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ROH is delighted to announce Syaiful Aulia Garibaldi’s solo exhibition, 𝘓𝘦𝘴𝘢𝘱.

Trained in Environmental Science, Syaiful Aulia Garibaldi (b. 1985; Bandung, Indonesia) works at the intersection of ecological field research, sculptural installation, and biological transformation, developing a practice that refuses the separation of aesthetic production from its ecological and material conditions.

𝘓𝘦𝘴𝘢𝘱 (Indonesian for "to vanish”) pays closer attention to water as a connective tissue, linking the upstream communities of the Citarum River basin in Bandung to the mangrove coastline of its estuary in Muara Gembong in North Bekasi. The exhibition presents large-scale works of materials derived directly from these sites, including ambitiously scaled algae biofilms cultured from river water, shell-based sculptures repeated to form ornamental patterns across entire gallery walls, and driftwood structures that form architectural structures. Many of these works will continue to grow and decay over the course of the exhibition.

"Decomposition is a fascinating phase," he says, "because it exists between death and birth, a condition in which we are able to appreciate both simultaneously."

The exhibition’s public programme invites participants to contribute to a monumental mural within the gallery space, inspired by the vision of an environment submerged by water and invaded by mould that grows in sporadic thinking.

𝘓𝘦𝘴𝘢𝘱
Syaiful Aulia Garibaldi

ROH
Jalan Surabaya 66
Jakarta 10310

ROH is delighted to share installation images from Bagus Pandega’s duo show with Elia Nurvista, 𝘕𝘢𝘧𝘢𝘴𝘢𝘯 𝘉𝘶𝘮𝘪 ~ 𝘈𝘯 𝘌𝘯𝘥𝘭𝘦𝘴𝘴 𝘏𝘢𝘳𝘷𝘦𝘴𝘵, now showing through 31 May 2026 at Singapore Art Museum.

Through kinetic, multimedia, and sculptural installations, Nurvista and Pandega examine how the demands of industrial production permeate everyday life - from plantations and mines, to circuits of labour driving an insatiable global demand for productivity and progress. By tracing how materials such as palm oil and nickel move through these systems, the exhibition looks at how these industries shape daily life and leave lasting impressions across Southeast Asia.

Elia Nurvista and Bagus Pandega
𝘕𝘢𝘧𝘢𝘴𝘢𝘯 𝘉𝘶𝘮𝘪 ~ 𝘈𝘯 𝘌𝘯𝘥𝘭𝘦𝘴𝘴 𝘏𝘢𝘳𝘷𝘦𝘴𝘵
16 January - 31 May 2026
Singapore Art Museum
Tanjong Pagar Distripark
Singapore

ROH is delighted to share installation images from Bagus Pandega’s duo show with Elia Nurvista, 𝘕𝘢𝘧𝘢𝘴𝘢𝘯 𝘉𝘶𝘮𝘪 ~ 𝘈𝘯 𝘌𝘯𝘥𝘭𝘦𝘴𝘴 𝘏𝘢𝘳𝘷𝘦𝘴𝘵, now showing through 31 May 2026 at Singapore Art Museum.

Through kinetic, multimedia, and sculptural installations, Nurvista and Pandega examine how the demands of industrial production permeate everyday life - from plantations and mines, to circuits of labour driving an insatiable global demand for productivity and progress. By tracing how materials such as palm oil and nickel move through these systems, the exhibition looks at how these industries shape daily life and leave lasting impressions across Southeast Asia.

Elia Nurvista and Bagus Pandega
𝘕𝘢𝘧𝘢𝘴𝘢𝘯 𝘉𝘶𝘮𝘪 ~ 𝘈𝘯 𝘌𝘯𝘥𝘭𝘦𝘴𝘴 𝘏𝘢𝘳𝘷𝘦𝘴𝘵
16 January - 31 May 2026
Singapore Art Museum
Tanjong Pagar Distripark
Singapore

ROH is delighted to share installation images from Bagus Pandega’s duo show with Elia Nurvista, 𝘕𝘢𝘧𝘢𝘴𝘢𝘯 𝘉𝘶𝘮𝘪 ~ 𝘈𝘯 𝘌𝘯𝘥𝘭𝘦𝘴𝘴 𝘏𝘢𝘳𝘷𝘦𝘴𝘵, now showing through 31 May 2026 at Singapore Art Museum.

Through kinetic, multimedia, and sculptural installations, Nurvista and Pandega examine how the demands of industrial production permeate everyday life - from plantations and mines, to circuits of labour driving an insatiable global demand for productivity and progress. By tracing how materials such as palm oil and nickel move through these systems, the exhibition looks at how these industries shape daily life and leave lasting impressions across Southeast Asia.

Elia Nurvista and Bagus Pandega
𝘕𝘢𝘧𝘢𝘴𝘢𝘯 𝘉𝘶𝘮𝘪 ~ 𝘈𝘯 𝘌𝘯𝘥𝘭𝘦𝘴𝘴 𝘏𝘢𝘳𝘷𝘦𝘴𝘵
16 January - 31 May 2026
Singapore Art Museum
Tanjong Pagar Distripark
Singapore

ROH is delighted to share installation images from Bagus Pandega’s duo show with Elia Nurvista, 𝘕𝘢𝘧𝘢𝘴𝘢𝘯 𝘉𝘶𝘮𝘪 ~ 𝘈𝘯 𝘌𝘯𝘥𝘭𝘦𝘴𝘴 𝘏𝘢𝘳𝘷𝘦𝘴𝘵, now showing through 31 May 2026 at Singapore Art Museum.

Through kinetic, multimedia, and sculptural installations, Nurvista and Pandega examine how the demands of industrial production permeate everyday life - from plantations and mines, to circuits of labour driving an insatiable global demand for productivity and progress. By tracing how materials such as palm oil and nickel move through these systems, the exhibition looks at how these industries shape daily life and leave lasting impressions across Southeast Asia.

Elia Nurvista and Bagus Pandega
𝘕𝘢𝘧𝘢𝘴𝘢𝘯 𝘉𝘶𝘮𝘪 ~ 𝘈𝘯 𝘌𝘯𝘥𝘭𝘦𝘴𝘴 𝘏𝘢𝘳𝘷𝘦𝘴𝘵
16 January - 31 May 2026
Singapore Art Museum
Tanjong Pagar Distripark
Singapore

ROH is delighted to share installation images from Bagus Pandega’s duo show with Elia Nurvista, 𝘕𝘢𝘧𝘢𝘴𝘢𝘯 𝘉𝘶𝘮𝘪 ~ 𝘈𝘯 𝘌𝘯𝘥𝘭𝘦𝘴𝘴 𝘏𝘢𝘳𝘷𝘦𝘴𝘵, now showing through 31 May 2026 at Singapore Art Museum.

Through kinetic, multimedia, and sculptural installations, Nurvista and Pandega examine how the demands of industrial production permeate everyday life - from plantations and mines, to circuits of labour driving an insatiable global demand for productivity and progress. By tracing how materials such as palm oil and nickel move through these systems, the exhibition looks at how these industries shape daily life and leave lasting impressions across Southeast Asia.

Elia Nurvista and Bagus Pandega
𝘕𝘢𝘧𝘢𝘴𝘢𝘯 𝘉𝘶𝘮𝘪 ~ 𝘈𝘯 𝘌𝘯𝘥𝘭𝘦𝘴𝘴 𝘏𝘢𝘳𝘷𝘦𝘴𝘵
16 January - 31 May 2026
Singapore Art Museum
Tanjong Pagar Distripark
Singapore

ROH is pleased to share Tromarama’s presentation 𝘜𝘱𝘰𝘯 𝘢 𝘔𝘢𝘤𝘩𝘪𝘯𝘦 at The Kitchen, New York, open through 13 June 2026.

Marking Tromarama’s first institutional exhibition in the United States, the project at The Kitchen extends their ongoing inquiry into the blurred lines between labor and leisure through the use of artificial intelligence. Departing from earlier works that mined social media data, Tromarama has developed a new work using context conditioning to an AI model, fed with their personal literary and music archives. This more intimate dataset becomes a lens through which the artists examine how personal and social histories are reinterpreted and remixed by generative technologies.

Live performances will activate the installation throughout the exhibition run, featuring different singers, musicians, and dancers (gospel, opera, jazz, and tap) who improvise in response to AI-generated prompts on April 23, May 15, and June 12 (8 PM). These events, along with public panels and workshops, extend the installation’s inquiry into collective interpretation, authorship, work, and machine-led composition within a global, techno-saturated culture landscape, underscoring the importance of human expression inside technological frameworks.

For more details of the exhibition’s programme, visit @thekitchen_nyc

Tromarama
𝘜𝘱𝘰𝘯 𝘢 𝘔𝘢𝘤𝘩𝘪𝘯𝘦
23 April - 13 June 2026

The Kitchen
163 Bank St
New York

Photography by Ruddy Hatumena

ROH is pleased to share Tromarama’s presentation 𝘜𝘱𝘰𝘯 𝘢 𝘔𝘢𝘤𝘩𝘪𝘯𝘦 at The Kitchen, New York, open through 13 June 2026.

Marking Tromarama’s first institutional exhibition in the United States, the project at The Kitchen extends their ongoing inquiry into the blurred lines between labor and leisure through the use of artificial intelligence. Departing from earlier works that mined social media data, Tromarama has developed a new work using context conditioning to an AI model, fed with their personal literary and music archives. This more intimate dataset becomes a lens through which the artists examine how personal and social histories are reinterpreted and remixed by generative technologies.

Live performances will activate the installation throughout the exhibition run, featuring different singers, musicians, and dancers (gospel, opera, jazz, and tap) who improvise in response to AI-generated prompts on April 23, May 15, and June 12 (8 PM). These events, along with public panels and workshops, extend the installation’s inquiry into collective interpretation, authorship, work, and machine-led composition within a global, techno-saturated culture landscape, underscoring the importance of human expression inside technological frameworks.

For more details of the exhibition’s programme, visit @thekitchen_nyc

Tromarama
𝘜𝘱𝘰𝘯 𝘢 𝘔𝘢𝘤𝘩𝘪𝘯𝘦
23 April - 13 June 2026

The Kitchen
163 Bank St
New York

Photography by Ruddy Hatumena

ROH is pleased to share Tromarama’s presentation 𝘜𝘱𝘰𝘯 𝘢 𝘔𝘢𝘤𝘩𝘪𝘯𝘦 at The Kitchen, New York, open through 13 June 2026.

Marking Tromarama’s first institutional exhibition in the United States, the project at The Kitchen extends their ongoing inquiry into the blurred lines between labor and leisure through the use of artificial intelligence. Departing from earlier works that mined social media data, Tromarama has developed a new work using context conditioning to an AI model, fed with their personal literary and music archives. This more intimate dataset becomes a lens through which the artists examine how personal and social histories are reinterpreted and remixed by generative technologies.

Live performances will activate the installation throughout the exhibition run, featuring different singers, musicians, and dancers (gospel, opera, jazz, and tap) who improvise in response to AI-generated prompts on April 23, May 15, and June 12 (8 PM). These events, along with public panels and workshops, extend the installation’s inquiry into collective interpretation, authorship, work, and machine-led composition within a global, techno-saturated culture landscape, underscoring the importance of human expression inside technological frameworks.

For more details of the exhibition’s programme, visit @thekitchen_nyc

Tromarama
𝘜𝘱𝘰𝘯 𝘢 𝘔𝘢𝘤𝘩𝘪𝘯𝘦
23 April - 13 June 2026

The Kitchen
163 Bank St
New York

Photography by Ruddy Hatumena

ROH is pleased to share Tromarama’s presentation 𝘜𝘱𝘰𝘯 𝘢 𝘔𝘢𝘤𝘩𝘪𝘯𝘦 at The Kitchen, New York, open through 13 June 2026.

Marking Tromarama’s first institutional exhibition in the United States, the project at The Kitchen extends their ongoing inquiry into the blurred lines between labor and leisure through the use of artificial intelligence. Departing from earlier works that mined social media data, Tromarama has developed a new work using context conditioning to an AI model, fed with their personal literary and music archives. This more intimate dataset becomes a lens through which the artists examine how personal and social histories are reinterpreted and remixed by generative technologies.

Live performances will activate the installation throughout the exhibition run, featuring different singers, musicians, and dancers (gospel, opera, jazz, and tap) who improvise in response to AI-generated prompts on April 23, May 15, and June 12 (8 PM). These events, along with public panels and workshops, extend the installation’s inquiry into collective interpretation, authorship, work, and machine-led composition within a global, techno-saturated culture landscape, underscoring the importance of human expression inside technological frameworks.

For more details of the exhibition’s programme, visit @thekitchen_nyc

Tromarama
𝘜𝘱𝘰𝘯 𝘢 𝘔𝘢𝘤𝘩𝘪𝘯𝘦
23 April - 13 June 2026

The Kitchen
163 Bank St
New York

Photography by Ruddy Hatumena

ROH is pleased to share Tromarama’s presentation 𝘜𝘱𝘰𝘯 𝘢 𝘔𝘢𝘤𝘩𝘪𝘯𝘦 at The Kitchen, New York, open through 13 June 2026.

Marking Tromarama’s first institutional exhibition in the United States, the project at The Kitchen extends their ongoing inquiry into the blurred lines between labor and leisure through the use of artificial intelligence. Departing from earlier works that mined social media data, Tromarama has developed a new work using context conditioning to an AI model, fed with their personal literary and music archives. This more intimate dataset becomes a lens through which the artists examine how personal and social histories are reinterpreted and remixed by generative technologies.

Live performances will activate the installation throughout the exhibition run, featuring different singers, musicians, and dancers (gospel, opera, jazz, and tap) who improvise in response to AI-generated prompts on April 23, May 15, and June 12 (8 PM). These events, along with public panels and workshops, extend the installation’s inquiry into collective interpretation, authorship, work, and machine-led composition within a global, techno-saturated culture landscape, underscoring the importance of human expression inside technological frameworks.

For more details of the exhibition’s programme, visit @thekitchen_nyc

Tromarama
𝘜𝘱𝘰𝘯 𝘢 𝘔𝘢𝘤𝘩𝘪𝘯𝘦
23 April - 13 June 2026

The Kitchen
163 Bank St
New York

Photography by Ruddy Hatumena

ROH is delighted to share ikkibawiKrrr’s participation in the Asian Avant-Garde Film Festival 2026, happening 29-31 May at M+, Hong Kong.

The Asian Avant-Garde Film Festival returns for its third edition, 𝘚𝘱𝘢𝘤𝘦 𝘌𝘯𝘵𝘦𝘳 𝘚𝘩𝘪𝘧𝘵. From screenings, exhibitions, and performances to talks, workshops, and live acts, the festival presents works that thrive beyond the confines of mainstream culture. Participants are invited to make new connections across artistic disciplines and experience a shared sense of community. Collectively, these explorations point towards possible futures through reflections on power and capital, surveillance, ecological and geopolitical crises, and the increasing fluidity between physical and virtual realities.

ikkibawiKrrr are involved in the following programs:

𝘪𝘬𝘬𝘪𝘣𝘢𝘸𝘪𝘒𝘳𝘳𝘳: 𝘞𝘩𝘰 𝘍𝘰𝘳𝘨𝘰𝘵 𝘵𝘩𝘦 𝘝𝘪𝘭𝘭𝘢𝘨𝘦
Video installation and workshop
29 - 30 May (Fri-Sun), All day, Festival Lounge

𝘌𝘤𝘰𝘭𝘰𝘨𝘪𝘦𝘴, 𝘌𝘤𝘰𝘯𝘰𝘮𝘪𝘦𝘴, 𝘛𝘳𝘢𝘫𝘦𝘤𝘵𝘰𝘳𝘪𝘦𝘴: 𝘚𝘶𝘬𝘪 𝘊𝘩𝘢𝘯, 𝘪𝘬𝘬𝘣𝘢𝘸𝘪𝘒𝘳𝘳𝘳, 𝘞𝘢𝘯𝘨 𝘠𝘶𝘺𝘢𝘯 𝘢𝘯𝘥 𝘚𝘢𝘰𝘥𝘢𝘵 𝘐𝘴𝘮𝘢𝘪𝘭𝘰𝘷𝘢
Screening
29 May (Fri), 5.00 - 6.25 PM, House 2
31 May (Sun), 5.00- 6.25 PM, House 1

𝘚𝘱𝘢𝘤𝘦 𝘌𝘯𝘵𝘦𝘳 𝘚𝘩𝘪𝘧𝘵: 𝘈 𝘙𝘰𝘶𝘯𝘥-𝘛𝘢𝘣𝘭𝘦 𝘋𝘪𝘴𝘤𝘶𝘴𝘴𝘪𝘰𝘯 𝘸𝘪𝘵𝘩 𝘑𝘪𝘦𝘶𝘯 𝘊𝘩𝘰, 𝘓𝘢𝘳𝘪𝘴𝘴𝘢 𝘚𝘢𝘯𝘴𝘰𝘶𝘳, 𝘙𝘪𝘳𝘬𝘳𝘪𝘵 𝘛𝘪𝘳𝘢𝘷𝘢𝘯𝘪𝘫𝘢, 𝘢𝘯𝘥 𝘟𝘶 𝘉𝘪𝘯𝘨
Talk
30 May (Sat), 2.30 - 4.00 PM, House 1

Learn more about the festival via @mplusmuseum and @aagff.mplus

Individual tickets and a limited number of Day Passes (your ticket to experience all AAGFF programmes on your chosen day) are now available on their website

ROH is pleased to share Tromarama’s upcoming online conversation with Stefanie Hessler, hosted by The Brooklyn Rail on Tuesday, 26 May.

The conversation is held in conjunction with Tromarama’s solo exhibition, 𝘜𝘱𝘰𝘯 𝘢 𝘔𝘢𝘤𝘩𝘪𝘯𝘦, at The Kitchen, New York. 𝘜𝘱𝘰𝘯 𝘢 𝘔𝘢𝘤𝘩𝘪𝘯𝘦 extends the Indonesian art collective’s ongoing inquiry into the blurred lines between labor and leisure through the use of artificial intelligence. Departing from earlier works that mined social media data, Tromarama has developed a new work using context conditioning to an AI model, fed with their personal literary and music archives. This more intimate dataset becomes a lens through which the artists examine how personal and social histories are reinterpreted and remixed by generative technologies.

Tromarama: 𝘜𝘱𝘰𝘯 𝘢 𝘔𝘢𝘤𝘩𝘪𝘯𝘦
Featuring Febie Babyrose, Herbert Hans, Ruddy Hatumena, and Stefanie Hessler
Tuesday, 26 May 2026
11 am ET / 11 pm WIB (Western Indonesia Time)
Conversation held on Zoom

RSVP Link: https://brooklynrail.org/event/2026/05/26/tromarama-upon-a-machine/

ROH is delighted to share Bagus Pandega’s participation in the group exhibition, 𝘓𝘦 𝘚𝘪𝘯𝘨𝘦 𝘦𝘵 𝘭’𝘈𝘳𝘨𝘪𝘭𝘦, opening 30 May at Fondation d’enterprise Martell.

At the intersection of play, poetry and science fiction, 𝘓𝘦 𝘚𝘪𝘯𝘨𝘦 𝘦𝘵 𝘭’𝘈𝘳𝘨𝘪𝘭𝘦 brings together nine international artists to explore forms of interspecies collaboration. Through fable and imagination, the exhibition brings natural, human and technological forms into conversation, envisioning new ways of inhabiting the living world. Set within a forest-like scenography, these hybrid works - installations, films, sculptures and sound pieces - trace a broader reflection on collective transformation through ideas of ecological repair and eco-futurism.

Participating artists include Tania Candiani, AKI INOMATA, Bagus Pandega, Agnieszka Polska, Lin May Saeed, Shimabuku, Jessica Warboys, Trevor Yeung, and Robert Zhao Renhui.

𝘓𝘦 𝘚𝘪𝘯𝘨𝘦 𝘦𝘵 𝘭’𝘈𝘳𝘨𝘪𝘭𝘦
30 May 2026 - 1 January 2027
Opening 29 May, 6 pm

Fondation d’enterprise Martell
16 Avenue Paul Firino Martell
16100 Cognac, France

Guest curated by Emilie Villez
Exhibition design by Atelier CRAFT
Graphic design by Théo David Gehin

b-side is delighted to present Wantanee Siripattananuntakul’s three-channel video installation 𝘉𝘰𝘥𝘪𝘦𝘴 𝘰𝘧 𝘍𝘰𝘳𝘤𝘦 (2025–2026), opening 23 May 2026.

Filmed at Mount Merapi, Goa Cemara, and the Cemeti Institute for Art and Society in Yogyakarta, Indonesia, each channel consists of a single continuous on-site take beginning with the release of a coin from an elevated position. From that moment onward, a field of interacting forces shapes its movement. Spin, deviation, and friction arise through contact with volcanic terrain, coastal wind, and institutional ground. Duration is established at the point of capture rather than through post-production. Human action initiates the event, but does not retain authority over it.

Presented among the bustling commercial activity of the historic antiques street of Jalan Surabaya, the coin in Siripattananuntakul’s video no longer operates as a unit of exchange, but as a material body among other bodies. What appears as an action is not governed by intention. It is shaped by conditions that precede and exceed it.

𝘉𝘰𝘥𝘪𝘦𝘴 𝘰𝘧 𝘍𝘰𝘳𝘤𝘦 was produced in-residency with our co-presenters, Cemeti Institute for Art and Society, with support from the SAM Fund for Arts and Ecology.

𝘉𝘰𝘥𝘪𝘦𝘴 𝘰𝘧 𝘍𝘰𝘳𝘤𝘦
Wantanee Siripattananuntakul
23 May - 28 June 2026
Presented in collaboration with Cemeti Institute for Art and Society

b-side
Pasar Antik Kios No. 9–10
Jakarta 10310

ROH is delighted to announce Tromarama’s participation in Times Square Arts’ Summer 2026 Midnight Moment Program.

From 1 to 31 July, Tromarama’s single-channel video 𝘛𝘶𝘳𝘯 𝘖𝘯 #𝟸 will be screened nightly between 11.57 PM - Midnight at Times Square, New York.

‍Indonesian art collective Tromarama’s 𝘛𝘶𝘳𝘯 𝘖𝘯 #𝟸 examines how technology reshapes everyday experience, alters our sense of reality, and meditates our relationship with the environment. The work unfolds as a continuous, choreographed loop in which electric fans appear to activate shifting images and familiar scenes from daily life. What initially feels like a clear chain of cause and effect slowly unravels, disrupting expectations shaped by lived experience and raising questions about memory, association, and authenticity in a hyper-connected world. By positioning the screen as a site of continuous negotiation, 𝘛𝘶𝘳𝘯 𝘖𝘯 #𝟸 reflects on how contempo­rary technologies collapse distinctions between the real and the digital. Across a sequence of interconnect­ed scenes, the work foregrounds how identity, memory, and meaning are increasingly mediated, circulated, and reassembled, re­vealing a reality that is perpetually in motion-produced through systems we both inhabit and attempt to control.

The video is presented in partnership with The Kitchen, where the collective uses video, installation, and algorithmic processes to investigate the boundaries between virtual and physical worlds. The project traces how information, images, and sound move across digital and physical networks, reflecting on the entanglements of technology, consumer culture, and daily life; they highlight how intelligent systems shape the way we see, listen, and participate.

Tromarama
𝘛𝘶𝘳𝘯 𝘖𝘯 #𝟸
Presented in partnership with The Kitchen
1 – 31 July 2026
Nightly, 11:57 PM – Midnight

Broadway between 41st and 49th Streets 
New York, NY

ROH is delighted to share Stella Zhong’s participation in the Asymmetry International Symposium, titled 𝘌𝘤𝘰𝘭𝘰𝘨𝘪𝘦𝘴 𝘰𝘧 𝘈𝘵𝘵𝘦𝘯𝘵𝘪𝘰𝘯: 𝘚𝘦𝘯𝘴𝘪𝘯𝘨 𝘢𝘵 𝘵𝘩𝘦 𝘌𝘥𝘨𝘦, hosted at Courtauld Institute of Art this Friday 15 May 2026.

Bringing together artists, curators, film theorists, and art historians, ‘Ecologies of Attention’ reflects on attention as both a cognitive faculty or a scarce resource, and an aesthetic, embodied, and ecological condition. 

𝘌𝘤𝘰𝘭𝘰𝘨𝘪𝘦𝘴 𝘰𝘧 𝘈𝘵𝘵𝘦𝘯𝘵𝘪𝘰𝘯: 𝘚𝘦𝘯𝘴𝘪𝘯𝘨 𝘢𝘵 𝘵𝘩𝘦 𝘌𝘥𝘨𝘦
Friday, 15 May 2026
9.30am – 6pm
Free, booking essential via @asymmetryartorg or @courtauldres

The Courtauld Institute of Art
Vernon Square Campus
London WC1X 9EW

Programme:
9.30–9.45 Welcome (introduction by Dr Yayu Zheng)
9.45–10.45 Keynote 1 (Dr Kiki Tianqi Yu)
10.45–11.00 Break
11.00–12.45 Panel A (Chantel Foo and Yin Aiwen) chaired by Dr Wenny Teo
13.00–13.30 Performance (Serafina Min)
13.30–14.00 Lunch break
14.00–14.30 Screening Capsule (Yin-Ju Chen and Jiayi Chen)
14.30–16.15 Panel B (Solveig Qu Suess and Stella Zhong) chaired by Michèle Ruo Yi Landolt
16.15–16.30 Break
16.30–17.30 Keynote 2 (Dr Royce Ng)
17.30–17.45 Closing remarks
17.45–19.00 Wine reception

Bagus Pandega’s profile by Ibrahim Soetomo is now live on post, MoMa’s online resource devoted to art and the history of modernism and the contemporary in a global context.

Contextualized within Indonesia’s DIY and media landscape, Soetomo reflects on modularity in Pandega’s work as an aesthetic through which the cultural and historical meanings embedded within objects remain continually reconfigurable.

Read more on https://post.moma.org/bagus-pandega-aesthetic-of-modularity/ 📝

@baguspandega
@ibrahimsoetomo
@carlosquijonjr

Bagus Pandega’s profile by Ibrahim Soetomo is now live on post, MoMa’s online resource devoted to art and the history of modernism and the contemporary in a global context.

Contextualized within Indonesia’s DIY and media landscape, Soetomo reflects on modularity in Pandega’s work as an aesthetic through which the cultural and historical meanings embedded within objects remain continually reconfigurable.

Read more on https://post.moma.org/bagus-pandega-aesthetic-of-modularity/ 📝

@baguspandega
@ibrahimsoetomo
@carlosquijonjr

ROH is delighted to share documentation of Maruto Ardi’s newest installation for 𝘐𝘯 𝘗𝘭𝘢𝘤𝘦, a group exhibition presented in collaboration between sangheeut and GALLERY2 at Joongsun Nongwun, Jeju. The exhibition runs through 20 June.

Featuring works by Maruto Ardi, Michael Rikio Ming Hee Ho, Daeun Jang, and Minji Song, 𝘐𝘯 𝘗𝘭𝘢𝘤𝘦 considers how each artist engages the wall through distinct yet intersecting approaches.

Maruto Ardi
𝘗𝘦𝘨𝘴 𝘢𝘯𝘥 𝘊𝘩𝘢𝘪𝘯
2026
Risograph on paper, laser-cut stainless steel plate, stainless steel bolt, thread, screw, chain, spirit level
Variable dimensions

𝘐𝘯 𝘗𝘭𝘢𝘤𝘦
22 April - 20 June 2026

GALLERY2 Joongsun Nongwon
269, Yeongpyeong-gil
Jeju-si, South Korea

ROH is delighted to share documentation of Maruto Ardi’s newest installation for 𝘐𝘯 𝘗𝘭𝘢𝘤𝘦, a group exhibition presented in collaboration between sangheeut and GALLERY2 at Joongsun Nongwun, Jeju. The exhibition runs through 20 June.

Featuring works by Maruto Ardi, Michael Rikio Ming Hee Ho, Daeun Jang, and Minji Song, 𝘐𝘯 𝘗𝘭𝘢𝘤𝘦 considers how each artist engages the wall through distinct yet intersecting approaches.

Maruto Ardi
𝘗𝘦𝘨𝘴 𝘢𝘯𝘥 𝘊𝘩𝘢𝘪𝘯
2026
Risograph on paper, laser-cut stainless steel plate, stainless steel bolt, thread, screw, chain, spirit level
Variable dimensions

𝘐𝘯 𝘗𝘭𝘢𝘤𝘦
22 April - 20 June 2026

GALLERY2 Joongsun Nongwon
269, Yeongpyeong-gil
Jeju-si, South Korea

ROH is delighted to share documentation of Maruto Ardi’s newest installation for 𝘐𝘯 𝘗𝘭𝘢𝘤𝘦, a group exhibition presented in collaboration between sangheeut and GALLERY2 at Joongsun Nongwun, Jeju. The exhibition runs through 20 June.

Featuring works by Maruto Ardi, Michael Rikio Ming Hee Ho, Daeun Jang, and Minji Song, 𝘐𝘯 𝘗𝘭𝘢𝘤𝘦 considers how each artist engages the wall through distinct yet intersecting approaches.

Maruto Ardi
𝘗𝘦𝘨𝘴 𝘢𝘯𝘥 𝘊𝘩𝘢𝘪𝘯
2026
Risograph on paper, laser-cut stainless steel plate, stainless steel bolt, thread, screw, chain, spirit level
Variable dimensions

𝘐𝘯 𝘗𝘭𝘢𝘤𝘦
22 April - 20 June 2026

GALLERY2 Joongsun Nongwon
269, Yeongpyeong-gil
Jeju-si, South Korea

ROH is pleased to share program details for Tromarama’s presentation, 𝘜𝘱𝘰𝘯 𝘢 𝘔𝘢𝘤𝘩𝘪𝘯𝘦, at The Kitchen, New York, open through 13 June 2026. Across the next two months, the installation will be activated in a series of live events, offering audiences shared moments of participation and reflection.

Live performances will feature different singers, musicians, and dancers (gospel, opera, jazz, and tap) who improvise in response to AI-generated prompts on April 23, May 15, and June 12 (8 p.m.). These events, along with public panels and workshops, extend the installation’s inquiry into collective interpretation, authorship, work, and machine-led composition within a global, techno-saturated culture landscape, underscoring the importance of human expression inside technological frameworks.

The Kitchen will welcome families into the gallery space for family workshops across May and June (dates: 5/9, 5/16, 5/30, 6/6) to engage with the exhibition and create found object sculptures inspired by the work. Recycled materials will be sourced for families to use to build their sculptures together with the guidance of a teaching artist. This will take place on designated family hours, from 11am to 1pm. Workshops will be drop-in, so families can come and go as they please. The Kitchen is pleased to partner with Artists & Mothers on the May 30 workshop.

For more details of the exhibition’s program, visit @thekitchen_nyc

Tromarama
𝘜𝘱𝘰𝘯 𝘢 𝘔𝘢𝘤𝘩𝘪𝘯𝘦
23 April - 13 June 2026

The Kitchen
163 Bank St
New York