public programs coming up to close out the exhibition.
‘Designing for Extremes’
Thursday 30 April
6:00—7:30pm
Design Hub Lecture Theatre
Level 3, Building 100
+
‘Creative Writing on Creative Antarctica’
Friday 1 May
2:00—3:00pm
RMIT Gallery
These events are FREE, register your attendance via the link in our bio!
@cultureatrmit @rmituniversity
#CreativeAntarctica #RMITGallery #DesignHubGallery #FirstSiteGallery
CLOSING SOON
This week is your last chance to visit ‘Creative Antarctica: Australian Artists and Writers in the Far South’ at RMIT Gallery and Design Hub Gallery, closing on Saturday 2 May.
First Site Gallery’s four exhibitions; ‘Surging through exits when the bell goes’ by Hilary Dodd; ‘Oil & Fire’ by Huiyi Xiao; ‘Steel Karkade’ by Maree Nikimaya; and ‘Inheritance’ by Mita Chowdhury are closing this Friday 1 May.
Can’t get enough of ‘Creative Antarctica’? We have two exciting public programs coming up to close out the exhibition.
‘Designing for Extremes’
Thursday 30 April
6:00—7:30pm
Design Hub Lecture Theatre
Level 3, Building 100
+
‘Creative Writing on Creative Antarctica’
Friday 1 May
2:00—3:00pm
RMIT Gallery
These events are FREE, register your attendance via the link in our bio!
@cultureatrmit @rmituniversity
#CreativeAntarctica #RMITGallery #DesignHubGallery #FirstSiteGallery
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.