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San Francisco Opera
The Future of Opera
💈 Figaro has a scheme for everything.
When two young lovers are kept apart, he sets the chaos in motion—disguises, schemes, and just enough mischief to change everything.
Rossini’s The Barber of Seville is opera’s ultimate comedy. Fast, clever, and powered by Rossini’s sparkling, quick-moving score.
📅 On stage May 28–June 21
🎟️ Tickets at the link in bio
🖼️ Brian Stauffer
💈 Figaro has a scheme for everything.
When two young lovers are kept apart, he sets the chaos in motion—disguises, schemes, and just enough mischief to change everything.
Rossini’s The Barber of Seville is opera’s ultimate comedy. Fast, clever, and powered by Rossini’s sparkling, quick-moving score.
📅 On stage May 28–June 21
🎟️ Tickets at the link in bio
🖼️ Brian Stauffer
💈 Figaro has a scheme for everything.
When two young lovers are kept apart, he sets the chaos in motion—disguises, schemes, and just enough mischief to change everything.
Rossini’s The Barber of Seville is opera’s ultimate comedy. Fast, clever, and powered by Rossini’s sparkling, quick-moving score.
📅 On stage May 28–June 21
🎟️ Tickets at the link in bio
🖼️ Brian Stauffer
💈 Figaro has a scheme for everything.
When two young lovers are kept apart, he sets the chaos in motion—disguises, schemes, and just enough mischief to change everything.
Rossini’s The Barber of Seville is opera’s ultimate comedy. Fast, clever, and powered by Rossini’s sparkling, quick-moving score.
📅 On stage May 28–June 21
🎟️ Tickets at the link in bio
🖼️ Brian Stauffer
📢 We are overjoyed to share that San Francisco Opera is bringing back Wagner's Ring Cycle for the first time in 10 years.
Conducted by Music Director Eun Sun Kim and directed by Francesca Zambello, The Ring will feature Tamara Wilson as Brünnhilde, Brian Mulligan as Wotan, and Simon O'Neill as Siegfried.
Head to the 🔗 in bio to see key dates and information on how to secure your Ring experience.
🖼️ Brian Stauffer
📸 Cody Pickens
📢 We are overjoyed to share that San Francisco Opera is bringing back Wagner's Ring Cycle for the first time in 10 years.
Conducted by Music Director Eun Sun Kim and directed by Francesca Zambello, The Ring will feature Tamara Wilson as Brünnhilde, Brian Mulligan as Wotan, and Simon O'Neill as Siegfried.
Head to the 🔗 in bio to see key dates and information on how to secure your Ring experience.
🖼️ Brian Stauffer
📸 Cody Pickens
📢 We are overjoyed to share that San Francisco Opera is bringing back Wagner's Ring Cycle for the first time in 10 years.
Conducted by Music Director Eun Sun Kim and directed by Francesca Zambello, The Ring will feature Tamara Wilson as Brünnhilde, Brian Mulligan as Wotan, and Simon O'Neill as Siegfried.
Head to the 🔗 in bio to see key dates and information on how to secure your Ring experience.
🖼️ Brian Stauffer
📸 Cody Pickens
📢 We are overjoyed to share that San Francisco Opera is bringing back Wagner's Ring Cycle for the first time in 10 years.
Conducted by Music Director Eun Sun Kim and directed by Francesca Zambello, The Ring will feature Tamara Wilson as Brünnhilde, Brian Mulligan as Wotan, and Simon O'Neill as Siegfried.
Head to the 🔗 in bio to see key dates and information on how to secure your Ring experience.
🖼️ Brian Stauffer
📸 Cody Pickens
📢 We are overjoyed to share that San Francisco Opera is bringing back Wagner's Ring Cycle for the first time in 10 years.
Conducted by Music Director Eun Sun Kim and directed by Francesca Zambello, The Ring will feature Tamara Wilson as Brünnhilde, Brian Mulligan as Wotan, and Simon O'Neill as Siegfried.
Head to the 🔗 in bio to see key dates and information on how to secure your Ring experience.
🖼️ Brian Stauffer
📸 Cody Pickens
Unfortunately for Elektra, family therapy wasn't really an option in ancient Greece.
Congratulations to composer Gabriela Lena Frank on receiving the Pulitzer Prize for Music for her orchestral work Picaflor: A Future Myth.
San Francisco Opera was proud to co-commission and present sold-out performances of Gabriela's first opera, El último sueño de Frida y Diego, during our 2022–23 Season, which the San Francisco Chronicle described as “luminous and often irresistible.”
We’re thrilled to celebrate this well-deserved recognition ❤️
📸 Carlos Chavarria for The New York Times, Cory Weaver
Congratulations to composer Gabriela Lena Frank on receiving the Pulitzer Prize for Music for her orchestral work Picaflor: A Future Myth.
San Francisco Opera was proud to co-commission and present sold-out performances of Gabriela's first opera, El último sueño de Frida y Diego, during our 2022–23 Season, which the San Francisco Chronicle described as “luminous and often irresistible.”
We’re thrilled to celebrate this well-deserved recognition ❤️
📸 Carlos Chavarria for The New York Times, Cory Weaver
A very normal sequence of events.
If you want the full experience (music included), The Barber of Seville opens May 28.
🔗 in bio.
Before the first note is sung on stage, the room comes together.
For the latest Backstage with Matthew, General Director Matthew Shilvock takes us inside the Meet and Greet for The Barber of Seville—the first moment when artists, creative teams, and company staff gather to begin the rehearsal process.
From Company debuts to American debuts, returning artists to first-year Adler Fellows, go behind the scenes at the link in bio.
Before the first note is sung on stage, the room comes together.
For the latest Backstage with Matthew, General Director Matthew Shilvock takes us inside the Meet and Greet for The Barber of Seville—the first moment when artists, creative teams, and company staff gather to begin the rehearsal process.
From Company debuts to American debuts, returning artists to first-year Adler Fellows, go behind the scenes at the link in bio.
Before the first note is sung on stage, the room comes together.
For the latest Backstage with Matthew, General Director Matthew Shilvock takes us inside the Meet and Greet for The Barber of Seville—the first moment when artists, creative teams, and company staff gather to begin the rehearsal process.
From Company debuts to American debuts, returning artists to first-year Adler Fellows, go behind the scenes at the link in bio.
Before the first note is sung on stage, the room comes together.
For the latest Backstage with Matthew, General Director Matthew Shilvock takes us inside the Meet and Greet for The Barber of Seville—the first moment when artists, creative teams, and company staff gather to begin the rehearsal process.
From Company debuts to American debuts, returning artists to first-year Adler Fellows, go behind the scenes at the link in bio.
Before the first note is sung on stage, the room comes together.
For the latest Backstage with Matthew, General Director Matthew Shilvock takes us inside the Meet and Greet for The Barber of Seville—the first moment when artists, creative teams, and company staff gather to begin the rehearsal process.
From Company debuts to American debuts, returning artists to first-year Adler Fellows, go behind the scenes at the link in bio.
Before the first note is sung on stage, the room comes together.
For the latest Backstage with Matthew, General Director Matthew Shilvock takes us inside the Meet and Greet for The Barber of Seville—the first moment when artists, creative teams, and company staff gather to begin the rehearsal process.
From Company debuts to American debuts, returning artists to first-year Adler Fellows, go behind the scenes at the link in bio.
Before the first note is sung on stage, the room comes together.
For the latest Backstage with Matthew, General Director Matthew Shilvock takes us inside the Meet and Greet for The Barber of Seville—the first moment when artists, creative teams, and company staff gather to begin the rehearsal process.
From Company debuts to American debuts, returning artists to first-year Adler Fellows, go behind the scenes at the link in bio.
Before the first note is sung on stage, the room comes together.
For the latest Backstage with Matthew, General Director Matthew Shilvock takes us inside the Meet and Greet for The Barber of Seville—the first moment when artists, creative teams, and company staff gather to begin the rehearsal process.
From Company debuts to American debuts, returning artists to first-year Adler Fellows, go behind the scenes at the link in bio.
Not sure what to listen for? Start here.
These are just a few of the musical ideas that make The Barber of Seville move the way it does—fast, precise, and a little chaotic (in the best way).
Want to go deeper? Our full listening guide breaks it all down.
🔗 Read it at the link in bio.
Not sure what to listen for? Start here.
These are just a few of the musical ideas that make The Barber of Seville move the way it does—fast, precise, and a little chaotic (in the best way).
Want to go deeper? Our full listening guide breaks it all down.
🔗 Read it at the link in bio.
Not sure what to listen for? Start here.
These are just a few of the musical ideas that make The Barber of Seville move the way it does—fast, precise, and a little chaotic (in the best way).
Want to go deeper? Our full listening guide breaks it all down.
🔗 Read it at the link in bio.
Not sure what to listen for? Start here.
These are just a few of the musical ideas that make The Barber of Seville move the way it does—fast, precise, and a little chaotic (in the best way).
Want to go deeper? Our full listening guide breaks it all down.
🔗 Read it at the link in bio.
Not sure what to listen for? Start here.
These are just a few of the musical ideas that make The Barber of Seville move the way it does—fast, precise, and a little chaotic (in the best way).
Want to go deeper? Our full listening guide breaks it all down.
🔗 Read it at the link in bio.
Not sure what to listen for? Start here.
These are just a few of the musical ideas that make The Barber of Seville move the way it does—fast, precise, and a little chaotic (in the best way).
Want to go deeper? Our full listening guide breaks it all down.
🔗 Read it at the link in bio.
We loved seeing you outside the Opera House in April—across cities, parks, piers, and everywhere in between.
Bohème Out of the Box is only possible because of the people who make it happen: the artists who bring it to life, the crews who build it from the ground up, the teams who keep it moving, and the audiences who make each stop feel like home.
Thank you for being part of it. 🎭
📸 Reneff-Olson Productions, Kristen Loken
We loved seeing you outside the Opera House in April—across cities, parks, piers, and everywhere in between.
Bohème Out of the Box is only possible because of the people who make it happen: the artists who bring it to life, the crews who build it from the ground up, the teams who keep it moving, and the audiences who make each stop feel like home.
Thank you for being part of it. 🎭
📸 Reneff-Olson Productions, Kristen Loken
We loved seeing you outside the Opera House in April—across cities, parks, piers, and everywhere in between.
Bohème Out of the Box is only possible because of the people who make it happen: the artists who bring it to life, the crews who build it from the ground up, the teams who keep it moving, and the audiences who make each stop feel like home.
Thank you for being part of it. 🎭
📸 Reneff-Olson Productions, Kristen Loken
We loved seeing you outside the Opera House in April—across cities, parks, piers, and everywhere in between.
Bohème Out of the Box is only possible because of the people who make it happen: the artists who bring it to life, the crews who build it from the ground up, the teams who keep it moving, and the audiences who make each stop feel like home.
Thank you for being part of it. 🎭
📸 Reneff-Olson Productions, Kristen Loken
We loved seeing you outside the Opera House in April—across cities, parks, piers, and everywhere in between.
Bohème Out of the Box is only possible because of the people who make it happen: the artists who bring it to life, the crews who build it from the ground up, the teams who keep it moving, and the audiences who make each stop feel like home.
Thank you for being part of it. 🎭
📸 Reneff-Olson Productions, Kristen Loken
We loved seeing you outside the Opera House in April—across cities, parks, piers, and everywhere in between.
Bohème Out of the Box is only possible because of the people who make it happen: the artists who bring it to life, the crews who build it from the ground up, the teams who keep it moving, and the audiences who make each stop feel like home.
Thank you for being part of it. 🎭
📸 Reneff-Olson Productions, Kristen Loken
We loved seeing you outside the Opera House in April—across cities, parks, piers, and everywhere in between.
Bohème Out of the Box is only possible because of the people who make it happen: the artists who bring it to life, the crews who build it from the ground up, the teams who keep it moving, and the audiences who make each stop feel like home.
Thank you for being part of it. 🎭
📸 Reneff-Olson Productions, Kristen Loken
We loved seeing you outside the Opera House in April—across cities, parks, piers, and everywhere in between.
Bohème Out of the Box is only possible because of the people who make it happen: the artists who bring it to life, the crews who build it from the ground up, the teams who keep it moving, and the audiences who make each stop feel like home.
Thank you for being part of it. 🎭
📸 Reneff-Olson Productions, Kristen Loken
We loved seeing you outside the Opera House in April—across cities, parks, piers, and everywhere in between.
Bohème Out of the Box is only possible because of the people who make it happen: the artists who bring it to life, the crews who build it from the ground up, the teams who keep it moving, and the audiences who make each stop feel like home.
Thank you for being part of it. 🎭
📸 Reneff-Olson Productions, Kristen Loken
On May 5, baritone Gabriel Natal-Báez and pianist Tzu Kuang Tan present Paths of the Heart, an evening of song that moves across languages, landscapes, and emotional worlds, from Vaughan Williams and Schubert to Ravel.
Featuring two 2025 Merola Opera Program graduates, this Schwabacher Recital brings together rising artists in a program shaped by travel, poetry, and love in its many forms. Presented by Merola Opera Program and San Francisco Opera.
📍 First Unitarian Universalist Society of San Francisco
📅 May 5 at 7PM
🔗 Tickets at the link in bio
On May 5, baritone Gabriel Natal-Báez and pianist Tzu Kuang Tan present Paths of the Heart, an evening of song that moves across languages, landscapes, and emotional worlds, from Vaughan Williams and Schubert to Ravel.
Featuring two 2025 Merola Opera Program graduates, this Schwabacher Recital brings together rising artists in a program shaped by travel, poetry, and love in its many forms. Presented by Merola Opera Program and San Francisco Opera.
📍 First Unitarian Universalist Society of San Francisco
📅 May 5 at 7PM
🔗 Tickets at the link in bio
$10 Dolby tickets for Strauss' Elektra are available now for those who qualify.
Called “extraordinary” and “stunning” by the San Francisco Chronicle, this production transforms an ancient tragedy into a gripping, modern psychological thriller.
Conducted by Music Director Eun Sun Kim, Elektra unleashes one of the largest orchestras in the repertoire.
🔗 Get tickets at the link in bio
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