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This month marks 16 years of Tendril.
16 years of craft.
16 years of curiosity.
16 years of pushing our work, and ourselves, further than we thought possible.

What started as a shared obsession has grown into something we couldn’t have imagined. We began as a small studio ready to make our mark, armed with new tools, restless energy, and the kind of multi-disciplinary thinking to compete with anyone. Over time, that spirit became a reputation, and that reputation became a body of work we’re deeply proud of. This reel is a snapshot of what we’ve built together: films, immersive experiences, design systems — work that defined us as much as we defined it.

Today, our clients don’t just come to us for execution. They come to us to turn complexity into clarity, and innovation into stories people believe in. That trust, from the world’s most ambitious agencies and brands, is something we never take for granted.

To our clients, collaborators, and friends: thank you for trusting us with your boldest ideas and most important work. 🖤 We’re only getting started.

#tendril #design

You’ve met Figure 02. Now meet Figure 03.

🎵 by @cypher.audio

#tendril #figure #robotics

Some things are better experienced than seen. Drawing from the visual motifs of the modern street culture, we created two installation films to launch the StreetVision line by @nike : an anamorphic reveal of the new Ava Rover shoe inside an LED cube and a projection on an 85-foot wall that wraps the space.

As you move through the installations, you find yourself no longer in a gallery, but instead walking through a city, its streets lined with everyday happenings. A basketball thudding against concrete. Sirens and honks that echo down the block. A streetlamp flickering overhead. The shadows that stretches under the distant city lights. Industrial, gritty, and alive, this sensorial playground beckons you to explore, and immerses you completely in its dreamlike world.

#tendril #nike #motiondesign #experiential

Some things are better experienced than seen. Drawing from the visual motifs of the modern street culture, we created two installation films to launch the StreetVision line by @nike : an anamorphic reveal of the new Ava Rover shoe inside an LED cube and a projection on an 85-foot wall that wraps the space.

As you move through the installations, you find yourself no longer in a gallery, but instead walking through a city, its streets lined with everyday happenings. A basketball thudding against concrete. Sirens and honks that echo down the block. A streetlamp flickering overhead. The shadows that stretches under the distant city lights. Industrial, gritty, and alive, this sensorial playground beckons you to explore, and immerses you completely in its dreamlike world.

#tendril #nike #motiondesign #experiential

Some things are better experienced than seen. Drawing from the visual motifs of the modern street culture, we created two installation films to launch the StreetVision line by @nike : an anamorphic reveal of the new Ava Rover shoe inside an LED cube and a projection on an 85-foot wall that wraps the space.

As you move through the installations, you find yourself no longer in a gallery, but instead walking through a city, its streets lined with everyday happenings. A basketball thudding against concrete. Sirens and honks that echo down the block. A streetlamp flickering overhead. The shadows that stretches under the distant city lights. Industrial, gritty, and alive, this sensorial playground beckons you to explore, and immerses you completely in its dreamlike world.

#tendril #nike #motiondesign #experiential

Some things are better experienced than seen. Drawing from the visual motifs of the modern street culture, we created two installation films to launch the StreetVision line by @nike : an anamorphic reveal of the new Ava Rover shoe inside an LED cube and a projection on an 85-foot wall that wraps the space.

As you move through the installations, you find yourself no longer in a gallery, but instead walking through a city, its streets lined with everyday happenings. A basketball thudding against concrete. Sirens and honks that echo down the block. A streetlamp flickering overhead. The shadows that stretches under the distant city lights. Industrial, gritty, and alive, this sensorial playground beckons you to explore, and immerses you completely in its dreamlike world.

#tendril #nike #motiondesign #experiential

Some things are better experienced than seen. Drawing from the visual motifs of the modern street culture, we created two installation films to launch the StreetVision line by @nike : an anamorphic reveal of the new Ava Rover shoe inside an LED cube and a projection on an 85-foot wall that wraps the space.

As you move through the installations, you find yourself no longer in a gallery, but instead walking through a city, its streets lined with everyday happenings. A basketball thudding against concrete. Sirens and honks that echo down the block. A streetlamp flickering overhead. The shadows that stretches under the distant city lights. Industrial, gritty, and alive, this sensorial playground beckons you to explore, and immerses you completely in its dreamlike world.

#tendril #nike #motiondesign #experiential

Some things are better experienced than seen. Drawing from the visual motifs of the modern street culture, we created two installation films to launch the StreetVision line by @nike : an anamorphic reveal of the new Ava Rover shoe inside an LED cube and a projection on an 85-foot wall that wraps the space.

As you move through the installations, you find yourself no longer in a gallery, but instead walking through a city, its streets lined with everyday happenings. A basketball thudding against concrete. Sirens and honks that echo down the block. A streetlamp flickering overhead. The shadows that stretches under the distant city lights. Industrial, gritty, and alive, this sensorial playground beckons you to explore, and immerses you completely in its dreamlike world.

#tendril #nike #motiondesign #experiential

Some things are better experienced than seen. Drawing from the visual motifs of the modern street culture, we created two installation films to launch the StreetVision line by @nike : an anamorphic reveal of the new Ava Rover shoe inside an LED cube and a projection on an 85-foot wall that wraps the space.

As you move through the installations, you find yourself no longer in a gallery, but instead walking through a city, its streets lined with everyday happenings. A basketball thudding against concrete. Sirens and honks that echo down the block. A streetlamp flickering overhead. The shadows that stretches under the distant city lights. Industrial, gritty, and alive, this sensorial playground beckons you to explore, and immerses you completely in its dreamlike world.

#tendril #nike #motiondesign #experiential

Some things are better experienced than seen. Drawing from the visual motifs of the modern street culture, we created two installation films to launch the StreetVision line by @nike : an anamorphic reveal of the new Ava Rover shoe inside an LED cube and a projection on an 85-foot wall that wraps the space.

As you move through the installations, you find yourself no longer in a gallery, but instead walking through a city, its streets lined with everyday happenings. A basketball thudding against concrete. Sirens and honks that echo down the block. A streetlamp flickering overhead. The shadows that stretches under the distant city lights. Industrial, gritty, and alive, this sensorial playground beckons you to explore, and immerses you completely in its dreamlike world.

#tendril #nike #motiondesign #experiential

Some things are better experienced than seen. Drawing from the visual motifs of the modern street culture, we created two installation films to launch the StreetVision line by @nike : an anamorphic reveal of the new Ava Rover shoe inside an LED cube and a projection on an 85-foot wall that wraps the space.

As you move through the installations, you find yourself no longer in a gallery, but instead walking through a city, its streets lined with everyday happenings. A basketball thudding against concrete. Sirens and honks that echo down the block. A streetlamp flickering overhead. The shadows that stretches under the distant city lights. Industrial, gritty, and alive, this sensorial playground beckons you to explore, and immerses you completely in its dreamlike world.

#tendril #nike #motiondesign #experiential

Another one with @coinbase 💙

We set out to bring their newest in-app capabilities into motion, using the brand’s most recognizable elements as our building blocks. The chiclets. The C. The colours. A visual language that makes Coinbase unmistakable.

#tendril #coinbase #3d

Another one with @coinbase 💙

We set out to bring their newest in-app capabilities into motion, using the brand’s most recognizable elements as our building blocks. The chiclets. The C. The colours. A visual language that makes Coinbase unmistakable.

#tendril #coinbase #3d

Another one with @coinbase 💙

We set out to bring their newest in-app capabilities into motion, using the brand’s most recognizable elements as our building blocks. The chiclets. The C. The colours. A visual language that makes Coinbase unmistakable.

#tendril #coinbase #3d

Another one with @coinbase 💙

We set out to bring their newest in-app capabilities into motion, using the brand’s most recognizable elements as our building blocks. The chiclets. The C. The colours. A visual language that makes Coinbase unmistakable.

#tendril #coinbase #3d

Another one with @coinbase 💙

We set out to bring their newest in-app capabilities into motion, using the brand’s most recognizable elements as our building blocks. The chiclets. The C. The colours. A visual language that makes Coinbase unmistakable.

#tendril #coinbase #3d

The cell was one of the toughest creative challenges.

Early on, we built a ‘cellburster’ simulation, a violent rupture designed to echo the chestburster legacy. It worked technically, but creatively it proved too literal for what the piece needed.

The breakthrough was the concept of a three-way cell division. Immediately unnatural and alien. From there we built an entire toolkit of layered Houdini systems: fluid-driven organs, vascular growth, membranes under tension, a pulsing heart that physically drove internal motion.

We simulated everything, and instead of controlling every frame, we went looking for moments inside the sims... things that felt like we were witnessing something we shouldn’t be seeing. It feels less like something designed and more like something discovered.

Case study + credits 🔗 in bio.

#Tendril #AlienEarth #Houdini #VFX #CreativeRND

For Alien: Earth, we joined forces with the team at FX Networks on a Clio Award–winning campaign, and our piece of it was something we’d been waiting our whole careers to do.

Our role centered on the hero promo film Gestation, extending the mythology and building a bridge between practical creature work and digital worldbuilding. The goal was invisible craft. You should never know where reality ends and CG begins. 👽

Huge gratitude to the FX team for trusting us with a franchise we deeply respect!

Case study + credits 🔗 in bio.

#Tendril #AlienEarth #Worldbuilding #CG

For Alien: Earth, we joined forces with the team at FX Networks on a Clio Award–winning campaign, and our piece of it was something we’d been waiting our whole careers to do.

Our role centered on the hero promo film Gestation, extending the mythology and building a bridge between practical creature work and digital worldbuilding. The goal was invisible craft. You should never know where reality ends and CG begins. 👽

Huge gratitude to the FX team for trusting us with a franchise we deeply respect!

Case study + credits 🔗 in bio.

#Tendril #AlienEarth #Worldbuilding #CG

For Alien: Earth, we joined forces with the team at FX Networks on a Clio Award–winning campaign, and our piece of it was something we’d been waiting our whole careers to do.

Our role centered on the hero promo film Gestation, extending the mythology and building a bridge between practical creature work and digital worldbuilding. The goal was invisible craft. You should never know where reality ends and CG begins. 👽

Huge gratitude to the FX team for trusting us with a franchise we deeply respect!

Case study + credits 🔗 in bio.

#Tendril #AlienEarth #Worldbuilding #CG

For Alien: Earth, we joined forces with the team at FX Networks on a Clio Award–winning campaign, and our piece of it was something we’d been waiting our whole careers to do.

Our role centered on the hero promo film Gestation, extending the mythology and building a bridge between practical creature work and digital worldbuilding. The goal was invisible craft. You should never know where reality ends and CG begins. 👽

Huge gratitude to the FX team for trusting us with a franchise we deeply respect!

Case study + credits 🔗 in bio.

#Tendril #AlienEarth #Worldbuilding #CG

For Alien: Earth, we joined forces with the team at FX Networks on a Clio Award–winning campaign, and our piece of it was something we’d been waiting our whole careers to do.

Our role centered on the hero promo film Gestation, extending the mythology and building a bridge between practical creature work and digital worldbuilding. The goal was invisible craft. You should never know where reality ends and CG begins. 👽

Huge gratitude to the FX team for trusting us with a franchise we deeply respect!

Case study + credits 🔗 in bio.

#Tendril #AlienEarth #Worldbuilding #CG

For Alien: Earth, we joined forces with the team at FX Networks on a Clio Award–winning campaign, and our piece of it was something we’d been waiting our whole careers to do.

Our role centered on the hero promo film Gestation, extending the mythology and building a bridge between practical creature work and digital worldbuilding. The goal was invisible craft. You should never know where reality ends and CG begins. 👽

Huge gratitude to the FX team for trusting us with a franchise we deeply respect!

Case study + credits 🔗 in bio.

#Tendril #AlienEarth #Worldbuilding #CG

For Alien: Earth, we joined forces with the team at FX Networks on a Clio Award–winning campaign, and our piece of it was something we’d been waiting our whole careers to do.

Our role centered on the hero promo film Gestation, extending the mythology and building a bridge between practical creature work and digital worldbuilding. The goal was invisible craft. You should never know where reality ends and CG begins. 👽

Huge gratitude to the FX team for trusting us with a franchise we deeply respect!

Case study + credits 🔗 in bio.

#Tendril #AlienEarth #Worldbuilding #CG

For Alien: Earth, we joined forces with the team at FX Networks on a Clio Award–winning campaign, and our piece of it was something we’d been waiting our whole careers to do.

Our role centered on the hero promo film Gestation, extending the mythology and building a bridge between practical creature work and digital worldbuilding. The goal was invisible craft. You should never know where reality ends and CG begins. 👽

Huge gratitude to the FX team for trusting us with a franchise we deeply respect!

Case study + credits 🔗 in bio.

#Tendril #AlienEarth #Worldbuilding #CG

For Alien: Earth, we joined forces with the team at FX Networks on a Clio Award–winning campaign, and our piece of it was something we’d been waiting our whole careers to do.

Our role centered on the hero promo film Gestation, extending the mythology and building a bridge between practical creature work and digital worldbuilding. The goal was invisible craft. You should never know where reality ends and CG begins. 👽

Huge gratitude to the FX team for trusting us with a franchise we deeply respect!

Case study + credits 🔗 in bio.

#Tendril #AlienEarth #Worldbuilding #CG

For Alien: Earth, we joined forces with the team at FX Networks on a Clio Award–winning campaign, and our piece of it was something we’d been waiting our whole careers to do.

Our role centered on the hero promo film Gestation, extending the mythology and building a bridge between practical creature work and digital worldbuilding. The goal was invisible craft. You should never know where reality ends and CG begins. 👽

Huge gratitude to the FX team for trusting us with a franchise we deeply respect!

Case study + credits 🔗 in bio.

#Tendril #AlienEarth #Worldbuilding #CG

When Steve Viola and Mike Parks at FX invited us to contribute to Alien: Earth, it felt surreal. Our team grew up on these films.

This is the sci-fi side of Tendril people don’t always see. The worldbuilding obsession underneath the refined design systems.

We began with two provocations: If H.R. Giger had designed Earth, what would it look like? And what does new life look like before it becomes a monster?

We used scale as a framework—planetary, landscape, cellular, molecular—and found that at the earliest stages, reptile, mammal, human, and Xenomorph look disturbingly alike. The line between species blurs. Innocence and horror coexist. The familiar becomes terrifying.

#Tendril #ConceptDesign #Alien #Giger #DesignResearch​​​​​​​​​​​​​​​​

When Steve Viola and Mike Parks at FX invited us to contribute to Alien: Earth, it felt surreal. Our team grew up on these films.

This is the sci-fi side of Tendril people don’t always see. The worldbuilding obsession underneath the refined design systems.

We began with two provocations: If H.R. Giger had designed Earth, what would it look like? And what does new life look like before it becomes a monster?

We used scale as a framework—planetary, landscape, cellular, molecular—and found that at the earliest stages, reptile, mammal, human, and Xenomorph look disturbingly alike. The line between species blurs. Innocence and horror coexist. The familiar becomes terrifying.

#Tendril #ConceptDesign #Alien #Giger #DesignResearch​​​​​​​​​​​​​​​​

When Steve Viola and Mike Parks at FX invited us to contribute to Alien: Earth, it felt surreal. Our team grew up on these films.

This is the sci-fi side of Tendril people don’t always see. The worldbuilding obsession underneath the refined design systems.

We began with two provocations: If H.R. Giger had designed Earth, what would it look like? And what does new life look like before it becomes a monster?

We used scale as a framework—planetary, landscape, cellular, molecular—and found that at the earliest stages, reptile, mammal, human, and Xenomorph look disturbingly alike. The line between species blurs. Innocence and horror coexist. The familiar becomes terrifying.

#Tendril #ConceptDesign #Alien #Giger #DesignResearch​​​​​​​​​​​​​​​​

When Steve Viola and Mike Parks at FX invited us to contribute to Alien: Earth, it felt surreal. Our team grew up on these films.

This is the sci-fi side of Tendril people don’t always see. The worldbuilding obsession underneath the refined design systems.

We began with two provocations: If H.R. Giger had designed Earth, what would it look like? And what does new life look like before it becomes a monster?

We used scale as a framework—planetary, landscape, cellular, molecular—and found that at the earliest stages, reptile, mammal, human, and Xenomorph look disturbingly alike. The line between species blurs. Innocence and horror coexist. The familiar becomes terrifying.

#Tendril #ConceptDesign #Alien #Giger #DesignResearch​​​​​​​​​​​​​​​​

When Steve Viola and Mike Parks at FX invited us to contribute to Alien: Earth, it felt surreal. Our team grew up on these films.

This is the sci-fi side of Tendril people don’t always see. The worldbuilding obsession underneath the refined design systems.

We began with two provocations: If H.R. Giger had designed Earth, what would it look like? And what does new life look like before it becomes a monster?

We used scale as a framework—planetary, landscape, cellular, molecular—and found that at the earliest stages, reptile, mammal, human, and Xenomorph look disturbingly alike. The line between species blurs. Innocence and horror coexist. The familiar becomes terrifying.

#Tendril #ConceptDesign #Alien #Giger #DesignResearch​​​​​​​​​​​​​​​​

When Steve Viola and Mike Parks at FX invited us to contribute to Alien: Earth, it felt surreal. Our team grew up on these films.

This is the sci-fi side of Tendril people don’t always see. The worldbuilding obsession underneath the refined design systems.

We began with two provocations: If H.R. Giger had designed Earth, what would it look like? And what does new life look like before it becomes a monster?

We used scale as a framework—planetary, landscape, cellular, molecular—and found that at the earliest stages, reptile, mammal, human, and Xenomorph look disturbingly alike. The line between species blurs. Innocence and horror coexist. The familiar becomes terrifying.

#Tendril #ConceptDesign #Alien #Giger #DesignResearch​​​​​​​​​​​​​​​​

When Steve Viola and Mike Parks at FX invited us to contribute to Alien: Earth, it felt surreal. Our team grew up on these films.

This is the sci-fi side of Tendril people don’t always see. The worldbuilding obsession underneath the refined design systems.

We began with two provocations: If H.R. Giger had designed Earth, what would it look like? And what does new life look like before it becomes a monster?

We used scale as a framework—planetary, landscape, cellular, molecular—and found that at the earliest stages, reptile, mammal, human, and Xenomorph look disturbingly alike. The line between species blurs. Innocence and horror coexist. The familiar becomes terrifying.

#Tendril #ConceptDesign #Alien #Giger #DesignResearch​​​​​​​​​​​​​​​​

When Steve Viola and Mike Parks at FX invited us to contribute to Alien: Earth, it felt surreal. Our team grew up on these films.

This is the sci-fi side of Tendril people don’t always see. The worldbuilding obsession underneath the refined design systems.

We began with two provocations: If H.R. Giger had designed Earth, what would it look like? And what does new life look like before it becomes a monster?

We used scale as a framework—planetary, landscape, cellular, molecular—and found that at the earliest stages, reptile, mammal, human, and Xenomorph look disturbingly alike. The line between species blurs. Innocence and horror coexist. The familiar becomes terrifying.

#Tendril #ConceptDesign #Alien #Giger #DesignResearch​​​​​​​​​​​​​​​​

When Steve Viola and Mike Parks at FX invited us to contribute to Alien: Earth, it felt surreal. Our team grew up on these films.

This is the sci-fi side of Tendril people don’t always see. The worldbuilding obsession underneath the refined design systems.

We began with two provocations: If H.R. Giger had designed Earth, what would it look like? And what does new life look like before it becomes a monster?

We used scale as a framework—planetary, landscape, cellular, molecular—and found that at the earliest stages, reptile, mammal, human, and Xenomorph look disturbingly alike. The line between species blurs. Innocence and horror coexist. The familiar becomes terrifying.

#Tendril #ConceptDesign #Alien #Giger #DesignResearch​​​​​​​​​​​​​​​​

When Steve Viola and Mike Parks at FX invited us to contribute to Alien: Earth, it felt surreal. Our team grew up on these films.

This is the sci-fi side of Tendril people don’t always see. The worldbuilding obsession underneath the refined design systems.

We began with two provocations: If H.R. Giger had designed Earth, what would it look like? And what does new life look like before it becomes a monster?

We used scale as a framework—planetary, landscape, cellular, molecular—and found that at the earliest stages, reptile, mammal, human, and Xenomorph look disturbingly alike. The line between species blurs. Innocence and horror coexist. The familiar becomes terrifying.

#Tendril #ConceptDesign #Alien #Giger #DesignResearch​​​​​​​​​​​​​​​​

When Steve Viola and Mike Parks at FX invited us to contribute to Alien: Earth, it felt surreal. Our team grew up on these films.

This is the sci-fi side of Tendril people don’t always see. The worldbuilding obsession underneath the refined design systems.

We began with two provocations: If H.R. Giger had designed Earth, what would it look like? And what does new life look like before it becomes a monster?

We used scale as a framework—planetary, landscape, cellular, molecular—and found that at the earliest stages, reptile, mammal, human, and Xenomorph look disturbingly alike. The line between species blurs. Innocence and horror coexist. The familiar becomes terrifying.

#Tendril #ConceptDesign #Alien #Giger #DesignResearch​​​​​​​​​​​​​​​​

When Steve Viola and Mike Parks at FX invited us to contribute to Alien: Earth, it felt surreal. Our team grew up on these films.

This is the sci-fi side of Tendril people don’t always see. The worldbuilding obsession underneath the refined design systems.

We began with two provocations: If H.R. Giger had designed Earth, what would it look like? And what does new life look like before it becomes a monster?

We used scale as a framework—planetary, landscape, cellular, molecular—and found that at the earliest stages, reptile, mammal, human, and Xenomorph look disturbingly alike. The line between species blurs. Innocence and horror coexist. The familiar becomes terrifying.

#Tendril #ConceptDesign #Alien #Giger #DesignResearch​​​​​​​​​​​​​​​​

When Steve Viola and Mike Parks at FX invited us to contribute to Alien: Earth, it felt surreal. Our team grew up on these films.

This is the sci-fi side of Tendril people don’t always see. The worldbuilding obsession underneath the refined design systems.

We began with two provocations: If H.R. Giger had designed Earth, what would it look like? And what does new life look like before it becomes a monster?

We used scale as a framework—planetary, landscape, cellular, molecular—and found that at the earliest stages, reptile, mammal, human, and Xenomorph look disturbingly alike. The line between species blurs. Innocence and horror coexist. The familiar becomes terrifying.

#Tendril #ConceptDesign #Alien #Giger #DesignResearch​​​​​​​​​​​​​​​​

When Steve Viola and Mike Parks at FX invited us to contribute to Alien: Earth, it felt surreal. Our team grew up on these films.

This is the sci-fi side of Tendril people don’t always see. The worldbuilding obsession underneath the refined design systems.

We began with two provocations: If H.R. Giger had designed Earth, what would it look like? And what does new life look like before it becomes a monster?

We used scale as a framework—planetary, landscape, cellular, molecular—and found that at the earliest stages, reptile, mammal, human, and Xenomorph look disturbingly alike. The line between species blurs. Innocence and horror coexist. The familiar becomes terrifying.

#Tendril #ConceptDesign #Alien #Giger #DesignResearch​​​​​​​​​​​​​​​​

When Steve Viola and Mike Parks at FX invited us to contribute to Alien: Earth, it felt surreal. Our team grew up on these films.

This is the sci-fi side of Tendril people don’t always see. The worldbuilding obsession underneath the refined design systems.

We began with two provocations: If H.R. Giger had designed Earth, what would it look like? And what does new life look like before it becomes a monster?

We used scale as a framework—planetary, landscape, cellular, molecular—and found that at the earliest stages, reptile, mammal, human, and Xenomorph look disturbingly alike. The line between species blurs. Innocence and horror coexist. The familiar becomes terrifying.

#Tendril #ConceptDesign #Alien #Giger #DesignResearch​​​​​​​​​​​​​​​​

When Steve Viola and Mike Parks at FX invited us to contribute to Alien: Earth, it felt surreal. Our team grew up on these films.

This is the sci-fi side of Tendril people don’t always see. The worldbuilding obsession underneath the refined design systems.

We began with two provocations: If H.R. Giger had designed Earth, what would it look like? And what does new life look like before it becomes a monster?

We used scale as a framework—planetary, landscape, cellular, molecular—and found that at the earliest stages, reptile, mammal, human, and Xenomorph look disturbingly alike. The line between species blurs. Innocence and horror coexist. The familiar becomes terrifying.

#Tendril #ConceptDesign #Alien #Giger #DesignResearch​​​​​​​​​​​​​​​​

When Steve Viola and Mike Parks at FX invited us to contribute to Alien: Earth, it felt surreal. Our team grew up on these films.

This is the sci-fi side of Tendril people don’t always see. The worldbuilding obsession underneath the refined design systems.

We began with two provocations: If H.R. Giger had designed Earth, what would it look like? And what does new life look like before it becomes a monster?

We used scale as a framework—planetary, landscape, cellular, molecular—and found that at the earliest stages, reptile, mammal, human, and Xenomorph look disturbingly alike. The line between species blurs. Innocence and horror coexist. The familiar becomes terrifying.

#Tendril #ConceptDesign #Alien #Giger #DesignResearch​​​​​​​​​​​​​​​​

When Steve Viola and Mike Parks at FX invited us to contribute to Alien: Earth, it felt surreal. Our team grew up on these films.

This is the sci-fi side of Tendril people don’t always see. The worldbuilding obsession underneath the refined design systems.

We began with two provocations: If H.R. Giger had designed Earth, what would it look like? And what does new life look like before it becomes a monster?

We used scale as a framework—planetary, landscape, cellular, molecular—and found that at the earliest stages, reptile, mammal, human, and Xenomorph look disturbingly alike. The line between species blurs. Innocence and horror coexist. The familiar becomes terrifying.

#Tendril #ConceptDesign #Alien #Giger #DesignResearch​​​​​​​​​​​​​​​​

When Steve Viola and Mike Parks at FX invited us to contribute to Alien: Earth, it felt surreal. Our team grew up on these films.

This is the sci-fi side of Tendril people don’t always see. The worldbuilding obsession underneath the refined design systems.

We began with two provocations: If H.R. Giger had designed Earth, what would it look like? And what does new life look like before it becomes a monster?

We used scale as a framework—planetary, landscape, cellular, molecular—and found that at the earliest stages, reptile, mammal, human, and Xenomorph look disturbingly alike. The line between species blurs. Innocence and horror coexist. The familiar becomes terrifying.

#Tendril #ConceptDesign #Alien #Giger #DesignResearch​​​​​​​​​​​​​​​​

When Steve Viola and Mike Parks at FX invited us to contribute to Alien: Earth, it felt surreal. Our team grew up on these films.

This is the sci-fi side of Tendril people don’t always see. The worldbuilding obsession underneath the refined design systems.

We began with two provocations: If H.R. Giger had designed Earth, what would it look like? And what does new life look like before it becomes a monster?

We used scale as a framework—planetary, landscape, cellular, molecular—and found that at the earliest stages, reptile, mammal, human, and Xenomorph look disturbingly alike. The line between species blurs. Innocence and horror coexist. The familiar becomes terrifying.

#Tendril #ConceptDesign #Alien #Giger #DesignResearch​​​​​​​​​​​​​​​​

Throwback to our work for Apple WWDC 2024—a vibrant lightscape to set the stage for a new paradigm in computing.💡

#tendril #throwback #motiondesign

Design, like watchmaking, is refined through experimentation. ✨ A glimpse into the RnD behind our latest work with Hublot.

#tendril #hublot #rnd

Design, like watchmaking, is refined through experimentation. ✨ A glimpse into the RnD behind our latest work with Hublot.

#tendril #hublot #rnd

Design, like watchmaking, is refined through experimentation. ✨ A glimpse into the RnD behind our latest work with Hublot.

#tendril #hublot #rnd

Design, like watchmaking, is refined through experimentation. ✨ A glimpse into the RnD behind our latest work with Hublot.

#tendril #hublot #rnd

Design, like watchmaking, is refined through experimentation. ✨ A glimpse into the RnD behind our latest work with Hublot.

#tendril #hublot #rnd

Design, like watchmaking, is refined through experimentation. ✨ A glimpse into the RnD behind our latest work with Hublot.

#tendril #hublot #rnd

Design, like watchmaking, is refined through experimentation. ✨ A glimpse into the RnD behind our latest work with Hublot.

#tendril #hublot #rnd

Design, like watchmaking, is refined through experimentation. ✨ A glimpse into the RnD behind our latest work with Hublot.

#tendril #hublot #rnd

Deconstructing decades of Hublot innovation, each component tells a story of craftsmanship: refined under extreme pressure, with precision forged into its very DNA. The Big Bang Original Unico isn’t just built; it’s engineered, tested, and perfected at every level. ⚙️

🎵 by @cypher.audio

#tendril #hublot #motiondesign #3d

Three materials. One legacy. Hublot returns with the Big Bang Original Unico collection—the culmination of 20 years of innovation in motion.

We’re proud to continue our long-standing partnership with @hublot on a product film that carries the Big Bang legacy forward. ⏳

🎵 by @cypher.audio

#tendril #hublot #motiondesign #3d

Nothing is more satisfying than these liquid simulations in our new collaboration with L’Oréal x McCann Paris. See it live globally. 🤍

#tendril #loréal #3d

Nothing is more satisfying than these liquid simulations in our new collaboration with L’Oréal x McCann Paris. See it live globally. 🤍

#tendril #loréal #3d

Nothing is more satisfying than these liquid simulations in our new collaboration with L’Oréal x McCann Paris. See it live globally. 🤍

#tendril #loréal #3d

Nothing is more satisfying than these liquid simulations in our new collaboration with L’Oréal x McCann Paris. See it live globally. 🤍

#tendril #loréal #3d

Nothing is more satisfying than these liquid simulations in our new collaboration with L’Oréal x McCann Paris. See it live globally. 🤍

#tendril #loréal #3d