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testen.studio
Ziga Testen, Studio
Apparently selling out fast!
Nicholas Mangan; A World Undone
Edited by Anneke Jaspers and Anna Davis
Texts by Amelia Barikin, Anna Davis, Anneke Jaspers, Nicholas Mangan, Cameron Allan McKean and Marina Vishmidt
Design by Žiga Testen and Stuart Geddes
Co-published by LENZ and Museum of Contemporary Art Australia (MCA)
2024, English, softcover, 20 x 27 cm, 256 pages
ISBN 979-12-80579-69-0
Apparently selling out fast!
Nicholas Mangan; A World Undone
Edited by Anneke Jaspers and Anna Davis
Texts by Amelia Barikin, Anna Davis, Anneke Jaspers, Nicholas Mangan, Cameron Allan McKean and Marina Vishmidt
Design by Žiga Testen and Stuart Geddes
Co-published by LENZ and Museum of Contemporary Art Australia (MCA)
2024, English, softcover, 20 x 27 cm, 256 pages
ISBN 979-12-80579-69-0
Apparently selling out fast!
Nicholas Mangan; A World Undone
Edited by Anneke Jaspers and Anna Davis
Texts by Amelia Barikin, Anna Davis, Anneke Jaspers, Nicholas Mangan, Cameron Allan McKean and Marina Vishmidt
Design by Žiga Testen and Stuart Geddes
Co-published by LENZ and Museum of Contemporary Art Australia (MCA)
2024, English, softcover, 20 x 27 cm, 256 pages
ISBN 979-12-80579-69-0
Apparently selling out fast!
Nicholas Mangan; A World Undone
Edited by Anneke Jaspers and Anna Davis
Texts by Amelia Barikin, Anna Davis, Anneke Jaspers, Nicholas Mangan, Cameron Allan McKean and Marina Vishmidt
Design by Žiga Testen and Stuart Geddes
Co-published by LENZ and Museum of Contemporary Art Australia (MCA)
2024, English, softcover, 20 x 27 cm, 256 pages
ISBN 979-12-80579-69-0
Apparently selling out fast!
Nicholas Mangan; A World Undone
Edited by Anneke Jaspers and Anna Davis
Texts by Amelia Barikin, Anna Davis, Anneke Jaspers, Nicholas Mangan, Cameron Allan McKean and Marina Vishmidt
Design by Žiga Testen and Stuart Geddes
Co-published by LENZ and Museum of Contemporary Art Australia (MCA)
2024, English, softcover, 20 x 27 cm, 256 pages
ISBN 979-12-80579-69-0
Apparently selling out fast!
Nicholas Mangan; A World Undone
Edited by Anneke Jaspers and Anna Davis
Texts by Amelia Barikin, Anna Davis, Anneke Jaspers, Nicholas Mangan, Cameron Allan McKean and Marina Vishmidt
Design by Žiga Testen and Stuart Geddes
Co-published by LENZ and Museum of Contemporary Art Australia (MCA)
2024, English, softcover, 20 x 27 cm, 256 pages
ISBN 979-12-80579-69-0
Apparently selling out fast!
Nicholas Mangan; A World Undone
Edited by Anneke Jaspers and Anna Davis
Texts by Amelia Barikin, Anna Davis, Anneke Jaspers, Nicholas Mangan, Cameron Allan McKean and Marina Vishmidt
Design by Žiga Testen and Stuart Geddes
Co-published by LENZ and Museum of Contemporary Art Australia (MCA)
2024, English, softcover, 20 x 27 cm, 256 pages
ISBN 979-12-80579-69-0
Apparently selling out fast!
Nicholas Mangan; A World Undone
Edited by Anneke Jaspers and Anna Davis
Texts by Amelia Barikin, Anna Davis, Anneke Jaspers, Nicholas Mangan, Cameron Allan McKean and Marina Vishmidt
Design by Žiga Testen and Stuart Geddes
Co-published by LENZ and Museum of Contemporary Art Australia (MCA)
2024, English, softcover, 20 x 27 cm, 256 pages
ISBN 979-12-80579-69-0
Apparently selling out fast!
Nicholas Mangan; A World Undone
Edited by Anneke Jaspers and Anna Davis
Texts by Amelia Barikin, Anna Davis, Anneke Jaspers, Nicholas Mangan, Cameron Allan McKean and Marina Vishmidt
Design by Žiga Testen and Stuart Geddes
Co-published by LENZ and Museum of Contemporary Art Australia (MCA)
2024, English, softcover, 20 x 27 cm, 256 pages
ISBN 979-12-80579-69-0
Recently...
Slides No.1–3
Banjo, 31 Beach Looks, ISBN 978-1-922545-36-7
Published by Perimeter Editions
+
A look at when they were still only 29 looks
Slides No.4–5
NMBW, From No. 2071 to No. 9401
Exhibition and publication at
CACHE 3/46 Little Latrobe St., Melbourne;
part of visual identity redesign;
i.c.w Stuart Geddes and Kim Mumm Hansen
Slide No.6
Anni and Josef Albers;
ISBN 978-0-642-33504-3
Published by the National Gallery of Australia;
i.c.w Stuart Geddes
Slide No.7
Early spring light on 37 Swanston Street
Slides No.8–9
LE TUFFEAU WINES opening soon
Suite 207 Level 2 The Nicholas Building, 37 Swanston Street, call David on (03) 9419 3867
Recently...
Slides No.1–3
Banjo, 31 Beach Looks, ISBN 978-1-922545-36-7
Published by Perimeter Editions
+
A look at when they were still only 29 looks
Slides No.4–5
NMBW, From No. 2071 to No. 9401
Exhibition and publication at
CACHE 3/46 Little Latrobe St., Melbourne;
part of visual identity redesign;
i.c.w Stuart Geddes and Kim Mumm Hansen
Slide No.6
Anni and Josef Albers;
ISBN 978-0-642-33504-3
Published by the National Gallery of Australia;
i.c.w Stuart Geddes
Slide No.7
Early spring light on 37 Swanston Street
Slides No.8–9
LE TUFFEAU WINES opening soon
Suite 207 Level 2 The Nicholas Building, 37 Swanston Street, call David on (03) 9419 3867
Recently...
Slides No.1–3
Banjo, 31 Beach Looks, ISBN 978-1-922545-36-7
Published by Perimeter Editions
+
A look at when they were still only 29 looks
Slides No.4–5
NMBW, From No. 2071 to No. 9401
Exhibition and publication at
CACHE 3/46 Little Latrobe St., Melbourne;
part of visual identity redesign;
i.c.w Stuart Geddes and Kim Mumm Hansen
Slide No.6
Anni and Josef Albers;
ISBN 978-0-642-33504-3
Published by the National Gallery of Australia;
i.c.w Stuart Geddes
Slide No.7
Early spring light on 37 Swanston Street
Slides No.8–9
LE TUFFEAU WINES opening soon
Suite 207 Level 2 The Nicholas Building, 37 Swanston Street, call David on (03) 9419 3867
Recently...
Slides No.1–3
Banjo, 31 Beach Looks, ISBN 978-1-922545-36-7
Published by Perimeter Editions
+
A look at when they were still only 29 looks
Slides No.4–5
NMBW, From No. 2071 to No. 9401
Exhibition and publication at
CACHE 3/46 Little Latrobe St., Melbourne;
part of visual identity redesign;
i.c.w Stuart Geddes and Kim Mumm Hansen
Slide No.6
Anni and Josef Albers;
ISBN 978-0-642-33504-3
Published by the National Gallery of Australia;
i.c.w Stuart Geddes
Slide No.7
Early spring light on 37 Swanston Street
Slides No.8–9
LE TUFFEAU WINES opening soon
Suite 207 Level 2 The Nicholas Building, 37 Swanston Street, call David on (03) 9419 3867
Recently...
Slides No.1–3
Banjo, 31 Beach Looks, ISBN 978-1-922545-36-7
Published by Perimeter Editions
+
A look at when they were still only 29 looks
Slides No.4–5
NMBW, From No. 2071 to No. 9401
Exhibition and publication at
CACHE 3/46 Little Latrobe St., Melbourne;
part of visual identity redesign;
i.c.w Stuart Geddes and Kim Mumm Hansen
Slide No.6
Anni and Josef Albers;
ISBN 978-0-642-33504-3
Published by the National Gallery of Australia;
i.c.w Stuart Geddes
Slide No.7
Early spring light on 37 Swanston Street
Slides No.8–9
LE TUFFEAU WINES opening soon
Suite 207 Level 2 The Nicholas Building, 37 Swanston Street, call David on (03) 9419 3867
Recently...
Slides No.1–3
Banjo, 31 Beach Looks, ISBN 978-1-922545-36-7
Published by Perimeter Editions
+
A look at when they were still only 29 looks
Slides No.4–5
NMBW, From No. 2071 to No. 9401
Exhibition and publication at
CACHE 3/46 Little Latrobe St., Melbourne;
part of visual identity redesign;
i.c.w Stuart Geddes and Kim Mumm Hansen
Slide No.6
Anni and Josef Albers;
ISBN 978-0-642-33504-3
Published by the National Gallery of Australia;
i.c.w Stuart Geddes
Slide No.7
Early spring light on 37 Swanston Street
Slides No.8–9
LE TUFFEAU WINES opening soon
Suite 207 Level 2 The Nicholas Building, 37 Swanston Street, call David on (03) 9419 3867
Recently...
Slides No.1–3
Banjo, 31 Beach Looks, ISBN 978-1-922545-36-7
Published by Perimeter Editions
+
A look at when they were still only 29 looks
Slides No.4–5
NMBW, From No. 2071 to No. 9401
Exhibition and publication at
CACHE 3/46 Little Latrobe St., Melbourne;
part of visual identity redesign;
i.c.w Stuart Geddes and Kim Mumm Hansen
Slide No.6
Anni and Josef Albers;
ISBN 978-0-642-33504-3
Published by the National Gallery of Australia;
i.c.w Stuart Geddes
Slide No.7
Early spring light on 37 Swanston Street
Slides No.8–9
LE TUFFEAU WINES opening soon
Suite 207 Level 2 The Nicholas Building, 37 Swanston Street, call David on (03) 9419 3867
Recently...
Slides No.1–3
Banjo, 31 Beach Looks, ISBN 978-1-922545-36-7
Published by Perimeter Editions
+
A look at when they were still only 29 looks
Slides No.4–5
NMBW, From No. 2071 to No. 9401
Exhibition and publication at
CACHE 3/46 Little Latrobe St., Melbourne;
part of visual identity redesign;
i.c.w Stuart Geddes and Kim Mumm Hansen
Slide No.6
Anni and Josef Albers;
ISBN 978-0-642-33504-3
Published by the National Gallery of Australia;
i.c.w Stuart Geddes
Slide No.7
Early spring light on 37 Swanston Street
Slides No.8–9
LE TUFFEAU WINES opening soon
Suite 207 Level 2 The Nicholas Building, 37 Swanston Street, call David on (03) 9419 3867
Recently...
Slides No.1–3
Banjo, 31 Beach Looks, ISBN 978-1-922545-36-7
Published by Perimeter Editions
+
A look at when they were still only 29 looks
Slides No.4–5
NMBW, From No. 2071 to No. 9401
Exhibition and publication at
CACHE 3/46 Little Latrobe St., Melbourne;
part of visual identity redesign;
i.c.w Stuart Geddes and Kim Mumm Hansen
Slide No.6
Anni and Josef Albers;
ISBN 978-0-642-33504-3
Published by the National Gallery of Australia;
i.c.w Stuart Geddes
Slide No.7
Early spring light on 37 Swanston Street
Slides No.8–9
LE TUFFEAU WINES opening soon
Suite 207 Level 2 The Nicholas Building, 37 Swanston Street, call David on (03) 9419 3867
Recently...
Slides No.1–2
et al. EPOCHAL; ISBN 978-0-64555-587-5
Published by Monash University Museum of Art
and Monash University Publishing;
i.c.w. Stuart Geddes
Slide No.3
A reproduction of a portrait of William Buckley, the escaped convict from Macclesfield who lived with the Wathaurung people around Geelong for three decades leaning against the wall at the State Library Victoria
Slides No.4–5
Paul Knight, L’ombre de ton ombre;
ISBN 978-1-922545-22-0
Published by Monash University Museum of Art,
UNSW Galleries and Perimeter Editions;
i.c.w. Stuart Geddes
+
Exhibition views
Slides No.6–8
Nicholas Mangan; A World Undone;
ISBN 979-12-80579-69-0
Published by LENZ Press and
Museum of Contemporary Art Australia (MCA);
i.c.w. Stuart Geddes
+
Exhibition views
Recently...
Slides No.1–2
et al. EPOCHAL; ISBN 978-0-64555-587-5
Published by Monash University Museum of Art
and Monash University Publishing;
i.c.w. Stuart Geddes
Slide No.3
A reproduction of a portrait of William Buckley, the escaped convict from Macclesfield who lived with the Wathaurung people around Geelong for three decades leaning against the wall at the State Library Victoria
Slides No.4–5
Paul Knight, L’ombre de ton ombre;
ISBN 978-1-922545-22-0
Published by Monash University Museum of Art,
UNSW Galleries and Perimeter Editions;
i.c.w. Stuart Geddes
+
Exhibition views
Slides No.6–8
Nicholas Mangan; A World Undone;
ISBN 979-12-80579-69-0
Published by LENZ Press and
Museum of Contemporary Art Australia (MCA);
i.c.w. Stuart Geddes
+
Exhibition views
Recently...
Slides No.1–2
et al. EPOCHAL; ISBN 978-0-64555-587-5
Published by Monash University Museum of Art
and Monash University Publishing;
i.c.w. Stuart Geddes
Slide No.3
A reproduction of a portrait of William Buckley, the escaped convict from Macclesfield who lived with the Wathaurung people around Geelong for three decades leaning against the wall at the State Library Victoria
Slides No.4–5
Paul Knight, L’ombre de ton ombre;
ISBN 978-1-922545-22-0
Published by Monash University Museum of Art,
UNSW Galleries and Perimeter Editions;
i.c.w. Stuart Geddes
+
Exhibition views
Slides No.6–8
Nicholas Mangan; A World Undone;
ISBN 979-12-80579-69-0
Published by LENZ Press and
Museum of Contemporary Art Australia (MCA);
i.c.w. Stuart Geddes
+
Exhibition views
Recently...
Slides No.1–2
et al. EPOCHAL; ISBN 978-0-64555-587-5
Published by Monash University Museum of Art
and Monash University Publishing;
i.c.w. Stuart Geddes
Slide No.3
A reproduction of a portrait of William Buckley, the escaped convict from Macclesfield who lived with the Wathaurung people around Geelong for three decades leaning against the wall at the State Library Victoria
Slides No.4–5
Paul Knight, L’ombre de ton ombre;
ISBN 978-1-922545-22-0
Published by Monash University Museum of Art,
UNSW Galleries and Perimeter Editions;
i.c.w. Stuart Geddes
+
Exhibition views
Slides No.6–8
Nicholas Mangan; A World Undone;
ISBN 979-12-80579-69-0
Published by LENZ Press and
Museum of Contemporary Art Australia (MCA);
i.c.w. Stuart Geddes
+
Exhibition views
Recently...
Slides No.1–2
et al. EPOCHAL; ISBN 978-0-64555-587-5
Published by Monash University Museum of Art
and Monash University Publishing;
i.c.w. Stuart Geddes
Slide No.3
A reproduction of a portrait of William Buckley, the escaped convict from Macclesfield who lived with the Wathaurung people around Geelong for three decades leaning against the wall at the State Library Victoria
Slides No.4–5
Paul Knight, L’ombre de ton ombre;
ISBN 978-1-922545-22-0
Published by Monash University Museum of Art,
UNSW Galleries and Perimeter Editions;
i.c.w. Stuart Geddes
+
Exhibition views
Slides No.6–8
Nicholas Mangan; A World Undone;
ISBN 979-12-80579-69-0
Published by LENZ Press and
Museum of Contemporary Art Australia (MCA);
i.c.w. Stuart Geddes
+
Exhibition views
Recently...
Slides No.1–2
et al. EPOCHAL; ISBN 978-0-64555-587-5
Published by Monash University Museum of Art
and Monash University Publishing;
i.c.w. Stuart Geddes
Slide No.3
A reproduction of a portrait of William Buckley, the escaped convict from Macclesfield who lived with the Wathaurung people around Geelong for three decades leaning against the wall at the State Library Victoria
Slides No.4–5
Paul Knight, L’ombre de ton ombre;
ISBN 978-1-922545-22-0
Published by Monash University Museum of Art,
UNSW Galleries and Perimeter Editions;
i.c.w. Stuart Geddes
+
Exhibition views
Slides No.6–8
Nicholas Mangan; A World Undone;
ISBN 979-12-80579-69-0
Published by LENZ Press and
Museum of Contemporary Art Australia (MCA);
i.c.w. Stuart Geddes
+
Exhibition views
Recently...
Slides No.1–2
et al. EPOCHAL; ISBN 978-0-64555-587-5
Published by Monash University Museum of Art
and Monash University Publishing;
i.c.w. Stuart Geddes
Slide No.3
A reproduction of a portrait of William Buckley, the escaped convict from Macclesfield who lived with the Wathaurung people around Geelong for three decades leaning against the wall at the State Library Victoria
Slides No.4–5
Paul Knight, L’ombre de ton ombre;
ISBN 978-1-922545-22-0
Published by Monash University Museum of Art,
UNSW Galleries and Perimeter Editions;
i.c.w. Stuart Geddes
+
Exhibition views
Slides No.6–8
Nicholas Mangan; A World Undone;
ISBN 979-12-80579-69-0
Published by LENZ Press and
Museum of Contemporary Art Australia (MCA);
i.c.w. Stuart Geddes
+
Exhibition views
Recently...
Slides No.1–2
et al. EPOCHAL; ISBN 978-0-64555-587-5
Published by Monash University Museum of Art
and Monash University Publishing;
i.c.w. Stuart Geddes
Slide No.3
A reproduction of a portrait of William Buckley, the escaped convict from Macclesfield who lived with the Wathaurung people around Geelong for three decades leaning against the wall at the State Library Victoria
Slides No.4–5
Paul Knight, L’ombre de ton ombre;
ISBN 978-1-922545-22-0
Published by Monash University Museum of Art,
UNSW Galleries and Perimeter Editions;
i.c.w. Stuart Geddes
+
Exhibition views
Slides No.6–8
Nicholas Mangan; A World Undone;
ISBN 979-12-80579-69-0
Published by LENZ Press and
Museum of Contemporary Art Australia (MCA);
i.c.w. Stuart Geddes
+
Exhibition views
Melbourne launch of Dale Frank, Artist.
Artworks 2006–2023
Neon Parc South Yarra
1 Hazeldon Place, South Yarra VIC 3141
Wednesday May 15, 2024
6pm–8pm
Me and @stuartgeddes designed this book, @benmorrisphoto took the photos and Neon Parc and Perimeter were crazy enough to publish it. Also – apparently there will be champagne! All are welcome!
Melbourne launch of Dale Frank, Artist.
Artworks 2006–2023
Neon Parc South Yarra
1 Hazeldon Place, South Yarra VIC 3141
Wednesday May 15, 2024
6pm–8pm
Me and @stuartgeddes designed this book, @benmorrisphoto took the photos and Neon Parc and Perimeter were crazy enough to publish it. Also – apparently there will be champagne! All are welcome!
We fully expected to get a brick thrown at when we first proposed to crudely combine documentation of his studio with his paintings to Dale Frank and his gallerist, Geoff Newton. Instead Frank said ‘just get it done already’... our luck doubled when we caught London based photographer Ben Morris on his short Australian stint, commissioning him to “go and shoot app. 900 images of Dale’s studio for the equivalent amount of book pages, should be easy no?”. We had no idea Ben’s one day shoot will turn into an extended weekend and another weekend trip and hundreds of shots on film, digital and polaroid...
One really never expects book projects to be a bit like the filming of Apocalypse Now but there we have it... At over 5kg and roughly A3 in size this book also exceeds the limits of most budget airline’s carry-on luggage allowances. In a time when office supply companies craft beautifully photographed Instagram campaigns to sell their bulldog clip ranges this book is still best experienced in real life. Available to handle @perimeterbooks and elsewhere!
w. @stuartgeddes @benmorrisphoto and w text contributions by @erikojensen and @winnyyoyo among others. Published by Perimeter Books and @neon_parc
We fully expected to get a brick thrown at when we first proposed to crudely combine documentation of his studio with his paintings to Dale Frank and his gallerist, Geoff Newton. Instead Frank said ‘just get it done already’... our luck doubled when we caught London based photographer Ben Morris on his short Australian stint, commissioning him to “go and shoot app. 900 images of Dale’s studio for the equivalent amount of book pages, should be easy no?”. We had no idea Ben’s one day shoot will turn into an extended weekend and another weekend trip and hundreds of shots on film, digital and polaroid...
One really never expects book projects to be a bit like the filming of Apocalypse Now but there we have it... At over 5kg and roughly A3 in size this book also exceeds the limits of most budget airline’s carry-on luggage allowances. In a time when office supply companies craft beautifully photographed Instagram campaigns to sell their bulldog clip ranges this book is still best experienced in real life. Available to handle @perimeterbooks and elsewhere!
w. @stuartgeddes @benmorrisphoto and w text contributions by @erikojensen and @winnyyoyo among others. Published by Perimeter Books and @neon_parc
We fully expected to get a brick thrown at when we first proposed to crudely combine documentation of his studio with his paintings to Dale Frank and his gallerist, Geoff Newton. Instead Frank said ‘just get it done already’... our luck doubled when we caught London based photographer Ben Morris on his short Australian stint, commissioning him to “go and shoot app. 900 images of Dale’s studio for the equivalent amount of book pages, should be easy no?”. We had no idea Ben’s one day shoot will turn into an extended weekend and another weekend trip and hundreds of shots on film, digital and polaroid...
One really never expects book projects to be a bit like the filming of Apocalypse Now but there we have it... At over 5kg and roughly A3 in size this book also exceeds the limits of most budget airline’s carry-on luggage allowances. In a time when office supply companies craft beautifully photographed Instagram campaigns to sell their bulldog clip ranges this book is still best experienced in real life. Available to handle @perimeterbooks and elsewhere!
w. @stuartgeddes @benmorrisphoto and w text contributions by @erikojensen and @winnyyoyo among others. Published by Perimeter Books and @neon_parc
We fully expected to get a brick thrown at when we first proposed to crudely combine documentation of his studio with his paintings to Dale Frank and his gallerist, Geoff Newton. Instead Frank said ‘just get it done already’... our luck doubled when we caught London based photographer Ben Morris on his short Australian stint, commissioning him to “go and shoot app. 900 images of Dale’s studio for the equivalent amount of book pages, should be easy no?”. We had no idea Ben’s one day shoot will turn into an extended weekend and another weekend trip and hundreds of shots on film, digital and polaroid...
One really never expects book projects to be a bit like the filming of Apocalypse Now but there we have it... At over 5kg and roughly A3 in size this book also exceeds the limits of most budget airline’s carry-on luggage allowances. In a time when office supply companies craft beautifully photographed Instagram campaigns to sell their bulldog clip ranges this book is still best experienced in real life. Available to handle @perimeterbooks and elsewhere!
w. @stuartgeddes @benmorrisphoto and w text contributions by @erikojensen and @winnyyoyo among others. Published by Perimeter Books and @neon_parc
We fully expected to get a brick thrown at when we first proposed to crudely combine documentation of his studio with his paintings to Dale Frank and his gallerist, Geoff Newton. Instead Frank said ‘just get it done already’... our luck doubled when we caught London based photographer Ben Morris on his short Australian stint, commissioning him to “go and shoot app. 900 images of Dale’s studio for the equivalent amount of book pages, should be easy no?”. We had no idea Ben’s one day shoot will turn into an extended weekend and another weekend trip and hundreds of shots on film, digital and polaroid...
One really never expects book projects to be a bit like the filming of Apocalypse Now but there we have it... At over 5kg and roughly A3 in size this book also exceeds the limits of most budget airline’s carry-on luggage allowances. In a time when office supply companies craft beautifully photographed Instagram campaigns to sell their bulldog clip ranges this book is still best experienced in real life. Available to handle @perimeterbooks and elsewhere!
w. @stuartgeddes @benmorrisphoto and w text contributions by @erikojensen and @winnyyoyo among others. Published by Perimeter Books and @neon_parc
We fully expected to get a brick thrown at when we first proposed to crudely combine documentation of his studio with his paintings to Dale Frank and his gallerist, Geoff Newton. Instead Frank said ‘just get it done already’... our luck doubled when we caught London based photographer Ben Morris on his short Australian stint, commissioning him to “go and shoot app. 900 images of Dale’s studio for the equivalent amount of book pages, should be easy no?”. We had no idea Ben’s one day shoot will turn into an extended weekend and another weekend trip and hundreds of shots on film, digital and polaroid...
One really never expects book projects to be a bit like the filming of Apocalypse Now but there we have it... At over 5kg and roughly A3 in size this book also exceeds the limits of most budget airline’s carry-on luggage allowances. In a time when office supply companies craft beautifully photographed Instagram campaigns to sell their bulldog clip ranges this book is still best experienced in real life. Available to handle @perimeterbooks and elsewhere!
w. @stuartgeddes @benmorrisphoto and w text contributions by @erikojensen and @winnyyoyo among others. Published by Perimeter Books and @neon_parc
We fully expected to get a brick thrown at when we first proposed to crudely combine documentation of his studio with his paintings to Dale Frank and his gallerist, Geoff Newton. Instead Frank said ‘just get it done already’... our luck doubled when we caught London based photographer Ben Morris on his short Australian stint, commissioning him to “go and shoot app. 900 images of Dale’s studio for the equivalent amount of book pages, should be easy no?”. We had no idea Ben’s one day shoot will turn into an extended weekend and another weekend trip and hundreds of shots on film, digital and polaroid...
One really never expects book projects to be a bit like the filming of Apocalypse Now but there we have it... At over 5kg and roughly A3 in size this book also exceeds the limits of most budget airline’s carry-on luggage allowances. In a time when office supply companies craft beautifully photographed Instagram campaigns to sell their bulldog clip ranges this book is still best experienced in real life. Available to handle @perimeterbooks and elsewhere!
w. @stuartgeddes @benmorrisphoto and w text contributions by @erikojensen and @winnyyoyo among others. Published by Perimeter Books and @neon_parc
We fully expected to get a brick thrown at when we first proposed to crudely combine documentation of his studio with his paintings to Dale Frank and his gallerist, Geoff Newton. Instead Frank said ‘just get it done already’... our luck doubled when we caught London based photographer Ben Morris on his short Australian stint, commissioning him to “go and shoot app. 900 images of Dale’s studio for the equivalent amount of book pages, should be easy no?”. We had no idea Ben’s one day shoot will turn into an extended weekend and another weekend trip and hundreds of shots on film, digital and polaroid...
One really never expects book projects to be a bit like the filming of Apocalypse Now but there we have it... At over 5kg and roughly A3 in size this book also exceeds the limits of most budget airline’s carry-on luggage allowances. In a time when office supply companies craft beautifully photographed Instagram campaigns to sell their bulldog clip ranges this book is still best experienced in real life. Available to handle @perimeterbooks and elsewhere!
w. @stuartgeddes @benmorrisphoto and w text contributions by @erikojensen and @winnyyoyo among others. Published by Perimeter Books and @neon_parc
We fully expected to get a brick thrown at when we first proposed to crudely combine documentation of his studio with his paintings to Dale Frank and his gallerist, Geoff Newton. Instead Frank said ‘just get it done already’... our luck doubled when we caught London based photographer Ben Morris on his short Australian stint, commissioning him to “go and shoot app. 900 images of Dale’s studio for the equivalent amount of book pages, should be easy no?”. We had no idea Ben’s one day shoot will turn into an extended weekend and another weekend trip and hundreds of shots on film, digital and polaroid...
One really never expects book projects to be a bit like the filming of Apocalypse Now but there we have it... At over 5kg and roughly A3 in size this book also exceeds the limits of most budget airline’s carry-on luggage allowances. In a time when office supply companies craft beautifully photographed Instagram campaigns to sell their bulldog clip ranges this book is still best experienced in real life. Available to handle @perimeterbooks and elsewhere!
w. @stuartgeddes @benmorrisphoto and w text contributions by @erikojensen and @winnyyoyo among others. Published by Perimeter Books and @neon_parc
We fully expected to get a brick thrown at when we first proposed to crudely combine documentation of his studio with his paintings to Dale Frank and his gallerist, Geoff Newton. Instead Frank said ‘just get it done already’... our luck doubled when we caught London based photographer Ben Morris on his short Australian stint, commissioning him to “go and shoot app. 900 images of Dale’s studio for the equivalent amount of book pages, should be easy no?”. We had no idea Ben’s one day shoot will turn into an extended weekend and another weekend trip and hundreds of shots on film, digital and polaroid...
One really never expects book projects to be a bit like the filming of Apocalypse Now but there we have it... At over 5kg and roughly A3 in size this book also exceeds the limits of most budget airline’s carry-on luggage allowances. In a time when office supply companies craft beautifully photographed Instagram campaigns to sell their bulldog clip ranges this book is still best experienced in real life. Available to handle @perimeterbooks and elsewhere!
w. @stuartgeddes @benmorrisphoto and w text contributions by @erikojensen and @winnyyoyo among others. Published by Perimeter Books and @neon_parc
A low-key but not lo-fi showcase for BM and A Ltd – a creative studio based in London and New York, w. @j4k3b0n1n and @benmorrisphoto
OUT SOON! Nicholas Mangan, A WORLD UNDONE, 208 × 280 mm, ISBN 979–12–80579–69–0, 256 pp., softcover, 456 BW and color illustrations. Co-published by the Museum of Contemporary Art Australia and LENZ. First edition of 1000 copies. Edited by Anneke Jaspers and Anna Davis. Published on the occasion of the exhibition Nicholas Mangan, A WORLD UNDONE, Museum of Contemporary Art Australia, 5 April – 30 June 2024. Designed w @stuartgeddes AU / NZ distribution by @perimeterbooks
S is for ‘socialist realism’, ‘Socialist Surrealism’ and ‘space exploration’... Multiple Realities: Experimental Art in the Eastern Bloc 1960s–1980s, ISBN 978-1-935963-28-8, hardcover, 480 pp, 180 279 x 240 mm, Edited by Pavel Pyś, published by the Walker Art Center. Read us writing about acid tabs, square books and Mark Fisher Spotify playlists on the Walker website, link in bio. More soon! With @marklifeofthemind @kimmummhansen
S is for ‘socialist realism’, ‘Socialist Surrealism’ and ‘space exploration’... Multiple Realities: Experimental Art in the Eastern Bloc 1960s–1980s, ISBN 978-1-935963-28-8, hardcover, 480 pp, 180 279 x 240 mm, Edited by Pavel Pyś, published by the Walker Art Center. Read us writing about acid tabs, square books and Mark Fisher Spotify playlists on the Walker website, link in bio. More soon! With @marklifeofthemind @kimmummhansen
S is for ‘socialist realism’, ‘Socialist Surrealism’ and ‘space exploration’... Multiple Realities: Experimental Art in the Eastern Bloc 1960s–1980s, ISBN 978-1-935963-28-8, hardcover, 480 pp, 180 279 x 240 mm, Edited by Pavel Pyś, published by the Walker Art Center. Read us writing about acid tabs, square books and Mark Fisher Spotify playlists on the Walker website, link in bio. More soon! With @marklifeofthemind @kimmummhansen
S is for ‘socialist realism’, ‘Socialist Surrealism’ and ‘space exploration’... Multiple Realities: Experimental Art in the Eastern Bloc 1960s–1980s, ISBN 978-1-935963-28-8, hardcover, 480 pp, 180 279 x 240 mm, Edited by Pavel Pyś, published by the Walker Art Center. Read us writing about acid tabs, square books and Mark Fisher Spotify playlists on the Walker website, link in bio. More soon! With @marklifeofthemind @kimmummhansen
S is for ‘socialist realism’, ‘Socialist Surrealism’ and ‘space exploration’... Multiple Realities: Experimental Art in the Eastern Bloc 1960s–1980s, ISBN 978-1-935963-28-8, hardcover, 480 pp, 180 279 x 240 mm, Edited by Pavel Pyś, published by the Walker Art Center. Read us writing about acid tabs, square books and Mark Fisher Spotify playlists on the Walker website, link in bio. More soon! With @marklifeofthemind @kimmummhansen
S is for ‘socialist realism’, ‘Socialist Surrealism’ and ‘space exploration’... Multiple Realities: Experimental Art in the Eastern Bloc 1960s–1980s, ISBN 978-1-935963-28-8, hardcover, 480 pp, 180 279 x 240 mm, Edited by Pavel Pyś, published by the Walker Art Center. Read us writing about acid tabs, square books and Mark Fisher Spotify playlists on the Walker website, link in bio. More soon! With @marklifeofthemind @kimmummhansen
S is for ‘socialist realism’, ‘Socialist Surrealism’ and ‘space exploration’... Multiple Realities: Experimental Art in the Eastern Bloc 1960s–1980s, ISBN 978-1-935963-28-8, hardcover, 480 pp, 180 279 x 240 mm, Edited by Pavel Pyś, published by the Walker Art Center. Read us writing about acid tabs, square books and Mark Fisher Spotify playlists on the Walker website, link in bio. More soon! With @marklifeofthemind @kimmummhansen
Dale Frank, Artist. Artworks 2006–2023, ISBN 978-1-922545-27-5, hardcover, 408 pp, 275 × 370 mm, published by Neon Parc and Perimeter Editions
w. Stuart Geddes, Ben Morris, Dale Frank Studio, Neon Parc and Perimeter Books
Available for pre-orders now at Perimeter Editions (perimetereditions.com). We will definitely post more about this Brontosaurus 🦕 of a book but here’s a start –
The major book – and its seriously major – ‘Dale Frank, Artist. Artworks 2006–2023’ features an immense selection of key works produced over the past seventeen years, a period in which Frank has pushed the limits of his output even further, experimenting with new materials including horror masks, human hair wigs, chocolate fountains, designer furniture, and filmmaking. In many instances, traditional paint is replaced with industrial materials such as resin, varnish, glass, epoxies, and fake blood.
Featuring major new texts by Edward Colless, Erik Jensen, Amelia Winata, and Georgina Reid this vast book (and its really vast) operates in a similarly radical fashion. Juxtaposing and layering Frank’s works over British photographer Ben Morris’s frenetic, high-flash images of the artist’s home, studio, and surrounds, the book offers a dazzling, unsteadying encounter with a practice and a life that clash, coalesce, and collapse in on one another.
Dale Frank, Artist. Artworks 2006–2023, ISBN 978-1-922545-27-5, hardcover, 408 pp, 275 × 370 mm, published by Neon Parc and Perimeter Editions
w. Stuart Geddes, Ben Morris, Dale Frank Studio, Neon Parc and Perimeter Books
Available for pre-orders now at Perimeter Editions (perimetereditions.com). We will definitely post more about this Brontosaurus 🦕 of a book but here’s a start –
The major book – and its seriously major – ‘Dale Frank, Artist. Artworks 2006–2023’ features an immense selection of key works produced over the past seventeen years, a period in which Frank has pushed the limits of his output even further, experimenting with new materials including horror masks, human hair wigs, chocolate fountains, designer furniture, and filmmaking. In many instances, traditional paint is replaced with industrial materials such as resin, varnish, glass, epoxies, and fake blood.
Featuring major new texts by Edward Colless, Erik Jensen, Amelia Winata, and Georgina Reid this vast book (and its really vast) operates in a similarly radical fashion. Juxtaposing and layering Frank’s works over British photographer Ben Morris’s frenetic, high-flash images of the artist’s home, studio, and surrounds, the book offers a dazzling, unsteadying encounter with a practice and a life that clash, coalesce, and collapse in on one another.
Dale Frank, Artist. Artworks 2006–2023, ISBN 978-1-922545-27-5, hardcover, 408 pp, 275 × 370 mm, published by Neon Parc and Perimeter Editions
w. Stuart Geddes, Ben Morris, Dale Frank Studio, Neon Parc and Perimeter Books
Available for pre-orders now at Perimeter Editions (perimetereditions.com). We will definitely post more about this Brontosaurus 🦕 of a book but here’s a start –
The major book – and its seriously major – ‘Dale Frank, Artist. Artworks 2006–2023’ features an immense selection of key works produced over the past seventeen years, a period in which Frank has pushed the limits of his output even further, experimenting with new materials including horror masks, human hair wigs, chocolate fountains, designer furniture, and filmmaking. In many instances, traditional paint is replaced with industrial materials such as resin, varnish, glass, epoxies, and fake blood.
Featuring major new texts by Edward Colless, Erik Jensen, Amelia Winata, and Georgina Reid this vast book (and its really vast) operates in a similarly radical fashion. Juxtaposing and layering Frank’s works over British photographer Ben Morris’s frenetic, high-flash images of the artist’s home, studio, and surrounds, the book offers a dazzling, unsteadying encounter with a practice and a life that clash, coalesce, and collapse in on one another.
Dale Frank, Artist. Artworks 2006–2023, ISBN 978-1-922545-27-5, hardcover, 408 pp, 275 × 370 mm, published by Neon Parc and Perimeter Editions
w. Stuart Geddes, Ben Morris, Dale Frank Studio, Neon Parc and Perimeter Books
Available for pre-orders now at Perimeter Editions (perimetereditions.com). We will definitely post more about this Brontosaurus 🦕 of a book but here’s a start –
The major book – and its seriously major – ‘Dale Frank, Artist. Artworks 2006–2023’ features an immense selection of key works produced over the past seventeen years, a period in which Frank has pushed the limits of his output even further, experimenting with new materials including horror masks, human hair wigs, chocolate fountains, designer furniture, and filmmaking. In many instances, traditional paint is replaced with industrial materials such as resin, varnish, glass, epoxies, and fake blood.
Featuring major new texts by Edward Colless, Erik Jensen, Amelia Winata, and Georgina Reid this vast book (and its really vast) operates in a similarly radical fashion. Juxtaposing and layering Frank’s works over British photographer Ben Morris’s frenetic, high-flash images of the artist’s home, studio, and surrounds, the book offers a dazzling, unsteadying encounter with a practice and a life that clash, coalesce, and collapse in on one another.
Dale Frank, Artist. Artworks 2006–2023, ISBN 978-1-922545-27-5, hardcover, 408 pp, 275 × 370 mm, published by Neon Parc and Perimeter Editions
w. Stuart Geddes, Ben Morris, Dale Frank Studio, Neon Parc and Perimeter Books
Available for pre-orders now at Perimeter Editions (perimetereditions.com). We will definitely post more about this Brontosaurus 🦕 of a book but here’s a start –
The major book – and its seriously major – ‘Dale Frank, Artist. Artworks 2006–2023’ features an immense selection of key works produced over the past seventeen years, a period in which Frank has pushed the limits of his output even further, experimenting with new materials including horror masks, human hair wigs, chocolate fountains, designer furniture, and filmmaking. In many instances, traditional paint is replaced with industrial materials such as resin, varnish, glass, epoxies, and fake blood.
Featuring major new texts by Edward Colless, Erik Jensen, Amelia Winata, and Georgina Reid this vast book (and its really vast) operates in a similarly radical fashion. Juxtaposing and layering Frank’s works over British photographer Ben Morris’s frenetic, high-flash images of the artist’s home, studio, and surrounds, the book offers a dazzling, unsteadying encounter with a practice and a life that clash, coalesce, and collapse in on one another.
Dale Frank, Artist. Artworks 2006–2023, ISBN 978-1-922545-27-5, hardcover, 408 pp, 275 × 370 mm, published by Neon Parc and Perimeter Editions
w. Stuart Geddes, Ben Morris, Dale Frank Studio, Neon Parc and Perimeter Books
Available for pre-orders now at Perimeter Editions (perimetereditions.com). We will definitely post more about this Brontosaurus 🦕 of a book but here’s a start –
The major book – and its seriously major – ‘Dale Frank, Artist. Artworks 2006–2023’ features an immense selection of key works produced over the past seventeen years, a period in which Frank has pushed the limits of his output even further, experimenting with new materials including horror masks, human hair wigs, chocolate fountains, designer furniture, and filmmaking. In many instances, traditional paint is replaced with industrial materials such as resin, varnish, glass, epoxies, and fake blood.
Featuring major new texts by Edward Colless, Erik Jensen, Amelia Winata, and Georgina Reid this vast book (and its really vast) operates in a similarly radical fashion. Juxtaposing and layering Frank’s works over British photographer Ben Morris’s frenetic, high-flash images of the artist’s home, studio, and surrounds, the book offers a dazzling, unsteadying encounter with a practice and a life that clash, coalesce, and collapse in on one another.
Dale Frank, Artist. Artworks 2006–2023, ISBN 978-1-922545-27-5, hardcover, 408 pp, 275 × 370 mm, published by Neon Parc and Perimeter Editions
w. Stuart Geddes, Ben Morris, Dale Frank Studio, Neon Parc and Perimeter Books
Available for pre-orders now at Perimeter Editions (perimetereditions.com). We will definitely post more about this Brontosaurus 🦕 of a book but here’s a start –
The major book – and its seriously major – ‘Dale Frank, Artist. Artworks 2006–2023’ features an immense selection of key works produced over the past seventeen years, a period in which Frank has pushed the limits of his output even further, experimenting with new materials including horror masks, human hair wigs, chocolate fountains, designer furniture, and filmmaking. In many instances, traditional paint is replaced with industrial materials such as resin, varnish, glass, epoxies, and fake blood.
Featuring major new texts by Edward Colless, Erik Jensen, Amelia Winata, and Georgina Reid this vast book (and its really vast) operates in a similarly radical fashion. Juxtaposing and layering Frank’s works over British photographer Ben Morris’s frenetic, high-flash images of the artist’s home, studio, and surrounds, the book offers a dazzling, unsteadying encounter with a practice and a life that clash, coalesce, and collapse in on one another.
Dale Frank, Artist. Artworks 2006–2023, ISBN 978-1-922545-27-5, hardcover, 408 pp, 275 × 370 mm, published by Neon Parc and Perimeter Editions
w. Stuart Geddes, Ben Morris, Dale Frank Studio, Neon Parc and Perimeter Books
Available for pre-orders now at Perimeter Editions (perimetereditions.com). We will definitely post more about this Brontosaurus 🦕 of a book but here’s a start –
The major book – and its seriously major – ‘Dale Frank, Artist. Artworks 2006–2023’ features an immense selection of key works produced over the past seventeen years, a period in which Frank has pushed the limits of his output even further, experimenting with new materials including horror masks, human hair wigs, chocolate fountains, designer furniture, and filmmaking. In many instances, traditional paint is replaced with industrial materials such as resin, varnish, glass, epoxies, and fake blood.
Featuring major new texts by Edward Colless, Erik Jensen, Amelia Winata, and Georgina Reid this vast book (and its really vast) operates in a similarly radical fashion. Juxtaposing and layering Frank’s works over British photographer Ben Morris’s frenetic, high-flash images of the artist’s home, studio, and surrounds, the book offers a dazzling, unsteadying encounter with a practice and a life that clash, coalesce, and collapse in on one another.
Dale Frank, Artist. Artworks 2006–2023, ISBN 978-1-922545-27-5, hardcover, 408 pp, 275 × 370 mm, published by Neon Parc and Perimeter Editions
w. Stuart Geddes, Ben Morris, Dale Frank Studio, Neon Parc and Perimeter Books
Available for pre-orders now at Perimeter Editions (perimetereditions.com). We will definitely post more about this Brontosaurus 🦕 of a book but here’s a start –
The major book – and its seriously major – ‘Dale Frank, Artist. Artworks 2006–2023’ features an immense selection of key works produced over the past seventeen years, a period in which Frank has pushed the limits of his output even further, experimenting with new materials including horror masks, human hair wigs, chocolate fountains, designer furniture, and filmmaking. In many instances, traditional paint is replaced with industrial materials such as resin, varnish, glass, epoxies, and fake blood.
Featuring major new texts by Edward Colless, Erik Jensen, Amelia Winata, and Georgina Reid this vast book (and its really vast) operates in a similarly radical fashion. Juxtaposing and layering Frank’s works over British photographer Ben Morris’s frenetic, high-flash images of the artist’s home, studio, and surrounds, the book offers a dazzling, unsteadying encounter with a practice and a life that clash, coalesce, and collapse in on one another.
Dale Frank, Artist. Artworks 2006–2023, ISBN 978-1-922545-27-5, hardcover, 408 pp, 275 × 370 mm, published by Neon Parc and Perimeter Editions
w. Stuart Geddes, Ben Morris, Dale Frank Studio, Neon Parc and Perimeter Books
Available for pre-orders now at Perimeter Editions (perimetereditions.com). We will definitely post more about this Brontosaurus 🦕 of a book but here’s a start –
The major book – and its seriously major – ‘Dale Frank, Artist. Artworks 2006–2023’ features an immense selection of key works produced over the past seventeen years, a period in which Frank has pushed the limits of his output even further, experimenting with new materials including horror masks, human hair wigs, chocolate fountains, designer furniture, and filmmaking. In many instances, traditional paint is replaced with industrial materials such as resin, varnish, glass, epoxies, and fake blood.
Featuring major new texts by Edward Colless, Erik Jensen, Amelia Winata, and Georgina Reid this vast book (and its really vast) operates in a similarly radical fashion. Juxtaposing and layering Frank’s works over British photographer Ben Morris’s frenetic, high-flash images of the artist’s home, studio, and surrounds, the book offers a dazzling, unsteadying encounter with a practice and a life that clash, coalesce, and collapse in on one another.
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
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Downloads photos (JPEG) and videos (MP4) with ease.
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Private Accounts
Content from private accounts can only be accessed by followers.
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Files are for personal or educational use only and must comply with copyright rules.
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Enter a public username to view or download stories. The service generates direct links for saving content locally.