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shulingguo
Shuling Guo
@hollistaggart @mindysolomongallery
6/4-6 @elsewhere.fair @laurathegallery @latitudegallery_newyork
10/16 solo @hollistaggart @hollistaggartdowntown
<Portrait V>
24”x12”
Oil and pencil on linen over panel
2026
Currently on view at @main_projects_
<Portrait V>
24”x12”
Oil and pencil on linen over panel
2026
Currently on view at @main_projects_
<Portrait V>
24”x12”
Oil and pencil on linen over panel
2026
Currently on view at @main_projects_
<Portrait V>
24”x12”
Oil and pencil on linen over panel
2026
Currently on view at @main_projects_
<Portrait V>
24”x12”
Oil and pencil on linen over panel
2026
Currently on view at @main_projects_
In Guo’s paintings, anatomy and nature are not separate categories but interchangeable forms. In Pelvis II, the form of a pelvis echoes the wings of a butterfly. The opening and closing of wings recalls the physical memory of childbirth. The pelvis becomes a site of origin. The butterfly, long associated in literature and mythology with the soul and its arrival and departure, becomes a figure of release. The body is both chamber and threshold. In Portrait IV and Portrait V, vertical forms read simultaneously as flower and figure, their proportions quietly evoking the female body.
Motherhood marks a decisive shift in Guo’s practice. The birth of her daughter, the death of her grandmother, and an acute awareness of time have sharpened both urgency and confidence. Greens, purples, and deep reds emerge from close observation of dried flowers in her studio. She describes their gradual transformation as fermentation, a slow, organic process that mirrors the lifecycle of the body. Time, in these paintings, is material.
Architectural arches frame many of the works. Informed by her upbringing in southern China, where temples were the most ornate and attentively maintained spaces, the arch functions as both structural device and gesture of reverence. It shelters the form and offers it a home. Across Eastern and Western references, Guo treats feminine presence not as symbol but as something sustained and honored.
Words by @lauramartinmills
Currently on view at @main_projects_
<Pelvis II>
30”x 40”
Oil and pencil in linen over panel
2026
In Guo’s paintings, anatomy and nature are not separate categories but interchangeable forms. In Pelvis II, the form of a pelvis echoes the wings of a butterfly. The opening and closing of wings recalls the physical memory of childbirth. The pelvis becomes a site of origin. The butterfly, long associated in literature and mythology with the soul and its arrival and departure, becomes a figure of release. The body is both chamber and threshold. In Portrait IV and Portrait V, vertical forms read simultaneously as flower and figure, their proportions quietly evoking the female body.
Motherhood marks a decisive shift in Guo’s practice. The birth of her daughter, the death of her grandmother, and an acute awareness of time have sharpened both urgency and confidence. Greens, purples, and deep reds emerge from close observation of dried flowers in her studio. She describes their gradual transformation as fermentation, a slow, organic process that mirrors the lifecycle of the body. Time, in these paintings, is material.
Architectural arches frame many of the works. Informed by her upbringing in southern China, where temples were the most ornate and attentively maintained spaces, the arch functions as both structural device and gesture of reverence. It shelters the form and offers it a home. Across Eastern and Western references, Guo treats feminine presence not as symbol but as something sustained and honored.
Words by @lauramartinmills
Currently on view at @main_projects_
<Pelvis II>
30”x 40”
Oil and pencil in linen over panel
2026
In Guo’s paintings, anatomy and nature are not separate categories but interchangeable forms. In Pelvis II, the form of a pelvis echoes the wings of a butterfly. The opening and closing of wings recalls the physical memory of childbirth. The pelvis becomes a site of origin. The butterfly, long associated in literature and mythology with the soul and its arrival and departure, becomes a figure of release. The body is both chamber and threshold. In Portrait IV and Portrait V, vertical forms read simultaneously as flower and figure, their proportions quietly evoking the female body.
Motherhood marks a decisive shift in Guo’s practice. The birth of her daughter, the death of her grandmother, and an acute awareness of time have sharpened both urgency and confidence. Greens, purples, and deep reds emerge from close observation of dried flowers in her studio. She describes their gradual transformation as fermentation, a slow, organic process that mirrors the lifecycle of the body. Time, in these paintings, is material.
Architectural arches frame many of the works. Informed by her upbringing in southern China, where temples were the most ornate and attentively maintained spaces, the arch functions as both structural device and gesture of reverence. It shelters the form and offers it a home. Across Eastern and Western references, Guo treats feminine presence not as symbol but as something sustained and honored.
Words by @lauramartinmills
Currently on view at @main_projects_
<Pelvis II>
30”x 40”
Oil and pencil in linen over panel
2026
In Guo’s paintings, anatomy and nature are not separate categories but interchangeable forms. In Pelvis II, the form of a pelvis echoes the wings of a butterfly. The opening and closing of wings recalls the physical memory of childbirth. The pelvis becomes a site of origin. The butterfly, long associated in literature and mythology with the soul and its arrival and departure, becomes a figure of release. The body is both chamber and threshold. In Portrait IV and Portrait V, vertical forms read simultaneously as flower and figure, their proportions quietly evoking the female body.
Motherhood marks a decisive shift in Guo’s practice. The birth of her daughter, the death of her grandmother, and an acute awareness of time have sharpened both urgency and confidence. Greens, purples, and deep reds emerge from close observation of dried flowers in her studio. She describes their gradual transformation as fermentation, a slow, organic process that mirrors the lifecycle of the body. Time, in these paintings, is material.
Architectural arches frame many of the works. Informed by her upbringing in southern China, where temples were the most ornate and attentively maintained spaces, the arch functions as both structural device and gesture of reverence. It shelters the form and offers it a home. Across Eastern and Western references, Guo treats feminine presence not as symbol but as something sustained and honored.
Words by @lauramartinmills
Currently on view at @main_projects_
<Pelvis II>
30”x 40”
Oil and pencil in linen over panel
2026
“The Body as Weather” opens February 26 at @main_projects_
Reception 5-7:30pm
A two-person show with @zurielw
<Portrait IV>
Oil and pencil on linen over panel
24”x12”
2026
“The Body as Weather” opens February 26 at @main_projects_
Reception 5-7:30pm
A two-person show with @zurielw
<Portrait IV>
Oil and pencil on linen over panel
24”x12”
2026
“The Body as Weather” opens February 26 at @main_projects_
Reception 5-7:30pm
A two-person show with @zurielw
<Portrait IV>
Oil and pencil on linen over panel
24”x12”
2026
“The Body as Weather” opens February 26 at @main_projects_
Reception 5-7:30pm
A two-person show with @zurielw
<Portrait IV>
Oil and pencil on linen over panel
24”x12”
2026
“The Body as Weather” opens February 26 at @main_projects_
Reception 5-7:30pm
A two-person show with @zurielw
<Portrait IV>
Oil and pencil on linen over panel
24”x12”
2026
“The Body as Weather” opens February 26 at @main_projects_
Reception 5-7:30pm
A two-person show with @zurielw
<Portrait IV>
Oil and pencil on linen over panel
24”x12”
2026
“The Body as Weather” opens February 26 at @main_projects_
Reception 5-7:30pm
A two-person show with @zurielw
<Portrait IV>
Oil and pencil on linen over panel
24”x12”
2026
<Portrait III>
20”x10”
Oil and pencil on linen over panel
2025
From @art021_official last year
<Portrait III>
20”x10”
Oil and pencil on linen over panel
2025
From @art021_official last year
<Portrait III>
20”x10”
Oil and pencil on linen over panel
2025
From @art021_official last year
<Portrait III>
20”x10”
Oil and pencil on linen over panel
2025
From @art021_official last year
<Portrait III>
20”x10”
Oil and pencil on linen over panel
2025
From @art021_official last year
<Portrait III>
20”x10”
Oil and pencil on linen over panel
2025
From @art021_official last year
<Portrait III>
20”x10”
Oil and pencil on linen over panel
2025
From @art021_official last year
<Portrait III>
20”x10”
Oil and pencil on linen over panel
2025
From @art021_official last year
<Altar V>
24”x12”
Oil and pencil on linen over panel
2025
Recently shown with @hollistaggartdowntown @hollistaggart at @untitledartfairs Miami
<Altar V>
24”x12”
Oil and pencil on linen over panel
2025
Recently shown with @hollistaggartdowntown @hollistaggart at @untitledartfairs Miami
<Altar V>
24”x12”
Oil and pencil on linen over panel
2025
Recently shown with @hollistaggartdowntown @hollistaggart at @untitledartfairs Miami
<Altar V>
24”x12”
Oil and pencil on linen over panel
2025
Recently shown with @hollistaggartdowntown @hollistaggart at @untitledartfairs Miami
<Altar V>
24”x12”
Oil and pencil on linen over panel
2025
Recently shown with @hollistaggartdowntown @hollistaggart at @untitledartfairs Miami
<Altar V>
24”x12”
Oil and pencil on linen over panel
2025
Recently shown with @hollistaggartdowntown @hollistaggart at @untitledartfairs Miami
Laura (the gallery) is pleased to participate ni NADA Miami 2025, taking place December 2 - 6 at Ice Palace Studios. Booth D301 brings together artists whose practices turn toward the mystical and the cosmological, drawing from traditions that include transcendentalism, ancestral ritual, and spiritual abstraction.
#shulingguo #nadamiami
<Portrait V>
24”x18”
Oil and pencil on linen over panel
2025
VIP preview today at @untitledartfairs Miami Beach.
Find this painting at @hollistaggart @hollistaggartdowntown Booth A54!
<Portrait V>
24”x18”
Oil and pencil on linen over panel
2025
VIP preview today at @untitledartfairs Miami Beach.
Find this painting at @hollistaggart @hollistaggartdowntown Booth A54!
<Portrait V>
24”x18”
Oil and pencil on linen over panel
2025
VIP preview today at @untitledartfairs Miami Beach.
Find this painting at @hollistaggart @hollistaggartdowntown Booth A54!
<Portrait V>
24”x18”
Oil and pencil on linen over panel
2025
VIP preview today at @untitledartfairs Miami Beach.
Find this painting at @hollistaggart @hollistaggartdowntown Booth A54!
<Portrait V>
24”x18”
Oil and pencil on linen over panel
2025
VIP preview today at @untitledartfairs Miami Beach.
Find this painting at @hollistaggart @hollistaggartdowntown Booth A54!
<Portrait V>
24”x18”
Oil and pencil on linen over panel
2025
VIP preview today at @untitledartfairs Miami Beach.
Find this painting at @hollistaggart @hollistaggartdowntown Booth A54!
<Portrait V>
24”x18”
Oil and pencil on linen over panel
2025
VIP preview today at @untitledartfairs Miami Beach.
Find this painting at @hollistaggart @hollistaggartdowntown Booth A54!
<Altar IV>
24”x12”
Oil and pencil on linen over panel
2025
This painting will be showing with @hollistaggart (Booth A54) at @untitledartfairs Miami, Dec 2-7 next week!
After giving birth, seeing my body split, tear and close again, I started to use red in my painting—crimson, scarlet, carnation, carmine… colors I barely touched before.
Red is flesh, blood, wounds, viscera. Red is also danger, violence, shame, jealousy, grudges.
<Altar IV>
24”x12”
Oil and pencil on linen over panel
2025
This painting will be showing with @hollistaggart (Booth A54) at @untitledartfairs Miami, Dec 2-7 next week!
After giving birth, seeing my body split, tear and close again, I started to use red in my painting—crimson, scarlet, carnation, carmine… colors I barely touched before.
Red is flesh, blood, wounds, viscera. Red is also danger, violence, shame, jealousy, grudges.
<Altar IV>
24”x12”
Oil and pencil on linen over panel
2025
This painting will be showing with @hollistaggart (Booth A54) at @untitledartfairs Miami, Dec 2-7 next week!
After giving birth, seeing my body split, tear and close again, I started to use red in my painting—crimson, scarlet, carnation, carmine… colors I barely touched before.
Red is flesh, blood, wounds, viscera. Red is also danger, violence, shame, jealousy, grudges.
<Altar IV>
24”x12”
Oil and pencil on linen over panel
2025
This painting will be showing with @hollistaggart (Booth A54) at @untitledartfairs Miami, Dec 2-7 next week!
After giving birth, seeing my body split, tear and close again, I started to use red in my painting—crimson, scarlet, carnation, carmine… colors I barely touched before.
Red is flesh, blood, wounds, viscera. Red is also danger, violence, shame, jealousy, grudges.
<Altar IV>
24”x12”
Oil and pencil on linen over panel
2025
This painting will be showing with @hollistaggart (Booth A54) at @untitledartfairs Miami, Dec 2-7 next week!
After giving birth, seeing my body split, tear and close again, I started to use red in my painting—crimson, scarlet, carnation, carmine… colors I barely touched before.
Red is flesh, blood, wounds, viscera. Red is also danger, violence, shame, jealousy, grudges.
<Altar IV>
24”x12”
Oil and pencil on linen over panel
2025
This painting will be showing with @hollistaggart (Booth A54) at @untitledartfairs Miami, Dec 2-7 next week!
After giving birth, seeing my body split, tear and close again, I started to use red in my painting—crimson, scarlet, carnation, carmine… colors I barely touched before.
Red is flesh, blood, wounds, viscera. Red is also danger, violence, shame, jealousy, grudges.
<Portrait>-4
20”x10”
Oil and pencil on linen over panel
2025
Opening tomorrow at @art021_official in Shanghai
Booth W02 with @bonian.space
<Portrait>-4
20”x10”
Oil and pencil on linen over panel
2025
Opening tomorrow at @art021_official in Shanghai
Booth W02 with @bonian.space
<Portrait>-4
20”x10”
Oil and pencil on linen over panel
2025
Opening tomorrow at @art021_official in Shanghai
Booth W02 with @bonian.space
<Portrait>-4
20”x10”
Oil and pencil on linen over panel
2025
Opening tomorrow at @art021_official in Shanghai
Booth W02 with @bonian.space
<Portrait>-4
20”x10”
Oil and pencil on linen over panel
2025
Opening tomorrow at @art021_official in Shanghai
Booth W02 with @bonian.space
<Portrait>-4
20”x10”
Oil and pencil on linen over panel
2025
Opening tomorrow at @art021_official in Shanghai
Booth W02 with @bonian.space
<Portrait>-4
20”x10”
Oil and pencil on linen over panel
2025
Opening tomorrow at @art021_official in Shanghai
Booth W02 with @bonian.space
<Portrait>-4
20”x10”
Oil and pencil on linen over panel
2025
Opening tomorrow at @art021_official in Shanghai
Booth W02 with @bonian.space
<Honey Drudger>-1
Oil and pencil on linen over panel
20”x10”
2025
On view at @hollistaggartdowntown until December 26.
<Honey Drudger>-1
Oil and pencil on linen over panel
20”x10”
2025
On view at @hollistaggartdowntown until December 26.
<Honey Drudger>-1
Oil and pencil on linen over panel
20”x10”
2025
On view at @hollistaggartdowntown until December 26.
<Honey Drudger>-1
Oil and pencil on linen over panel
20”x10”
2025
On view at @hollistaggartdowntown until December 26.
<Honey Drudger>-1
Oil and pencil on linen over panel
20”x10”
2025
On view at @hollistaggartdowntown until December 26.
<Honey Drudger>-1
Oil and pencil on linen over panel
20”x10”
2025
On view at @hollistaggartdowntown until December 26.
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