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The Lara sofa by Roberto Pamio, designed with Renato Toso and Noti Massari for Stilwood in 1968, is a seminal work of Italian mid-century design, defined by its modular, sculptural composition and architectural presence. Conceived as a system of interlocking elements, it transcends conventional upholstery, operating instead as a spatial form articulated through geometry and volume.

Engineered around a layered foam construction, the Lara maintains both structural clarity and enduring comfort. Both conceptually progressive and formally resolved, it remains a landmark in Pamio’s oeuvre and a defining example of early modular seating design

The Lara sofa by Roberto Pamio, designed with Renato Toso and Noti Massari for Stilwood in 1968, is a seminal work of Italian mid-century design, defined by its modular, sculptural composition and architectural presence. Conceived as a system of interlocking elements, it transcends conventional upholstery, operating instead as a spatial form articulated through geometry and volume.

Engineered around a layered foam construction, the Lara maintains both structural clarity and enduring comfort. Both conceptually progressive and formally resolved, it remains a landmark in Pamio’s oeuvre and a defining example of early modular seating design

The Lara sofa by Roberto Pamio, designed with Renato Toso and Noti Massari for Stilwood in 1968, is a seminal work of Italian mid-century design, defined by its modular, sculptural composition and architectural presence. Conceived as a system of interlocking elements, it transcends conventional upholstery, operating instead as a spatial form articulated through geometry and volume.

Engineered around a layered foam construction, the Lara maintains both structural clarity and enduring comfort. Both conceptually progressive and formally resolved, it remains a landmark in Pamio’s oeuvre and a defining example of early modular seating design

The Lara sofa by Roberto Pamio, designed with Renato Toso and Noti Massari for Stilwood in 1968, is a seminal work of Italian mid-century design, defined by its modular, sculptural composition and architectural presence. Conceived as a system of interlocking elements, it transcends conventional upholstery, operating instead as a spatial form articulated through geometry and volume.

Engineered around a layered foam construction, the Lara maintains both structural clarity and enduring comfort. Both conceptually progressive and formally resolved, it remains a landmark in Pamio’s oeuvre and a defining example of early modular seating design

The Lara sofa by Roberto Pamio, designed with Renato Toso and Noti Massari for Stilwood in 1968, is a seminal work of Italian mid-century design, defined by its modular, sculptural composition and architectural presence. Conceived as a system of interlocking elements, it transcends conventional upholstery, operating instead as a spatial form articulated through geometry and volume.

Engineered around a layered foam construction, the Lara maintains both structural clarity and enduring comfort. Both conceptually progressive and formally resolved, it remains a landmark in Pamio’s oeuvre and a defining example of early modular seating design

The Pianura sofa by Mario Bellini for Cassina, designed in the 1971, is a refined exploration of horizontality and proportion, where seating is conceived as a low, expansive landscape. Defined by its linear clarity and modular logic, the design emphasizes continuity and balance over articulation.

The Pianura sofa by Mario Bellini for Cassina, designed in the 1971, is a refined exploration of horizontality and proportion, where seating is conceived as a low, expansive landscape. Defined by its linear clarity and modular logic, the design emphasizes continuity and balance over articulation.

The Pianura sofa by Mario Bellini for Cassina, designed in the 1971, is a refined exploration of horizontality and proportion, where seating is conceived as a low, expansive landscape. Defined by its linear clarity and modular logic, the design emphasizes continuity and balance over articulation.

The Pianura sofa by Mario Bellini for Cassina, designed in the 1971, is a refined exploration of horizontality and proportion, where seating is conceived as a low, expansive landscape. Defined by its linear clarity and modular logic, the design emphasizes continuity and balance over articulation.

The Cassina Cab 412, designed in 1977 by Italian architect and designer Mario Bellini, is a landmark in modern furniture design. With its revolutionary concept of “dressing” a chair like a tailored garment, Bellini combined craftsmanship, material integrity, and sculptural elegance in a way that remains striking today.

The Cassina Cab 412, designed in 1977 by Italian architect and designer Mario Bellini, is a landmark in modern furniture design. With its revolutionary concept of “dressing” a chair like a tailored garment, Bellini combined craftsmanship, material integrity, and sculptural elegance in a way that remains striking today.

The Cassina Cab 412, designed in 1977 by Italian architect and designer Mario Bellini, is a landmark in modern furniture design. With its revolutionary concept of “dressing” a chair like a tailored garment, Bellini combined craftsmanship, material integrity, and sculptural elegance in a way that remains striking today.

The Cassina Cab 412, designed in 1977 by Italian architect and designer Mario Bellini, is a landmark in modern furniture design. With its revolutionary concept of “dressing” a chair like a tailored garment, Bellini combined craftsmanship, material integrity, and sculptural elegance in a way that remains striking today.

The Cassina Cab 412, designed in 1977 by Italian architect and designer Mario Bellini, is a landmark in modern furniture design. With its revolutionary concept of “dressing” a chair like a tailored garment, Bellini combined craftsmanship, material integrity, and sculptural elegance in a way that remains striking today.

The ‘Pagru’ lounge chair was designed by Claudio Vagnoni for 1P in 1969. Its sculptural form flows in soft, continuous curves, the seat and backrest merging effortlessly into one another. Bold, undulating lines create a hill-and-valley silhouette, a low-slung profile that exudes ease.

Claudio Vagnoni’s collaboration with 1P marked a significant chapter in the evolution of Italian modernist design. Known for his daring and avant-garde approach, Vagnoni brought a sculptural, organic sensibility to furniture, creating pieces that blended functionality with a bold aesthetic presence.

The ‘Pagru’ lounge chair was designed by Claudio Vagnoni for 1P in 1969. Its sculptural form flows in soft, continuous curves, the seat and backrest merging effortlessly into one another. Bold, undulating lines create a hill-and-valley silhouette, a low-slung profile that exudes ease.

Claudio Vagnoni’s collaboration with 1P marked a significant chapter in the evolution of Italian modernist design. Known for his daring and avant-garde approach, Vagnoni brought a sculptural, organic sensibility to furniture, creating pieces that blended functionality with a bold aesthetic presence.

The ‘Pagru’ lounge chair was designed by Claudio Vagnoni for 1P in 1969. Its sculptural form flows in soft, continuous curves, the seat and backrest merging effortlessly into one another. Bold, undulating lines create a hill-and-valley silhouette, a low-slung profile that exudes ease.

Claudio Vagnoni’s collaboration with 1P marked a significant chapter in the evolution of Italian modernist design. Known for his daring and avant-garde approach, Vagnoni brought a sculptural, organic sensibility to furniture, creating pieces that blended functionality with a bold aesthetic presence.

The ‘Pagru’ lounge chair was designed by Claudio Vagnoni for 1P in 1969. Its sculptural form flows in soft, continuous curves, the seat and backrest merging effortlessly into one another. Bold, undulating lines create a hill-and-valley silhouette, a low-slung profile that exudes ease.

Claudio Vagnoni’s collaboration with 1P marked a significant chapter in the evolution of Italian modernist design. Known for his daring and avant-garde approach, Vagnoni brought a sculptural, organic sensibility to furniture, creating pieces that blended functionality with a bold aesthetic presence.

The ‘Pagru’ lounge chair was designed by Claudio Vagnoni for 1P in 1969. Its sculptural form flows in soft, continuous curves, the seat and backrest merging effortlessly into one another. Bold, undulating lines create a hill-and-valley silhouette, a low-slung profile that exudes ease.

Claudio Vagnoni’s collaboration with 1P marked a significant chapter in the evolution of Italian modernist design. Known for his daring and avant-garde approach, Vagnoni brought a sculptural, organic sensibility to furniture, creating pieces that blended functionality with a bold aesthetic presence.

Maralunga by Vico Magistretti for Cassina, 1973

The Maralunga lounge chair by Vico Magistretti for Cassina, designed in 1973, is a defining icon of Italian modernism, distinguished by its quietly radical approach to form and comfort. Its compact, cubic volume is softened by generous padding, while the adjustable backrest introduces a subtle transformation of both profile and posture.

Maralunga by Vico Magistretti for Cassina, 1973

The Maralunga lounge chair by Vico Magistretti for Cassina, designed in 1973, is a defining icon of Italian modernism, distinguished by its quietly radical approach to form and comfort. Its compact, cubic volume is softened by generous padding, while the adjustable backrest introduces a subtle transformation of both profile and posture.

Maralunga by Vico Magistretti for Cassina, 1973

The Maralunga lounge chair by Vico Magistretti for Cassina, designed in 1973, is a defining icon of Italian modernism, distinguished by its quietly radical approach to form and comfort. Its compact, cubic volume is softened by generous padding, while the adjustable backrest introduces a subtle transformation of both profile and posture.

Maralunga by Vico Magistretti for Cassina, 1973

The Maralunga lounge chair by Vico Magistretti for Cassina, designed in 1973, is a defining icon of Italian modernism, distinguished by its quietly radical approach to form and comfort. Its compact, cubic volume is softened by generous padding, while the adjustable backrest introduces a subtle transformation of both profile and posture.

Maralunga by Vico Magistretti for Cassina, 1973

The Maralunga lounge chair by Vico Magistretti for Cassina, designed in 1973, is a defining icon of Italian modernism, distinguished by its quietly radical approach to form and comfort. Its compact, cubic volume is softened by generous padding, while the adjustable backrest introduces a subtle transformation of both profile and posture.

The MP-41 is a refined expression of Brazilian modern design, combining sculptural clarity with visual lightness.
Its articulated Pau Ferro frame supports a generously tufted seat that appears to float within the structure, creating a poised balance between softness and precision.
Subtle detailing reflects Lafer’s philosophy of integrating comfort, durability, and formal restraint.

The MP-41 is a refined expression of Brazilian modern design, combining sculptural clarity with visual lightness.
Its articulated Pau Ferro frame supports a generously tufted seat that appears to float within the structure, creating a poised balance between softness and precision.
Subtle detailing reflects Lafer’s philosophy of integrating comfort, durability, and formal restraint.

The MP-41 is a refined expression of Brazilian modern design, combining sculptural clarity with visual lightness.
Its articulated Pau Ferro frame supports a generously tufted seat that appears to float within the structure, creating a poised balance between softness and precision.
Subtle detailing reflects Lafer’s philosophy of integrating comfort, durability, and formal restraint.

The MP-41 is a refined expression of Brazilian modern design, combining sculptural clarity with visual lightness.
Its articulated Pau Ferro frame supports a generously tufted seat that appears to float within the structure, creating a poised balance between softness and precision.
Subtle detailing reflects Lafer’s philosophy of integrating comfort, durability, and formal restraint.

The MP-41 is a refined expression of Brazilian modern design, combining sculptural clarity with visual lightness.
Its articulated Pau Ferro frame supports a generously tufted seat that appears to float within the structure, creating a poised balance between softness and precision.
Subtle detailing reflects Lafer’s philosophy of integrating comfort, durability, and formal restraint.

The MP-41 is a refined expression of Brazilian modern design, combining sculptural clarity with visual lightness.
Its articulated Pau Ferro frame supports a generously tufted seat that appears to float within the structure, creating a poised balance between softness and precision.
Subtle detailing reflects Lafer’s philosophy of integrating comfort, durability, and formal restraint.

The Herbert Hirche serving trolley, designed in 1956 and produced by Holzäpfel, is a landmark of post-war German rationalist design. Its clean, minimalist structure consists of slender metal angles supporting two satin-finished, ribbed glass shelves, exemplifying Hirche’s mastery of reduction and functional elegance.

Hirche, a Bauhaus-trained designer and key figure in Germany’s post-war design movement, combined rigorous craftsmanship with practicality. Beyond furniture, he was instrumental in shaping modern design at Braun and served as Professor and later Rector of Interior Architecture and Furniture Design at the State Academy of Fine Arts in Stuttgart.

The Herbert Hirche serving trolley, designed in 1956 and produced by Holzäpfel, is a landmark of post-war German rationalist design. Its clean, minimalist structure consists of slender metal angles supporting two satin-finished, ribbed glass shelves, exemplifying Hirche’s mastery of reduction and functional elegance.

Hirche, a Bauhaus-trained designer and key figure in Germany’s post-war design movement, combined rigorous craftsmanship with practicality. Beyond furniture, he was instrumental in shaping modern design at Braun and served as Professor and later Rector of Interior Architecture and Furniture Design at the State Academy of Fine Arts in Stuttgart.

The Herbert Hirche serving trolley, designed in 1956 and produced by Holzäpfel, is a landmark of post-war German rationalist design. Its clean, minimalist structure consists of slender metal angles supporting two satin-finished, ribbed glass shelves, exemplifying Hirche’s mastery of reduction and functional elegance.

Hirche, a Bauhaus-trained designer and key figure in Germany’s post-war design movement, combined rigorous craftsmanship with practicality. Beyond furniture, he was instrumental in shaping modern design at Braun and served as Professor and later Rector of Interior Architecture and Furniture Design at the State Academy of Fine Arts in Stuttgart.

The Cassina Soriana armchair, designed in 1969 by Afra & Tobia Scarpa, is a celebrated icon of Italian radical design. With its generous form and innovative construction, the Soriana broke with traditional upholstery by using an external chrome clamp to shape and hold the plush cushions.

This example is upholstered in original black leather, showcasing a beautiful natural patina that enhances its soft, sculptural lines. The Soriana’s low, lounge-friendly profile and enveloping comfort reflect a bold yet inviting design ethos that defined the late 1960s.

Highly collectible and instantly recognizable, the Soriana armchair remains a statement piece of timeless appeal.

The Cassina Soriana armchair, designed in 1969 by Afra & Tobia Scarpa, is a celebrated icon of Italian radical design. With its generous form and innovative construction, the Soriana broke with traditional upholstery by using an external chrome clamp to shape and hold the plush cushions.

This example is upholstered in original black leather, showcasing a beautiful natural patina that enhances its soft, sculptural lines. The Soriana’s low, lounge-friendly profile and enveloping comfort reflect a bold yet inviting design ethos that defined the late 1960s.

Highly collectible and instantly recognizable, the Soriana armchair remains a statement piece of timeless appeal.

The Cassina Soriana armchair, designed in 1969 by Afra & Tobia Scarpa, is a celebrated icon of Italian radical design. With its generous form and innovative construction, the Soriana broke with traditional upholstery by using an external chrome clamp to shape and hold the plush cushions.

This example is upholstered in original black leather, showcasing a beautiful natural patina that enhances its soft, sculptural lines. The Soriana’s low, lounge-friendly profile and enveloping comfort reflect a bold yet inviting design ethos that defined the late 1960s.

Highly collectible and instantly recognizable, the Soriana armchair remains a statement piece of timeless appeal.

The Cassina Soriana armchair, designed in 1969 by Afra & Tobia Scarpa, is a celebrated icon of Italian radical design. With its generous form and innovative construction, the Soriana broke with traditional upholstery by using an external chrome clamp to shape and hold the plush cushions.

This example is upholstered in original black leather, showcasing a beautiful natural patina that enhances its soft, sculptural lines. The Soriana’s low, lounge-friendly profile and enveloping comfort reflect a bold yet inviting design ethos that defined the late 1960s.

Highly collectible and instantly recognizable, the Soriana armchair remains a statement piece of timeless appeal.

The Cassina Soriana armchair, designed in 1969 by Afra & Tobia Scarpa, is a celebrated icon of Italian radical design. With its generous form and innovative construction, the Soriana broke with traditional upholstery by using an external chrome clamp to shape and hold the plush cushions.

This example is upholstered in original black leather, showcasing a beautiful natural patina that enhances its soft, sculptural lines. The Soriana’s low, lounge-friendly profile and enveloping comfort reflect a bold yet inviting design ethos that defined the late 1960s.

Highly collectible and instantly recognizable, the Soriana armchair remains a statement piece of timeless appeal.

The MP-81 sofa by Percival Lafer, designed in the 1970s, is an exceptional and incredibly rare two-seater example of Brazilian mid-century modern design - nearly all surviving pieces are either lounge chairs or three-seater sofas. Upholstered in original dark brown leather and set on a sculptural jacaranda wood base, this sofa exemplifies Lafer’s meticulous approach to ergonomics, comfort, and technical craftsmanship.

Its construction features a solid internal frame supporting a continuous seat and backrest, while molded fiberglass shells are joined into a single rigid element, combining strength with a seamless aesthetic.

Technically sophisticated and materially refined, this rare MP-81 two-seater stands as a striking testament to Lafer’s lasting impact on Brazilian modern furniture design.

The MP-81 sofa by Percival Lafer, designed in the 1970s, is an exceptional and incredibly rare two-seater example of Brazilian mid-century modern design - nearly all surviving pieces are either lounge chairs or three-seater sofas. Upholstered in original dark brown leather and set on a sculptural jacaranda wood base, this sofa exemplifies Lafer’s meticulous approach to ergonomics, comfort, and technical craftsmanship.

Its construction features a solid internal frame supporting a continuous seat and backrest, while molded fiberglass shells are joined into a single rigid element, combining strength with a seamless aesthetic.

Technically sophisticated and materially refined, this rare MP-81 two-seater stands as a striking testament to Lafer’s lasting impact on Brazilian modern furniture design.

The MP-81 sofa by Percival Lafer, designed in the 1970s, is an exceptional and incredibly rare two-seater example of Brazilian mid-century modern design - nearly all surviving pieces are either lounge chairs or three-seater sofas. Upholstered in original dark brown leather and set on a sculptural jacaranda wood base, this sofa exemplifies Lafer’s meticulous approach to ergonomics, comfort, and technical craftsmanship.

Its construction features a solid internal frame supporting a continuous seat and backrest, while molded fiberglass shells are joined into a single rigid element, combining strength with a seamless aesthetic.

Technically sophisticated and materially refined, this rare MP-81 two-seater stands as a striking testament to Lafer’s lasting impact on Brazilian modern furniture design.

The MP-81 sofa by Percival Lafer, designed in the 1970s, is an exceptional and incredibly rare two-seater example of Brazilian mid-century modern design - nearly all surviving pieces are either lounge chairs or three-seater sofas. Upholstered in original dark brown leather and set on a sculptural jacaranda wood base, this sofa exemplifies Lafer’s meticulous approach to ergonomics, comfort, and technical craftsmanship.

Its construction features a solid internal frame supporting a continuous seat and backrest, while molded fiberglass shells are joined into a single rigid element, combining strength with a seamless aesthetic.

Technically sophisticated and materially refined, this rare MP-81 two-seater stands as a striking testament to Lafer’s lasting impact on Brazilian modern furniture design.

The MP-81 sofa by Percival Lafer, designed in the 1970s, is an exceptional and incredibly rare two-seater example of Brazilian mid-century modern design - nearly all surviving pieces are either lounge chairs or three-seater sofas. Upholstered in original dark brown leather and set on a sculptural jacaranda wood base, this sofa exemplifies Lafer’s meticulous approach to ergonomics, comfort, and technical craftsmanship.

Its construction features a solid internal frame supporting a continuous seat and backrest, while molded fiberglass shells are joined into a single rigid element, combining strength with a seamless aesthetic.

Technically sophisticated and materially refined, this rare MP-81 two-seater stands as a striking testament to Lafer’s lasting impact on Brazilian modern furniture design.

The MP-81 sofa by Percival Lafer, designed in the 1970s, is an exceptional and incredibly rare two-seater example of Brazilian mid-century modern design - nearly all surviving pieces are either lounge chairs or three-seater sofas. Upholstered in original dark brown leather and set on a sculptural jacaranda wood base, this sofa exemplifies Lafer’s meticulous approach to ergonomics, comfort, and technical craftsmanship.

Its construction features a solid internal frame supporting a continuous seat and backrest, while molded fiberglass shells are joined into a single rigid element, combining strength with a seamless aesthetic.

Technically sophisticated and materially refined, this rare MP-81 two-seater stands as a striking testament to Lafer’s lasting impact on Brazilian modern furniture design.

Our studio opens its doors again this Saturday.

From 12:00 to 19:00 at Märzstrasse 111,
you’re warmly invited to stop by for music, coffee, and design.

Take a seat, take your time, and make yourself at home.

We’d love to see you on Saturday.

Cab 413 by Mario Bellini for Cassina, 1977

Designed by Mario Bellini in 1977, the Cab 413 stands as a benchmark of Italian design innovation. Its steel frame is fully enveloped in thick, saddle-stitched leather that zips neatly into place, creating a seamless fusion of structure and skin. The chocolate brown finish lends the piece a deep, tactile richness that grows more beautiful with age. Both refined and robust, the Cab 413 captures the essence of Cassina’s craftsmanship and Bellini’s sculptural vision.

Available now on sadgallery.com

- worldwide shipping possible -

Cab 413 by Mario Bellini for Cassina, 1977

Designed by Mario Bellini in 1977, the Cab 413 stands as a benchmark of Italian design innovation. Its steel frame is fully enveloped in thick, saddle-stitched leather that zips neatly into place, creating a seamless fusion of structure and skin. The chocolate brown finish lends the piece a deep, tactile richness that grows more beautiful with age. Both refined and robust, the Cab 413 captures the essence of Cassina’s craftsmanship and Bellini’s sculptural vision.

Available now on sadgallery.com

- worldwide shipping possible -

Cab 413 by Mario Bellini for Cassina, 1977

Designed by Mario Bellini in 1977, the Cab 413 stands as a benchmark of Italian design innovation. Its steel frame is fully enveloped in thick, saddle-stitched leather that zips neatly into place, creating a seamless fusion of structure and skin. The chocolate brown finish lends the piece a deep, tactile richness that grows more beautiful with age. Both refined and robust, the Cab 413 captures the essence of Cassina’s craftsmanship and Bellini’s sculptural vision.

Available now on sadgallery.com

- worldwide shipping possible -

Cab 413 by Mario Bellini for Cassina, 1977

Designed by Mario Bellini in 1977, the Cab 413 stands as a benchmark of Italian design innovation. Its steel frame is fully enveloped in thick, saddle-stitched leather that zips neatly into place, creating a seamless fusion of structure and skin. The chocolate brown finish lends the piece a deep, tactile richness that grows more beautiful with age. Both refined and robust, the Cab 413 captures the essence of Cassina’s craftsmanship and Bellini’s sculptural vision.

Available now on sadgallery.com

- worldwide shipping possible -

Beautiful unique coffee table by Italian Studio Tecnico Longhi. It consists of four individual tables that can be arranged freely with ice tray and four vases / wine bottle holders.

120 x 120 x 31 cm

Available now on sadgallery.com

-Worldwide shipping possible-

#vintagefurniture #70sdesign #70sinterior #italiandesign