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#TheLightingLibrary #Repost @de_con 💡💡💡🫡
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Look at that big beautiful soft box! The Beehive from @honeycrates honey sticks from @cine_candy_co and blanket light from @sourcemaker

#TheLightingLibrary #Repost @cinecidade
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Maxi 80 KVA e Arrimax 18
@cinecidade @arri
Gaffer @hnyerges Keygrip @rodrigo_fidelis_gripbrazil
#cinecidade #keygrip #gafferlighting #audiovisualbrasileiro #arri18kw

Thanks for the tag @de_con 💡

#TheLightingLibrary #Repost @cinecidade
・・・
Maxi 80 KVA e Arrimax 18
@cinecidade @arri
Gaffer @hnyerges Keygrip @rodrigo_fidelis_gripbrazil
#cinecidade #keygrip #gafferlighting #audiovisualbrasileiro #arri18kw

Thanks for the tag @de_con 💡

#TheLightingLibrary #Repost @cinecidade
・・・
Maxi 80 KVA e Arrimax 18
@cinecidade @arri
Gaffer @hnyerges Keygrip @rodrigo_fidelis_gripbrazil
#cinecidade #keygrip #gafferlighting #audiovisualbrasileiro #arri18kw

Thanks for the tag @de_con 💡

#TheLightingLibrary #Repost @cinecidade
・・・
Maxi 80 KVA e Arrimax 18
@cinecidade @arri
Gaffer @hnyerges Keygrip @rodrigo_fidelis_gripbrazil
#cinecidade #keygrip #gafferlighting #audiovisualbrasileiro #arri18kw

Thanks for the tag @de_con 💡

#TheLightingLibrary #Repost @cinecidade
・・・
Maxi 80 KVA e Arrimax 18
@cinecidade @arri
Gaffer @hnyerges Keygrip @rodrigo_fidelis_gripbrazil
#cinecidade #keygrip #gafferlighting #audiovisualbrasileiro #arri18kw

Thanks for the tag @de_con 💡

#TheLightingLibrary #Repost @cinecidade
・・・
Maxi 80 KVA e Arrimax 18
@cinecidade @arri
Gaffer @hnyerges Keygrip @rodrigo_fidelis_gripbrazil
#cinecidade #keygrip #gafferlighting #audiovisualbrasileiro #arri18kw

Thanks for the tag @de_con 💡

#thelightinglibrary ☀️ #Repost @vladmgom78
・・・
Sometimes you need to recreate the sun light before it reaches your location or if it’s cloudy, this is one way to do it, i like to blend the raw power of HMI with the superb color of the tungsten.
#gaffer #gafferslife #setlighting #setlightingcrew #filmlights #lightingforfilm #lightingforcinematography #lightingforfilm #iclsociety #filmset #arrimax #dinolight #filmcrew #lightright

#thelightinglibrary ☀️ #Repost @vladmgom78
・・・
Sometimes you need to recreate the sun light before it reaches your location or if it’s cloudy, this is one way to do it, i like to blend the raw power of HMI with the superb color of the tungsten.
#gaffer #gafferslife #setlighting #setlightingcrew #filmlights #lightingforfilm #lightingforcinematography #lightingforfilm #iclsociety #filmset #arrimax #dinolight #filmcrew #lightright

#thelightinglibrary ☀️ #Repost @vladmgom78
・・・
Sometimes you need to recreate the sun light before it reaches your location or if it’s cloudy, this is one way to do it, i like to blend the raw power of HMI with the superb color of the tungsten.
#gaffer #gafferslife #setlighting #setlightingcrew #filmlights #lightingforfilm #lightingforcinematography #lightingforfilm #iclsociety #filmset #arrimax #dinolight #filmcrew #lightright

#thelightinglibrary ☀️ #Repost @vladmgom78
・・・
Sometimes you need to recreate the sun light before it reaches your location or if it’s cloudy, this is one way to do it, i like to blend the raw power of HMI with the superb color of the tungsten.
#gaffer #gafferslife #setlighting #setlightingcrew #filmlights #lightingforfilm #lightingforcinematography #lightingforfilm #iclsociety #filmset #arrimax #dinolight #filmcrew #lightright

#thelightinglibrary ☀️ #Repost @vladmgom78
・・・
Sometimes you need to recreate the sun light before it reaches your location or if it’s cloudy, this is one way to do it, i like to blend the raw power of HMI with the superb color of the tungsten.
#gaffer #gafferslife #setlighting #setlightingcrew #filmlights #lightingforfilm #lightingforcinematography #lightingforfilm #iclsociety #filmset #arrimax #dinolight #filmcrew #lightright

#TheLightingLibrary 💡 #Repost @aryanmedia
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First set in 2023. Cold and long day with whole a bunch of 18Ks, 9ks and @dwight_crane_ltd lifts
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#filmmaker #filmmakers #filmmaking #filmmakerslife #filmlighting #filmlightingcrew #lightingcrew #electrician #nabet700 #lightingsetup #9k #filmlights #filmlight #arrilighting #filmcrew #dayfornight #arri #canada
#canadianfilm #cinematiclighting #filmlights #lightingsetup

#TheLightingLibrary 💡 #Repost @aryanmedia
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First set in 2023. Cold and long day with whole a bunch of 18Ks, 9ks and @dwight_crane_ltd lifts
.
.
#filmmaker #filmmakers #filmmaking #filmmakerslife #filmlighting #filmlightingcrew #lightingcrew #electrician #nabet700 #lightingsetup #9k #filmlights #filmlight #arrilighting #filmcrew #dayfornight #arri #canada
#canadianfilm #cinematiclighting #filmlights #lightingsetup

Beautiful parabolic light from @parabolixlight’s OMNI LED & Parabolix System 🔆

#Repost @parabolixlight
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Euphoria Season 2!!! Beautifully shot promos by @joe_picard_dp, using 2 Omni LEDs and Parabolix 65’s!This is gorgeous work.Such an incredible show - Congrats to all involved! 👏🏼👏🏼👏🏼 #omniLED #parabolixlight.com #filmlights #filmtools #lightshaping #prolighting #gaffer#zendaya #samlevinson #euphoria

Beautiful parabolic light from @parabolixlight’s OMNI LED & Parabolix System 🔆

#Repost @parabolixlight
・・・
Euphoria Season 2!!! Beautifully shot promos by @joe_picard_dp, using 2 Omni LEDs and Parabolix 65’s!This is gorgeous work.Such an incredible show - Congrats to all involved! 👏🏼👏🏼👏🏼 #omniLED #parabolixlight.com #filmlights #filmtools #lightshaping #prolighting #gaffer#zendaya #samlevinson #euphoria

Beautiful parabolic light from @parabolixlight’s OMNI LED & Parabolix System 🔆

#Repost @parabolixlight
・・・
Euphoria Season 2!!! Beautifully shot promos by @joe_picard_dp, using 2 Omni LEDs and Parabolix 65’s!This is gorgeous work.Such an incredible show - Congrats to all involved! 👏🏼👏🏼👏🏼 #omniLED #parabolixlight.com #filmlights #filmtools #lightshaping #prolighting #gaffer#zendaya #samlevinson #euphoria

Beautiful parabolic light from @parabolixlight’s OMNI LED & Parabolix System 🔆

#Repost @parabolixlight
・・・
Euphoria Season 2!!! Beautifully shot promos by @joe_picard_dp, using 2 Omni LEDs and Parabolix 65’s!This is gorgeous work.Such an incredible show - Congrats to all involved! 👏🏼👏🏼👏🏼 #omniLED #parabolixlight.com #filmlights #filmtools #lightshaping #prolighting #gaffer#zendaya #samlevinson #euphoria

#TheLightingLibrary 💡 #Repost @alejochauvin
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Siempre he tenido el deseo de compartir algo demi trabajo, después de 10 años de carrera este es el primero de muchos posts “espero”. La intención es compartiry devolver lo mucho que he aprendido online.

Rodado con :
@arrialexaminilf @cookeoptics #cookes7i

@ciloversgroup @aputure.lighting@cinematic_lighting @learnfilmmaking @cinematography @cinematographygrabs

Outdoor interview look #TheLightingLibrary 💡 #Repost @davidwells_dp
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Lighting breakdown for our exterior interview shot for client @safeharbormarinas

Swipe for the final frame and some BTS.

Camera: @arri Alexa mini LF
Lens: @tokinacinemausa 35mm T1.5

Production: @lucidmedia.io
Client: @safeharbormarinas
Producer: @seanwhitmore
DP: @davidwells_dp
Gaffer: @keaton_loudamy
Key grip: @brileygargis
Editor: @nickiprian

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#cinematographer #cinematography #atxcinematographer #dp #directorofphotography #austindp #atxdp #sony #sonyfx9 #tokinavista #colorstacks #arri #alexaminilf #video #cinema #austin #atx ##atxvideoproduction #lightingbreakdown

Outdoor interview look #TheLightingLibrary 💡 #Repost @davidwells_dp
・・・
Lighting breakdown for our exterior interview shot for client @safeharbormarinas

Swipe for the final frame and some BTS.

Camera: @arri Alexa mini LF
Lens: @tokinacinemausa 35mm T1.5

Production: @lucidmedia.io
Client: @safeharbormarinas
Producer: @seanwhitmore
DP: @davidwells_dp
Gaffer: @keaton_loudamy
Key grip: @brileygargis
Editor: @nickiprian

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#cinematographer #cinematography #atxcinematographer #dp #directorofphotography #austindp #atxdp #sony #sonyfx9 #tokinavista #colorstacks #arri #alexaminilf #video #cinema #austin #atx ##atxvideoproduction #lightingbreakdown

Outdoor interview look #TheLightingLibrary 💡 #Repost @davidwells_dp
・・・
Lighting breakdown for our exterior interview shot for client @safeharbormarinas

Swipe for the final frame and some BTS.

Camera: @arri Alexa mini LF
Lens: @tokinacinemausa 35mm T1.5

Production: @lucidmedia.io
Client: @safeharbormarinas
Producer: @seanwhitmore
DP: @davidwells_dp
Gaffer: @keaton_loudamy
Key grip: @brileygargis
Editor: @nickiprian

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#cinematographer #cinematography #atxcinematographer #dp #directorofphotography #austindp #atxdp #sony #sonyfx9 #tokinavista #colorstacks #arri #alexaminilf #video #cinema #austin #atx ##atxvideoproduction #lightingbreakdown

#TheLightingLibrary 💡 #Repost @nanlux_global
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4x Nanlux Dyno 650C’s are hiding behind this big grid.

Powerful yet beautifully soft, the Dynos series features an exciting collection of preset, fully customisable effects plus an extensive gel library allows you to dial in any colors. Compatibility with wireless protocols plus DMX connectivity brings further flexibility, the creative possibilities of Dyno series is virtually limitless!

#nanlux #nanluxdyno #dyno1200c #dyno650c #setlife #lightingsetup #ledlights #filmlight #filmlighting #cinematography #cinematographer #gaffer #gafferlighting #arabskygrip

#TheLightingLibrary 💡 #Repost @nanlux_global
・・・
4x Nanlux Dyno 650C’s are hiding behind this big grid.

Powerful yet beautifully soft, the Dynos series features an exciting collection of preset, fully customisable effects plus an extensive gel library allows you to dial in any colors. Compatibility with wireless protocols plus DMX connectivity brings further flexibility, the creative possibilities of Dyno series is virtually limitless!

#nanlux #nanluxdyno #dyno1200c #dyno650c #setlife #lightingsetup #ledlights #filmlight #filmlighting #cinematography #cinematographer #gaffer #gafferlighting #arabskygrip

#TheLightingLibrary 💡 #Repost @nanlux_global
・・・
4x Nanlux Dyno 650C’s are hiding behind this big grid.

Powerful yet beautifully soft, the Dynos series features an exciting collection of preset, fully customisable effects plus an extensive gel library allows you to dial in any colors. Compatibility with wireless protocols plus DMX connectivity brings further flexibility, the creative possibilities of Dyno series is virtually limitless!

#nanlux #nanluxdyno #dyno1200c #dyno650c #setlife #lightingsetup #ledlights #filmlight #filmlighting #cinematography #cinematographer #gaffer #gafferlighting #arabskygrip

Swipe for results 💡⚡️🌚🌞 #Repost @bartsienkiewicz
・・・
Here is a night-for-day breakdown from 'The Bromley Boys' feature film.

This day interior scene was set in a classroom and due to the school's schedule we were only allowed to shoot in late afternoon, which in November meant shooting night-for-day.

Swipe right for the lighting plan.

For daylight, Gaffer @runlight_film set up 2x 4K HMIs, the middle one lighting the talent went through a 12x12 Grid Cloth diffusion and the outer one (depending on the shooting direction) was on medium beam to create sharper shadow cuts on the walls (we did use a tree as a light gobo on the back wall). We brightened the outside space a bit, but apart from the very edges, we didn't really show the windows in shot. Inside we rigged 2x 44KinoFlos, one near the front of the classroom and one near the talent. We mixed the bulbs half 5600K (to extend the 'daylight' from outside) and half 3200K (to create a bit of colour contrast and mood). We added some negative fill to shape the window light and a bit of bounce for a backlight. We also had a LED panel on a boom above the door to extend the light from the practicals in the corridor. On reflection, I think the natural sun angle wouldn't create hard light on both ends of the classroom, but I think having hard cuts on both sides helped to sell the sunny daylight illusion...

Shot on Arri Alexa XTs & @cookeoptics Anamorphic/i

Available on Amazon Prime.
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@lighting_for_film
@filmlights @cinematic_lighting @learnfilmmaking
#featurefilm #lightingbreakdown #lightingsetup #behindthescenes #cinematography #cinematographer #cinematographylife #doplife #directorofphotography #arrialexa #cookeoptics #shotoncooke #cookeanamorphic #anamorphic #filmdirector #filmproducer #filmmakers #filmmaking #cinestill #framez

Swipe for results 💡⚡️🌚🌞 #Repost @bartsienkiewicz
・・・
Here is a night-for-day breakdown from 'The Bromley Boys' feature film.

This day interior scene was set in a classroom and due to the school's schedule we were only allowed to shoot in late afternoon, which in November meant shooting night-for-day.

Swipe right for the lighting plan.

For daylight, Gaffer @runlight_film set up 2x 4K HMIs, the middle one lighting the talent went through a 12x12 Grid Cloth diffusion and the outer one (depending on the shooting direction) was on medium beam to create sharper shadow cuts on the walls (we did use a tree as a light gobo on the back wall). We brightened the outside space a bit, but apart from the very edges, we didn't really show the windows in shot. Inside we rigged 2x 44KinoFlos, one near the front of the classroom and one near the talent. We mixed the bulbs half 5600K (to extend the 'daylight' from outside) and half 3200K (to create a bit of colour contrast and mood). We added some negative fill to shape the window light and a bit of bounce for a backlight. We also had a LED panel on a boom above the door to extend the light from the practicals in the corridor. On reflection, I think the natural sun angle wouldn't create hard light on both ends of the classroom, but I think having hard cuts on both sides helped to sell the sunny daylight illusion...

Shot on Arri Alexa XTs & @cookeoptics Anamorphic/i

Available on Amazon Prime.
.
.
.
.
.
.
.
.
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.
@lighting_for_film
@filmlights @cinematic_lighting @learnfilmmaking
#featurefilm #lightingbreakdown #lightingsetup #behindthescenes #cinematography #cinematographer #cinematographylife #doplife #directorofphotography #arrialexa #cookeoptics #shotoncooke #cookeanamorphic #anamorphic #filmdirector #filmproducer #filmmakers #filmmaking #cinestill #framez

Swipe for results 💡⚡️🌚🌞 #Repost @bartsienkiewicz
・・・
Here is a night-for-day breakdown from 'The Bromley Boys' feature film.

This day interior scene was set in a classroom and due to the school's schedule we were only allowed to shoot in late afternoon, which in November meant shooting night-for-day.

Swipe right for the lighting plan.

For daylight, Gaffer @runlight_film set up 2x 4K HMIs, the middle one lighting the talent went through a 12x12 Grid Cloth diffusion and the outer one (depending on the shooting direction) was on medium beam to create sharper shadow cuts on the walls (we did use a tree as a light gobo on the back wall). We brightened the outside space a bit, but apart from the very edges, we didn't really show the windows in shot. Inside we rigged 2x 44KinoFlos, one near the front of the classroom and one near the talent. We mixed the bulbs half 5600K (to extend the 'daylight' from outside) and half 3200K (to create a bit of colour contrast and mood). We added some negative fill to shape the window light and a bit of bounce for a backlight. We also had a LED panel on a boom above the door to extend the light from the practicals in the corridor. On reflection, I think the natural sun angle wouldn't create hard light on both ends of the classroom, but I think having hard cuts on both sides helped to sell the sunny daylight illusion...

Shot on Arri Alexa XTs & @cookeoptics Anamorphic/i

Available on Amazon Prime.
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@lighting_for_film
@filmlights @cinematic_lighting @learnfilmmaking
#featurefilm #lightingbreakdown #lightingsetup #behindthescenes #cinematography #cinematographer #cinematographylife #doplife #directorofphotography #arrialexa #cookeoptics #shotoncooke #cookeanamorphic #anamorphic #filmdirector #filmproducer #filmmakers #filmmaking #cinestill #framez

Swipe for results 💡⚡️🌚🌞 #Repost @bartsienkiewicz
・・・
Here is a night-for-day breakdown from 'The Bromley Boys' feature film.

This day interior scene was set in a classroom and due to the school's schedule we were only allowed to shoot in late afternoon, which in November meant shooting night-for-day.

Swipe right for the lighting plan.

For daylight, Gaffer @runlight_film set up 2x 4K HMIs, the middle one lighting the talent went through a 12x12 Grid Cloth diffusion and the outer one (depending on the shooting direction) was on medium beam to create sharper shadow cuts on the walls (we did use a tree as a light gobo on the back wall). We brightened the outside space a bit, but apart from the very edges, we didn't really show the windows in shot. Inside we rigged 2x 44KinoFlos, one near the front of the classroom and one near the talent. We mixed the bulbs half 5600K (to extend the 'daylight' from outside) and half 3200K (to create a bit of colour contrast and mood). We added some negative fill to shape the window light and a bit of bounce for a backlight. We also had a LED panel on a boom above the door to extend the light from the practicals in the corridor. On reflection, I think the natural sun angle wouldn't create hard light on both ends of the classroom, but I think having hard cuts on both sides helped to sell the sunny daylight illusion...

Shot on Arri Alexa XTs & @cookeoptics Anamorphic/i

Available on Amazon Prime.
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.
@lighting_for_film
@filmlights @cinematic_lighting @learnfilmmaking
#featurefilm #lightingbreakdown #lightingsetup #behindthescenes #cinematography #cinematographer #cinematographylife #doplife #directorofphotography #arrialexa #cookeoptics #shotoncooke #cookeanamorphic #anamorphic #filmdirector #filmproducer #filmmakers #filmmaking #cinestill #framez

Swipe for results 💡⚡️🌚🌞 #Repost @bartsienkiewicz
・・・
Here is a night-for-day breakdown from 'The Bromley Boys' feature film.

This day interior scene was set in a classroom and due to the school's schedule we were only allowed to shoot in late afternoon, which in November meant shooting night-for-day.

Swipe right for the lighting plan.

For daylight, Gaffer @runlight_film set up 2x 4K HMIs, the middle one lighting the talent went through a 12x12 Grid Cloth diffusion and the outer one (depending on the shooting direction) was on medium beam to create sharper shadow cuts on the walls (we did use a tree as a light gobo on the back wall). We brightened the outside space a bit, but apart from the very edges, we didn't really show the windows in shot. Inside we rigged 2x 44KinoFlos, one near the front of the classroom and one near the talent. We mixed the bulbs half 5600K (to extend the 'daylight' from outside) and half 3200K (to create a bit of colour contrast and mood). We added some negative fill to shape the window light and a bit of bounce for a backlight. We also had a LED panel on a boom above the door to extend the light from the practicals in the corridor. On reflection, I think the natural sun angle wouldn't create hard light on both ends of the classroom, but I think having hard cuts on both sides helped to sell the sunny daylight illusion...

Shot on Arri Alexa XTs & @cookeoptics Anamorphic/i

Available on Amazon Prime.
.
.
.
.
.
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@lighting_for_film
@filmlights @cinematic_lighting @learnfilmmaking
#featurefilm #lightingbreakdown #lightingsetup #behindthescenes #cinematography #cinematographer #cinematographylife #doplife #directorofphotography #arrialexa #cookeoptics #shotoncooke #cookeanamorphic #anamorphic #filmdirector #filmproducer #filmmakers #filmmaking #cinestill #framez

Swipe for results 💡⚡️🌚🌞 #Repost @bartsienkiewicz
・・・
Here is a night-for-day breakdown from 'The Bromley Boys' feature film.

This day interior scene was set in a classroom and due to the school's schedule we were only allowed to shoot in late afternoon, which in November meant shooting night-for-day.

Swipe right for the lighting plan.

For daylight, Gaffer @runlight_film set up 2x 4K HMIs, the middle one lighting the talent went through a 12x12 Grid Cloth diffusion and the outer one (depending on the shooting direction) was on medium beam to create sharper shadow cuts on the walls (we did use a tree as a light gobo on the back wall). We brightened the outside space a bit, but apart from the very edges, we didn't really show the windows in shot. Inside we rigged 2x 44KinoFlos, one near the front of the classroom and one near the talent. We mixed the bulbs half 5600K (to extend the 'daylight' from outside) and half 3200K (to create a bit of colour contrast and mood). We added some negative fill to shape the window light and a bit of bounce for a backlight. We also had a LED panel on a boom above the door to extend the light from the practicals in the corridor. On reflection, I think the natural sun angle wouldn't create hard light on both ends of the classroom, but I think having hard cuts on both sides helped to sell the sunny daylight illusion...

Shot on Arri Alexa XTs & @cookeoptics Anamorphic/i

Available on Amazon Prime.
.
.
.
.
.
.
.
.
.
.
@lighting_for_film
@filmlights @cinematic_lighting @learnfilmmaking
#featurefilm #lightingbreakdown #lightingsetup #behindthescenes #cinematography #cinematographer #cinematographylife #doplife #directorofphotography #arrialexa #cookeoptics #shotoncooke #cookeanamorphic #anamorphic #filmdirector #filmproducer #filmmakers #filmmaking #cinestill #framez

Swipe for results 💡⚡️🌚🌞 #Repost @bartsienkiewicz
・・・
Here is a night-for-day breakdown from 'The Bromley Boys' feature film.

This day interior scene was set in a classroom and due to the school's schedule we were only allowed to shoot in late afternoon, which in November meant shooting night-for-day.

Swipe right for the lighting plan.

For daylight, Gaffer @runlight_film set up 2x 4K HMIs, the middle one lighting the talent went through a 12x12 Grid Cloth diffusion and the outer one (depending on the shooting direction) was on medium beam to create sharper shadow cuts on the walls (we did use a tree as a light gobo on the back wall). We brightened the outside space a bit, but apart from the very edges, we didn't really show the windows in shot. Inside we rigged 2x 44KinoFlos, one near the front of the classroom and one near the talent. We mixed the bulbs half 5600K (to extend the 'daylight' from outside) and half 3200K (to create a bit of colour contrast and mood). We added some negative fill to shape the window light and a bit of bounce for a backlight. We also had a LED panel on a boom above the door to extend the light from the practicals in the corridor. On reflection, I think the natural sun angle wouldn't create hard light on both ends of the classroom, but I think having hard cuts on both sides helped to sell the sunny daylight illusion...

Shot on Arri Alexa XTs & @cookeoptics Anamorphic/i

Available on Amazon Prime.
.
.
.
.
.
.
.
.
.
.
@lighting_for_film
@filmlights @cinematic_lighting @learnfilmmaking
#featurefilm #lightingbreakdown #lightingsetup #behindthescenes #cinematography #cinematographer #cinematographylife #doplife #directorofphotography #arrialexa #cookeoptics #shotoncooke #cookeanamorphic #anamorphic #filmdirector #filmproducer #filmmakers #filmmaking #cinestill #framez

Swipe for results 💡⚡️🌚🌞 #Repost @bartsienkiewicz
・・・
Here is a night-for-day breakdown from 'The Bromley Boys' feature film.

This day interior scene was set in a classroom and due to the school's schedule we were only allowed to shoot in late afternoon, which in November meant shooting night-for-day.

Swipe right for the lighting plan.

For daylight, Gaffer @runlight_film set up 2x 4K HMIs, the middle one lighting the talent went through a 12x12 Grid Cloth diffusion and the outer one (depending on the shooting direction) was on medium beam to create sharper shadow cuts on the walls (we did use a tree as a light gobo on the back wall). We brightened the outside space a bit, but apart from the very edges, we didn't really show the windows in shot. Inside we rigged 2x 44KinoFlos, one near the front of the classroom and one near the talent. We mixed the bulbs half 5600K (to extend the 'daylight' from outside) and half 3200K (to create a bit of colour contrast and mood). We added some negative fill to shape the window light and a bit of bounce for a backlight. We also had a LED panel on a boom above the door to extend the light from the practicals in the corridor. On reflection, I think the natural sun angle wouldn't create hard light on both ends of the classroom, but I think having hard cuts on both sides helped to sell the sunny daylight illusion...

Shot on Arri Alexa XTs & @cookeoptics Anamorphic/i

Available on Amazon Prime.
.
.
.
.
.
.
.
.
.
.
@lighting_for_film
@filmlights @cinematic_lighting @learnfilmmaking
#featurefilm #lightingbreakdown #lightingsetup #behindthescenes #cinematography #cinematographer #cinematographylife #doplife #directorofphotography #arrialexa #cookeoptics #shotoncooke #cookeanamorphic #anamorphic #filmdirector #filmproducer #filmmakers #filmmaking #cinestill #framez

Swipe for results 💡⚡️🌚🌞 #Repost @bartsienkiewicz
・・・
Here is a night-for-day breakdown from 'The Bromley Boys' feature film.

This day interior scene was set in a classroom and due to the school's schedule we were only allowed to shoot in late afternoon, which in November meant shooting night-for-day.

Swipe right for the lighting plan.

For daylight, Gaffer @runlight_film set up 2x 4K HMIs, the middle one lighting the talent went through a 12x12 Grid Cloth diffusion and the outer one (depending on the shooting direction) was on medium beam to create sharper shadow cuts on the walls (we did use a tree as a light gobo on the back wall). We brightened the outside space a bit, but apart from the very edges, we didn't really show the windows in shot. Inside we rigged 2x 44KinoFlos, one near the front of the classroom and one near the talent. We mixed the bulbs half 5600K (to extend the 'daylight' from outside) and half 3200K (to create a bit of colour contrast and mood). We added some negative fill to shape the window light and a bit of bounce for a backlight. We also had a LED panel on a boom above the door to extend the light from the practicals in the corridor. On reflection, I think the natural sun angle wouldn't create hard light on both ends of the classroom, but I think having hard cuts on both sides helped to sell the sunny daylight illusion...

Shot on Arri Alexa XTs & @cookeoptics Anamorphic/i

Available on Amazon Prime.
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@lighting_for_film
@filmlights @cinematic_lighting @learnfilmmaking
#featurefilm #lightingbreakdown #lightingsetup #behindthescenes #cinematography #cinematographer #cinematographylife #doplife #directorofphotography #arrialexa #cookeoptics #shotoncooke #cookeanamorphic #anamorphic #filmdirector #filmproducer #filmmakers #filmmaking #cinestill #framez

Swipe for results 💡⚡️🌚🌞 #Repost @bartsienkiewicz
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Here is a night-for-day breakdown from 'The Bromley Boys' feature film.

This day interior scene was set in a classroom and due to the school's schedule we were only allowed to shoot in late afternoon, which in November meant shooting night-for-day.

Swipe right for the lighting plan.

For daylight, Gaffer @runlight_film set up 2x 4K HMIs, the middle one lighting the talent went through a 12x12 Grid Cloth diffusion and the outer one (depending on the shooting direction) was on medium beam to create sharper shadow cuts on the walls (we did use a tree as a light gobo on the back wall). We brightened the outside space a bit, but apart from the very edges, we didn't really show the windows in shot. Inside we rigged 2x 44KinoFlos, one near the front of the classroom and one near the talent. We mixed the bulbs half 5600K (to extend the 'daylight' from outside) and half 3200K (to create a bit of colour contrast and mood). We added some negative fill to shape the window light and a bit of bounce for a backlight. We also had a LED panel on a boom above the door to extend the light from the practicals in the corridor. On reflection, I think the natural sun angle wouldn't create hard light on both ends of the classroom, but I think having hard cuts on both sides helped to sell the sunny daylight illusion...

Shot on Arri Alexa XTs & @cookeoptics Anamorphic/i

Available on Amazon Prime.
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.
.
.
.
.
.
.
.
@lighting_for_film
@filmlights @cinematic_lighting @learnfilmmaking
#featurefilm #lightingbreakdown #lightingsetup #behindthescenes #cinematography #cinematographer #cinematographylife #doplife #directorofphotography #arrialexa #cookeoptics #shotoncooke #cookeanamorphic #anamorphic #filmdirector #filmproducer #filmmakers #filmmaking #cinestill #framez

#TheLightingLibrary #Repost @justinjanowitz
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Another setup I've had some questions about, the Roundtable scene in "City of Angels, City of Death." Lighting diagram and camera plot on the last slide.

We wanted the scene to be reminiscent of the bars and restaurants that the guys would meet in back in the day to discuss their cases, but present it in a new way by almost picking up their booth and placing it in the warehouse. I wanted the lighting to be influenced by a bar location, but also a bit dramatic.

We started by using @quasarscience 4' and 2' tubes over the back of the booth to give a bit of shine to the red leather and also top light the guys to bring them up just enough so they wouldn't blend in to the background. It also created just enough light to shape their faces when they turn and talk to each other, without them being even lit the whole time. The key light for the scene was a leko rigged just off the table that we diffused, snooted, and slammed into the table cloth. All of these fixtures were on dimmers.

I wanted the window behind the table to glow with a dirty kind of grimy warehouse vibe and color, but not give any ambient light to the room. We put 2x #arrilighting 2k open face fixtures in the hallway on the other side of the window. The hallway was a yellow/green color which was a perfect color for the glow from the window, so we bounced the lights off the back wall of the hall and through a 12x rag of unbleached muslin. To give the bench in the foreground of the wide shot it's shine, we used a leko into some beadboard.

Two of our cameras were mounted on 6' sliders with 25-250mm lenses get us multiple angles on the guys as they talked. The third was a static wide.

Gaffer: @luxelement - Mike Jones
Key Grip: @nitelander - Gonzo
Camera Op: @g2arch - Greg Arch

"City of Angels, City of Death" streaming now exclusively on #hulu

#dp #dop #directorofphotography #cinematography #cinematographer #filmset #documentary #documentaryphotography #docuseries #lighting #lightingdesign #lightingdiagram #gaffer #keygrip #lightingforfilm @filmlights @cinematic_lighting #alexamini #canonfd #angenieuxoptimo #behindthescenes #behindthescenes🎬

#TheLightingLibrary #Repost @justinjanowitz
・・・
Another setup I've had some questions about, the Roundtable scene in "City of Angels, City of Death." Lighting diagram and camera plot on the last slide.

We wanted the scene to be reminiscent of the bars and restaurants that the guys would meet in back in the day to discuss their cases, but present it in a new way by almost picking up their booth and placing it in the warehouse. I wanted the lighting to be influenced by a bar location, but also a bit dramatic.

We started by using @quasarscience 4' and 2' tubes over the back of the booth to give a bit of shine to the red leather and also top light the guys to bring them up just enough so they wouldn't blend in to the background. It also created just enough light to shape their faces when they turn and talk to each other, without them being even lit the whole time. The key light for the scene was a leko rigged just off the table that we diffused, snooted, and slammed into the table cloth. All of these fixtures were on dimmers.

I wanted the window behind the table to glow with a dirty kind of grimy warehouse vibe and color, but not give any ambient light to the room. We put 2x #arrilighting 2k open face fixtures in the hallway on the other side of the window. The hallway was a yellow/green color which was a perfect color for the glow from the window, so we bounced the lights off the back wall of the hall and through a 12x rag of unbleached muslin. To give the bench in the foreground of the wide shot it's shine, we used a leko into some beadboard.

Two of our cameras were mounted on 6' sliders with 25-250mm lenses get us multiple angles on the guys as they talked. The third was a static wide.

Gaffer: @luxelement - Mike Jones
Key Grip: @nitelander - Gonzo
Camera Op: @g2arch - Greg Arch

"City of Angels, City of Death" streaming now exclusively on #hulu

#dp #dop #directorofphotography #cinematography #cinematographer #filmset #documentary #documentaryphotography #docuseries #lighting #lightingdesign #lightingdiagram #gaffer #keygrip #lightingforfilm @filmlights @cinematic_lighting #alexamini #canonfd #angenieuxoptimo #behindthescenes #behindthescenes🎬

#TheLightingLibrary #Repost @justinjanowitz
・・・
Another setup I've had some questions about, the Roundtable scene in "City of Angels, City of Death." Lighting diagram and camera plot on the last slide.

We wanted the scene to be reminiscent of the bars and restaurants that the guys would meet in back in the day to discuss their cases, but present it in a new way by almost picking up their booth and placing it in the warehouse. I wanted the lighting to be influenced by a bar location, but also a bit dramatic.

We started by using @quasarscience 4' and 2' tubes over the back of the booth to give a bit of shine to the red leather and also top light the guys to bring them up just enough so they wouldn't blend in to the background. It also created just enough light to shape their faces when they turn and talk to each other, without them being even lit the whole time. The key light for the scene was a leko rigged just off the table that we diffused, snooted, and slammed into the table cloth. All of these fixtures were on dimmers.

I wanted the window behind the table to glow with a dirty kind of grimy warehouse vibe and color, but not give any ambient light to the room. We put 2x #arrilighting 2k open face fixtures in the hallway on the other side of the window. The hallway was a yellow/green color which was a perfect color for the glow from the window, so we bounced the lights off the back wall of the hall and through a 12x rag of unbleached muslin. To give the bench in the foreground of the wide shot it's shine, we used a leko into some beadboard.

Two of our cameras were mounted on 6' sliders with 25-250mm lenses get us multiple angles on the guys as they talked. The third was a static wide.

Gaffer: @luxelement - Mike Jones
Key Grip: @nitelander - Gonzo
Camera Op: @g2arch - Greg Arch

"City of Angels, City of Death" streaming now exclusively on #hulu

#dp #dop #directorofphotography #cinematography #cinematographer #filmset #documentary #documentaryphotography #docuseries #lighting #lightingdesign #lightingdiagram #gaffer #keygrip #lightingforfilm @filmlights @cinematic_lighting #alexamini #canonfd #angenieuxoptimo #behindthescenes #behindthescenes🎬

#TheLightingLibrary #Repost @justinjanowitz
・・・
Another setup I've had some questions about, the Roundtable scene in "City of Angels, City of Death." Lighting diagram and camera plot on the last slide.

We wanted the scene to be reminiscent of the bars and restaurants that the guys would meet in back in the day to discuss their cases, but present it in a new way by almost picking up their booth and placing it in the warehouse. I wanted the lighting to be influenced by a bar location, but also a bit dramatic.

We started by using @quasarscience 4' and 2' tubes over the back of the booth to give a bit of shine to the red leather and also top light the guys to bring them up just enough so they wouldn't blend in to the background. It also created just enough light to shape their faces when they turn and talk to each other, without them being even lit the whole time. The key light for the scene was a leko rigged just off the table that we diffused, snooted, and slammed into the table cloth. All of these fixtures were on dimmers.

I wanted the window behind the table to glow with a dirty kind of grimy warehouse vibe and color, but not give any ambient light to the room. We put 2x #arrilighting 2k open face fixtures in the hallway on the other side of the window. The hallway was a yellow/green color which was a perfect color for the glow from the window, so we bounced the lights off the back wall of the hall and through a 12x rag of unbleached muslin. To give the bench in the foreground of the wide shot it's shine, we used a leko into some beadboard.

Two of our cameras were mounted on 6' sliders with 25-250mm lenses get us multiple angles on the guys as they talked. The third was a static wide.

Gaffer: @luxelement - Mike Jones
Key Grip: @nitelander - Gonzo
Camera Op: @g2arch - Greg Arch

"City of Angels, City of Death" streaming now exclusively on #hulu

#dp #dop #directorofphotography #cinematography #cinematographer #filmset #documentary #documentaryphotography #docuseries #lighting #lightingdesign #lightingdiagram #gaffer #keygrip #lightingforfilm @filmlights @cinematic_lighting #alexamini #canonfd #angenieuxoptimo #behindthescenes #behindthescenes🎬

#TheLightingLibrary #Repost @justinjanowitz
・・・
Another setup I've had some questions about, the Roundtable scene in "City of Angels, City of Death." Lighting diagram and camera plot on the last slide.

We wanted the scene to be reminiscent of the bars and restaurants that the guys would meet in back in the day to discuss their cases, but present it in a new way by almost picking up their booth and placing it in the warehouse. I wanted the lighting to be influenced by a bar location, but also a bit dramatic.

We started by using @quasarscience 4' and 2' tubes over the back of the booth to give a bit of shine to the red leather and also top light the guys to bring them up just enough so they wouldn't blend in to the background. It also created just enough light to shape their faces when they turn and talk to each other, without them being even lit the whole time. The key light for the scene was a leko rigged just off the table that we diffused, snooted, and slammed into the table cloth. All of these fixtures were on dimmers.

I wanted the window behind the table to glow with a dirty kind of grimy warehouse vibe and color, but not give any ambient light to the room. We put 2x #arrilighting 2k open face fixtures in the hallway on the other side of the window. The hallway was a yellow/green color which was a perfect color for the glow from the window, so we bounced the lights off the back wall of the hall and through a 12x rag of unbleached muslin. To give the bench in the foreground of the wide shot it's shine, we used a leko into some beadboard.

Two of our cameras were mounted on 6' sliders with 25-250mm lenses get us multiple angles on the guys as they talked. The third was a static wide.

Gaffer: @luxelement - Mike Jones
Key Grip: @nitelander - Gonzo
Camera Op: @g2arch - Greg Arch

"City of Angels, City of Death" streaming now exclusively on #hulu

#dp #dop #directorofphotography #cinematography #cinematographer #filmset #documentary #documentaryphotography #docuseries #lighting #lightingdesign #lightingdiagram #gaffer #keygrip #lightingforfilm @filmlights @cinematic_lighting #alexamini #canonfd #angenieuxoptimo #behindthescenes #behindthescenes🎬

#TheLightingLibrary #Repost @justinjanowitz
・・・
Another setup I've had some questions about, the Roundtable scene in "City of Angels, City of Death." Lighting diagram and camera plot on the last slide.

We wanted the scene to be reminiscent of the bars and restaurants that the guys would meet in back in the day to discuss their cases, but present it in a new way by almost picking up their booth and placing it in the warehouse. I wanted the lighting to be influenced by a bar location, but also a bit dramatic.

We started by using @quasarscience 4' and 2' tubes over the back of the booth to give a bit of shine to the red leather and also top light the guys to bring them up just enough so they wouldn't blend in to the background. It also created just enough light to shape their faces when they turn and talk to each other, without them being even lit the whole time. The key light for the scene was a leko rigged just off the table that we diffused, snooted, and slammed into the table cloth. All of these fixtures were on dimmers.

I wanted the window behind the table to glow with a dirty kind of grimy warehouse vibe and color, but not give any ambient light to the room. We put 2x #arrilighting 2k open face fixtures in the hallway on the other side of the window. The hallway was a yellow/green color which was a perfect color for the glow from the window, so we bounced the lights off the back wall of the hall and through a 12x rag of unbleached muslin. To give the bench in the foreground of the wide shot it's shine, we used a leko into some beadboard.

Two of our cameras were mounted on 6' sliders with 25-250mm lenses get us multiple angles on the guys as they talked. The third was a static wide.

Gaffer: @luxelement - Mike Jones
Key Grip: @nitelander - Gonzo
Camera Op: @g2arch - Greg Arch

"City of Angels, City of Death" streaming now exclusively on #hulu

#dp #dop #directorofphotography #cinematography #cinematographer #filmset #documentary #documentaryphotography #docuseries #lighting #lightingdesign #lightingdiagram #gaffer #keygrip #lightingforfilm @filmlights @cinematic_lighting #alexamini #canonfd #angenieuxoptimo #behindthescenes #behindthescenes🎬

#TheLightingLibrary #Repost @hudson.spider
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Beautiful interview set-up by @durweezy and @the_constantine_lens. 🕷

#TheLightingLibrary #Repost @hudson.spider
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Beautiful interview set-up by @durweezy and @the_constantine_lens. 🕷

#TheLightingLibrary #Repost @hudson.spider
・・・
Beautiful interview set-up by @durweezy and @the_constantine_lens. 🕷

#TheLightingLibrary #Repost @hudson.spider
・・・
Beautiful interview set-up by @durweezy and @the_constantine_lens. 🕷

#TheLightingLibrary #Repost @hudson.spider
・・・
Beautiful interview set-up by @durweezy and @the_constantine_lens. 🕷

#TheLightingLibrary #Repost @hudson.spider
・・・
Beautiful interview set-up by @durweezy and @the_constantine_lens. 🕷

#TheLightingLibrary #Repost @hudson.spider
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Beautiful interview set-up by @durweezy and @the_constantine_lens. 🕷

#TheLightingLibrary #Repost @carpetlights
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Probably the fastest and lightest way to install a huge toplight without getting the location manager mad and without leaving traces ... The Carpetlight CL8x8 hung with bungees and thin fishing rope ... thanks to @alvarohuerta

#behindthescenes #carpetlights #carpetlight #filmlighting #filmlights #filmmaking #filmset #gaffer #rigging #cl8x8