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‘standards and one offs’ opened last week on our YELLOW WALL. thank you to all who came down to celebrate 💛
🔗 you can see all the pictures from opening night on our YELLOW WALL website, link in bio.
——
standards and oddballs
a selection of chairs, old to new, wood and metal. one from before I ever conceived of making furniture, a couple early works in strand board, and a couple later works, one in zip system, one in steel, maybe two in steel.
the first from 1996, the last from 2026.
a couple quilts and some textile odds and ends.
surrounding the quilts there’s always scraps and smaller pieces, like sketches, sometimes they’re the pieces I hold onto most, there’s something less defined in them, more room for possibilities of what might come next. Some other relics, not made by me, that relate to my textile work, something from my grandmother, something from my childhood.
I’d like it to feel personal, personally historical, show the overlap between themes and materials and process, a little bit messy.
——
Chris Rucker (b. 1972, lives and works New York, NY), a New York-based artist and designer since 1996, has developed a distinctive approach to furniture design that aligns with postmodern critiques of authenticity and materiality. His work prominently features materials such as Oriented Strand Board (OSB) and moving blankets—substances typically used as substitutes for more traditional or “authentic” materials. By repurposing these industrial materials, Rucker challenges conventional distinctions between the genuine and the simulated, a concept central to postmodern discourse.
LOT-EK studio / 620 E 9th st / storefront
monday to friday
10am - 6pm
‘standards and one offs’ opened last week on our YELLOW WALL. thank you to all who came down to celebrate 💛
🔗 you can see all the pictures from opening night on our YELLOW WALL website, link in bio.
——
standards and oddballs
a selection of chairs, old to new, wood and metal. one from before I ever conceived of making furniture, a couple early works in strand board, and a couple later works, one in zip system, one in steel, maybe two in steel.
the first from 1996, the last from 2026.
a couple quilts and some textile odds and ends.
surrounding the quilts there’s always scraps and smaller pieces, like sketches, sometimes they’re the pieces I hold onto most, there’s something less defined in them, more room for possibilities of what might come next. Some other relics, not made by me, that relate to my textile work, something from my grandmother, something from my childhood.
I’d like it to feel personal, personally historical, show the overlap between themes and materials and process, a little bit messy.
——
Chris Rucker (b. 1972, lives and works New York, NY), a New York-based artist and designer since 1996, has developed a distinctive approach to furniture design that aligns with postmodern critiques of authenticity and materiality. His work prominently features materials such as Oriented Strand Board (OSB) and moving blankets—substances typically used as substitutes for more traditional or “authentic” materials. By repurposing these industrial materials, Rucker challenges conventional distinctions between the genuine and the simulated, a concept central to postmodern discourse.
LOT-EK studio / 620 E 9th st / storefront
monday to friday
10am - 6pm
‘standards and one offs’ opened last week on our YELLOW WALL. thank you to all who came down to celebrate 💛
🔗 you can see all the pictures from opening night on our YELLOW WALL website, link in bio.
——
standards and oddballs
a selection of chairs, old to new, wood and metal. one from before I ever conceived of making furniture, a couple early works in strand board, and a couple later works, one in zip system, one in steel, maybe two in steel.
the first from 1996, the last from 2026.
a couple quilts and some textile odds and ends.
surrounding the quilts there’s always scraps and smaller pieces, like sketches, sometimes they’re the pieces I hold onto most, there’s something less defined in them, more room for possibilities of what might come next. Some other relics, not made by me, that relate to my textile work, something from my grandmother, something from my childhood.
I’d like it to feel personal, personally historical, show the overlap between themes and materials and process, a little bit messy.
——
Chris Rucker (b. 1972, lives and works New York, NY), a New York-based artist and designer since 1996, has developed a distinctive approach to furniture design that aligns with postmodern critiques of authenticity and materiality. His work prominently features materials such as Oriented Strand Board (OSB) and moving blankets—substances typically used as substitutes for more traditional or “authentic” materials. By repurposing these industrial materials, Rucker challenges conventional distinctions between the genuine and the simulated, a concept central to postmodern discourse.
LOT-EK studio / 620 E 9th st / storefront
monday to friday
10am - 6pm
‘standards and one offs’ opened last week on our YELLOW WALL. thank you to all who came down to celebrate 💛
🔗 you can see all the pictures from opening night on our YELLOW WALL website, link in bio.
——
standards and oddballs
a selection of chairs, old to new, wood and metal. one from before I ever conceived of making furniture, a couple early works in strand board, and a couple later works, one in zip system, one in steel, maybe two in steel.
the first from 1996, the last from 2026.
a couple quilts and some textile odds and ends.
surrounding the quilts there’s always scraps and smaller pieces, like sketches, sometimes they’re the pieces I hold onto most, there’s something less defined in them, more room for possibilities of what might come next. Some other relics, not made by me, that relate to my textile work, something from my grandmother, something from my childhood.
I’d like it to feel personal, personally historical, show the overlap between themes and materials and process, a little bit messy.
——
Chris Rucker (b. 1972, lives and works New York, NY), a New York-based artist and designer since 1996, has developed a distinctive approach to furniture design that aligns with postmodern critiques of authenticity and materiality. His work prominently features materials such as Oriented Strand Board (OSB) and moving blankets—substances typically used as substitutes for more traditional or “authentic” materials. By repurposing these industrial materials, Rucker challenges conventional distinctions between the genuine and the simulated, a concept central to postmodern discourse.
LOT-EK studio / 620 E 9th st / storefront
monday to friday
10am - 6pm
‘standards and one offs’ opened last week on our YELLOW WALL. thank you to all who came down to celebrate 💛
🔗 you can see all the pictures from opening night on our YELLOW WALL website, link in bio.
——
standards and oddballs
a selection of chairs, old to new, wood and metal. one from before I ever conceived of making furniture, a couple early works in strand board, and a couple later works, one in zip system, one in steel, maybe two in steel.
the first from 1996, the last from 2026.
a couple quilts and some textile odds and ends.
surrounding the quilts there’s always scraps and smaller pieces, like sketches, sometimes they’re the pieces I hold onto most, there’s something less defined in them, more room for possibilities of what might come next. Some other relics, not made by me, that relate to my textile work, something from my grandmother, something from my childhood.
I’d like it to feel personal, personally historical, show the overlap between themes and materials and process, a little bit messy.
——
Chris Rucker (b. 1972, lives and works New York, NY), a New York-based artist and designer since 1996, has developed a distinctive approach to furniture design that aligns with postmodern critiques of authenticity and materiality. His work prominently features materials such as Oriented Strand Board (OSB) and moving blankets—substances typically used as substitutes for more traditional or “authentic” materials. By repurposing these industrial materials, Rucker challenges conventional distinctions between the genuine and the simulated, a concept central to postmodern discourse.
LOT-EK studio / 620 E 9th st / storefront
monday to friday
10am - 6pm
‘standards and one offs’ opened last week on our YELLOW WALL. thank you to all who came down to celebrate 💛
🔗 you can see all the pictures from opening night on our YELLOW WALL website, link in bio.
——
standards and oddballs
a selection of chairs, old to new, wood and metal. one from before I ever conceived of making furniture, a couple early works in strand board, and a couple later works, one in zip system, one in steel, maybe two in steel.
the first from 1996, the last from 2026.
a couple quilts and some textile odds and ends.
surrounding the quilts there’s always scraps and smaller pieces, like sketches, sometimes they’re the pieces I hold onto most, there’s something less defined in them, more room for possibilities of what might come next. Some other relics, not made by me, that relate to my textile work, something from my grandmother, something from my childhood.
I’d like it to feel personal, personally historical, show the overlap between themes and materials and process, a little bit messy.
——
Chris Rucker (b. 1972, lives and works New York, NY), a New York-based artist and designer since 1996, has developed a distinctive approach to furniture design that aligns with postmodern critiques of authenticity and materiality. His work prominently features materials such as Oriented Strand Board (OSB) and moving blankets—substances typically used as substitutes for more traditional or “authentic” materials. By repurposing these industrial materials, Rucker challenges conventional distinctions between the genuine and the simulated, a concept central to postmodern discourse.
LOT-EK studio / 620 E 9th st / storefront
monday to friday
10am - 6pm
‘standards and one offs’ opened last week on our YELLOW WALL. thank you to all who came down to celebrate 💛
🔗 you can see all the pictures from opening night on our YELLOW WALL website, link in bio.
——
standards and oddballs
a selection of chairs, old to new, wood and metal. one from before I ever conceived of making furniture, a couple early works in strand board, and a couple later works, one in zip system, one in steel, maybe two in steel.
the first from 1996, the last from 2026.
a couple quilts and some textile odds and ends.
surrounding the quilts there’s always scraps and smaller pieces, like sketches, sometimes they’re the pieces I hold onto most, there’s something less defined in them, more room for possibilities of what might come next. Some other relics, not made by me, that relate to my textile work, something from my grandmother, something from my childhood.
I’d like it to feel personal, personally historical, show the overlap between themes and materials and process, a little bit messy.
——
Chris Rucker (b. 1972, lives and works New York, NY), a New York-based artist and designer since 1996, has developed a distinctive approach to furniture design that aligns with postmodern critiques of authenticity and materiality. His work prominently features materials such as Oriented Strand Board (OSB) and moving blankets—substances typically used as substitutes for more traditional or “authentic” materials. By repurposing these industrial materials, Rucker challenges conventional distinctions between the genuine and the simulated, a concept central to postmodern discourse.
LOT-EK studio / 620 E 9th st / storefront
monday to friday
10am - 6pm
Next Thursday evening in the east village at the @lot_ek gallery space, come say hi. Also I’ll be in conversation with Ada and Giuseppe at some point in April.
[LAUNCH 10]
Chris Rucker (Studio Visit)
We are so pleased to present six works by our first design artist, Chris Rucker.
Chris’s work echoes minimalist principles exemplified by Donald Judd and Scott Burton, pushing for new forms within a restricted framework.
Through his studio, RUCKERCORP, Chris integrates fine art and architectural project management, and is widely known for recontextualizing industrial materials such as ZIPSystem and Oriented Strand Board (OSB) in both practices.
Notable collaborations include projects with photographer Steven Klein, where he contributed furniture design and remodeling expertise to Klein’s studio and residential compound in Bridgehampton.
(Interviewed by NTLA Founder, @lara_bjork)
Chris Rucker
Lounge Chair #1, 2003
Oriented Strand Board (OSB)
24 x 32 x 24 inches, 10 inches (seat height)
60.9 x 81.3 x 60.9 cm, 25.4 cm (seat height)
Open edition
$1,500
*10% discount applied at checkout.
[LAUNCH 10]
Chris Rucker (Studio Visit)
We are so pleased to present six works by our first design artist, Chris Rucker.
Chris’s work echoes minimalist principles exemplified by Donald Judd and Scott Burton, pushing for new forms within a restricted framework.
Through his studio, RUCKERCORP, Chris integrates fine art and architectural project management, and is widely known for recontextualizing industrial materials such as ZIPSystem and Oriented Strand Board (OSB) in both practices.
Notable collaborations include projects with photographer Steven Klein, where he contributed furniture design and remodeling expertise to Klein’s studio and residential compound in Bridgehampton.
(Interviewed by NTLA Founder, @lara_bjork)
Chris Rucker
70 Thomas Sawhorse Chair, 2020
ZIPSystem
31 x 20.8 x 29 inches, 17 inches (seat height)
78.7 x 52.7 x 73.7 cm, 43.2 cm (seat height)
Open edition
$1,250
*10% discount applied at checkout.
[LAUNCH 10]
Chris Rucker (Studio Visit)
We are so pleased to present six works by our first design artist, Chris Rucker.
Chris’s work echoes minimalist principles exemplified by Donald Judd and Scott Burton, pushing for new forms within a restricted framework.
Through his studio, RUCKERCORP, Chris integrates fine art and architectural project management, and is widely known for recontextualizing industrial materials such as ZIPSystem and Oriented Strand Board (OSB) in both practices.
Notable collaborations include projects with photographer Steven Klein, where he contributed furniture design and remodeling expertise to Klein’s studio and residential compound in Bridgehampton.
(Interviewed by NTLA Founder, @lara_bjork)
Chris Rucker
Basic Chair #2, 2006
Oriented Strand Board (OSB)
31.8 x 15 x 17.5 inches, 18 inches (seat height)
80.6 x 38.1 x 44.4 cm, 45.7 cm
Open edition
$800
*10% discount applied at checkout.
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