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We are signing on to the Palestinian Academic and Cultural Boycott of Israel (PACBI). We do so in solidarity with the people of Palestine, and in support of their struggle for liberation from Israeli occupation, dispossession, and genocide.

As such, we refuse to use our resources or platforms to support the state of Israel, or Israeli academic and cultural institutions complicit in its crimes. We therefore reject projects or collaborations with institutions that normalize the occupation of Palestine and dispossession of Palestinians.

Inspired by the cultural boycott campaign against apartheid South Africa, PACBI aims to draw a line between culture workers and the actions of governments funding and endorsing the occupation and ethnic cleansing of Palestine by Israel. Cultural institutions are integral to the ideological scaffolding of Israel’s regime of settler colonial occupation against Palestinians. Israeli cultural institutions have cast their lot with the hegemonic Zionist establishment. Notwithstanding the efforts of principled individual artists, these institutions are implicated in supporting and artwashing Israel’s ongoing genocide.

It should be emphasized that PACBI is anchored in precepts of international law and universal human rights. Its target is organizations, and it rejects on principle boycotts of individuals based on their identity (such as citizenship, race, gender, or religion) or opinion. Institutions that recognize Palestinian rights, and end all forms of complicity in violating those rights, are exempt from this boycott.

MLK described a boycott as “withdrawing our cooperation from an evil system,” and we will likewise refuse to cooperate with systems that justify occupation and genocide.

If you are an artist, culture worker, board member, or other contributor to a cultural organization, publication, or venue, we encourage you to join us in adopting this commitment.

If you are: ready to commit, curious to learn more, or want to talk through concerns, email NullPointSeries@gmail.com

Endorsements from orgs of any size are deeply impactful, and set precedent for a wider adoption in the arts.

We are signing on to the Palestinian Academic and Cultural Boycott of Israel (PACBI). We do so in solidarity with the people of Palestine, and in support of their struggle for liberation from Israeli occupation, dispossession, and genocide.

As such, we refuse to use our resources or platforms to support the state of Israel, or Israeli academic and cultural institutions complicit in its crimes. We therefore reject projects or collaborations with institutions that normalize the occupation of Palestine and dispossession of Palestinians.

Inspired by the cultural boycott campaign against apartheid South Africa, PACBI aims to draw a line between culture workers and the actions of governments funding and endorsing the occupation and ethnic cleansing of Palestine by Israel. Cultural institutions are integral to the ideological scaffolding of Israel’s regime of settler colonial occupation against Palestinians. Israeli cultural institutions have cast their lot with the hegemonic Zionist establishment. Notwithstanding the efforts of principled individual artists, these institutions are implicated in supporting and artwashing Israel’s ongoing genocide.

It should be emphasized that PACBI is anchored in precepts of international law and universal human rights. Its target is organizations, and it rejects on principle boycotts of individuals based on their identity (such as citizenship, race, gender, or religion) or opinion. Institutions that recognize Palestinian rights, and end all forms of complicity in violating those rights, are exempt from this boycott.

MLK described a boycott as “withdrawing our cooperation from an evil system,” and we will likewise refuse to cooperate with systems that justify occupation and genocide.

If you are an artist, culture worker, board member, or other contributor to a cultural organization, publication, or venue, we encourage you to join us in adopting this commitment.

If you are: ready to commit, curious to learn more, or want to talk through concerns, email NullPointSeries@gmail.com

Endorsements from orgs of any size are deeply impactful, and set precedent for a wider adoption in the arts.

We are signing on to the Palestinian Academic and Cultural Boycott of Israel (PACBI). We do so in solidarity with the people of Palestine, and in support of their struggle for liberation from Israeli occupation, dispossession, and genocide.

As such, we refuse to use our resources or platforms to support the state of Israel, or Israeli academic and cultural institutions complicit in its crimes. We therefore reject projects or collaborations with institutions that normalize the occupation of Palestine and dispossession of Palestinians.

Inspired by the cultural boycott campaign against apartheid South Africa, PACBI aims to draw a line between culture workers and the actions of governments funding and endorsing the occupation and ethnic cleansing of Palestine by Israel. Cultural institutions are integral to the ideological scaffolding of Israel’s regime of settler colonial occupation against Palestinians. Israeli cultural institutions have cast their lot with the hegemonic Zionist establishment. Notwithstanding the efforts of principled individual artists, these institutions are implicated in supporting and artwashing Israel’s ongoing genocide.

It should be emphasized that PACBI is anchored in precepts of international law and universal human rights. Its target is organizations, and it rejects on principle boycotts of individuals based on their identity (such as citizenship, race, gender, or religion) or opinion. Institutions that recognize Palestinian rights, and end all forms of complicity in violating those rights, are exempt from this boycott.

MLK described a boycott as “withdrawing our cooperation from an evil system,” and we will likewise refuse to cooperate with systems that justify occupation and genocide.

If you are an artist, culture worker, board member, or other contributor to a cultural organization, publication, or venue, we encourage you to join us in adopting this commitment.

If you are: ready to commit, curious to learn more, or want to talk through concerns, email NullPointSeries@gmail.com

Endorsements from orgs of any size are deeply impactful, and set precedent for a wider adoption in the arts.

We are signing on to the Palestinian Academic and Cultural Boycott of Israel (PACBI). We do so in solidarity with the people of Palestine, and in support of their struggle for liberation from Israeli occupation, dispossession, and genocide.

As such, we refuse to use our resources or platforms to support the state of Israel, or Israeli academic and cultural institutions complicit in its crimes. We therefore reject projects or collaborations with institutions that normalize the occupation of Palestine and dispossession of Palestinians.

Inspired by the cultural boycott campaign against apartheid South Africa, PACBI aims to draw a line between culture workers and the actions of governments funding and endorsing the occupation and ethnic cleansing of Palestine by Israel. Cultural institutions are integral to the ideological scaffolding of Israel’s regime of settler colonial occupation against Palestinians. Israeli cultural institutions have cast their lot with the hegemonic Zionist establishment. Notwithstanding the efforts of principled individual artists, these institutions are implicated in supporting and artwashing Israel’s ongoing genocide.

It should be emphasized that PACBI is anchored in precepts of international law and universal human rights. Its target is organizations, and it rejects on principle boycotts of individuals based on their identity (such as citizenship, race, gender, or religion) or opinion. Institutions that recognize Palestinian rights, and end all forms of complicity in violating those rights, are exempt from this boycott.

MLK described a boycott as “withdrawing our cooperation from an evil system,” and we will likewise refuse to cooperate with systems that justify occupation and genocide.

If you are an artist, culture worker, board member, or other contributor to a cultural organization, publication, or venue, we encourage you to join us in adopting this commitment.

If you are: ready to commit, curious to learn more, or want to talk through concerns, email NullPointSeries@gmail.com

Endorsements from orgs of any size are deeply impactful, and set precedent for a wider adoption in the arts.

We are signing on to the Palestinian Academic and Cultural Boycott of Israel (PACBI). We do so in solidarity with the people of Palestine, and in support of their struggle for liberation from Israeli occupation, dispossession, and genocide.

As such, we refuse to use our resources or platforms to support the state of Israel, or Israeli academic and cultural institutions complicit in its crimes. We therefore reject projects or collaborations with institutions that normalize the occupation of Palestine and dispossession of Palestinians.

Inspired by the cultural boycott campaign against apartheid South Africa, PACBI aims to draw a line between culture workers and the actions of governments funding and endorsing the occupation and ethnic cleansing of Palestine by Israel. Cultural institutions are integral to the ideological scaffolding of Israel’s regime of settler colonial occupation against Palestinians. Israeli cultural institutions have cast their lot with the hegemonic Zionist establishment. Notwithstanding the efforts of principled individual artists, these institutions are implicated in supporting and artwashing Israel’s ongoing genocide.

It should be emphasized that PACBI is anchored in precepts of international law and universal human rights. Its target is organizations, and it rejects on principle boycotts of individuals based on their identity (such as citizenship, race, gender, or religion) or opinion. Institutions that recognize Palestinian rights, and end all forms of complicity in violating those rights, are exempt from this boycott.

MLK described a boycott as “withdrawing our cooperation from an evil system,” and we will likewise refuse to cooperate with systems that justify occupation and genocide.

If you are an artist, culture worker, board member, or other contributor to a cultural organization, publication, or venue, we encourage you to join us in adopting this commitment.

If you are: ready to commit, curious to learn more, or want to talk through concerns, email NullPointSeries@gmail.com

Endorsements from orgs of any size are deeply impactful, and set precedent for a wider adoption in the arts.

We are signing on to the Palestinian Academic and Cultural Boycott of Israel (PACBI). We do so in solidarity with the people of Palestine, and in support of their struggle for liberation from Israeli occupation, dispossession, and genocide.

As such, we refuse to use our resources or platforms to support the state of Israel, or Israeli academic and cultural institutions complicit in its crimes. We therefore reject projects or collaborations with institutions that normalize the occupation of Palestine and dispossession of Palestinians.

Inspired by the cultural boycott campaign against apartheid South Africa, PACBI aims to draw a line between culture workers and the actions of governments funding and endorsing the occupation and ethnic cleansing of Palestine by Israel. Cultural institutions are integral to the ideological scaffolding of Israel’s regime of settler colonial occupation against Palestinians. Israeli cultural institutions have cast their lot with the hegemonic Zionist establishment. Notwithstanding the efforts of principled individual artists, these institutions are implicated in supporting and artwashing Israel’s ongoing genocide.

It should be emphasized that PACBI is anchored in precepts of international law and universal human rights. Its target is organizations, and it rejects on principle boycotts of individuals based on their identity (such as citizenship, race, gender, or religion) or opinion. Institutions that recognize Palestinian rights, and end all forms of complicity in violating those rights, are exempt from this boycott.

MLK described a boycott as “withdrawing our cooperation from an evil system,” and we will likewise refuse to cooperate with systems that justify occupation and genocide.

If you are an artist, culture worker, board member, or other contributor to a cultural organization, publication, or venue, we encourage you to join us in adopting this commitment.

If you are: ready to commit, curious to learn more, or want to talk through concerns, email NullPointSeries@gmail.com

Endorsements from orgs of any size are deeply impactful, and set precedent for a wider adoption in the arts.

Bands that play Hanabi together stay together.

Us last night at @art_association_of_hbg. Thanks to @mariebethviola for the performance pics/vid!
~~
@evbonkers @_weissmania_ @michaelgmcneill @infrasonicpress

Us last night at @art_association_of_hbg. Thanks to @mariebethviola for the performance pics/vid!
~~
@evbonkers @_weissmania_ @michaelgmcneill @infrasonicpress

Us last night at @art_association_of_hbg. Thanks to @mariebethviola for the performance pics/vid!
~~
@evbonkers @_weissmania_ @michaelgmcneill @infrasonicpress

Us last night at @art_association_of_hbg. Thanks to @mariebethviola for the performance pics/vid!
~~
@evbonkers @_weissmania_ @michaelgmcneill @infrasonicpress

Epic set by @moth_bucket at @art_association_of_hbg last night! @electric.scrapple @openmusicpa

Epic set by @moth_bucket at @art_association_of_hbg last night! @electric.scrapple @openmusicpa

Epic set by @moth_bucket at @art_association_of_hbg last night! @electric.scrapple @openmusicpa

Epic set by @moth_bucket at @art_association_of_hbg last night! @electric.scrapple @openmusicpa

Epic set by @moth_bucket at @art_association_of_hbg last night! @electric.scrapple @openmusicpa

Epic set by @moth_bucket at @art_association_of_hbg last night! @electric.scrapple @openmusicpa

Epic set by @moth_bucket at @art_association_of_hbg last night! @electric.scrapple @openmusicpa

So much music last night in Brooklyn! Feeling super inspired by all the great musicians who played before and after us. Thanks to Basia and all the Palace staff!
~~
@phillipgolub @doyeonmusic @yumasax @aaron.edgcomb @evbonkers @_weissmania_ @michaelgmcneill @infrasonicpress @t.j.borden @zoots_houston @webbkaycrawford @orgone_unknown

So much music last night in Brooklyn! Feeling super inspired by all the great musicians who played before and after us. Thanks to Basia and all the Palace staff!
~~
@phillipgolub @doyeonmusic @yumasax @aaron.edgcomb @evbonkers @_weissmania_ @michaelgmcneill @infrasonicpress @t.j.borden @zoots_houston @webbkaycrawford @orgone_unknown

So much music last night in Brooklyn! Feeling super inspired by all the great musicians who played before and after us. Thanks to Basia and all the Palace staff!
~~
@phillipgolub @doyeonmusic @yumasax @aaron.edgcomb @evbonkers @_weissmania_ @michaelgmcneill @infrasonicpress @t.j.borden @zoots_houston @webbkaycrawford @orgone_unknown

Thanks to composer Caroline Mallonee for this thoughtful response to our most recent set of Telepathic Music! Read more about her and her music at the link in our bio.

"The effect is astounding.
Whatever magical threads tether this group together do not disappear when they are separated.” - Caroline Mallonee, composer

~~
@infrasonicpress @evbonkers @_weissmania_ @michaelgmcneill

Thanks to South Wedge Mission for letting us use their welcoming space for our concert in Rochester last night! Also a special time playing for family and for friends old and new.
~~
@infrasonicpress @_weissmania_
@evbonkers
@michaelgmcneill

Thanks to South Wedge Mission for letting us use their welcoming space for our concert in Rochester last night! Also a special time playing for family and for friends old and new.
~~
@infrasonicpress @_weissmania_
@evbonkers
@michaelgmcneill

Thanks to South Wedge Mission for letting us use their welcoming space for our concert in Rochester last night! Also a special time playing for family and for friends old and new.
~~
@infrasonicpress @_weissmania_
@evbonkers
@michaelgmcneill

Thanks to South Wedge Mission for letting us use their welcoming space for our concert in Rochester last night! Also a special time playing for family and for friends old and new.
~~
@infrasonicpress @_weissmania_
@evbonkers
@michaelgmcneill

It was extra special to play for friends and family at @hallwalls in Buffalo on Saturday! Thanks to our friend Robin for documenting some of the fun here. Also note @_weissmania_’s new Julius Eastman shirt from
@themmepress!
~~
@infrasonicpress @evbonkers @michaelgmcneill

It was extra special to play for friends and family at @hallwalls in Buffalo on Saturday! Thanks to our friend Robin for documenting some of the fun here. Also note @_weissmania_’s new Julius Eastman shirt from
@themmepress!
~~
@infrasonicpress @evbonkers @michaelgmcneill

It was extra special to play for friends and family at @hallwalls in Buffalo on Saturday! Thanks to our friend Robin for documenting some of the fun here. Also note @_weissmania_’s new Julius Eastman shirt from
@themmepress!
~~
@infrasonicpress @evbonkers @michaelgmcneill

What is going on in these photos? This is a glimpse into how we’ve been putting our and our audiences’ telepathic powers to the test every night of our tour so far. Thanks to @hallwalls and Steve Baczkowski for assisting us last night, and our audience for some great prompts!
~~
@evbonkers @_weissmania_ @michaelgmcneill @infrasonicpress

What is going on in these photos? This is a glimpse into how we’ve been putting our and our audiences’ telepathic powers to the test every night of our tour so far. Thanks to @hallwalls and Steve Baczkowski for assisting us last night, and our audience for some great prompts!
~~
@evbonkers @_weissmania_ @michaelgmcneill @infrasonicpress

What is going on in these photos? This is a glimpse into how we’ve been putting our and our audiences’ telepathic powers to the test every night of our tour so far. Thanks to @hallwalls and Steve Baczkowski for assisting us last night, and our audience for some great prompts!
~~
@evbonkers @_weissmania_ @michaelgmcneill @infrasonicpress

Old and new friends yesterday at @groundedprintshop in Erie, PA.
~~
@ksanzcl @corritore.cr @thesoundserum @eliasifonly @ethanthayden @infrasonicpress @_weissmania_ @evbonkers @michaelgmcneill
~~
Photos/videos by Megan Kyle

Old and new friends yesterday at @groundedprintshop in Erie, PA.
~~
@ksanzcl @corritore.cr @thesoundserum @eliasifonly @ethanthayden @infrasonicpress @_weissmania_ @evbonkers @michaelgmcneill
~~
Photos/videos by Megan Kyle

Old and new friends yesterday at @groundedprintshop in Erie, PA.
~~
@ksanzcl @corritore.cr @thesoundserum @eliasifonly @ethanthayden @infrasonicpress @_weissmania_ @evbonkers @michaelgmcneill
~~
Photos/videos by Megan Kyle

Old and new friends yesterday at @groundedprintshop in Erie, PA.
~~
@ksanzcl @corritore.cr @thesoundserum @eliasifonly @ethanthayden @infrasonicpress @_weissmania_ @evbonkers @michaelgmcneill
~~
Photos/videos by Megan Kyle

Old and new friends yesterday at @groundedprintshop in Erie, PA.
~~
@ksanzcl @corritore.cr @thesoundserum @eliasifonly @ethanthayden @infrasonicpress @_weissmania_ @evbonkers @michaelgmcneill
~~
Photos/videos by Megan Kyle

Old and new friends yesterday at @groundedprintshop in Erie, PA.
~~
@ksanzcl @corritore.cr @thesoundserum @eliasifonly @ethanthayden @infrasonicpress @_weissmania_ @evbonkers @michaelgmcneill
~~
Photos/videos by Megan Kyle

Old and new friends yesterday at @groundedprintshop in Erie, PA.
~~
@ksanzcl @corritore.cr @thesoundserum @eliasifonly @ethanthayden @infrasonicpress @_weissmania_ @evbonkers @michaelgmcneill
~~
Photos/videos by Megan Kyle

Old and new friends yesterday at @groundedprintshop in Erie, PA.
~~
@ksanzcl @corritore.cr @thesoundserum @eliasifonly @ethanthayden @infrasonicpress @_weissmania_ @evbonkers @michaelgmcneill
~~
Photos/videos by Megan Kyle

What a great time playing for the @uncommonsoundcle audience last night at Convivium 33! The opening set by @kars_and_music (solo and with the Baldwin Wallace cello ensemble playing Julius Eastman) made it extra special.
~~
Last photo by Khari Joyner; others by Megan Kyle and @_weissmania_

What a great time playing for the @uncommonsoundcle audience last night at Convivium 33! The opening set by @kars_and_music (solo and with the Baldwin Wallace cello ensemble playing Julius Eastman) made it extra special.
~~
Last photo by Khari Joyner; others by Megan Kyle and @_weissmania_

What a great time playing for the @uncommonsoundcle audience last night at Convivium 33! The opening set by @kars_and_music (solo and with the Baldwin Wallace cello ensemble playing Julius Eastman) made it extra special.
~~
Last photo by Khari Joyner; others by Megan Kyle and @_weissmania_

What a great time playing for the @uncommonsoundcle audience last night at Convivium 33! The opening set by @kars_and_music (solo and with the Baldwin Wallace cello ensemble playing Julius Eastman) made it extra special.
~~
Last photo by Khari Joyner; others by Megan Kyle and @_weissmania_

What a great time playing for the @uncommonsoundcle audience last night at Convivium 33! The opening set by @kars_and_music (solo and with the Baldwin Wallace cello ensemble playing Julius Eastman) made it extra special.
~~
Last photo by Khari Joyner; others by Megan Kyle and @_weissmania_

We recently had a chat with @jonesies.dragon and @grizwaldmusic about telepathy, the visceral joys of “contemporary classical” music, our upcoming tour, and our concert on Monday, 3/13 at WCNY Studios in Syracuse. Listen to the broadcast of the interview from @wcny at the link in our bio!
~~
@infrasonicpress @evbonkers @_weissmania_ @michaelgmcneill