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Around the studio

Welcome to the new age of refinement & artistry. This is Studio Pickens.

Welcome to the new age of refinement & artistry. This is Studio Pickens.

Welcome to the new age of refinement & artistry. This is Studio Pickens.

Where tradition, precision and craftsmanship meet.

Teeth @teeth_nyc

📍New York, Off-Broadway

In both productions of Teeth, all seven female presenting performers wore wigs, as well as the understudies.

Because of the elements in the show, such as “blood, ash and rain”, we made two wigs for each of the seven performers. This helped the hair team for the second performance.

Teeth @teeth_nyc

📍New York, Off-Broadway

In both productions of Teeth, all seven female presenting performers wore wigs, as well as the understudies.

Because of the elements in the show, such as “blood, ash and rain”, we made two wigs for each of the seven performers. This helped the hair team for the second performance.

Teeth @teeth_nyc

📍New York, Off-Broadway

In both productions of Teeth, all seven female presenting performers wore wigs, as well as the understudies.

Because of the elements in the show, such as “blood, ash and rain”, we made two wigs for each of the seven performers. This helped the hair team for the second performance.

Teeth @teeth_nyc

📍New York, Off-Broadway

In both productions of Teeth, all seven female presenting performers wore wigs, as well as the understudies.

Because of the elements in the show, such as “blood, ash and rain”, we made two wigs for each of the seven performers. This helped the hair team for the second performance.

Teeth @teeth_nyc

📍New York, Off-Broadway

In both productions of Teeth, all seven female presenting performers wore wigs, as well as the understudies.

Because of the elements in the show, such as “blood, ash and rain”, we made two wigs for each of the seven performers. This helped the hair team for the second performance.

For Chrissy Cunningham’s character in Stranger Things S4, Grace Van Dien’s own hair was cut and highlighted to blend seamlessly with a custom topper, creating a look that felt light, youthful, and emotionally right for her character. Collaboration is where the work really happens.

Hair designed and styled by Sarah Hindsgaul @sarahhindsgaul

The process behind Papa’s 1979 flashback look for Matthew Modine.

A full hand tied integration piece provided by Studio Pickens and designed by Sarah Hindsgaul. It was a privilege to continue the collaboration across seasons. @sarahhindsgaul

The process behind Papa’s 1979 flashback look for Matthew Modine.

A full hand tied integration piece provided by Studio Pickens and designed by Sarah Hindsgaul. It was a privilege to continue the collaboration across seasons. @sarahhindsgaul

The process behind Papa’s 1979 flashback look for Matthew Modine.

A full hand tied integration piece provided by Studio Pickens and designed by Sarah Hindsgaul. It was a privilege to continue the collaboration across seasons. @sarahhindsgaul

The process behind Papa’s 1979 flashback look for Matthew Modine.

A full hand tied integration piece provided by Studio Pickens and designed by Sarah Hindsgaul. It was a privilege to continue the collaboration across seasons. @sarahhindsgaul

Wig designed for Brian Tyree Henry in @bullettrainmovie

Hair Designed and Styled by Janine Rath Thompson @janineraththompson

Wig designed for Brian Tyree Henry in @bullettrainmovie

Hair Designed and Styled by Janine Rath Thompson @janineraththompson

Wig designed for Brian Tyree Henry in @bullettrainmovie

Hair Designed and Styled by Janine Rath Thompson @janineraththompson

Where it begins.

Decisions on texture, tone, and quality are made before a single knot is tied.

Where it begins.

Decisions on texture, tone, and quality are made before a single knot is tied.

Where it begins.

Decisions on texture, tone, and quality are made before a single knot is tied.

A glance behind the scenes with Janelle Monae.

Subtle precision ensures the style holds through action, various locations, and movement.

A glance behind the scenes with Janelle Monae.

Subtle precision ensures the style holds through action, various locations, and movement.

A glance behind the scenes with Janelle Monae.

Subtle precision ensures the style holds through action, various locations, and movement.

Custom wigs for Michelle Pfeiffer and Dakota Fanning in The First Lady.

Ms. Pfeiffer by Jaime Leigh McIntosh
Ms. Fanning by Lawrence Davis

Custom wigs for Michelle Pfeiffer and Dakota Fanning in The First Lady.

Ms. Pfeiffer by Jaime Leigh McIntosh
Ms. Fanning by Lawrence Davis

Custom wigs for Michelle Pfeiffer and Dakota Fanning in The First Lady.

Ms. Pfeiffer by Jaime Leigh McIntosh
Ms. Fanning by Lawrence Davis

Custom wigs for Michelle Pfeiffer and Dakota Fanning in The First Lady.

Ms. Pfeiffer by Jaime Leigh McIntosh
Ms. Fanning by Lawrence Davis

Custom wigs for Michelle Pfeiffer and Dakota Fanning in The First Lady.

Ms. Pfeiffer by Jaime Leigh McIntosh
Ms. Fanning by Lawrence Davis

Sophistication lives in the details required to meet the exact needs of the client.

Hair is selected for texture, density, and natural movement before a single knot is tied.

Each hair is then hand-tied into lace with discipline and repetition.

The kind of texture control only a handmade wig can achieve.

Each piece as individual as the person wearing it.

The kind of texture control only a handmade wig can achieve.

Each piece as individual as the person wearing it.

The kind of texture control only a handmade wig can achieve.

Each piece as individual as the person wearing it.