
I AM NOT YOUR ANGEL: NO. 3
2026
DISCARD AFTER USE.
BIBLIOGRAPHIA is a personal exploration originating from the dialogue around ownership and use of AI-generated material. Artificial intelligence is used as raw material, focusing on the creation of narrative via recontextualization, manipulation, and human intervention.
#ai #midjourney

I AM NOT YOUR ANGEL: NO. 2
2026
HOW MANY SHEEP DO I HAVE TO COUNT TO MAKE UP FOR LOST TIME?
BIBLIOGRAPHIA is a personal exploration originating from the dialogue around ownership and use of AI-generated material. Artificial intelligence is used as raw material, focusing on the creation of narrative via recontextualization, manipulation, and human intervention.
#ai #midjourney

I AM NOT YOUR ANGEL: NO. 1
2026
An internal processing of the dichotomy between The West’s obsession/appropriation of Asian cultures and the fetishization and nuanced experience of Asian bodies in queer spaces.
BIBLIOGRAPHIA is a personal exploration originating from the dialogue around ownership and use of AI-generated material. Artificial intelligence is used as raw material, focusing on the creation of narrative via recontextualization, manipulation, and human intervention.

MATERIAL STUDIES FOR @TERSABRUTA
PHOTO AND DESIGN
2026
CC: @NIC.ELKS @UNDINEMARKUS @NEWARRIVALSXYZ

MATERIAL STUDIES FOR @TERSABRUTA
PHOTO AND DESIGN
2026
CC: @NIC.ELKS @UNDINEMARKUS @NEWARRIVALSXYZ

MATERIAL STUDIES FOR @TERSABRUTA
PHOTO AND DESIGN
2026
CC: @NIC.ELKS @UNDINEMARKUS @NEWARRIVALSXYZ

MATERIAL STUDIES FOR @TERSABRUTA
PHOTO AND DESIGN
2026
CC: @NIC.ELKS @UNDINEMARKUS @NEWARRIVALSXYZ
ANONYMOUS POSTCARDS
FILM STILLS AND VIGNETTES
FROM TOM OF FINLAND FOUNDATION AT APPARATUS
DECEMBER 2025
WITH EXCERPTS FROM
DAVID WOJNAROWICZ, IN THE SHADOW OF THE AMERICAN DREAM
ALAN HOLLINGHURST, THE LINE OF BEAUTY
KAY RYAN, A CERTAIN KIND OF EDEN

ANONYMOUS POSTCARDS
FILM STILLS AND VIGNETTES
FROM TOM OF FINLAND FOUNDATION AT APPARATUS
DECEMBER 2025
WITH EXCERPTS FROM
DAVID WOJNAROWICZ, IN THE SHADOW OF THE AMERICAN DREAM
ALAN HOLLINGHURST, THE LINE OF BEAUTY
KAY RYAN, A CERTAIN KIND OF EDEN

ANONYMOUS POSTCARDS
FILM STILLS AND VIGNETTES
FROM TOM OF FINLAND FOUNDATION AT APPARATUS
DECEMBER 2025
WITH EXCERPTS FROM
DAVID WOJNAROWICZ, IN THE SHADOW OF THE AMERICAN DREAM
ALAN HOLLINGHURST, THE LINE OF BEAUTY
KAY RYAN, A CERTAIN KIND OF EDEN
ANONYMOUS POSTCARDS
FILM STILLS AND VIGNETTES
FROM @TOMOFFINLANDFOUNDATION AT @APPARATUSSTUDIO
DECEMBER 2025
WITH EXCERPTS FROM
OCEAN VUONG, TIME IS A MOTHER
DANEZ SMITH, SUMMER, SOMEWHERE

ANONYMOUS POSTCARDS
FILM STILLS AND VIGNETTES
FROM @TOMOFFINLANDFOUNDATION AT @APPARATUSSTUDIO
DECEMBER 2025
WITH EXCERPTS FROM
OCEAN VUONG, TIME IS A MOTHER
DANEZ SMITH, SUMMER, SOMEWHERE

ANONYMOUS POSTCARDS
FILM STILLS AND VIGNETTES
FROM @TOMOFFINLANDFOUNDATION AT @APPARATUSSTUDIO
DECEMBER 2025
WITH EXCERPTS FROM
OCEAN VUONG, TIME IS A MOTHER
DANEZ SMITH, SUMMER, SOMEWHERE

GODDESS OF THE MOON
PHOTOGRAPHS from APPARATUS LOS ANGELES
@APPARATUSSTUDIO
A quick visit to the LA gallery reminded me of the Chinese myth of Chang-e, Goddess of the Moon. As kids, we were told not to point at the moon, so we wouldn’t disturb her.
In a time when ten suns scorched the earth, Chang-e’s husband, Hou-Yi, shoots down nine, leaving one to bring life to the earth. The reward: two immortality elixirs. While Hou-Yi is out hunting, his apprentice attempts to steal the elixirs. In an act of refusal, Chang-e consumes both elixirs, floating toward the heavens.
Wishing to be near her husband, she chooses the moon as her immortal residence.

GODDESS OF THE MOON
PHOTOGRAPHS from APPARATUS LOS ANGELES
@APPARATUSSTUDIO
A quick visit to the LA gallery reminded me of the Chinese myth of Chang-e, Goddess of the Moon. As kids, we were told not to point at the moon, so we wouldn’t disturb her.
In a time when ten suns scorched the earth, Chang-e’s husband, Hou-Yi, shoots down nine, leaving one to bring life to the earth. The reward: two immortality elixirs. While Hou-Yi is out hunting, his apprentice attempts to steal the elixirs. In an act of refusal, Chang-e consumes both elixirs, floating toward the heavens.
Wishing to be near her husband, she chooses the moon as her immortal residence.

GODDESS OF THE MOON
PHOTOGRAPHS from APPARATUS LOS ANGELES
@APPARATUSSTUDIO
A quick visit to the LA gallery reminded me of the Chinese myth of Chang-e, Goddess of the Moon. As kids, we were told not to point at the moon, so we wouldn’t disturb her.
In a time when ten suns scorched the earth, Chang-e’s husband, Hou-Yi, shoots down nine, leaving one to bring life to the earth. The reward: two immortality elixirs. While Hou-Yi is out hunting, his apprentice attempts to steal the elixirs. In an act of refusal, Chang-e consumes both elixirs, floating toward the heavens.
Wishing to be near her husband, she chooses the moon as her immortal residence.

GODDESS OF THE MOON
PHOTOGRAPHS from APPARATUS LOS ANGELES
@APPARATUSSTUDIO
A quick visit to the LA gallery reminded me of the Chinese myth of Chang-e, Goddess of the Moon. As kids, we were told not to point at the moon, so we wouldn’t disturb her.
In a time when ten suns scorched the earth, Chang-e’s husband, Hou-Yi, shoots down nine, leaving one to bring life to the earth. The reward: two immortality elixirs. While Hou-Yi is out hunting, his apprentice attempts to steal the elixirs. In an act of refusal, Chang-e consumes both elixirs, floating toward the heavens.
Wishing to be near her husband, she chooses the moon as her immortal residence.

GODDESS OF THE MOON
PHOTOGRAPHS from APPARATUS LOS ANGELES
@APPARATUSSTUDIO
A quick visit to the LA gallery reminded me of the Chinese myth of Chang-e, Goddess of the Moon. As kids, we were told not to point at the moon, so we wouldn’t disturb her.
In a time when ten suns scorched the earth, Chang-e’s husband, Hou-Yi, shoots down nine, leaving one to bring life to the earth. The reward: two immortality elixirs. While Hou-Yi is out hunting, his apprentice attempts to steal the elixirs. In an act of refusal, Chang-e consumes both elixirs, floating toward the heavens.
Wishing to be near her husband, she chooses the moon as her immortal residence.

GODDESS OF THE MOON
PHOTOGRAPHS from APPARATUS LOS ANGELES
@APPARATUSSTUDIO
A quick visit to the LA gallery reminded me of the Chinese myth of Chang-e, Goddess of the Moon. As kids, we were told not to point at the moon, so we wouldn’t disturb her.
In a time when ten suns scorched the earth, Chang-e’s husband, Hou-Yi, shoots down nine, leaving one to bring life to the earth. The reward: two immortality elixirs. While Hou-Yi is out hunting, his apprentice attempts to steal the elixirs. In an act of refusal, Chang-e consumes both elixirs, floating toward the heavens.
Wishing to be near her husband, she chooses the moon as her immortal residence.

GODDESS OF THE MOON
PHOTOGRAPHS from APPARATUS LOS ANGELES
@APPARATUSSTUDIO
A quick visit to the LA gallery reminded me of the Chinese myth of Chang-e, Goddess of the Moon. As kids, we were told not to point at the moon, so we wouldn’t disturb her.
In a time when ten suns scorched the earth, Chang-e’s husband, Hou-Yi, shoots down nine, leaving one to bring life to the earth. The reward: two immortality elixirs. While Hou-Yi is out hunting, his apprentice attempts to steal the elixirs. In an act of refusal, Chang-e consumes both elixirs, floating toward the heavens.
Wishing to be near her husband, she chooses the moon as her immortal residence.

GODDESS OF THE MOON
PHOTOGRAPHS from APPARATUS LOS ANGELES
@APPARATUSSTUDIO
A quick visit to the LA gallery reminded me of the Chinese myth of Chang-e, Goddess of the Moon. As kids, we were told not to point at the moon, so we wouldn’t disturb her.
In a time when ten suns scorched the earth, Chang-e’s husband, Hou-Yi, shoots down nine, leaving one to bring life to the earth. The reward: two immortality elixirs. While Hou-Yi is out hunting, his apprentice attempts to steal the elixirs. In an act of refusal, Chang-e consumes both elixirs, floating toward the heavens.
Wishing to be near her husband, she chooses the moon as her immortal residence.

GODDESS OF THE MOON
PHOTOGRAPHS from APPARATUS LOS ANGELES
@APPARATUSSTUDIO
A quick visit to the LA gallery reminded me of the Chinese myth of Chang-e, Goddess of the Moon. As kids, we were told not to point at the moon, so we wouldn’t disturb her.
In a time when ten suns scorched the earth, Chang-e’s husband, Hou-Yi, shoots down nine, leaving one to bring life to the earth. The reward: two immortality elixirs. While Hou-Yi is out hunting, his apprentice attempts to steal the elixirs. In an act of refusal, Chang-e consumes both elixirs, floating toward the heavens.
Wishing to be near her husband, she chooses the moon as her immortal residence.
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