Instagram Story Viewer
View Instagram Stories Anonymously
timpetill
Anne Ryan
Art, mostly
‘Gravity’ is a deeply satisfying exhibition @foxjensengallery that sets all the senses a tingling.
Shown here are paintings by Mark Francis, Callum Innes, Paul Czerlitzki and Koen Delaere.
@markfrancis62 @studiocinnes #paulczerlitzki @koendelaere
‘Gravity’ is a deeply satisfying exhibition @foxjensengallery that sets all the senses a tingling.
Shown here are paintings by Mark Francis, Callum Innes, Paul Czerlitzki and Koen Delaere.
@markfrancis62 @studiocinnes #paulczerlitzki @koendelaere
‘Gravity’ is a deeply satisfying exhibition @foxjensengallery that sets all the senses a tingling.
Shown here are paintings by Mark Francis, Callum Innes, Paul Czerlitzki and Koen Delaere.
@markfrancis62 @studiocinnes #paulczerlitzki @koendelaere
‘Gravity’ is a deeply satisfying exhibition @foxjensengallery that sets all the senses a tingling.
Shown here are paintings by Mark Francis, Callum Innes, Paul Czerlitzki and Koen Delaere.
@markfrancis62 @studiocinnes #paulczerlitzki @koendelaere
‘Gravity’ is a deeply satisfying exhibition @foxjensengallery that sets all the senses a tingling.
Shown here are paintings by Mark Francis, Callum Innes, Paul Czerlitzki and Koen Delaere.
@markfrancis62 @studiocinnes #paulczerlitzki @koendelaere
‘Gravity’ is a deeply satisfying exhibition @foxjensengallery that sets all the senses a tingling.
Shown here are paintings by Mark Francis, Callum Innes, Paul Czerlitzki and Koen Delaere.
@markfrancis62 @studiocinnes #paulczerlitzki @koendelaere
‘Gravity’ is a deeply satisfying exhibition @foxjensengallery that sets all the senses a tingling.
Shown here are paintings by Mark Francis, Callum Innes, Paul Czerlitzki and Koen Delaere.
@markfrancis62 @studiocinnes #paulczerlitzki @koendelaere
‘Gravity’ is a deeply satisfying exhibition @foxjensengallery that sets all the senses a tingling.
Shown here are paintings by Mark Francis, Callum Innes, Paul Czerlitzki and Koen Delaere.
@markfrancis62 @studiocinnes #paulczerlitzki @koendelaere
Ruth Waller ‘Familiar things and unfamiliar places’ @rogue_pop_upHorizontal paintings of objects, landscape and figures made on hessian, which seems to simultaneously soak up pigment while repelling it. Lovely stuff. @ruthwaller6060
Ruth Waller ‘Familiar things and unfamiliar places’ @rogue_pop_upHorizontal paintings of objects, landscape and figures made on hessian, which seems to simultaneously soak up pigment while repelling it. Lovely stuff. @ruthwaller6060
Ruth Waller ‘Familiar things and unfamiliar places’ @rogue_pop_upHorizontal paintings of objects, landscape and figures made on hessian, which seems to simultaneously soak up pigment while repelling it. Lovely stuff. @ruthwaller6060
Ruth Waller ‘Familiar things and unfamiliar places’ @rogue_pop_upHorizontal paintings of objects, landscape and figures made on hessian, which seems to simultaneously soak up pigment while repelling it. Lovely stuff. @ruthwaller6060
Ruth Waller ‘Familiar things and unfamiliar places’ @rogue_pop_upHorizontal paintings of objects, landscape and figures made on hessian, which seems to simultaneously soak up pigment while repelling it. Lovely stuff. @ruthwaller6060
Ruth Waller ‘Familiar things and unfamiliar places’ @rogue_pop_upHorizontal paintings of objects, landscape and figures made on hessian, which seems to simultaneously soak up pigment while repelling it. Lovely stuff. @ruthwaller6060
Ruth Waller ‘Familiar things and unfamiliar places’ @rogue_pop_upHorizontal paintings of objects, landscape and figures made on hessian, which seems to simultaneously soak up pigment while repelling it. Lovely stuff. @ruthwaller6060
Ruth Waller ‘Familiar things and unfamiliar places’ @rogue_pop_upHorizontal paintings of objects, landscape and figures made on hessian, which seems to simultaneously soak up pigment while repelling it. Lovely stuff. @ruthwaller6060
John Peart ‘Untitled 2086’ 2006 acrylic on paper on board and ‘Untitled 521’ 2000 oil on board in an exhibition ‘John Peart, Unfolding time’ @kingstreetgallery held in conjunction with the publication of a new monograph ‘John Peart’ edited by Sioux Garside, with words by Christopher Saines, Sioux Garside, Quentin Sprague, Joe Frost, Virginia Milson, John Peart, and moi.
John Peart ‘Untitled 2086’ 2006 acrylic on paper on board and ‘Untitled 521’ 2000 oil on board in an exhibition ‘John Peart, Unfolding time’ @kingstreetgallery held in conjunction with the publication of a new monograph ‘John Peart’ edited by Sioux Garside, with words by Christopher Saines, Sioux Garside, Quentin Sprague, Joe Frost, Virginia Milson, John Peart, and moi.
John Peart ‘Untitled 2086’ 2006 acrylic on paper on board and ‘Untitled 521’ 2000 oil on board in an exhibition ‘John Peart, Unfolding time’ @kingstreetgallery held in conjunction with the publication of a new monograph ‘John Peart’ edited by Sioux Garside, with words by Christopher Saines, Sioux Garside, Quentin Sprague, Joe Frost, Virginia Milson, John Peart, and moi.
John Peart ‘Untitled 2086’ 2006 acrylic on paper on board and ‘Untitled 521’ 2000 oil on board in an exhibition ‘John Peart, Unfolding time’ @kingstreetgallery held in conjunction with the publication of a new monograph ‘John Peart’ edited by Sioux Garside, with words by Christopher Saines, Sioux Garside, Quentin Sprague, Joe Frost, Virginia Milson, John Peart, and moi.
John Peart ‘Untitled 2086’ 2006 acrylic on paper on board and ‘Untitled 521’ 2000 oil on board in an exhibition ‘John Peart, Unfolding time’ @kingstreetgallery held in conjunction with the publication of a new monograph ‘John Peart’ edited by Sioux Garside, with words by Christopher Saines, Sioux Garside, Quentin Sprague, Joe Frost, Virginia Milson, John Peart, and moi.
The ‘Ngura Pulka Epic Country’ exhibition @nationalgalleryaus is a knockout. Ignore the noise and sit with these pictures, they’ll take your breath away.
Shown here are:
Mimili Minyma Women’s Collaborative (Betty Tjulpukana Campbell, Emma Singer, Pauline Minmila Wangin) ‘Kapi (water)’ 2022
Mitakiki Women’s Collaborative (Naomi Kantjuriny, Tjimpayi Presley, Joylene Presley, Mona Mitakiki Shepherd) ‘Seven Sisters’ 2021
Teresa Baker ‘Minyma Malilunya’ 2022
Kunmanara (Ray) Ken ‘Kulata Tjuta’ 2013
Tuppy Goodwin ‘Antara’ 2022
Betty Muffler and Maringka Burton ‘Ngangkari Ngura (Healing Country)’ 2022
Betty Kuntiwa Pumani ‘Antara’ 2022
Kunmanara Kawiny ‘Seven Sisters’ 2011
Maringka Baker ‘Kuru Ala’ 2007
Matjangka Nyukana Norris ‘Ngura Pilti’ 2021
#pitjantjatjara #yankunytjatjara #apy
The ‘Ngura Pulka Epic Country’ exhibition @nationalgalleryaus is a knockout. Ignore the noise and sit with these pictures, they’ll take your breath away.
Shown here are:
Mimili Minyma Women’s Collaborative (Betty Tjulpukana Campbell, Emma Singer, Pauline Minmila Wangin) ‘Kapi (water)’ 2022
Mitakiki Women’s Collaborative (Naomi Kantjuriny, Tjimpayi Presley, Joylene Presley, Mona Mitakiki Shepherd) ‘Seven Sisters’ 2021
Teresa Baker ‘Minyma Malilunya’ 2022
Kunmanara (Ray) Ken ‘Kulata Tjuta’ 2013
Tuppy Goodwin ‘Antara’ 2022
Betty Muffler and Maringka Burton ‘Ngangkari Ngura (Healing Country)’ 2022
Betty Kuntiwa Pumani ‘Antara’ 2022
Kunmanara Kawiny ‘Seven Sisters’ 2011
Maringka Baker ‘Kuru Ala’ 2007
Matjangka Nyukana Norris ‘Ngura Pilti’ 2021
#pitjantjatjara #yankunytjatjara #apy
The ‘Ngura Pulka Epic Country’ exhibition @nationalgalleryaus is a knockout. Ignore the noise and sit with these pictures, they’ll take your breath away.
Shown here are:
Mimili Minyma Women’s Collaborative (Betty Tjulpukana Campbell, Emma Singer, Pauline Minmila Wangin) ‘Kapi (water)’ 2022
Mitakiki Women’s Collaborative (Naomi Kantjuriny, Tjimpayi Presley, Joylene Presley, Mona Mitakiki Shepherd) ‘Seven Sisters’ 2021
Teresa Baker ‘Minyma Malilunya’ 2022
Kunmanara (Ray) Ken ‘Kulata Tjuta’ 2013
Tuppy Goodwin ‘Antara’ 2022
Betty Muffler and Maringka Burton ‘Ngangkari Ngura (Healing Country)’ 2022
Betty Kuntiwa Pumani ‘Antara’ 2022
Kunmanara Kawiny ‘Seven Sisters’ 2011
Maringka Baker ‘Kuru Ala’ 2007
Matjangka Nyukana Norris ‘Ngura Pilti’ 2021
#pitjantjatjara #yankunytjatjara #apy
The ‘Ngura Pulka Epic Country’ exhibition @nationalgalleryaus is a knockout. Ignore the noise and sit with these pictures, they’ll take your breath away.
Shown here are:
Mimili Minyma Women’s Collaborative (Betty Tjulpukana Campbell, Emma Singer, Pauline Minmila Wangin) ‘Kapi (water)’ 2022
Mitakiki Women’s Collaborative (Naomi Kantjuriny, Tjimpayi Presley, Joylene Presley, Mona Mitakiki Shepherd) ‘Seven Sisters’ 2021
Teresa Baker ‘Minyma Malilunya’ 2022
Kunmanara (Ray) Ken ‘Kulata Tjuta’ 2013
Tuppy Goodwin ‘Antara’ 2022
Betty Muffler and Maringka Burton ‘Ngangkari Ngura (Healing Country)’ 2022
Betty Kuntiwa Pumani ‘Antara’ 2022
Kunmanara Kawiny ‘Seven Sisters’ 2011
Maringka Baker ‘Kuru Ala’ 2007
Matjangka Nyukana Norris ‘Ngura Pilti’ 2021
#pitjantjatjara #yankunytjatjara #apy
The ‘Ngura Pulka Epic Country’ exhibition @nationalgalleryaus is a knockout. Ignore the noise and sit with these pictures, they’ll take your breath away.
Shown here are:
Mimili Minyma Women’s Collaborative (Betty Tjulpukana Campbell, Emma Singer, Pauline Minmila Wangin) ‘Kapi (water)’ 2022
Mitakiki Women’s Collaborative (Naomi Kantjuriny, Tjimpayi Presley, Joylene Presley, Mona Mitakiki Shepherd) ‘Seven Sisters’ 2021
Teresa Baker ‘Minyma Malilunya’ 2022
Kunmanara (Ray) Ken ‘Kulata Tjuta’ 2013
Tuppy Goodwin ‘Antara’ 2022
Betty Muffler and Maringka Burton ‘Ngangkari Ngura (Healing Country)’ 2022
Betty Kuntiwa Pumani ‘Antara’ 2022
Kunmanara Kawiny ‘Seven Sisters’ 2011
Maringka Baker ‘Kuru Ala’ 2007
Matjangka Nyukana Norris ‘Ngura Pilti’ 2021
#pitjantjatjara #yankunytjatjara #apy
The ‘Ngura Pulka Epic Country’ exhibition @nationalgalleryaus is a knockout. Ignore the noise and sit with these pictures, they’ll take your breath away.
Shown here are:
Mimili Minyma Women’s Collaborative (Betty Tjulpukana Campbell, Emma Singer, Pauline Minmila Wangin) ‘Kapi (water)’ 2022
Mitakiki Women’s Collaborative (Naomi Kantjuriny, Tjimpayi Presley, Joylene Presley, Mona Mitakiki Shepherd) ‘Seven Sisters’ 2021
Teresa Baker ‘Minyma Malilunya’ 2022
Kunmanara (Ray) Ken ‘Kulata Tjuta’ 2013
Tuppy Goodwin ‘Antara’ 2022
Betty Muffler and Maringka Burton ‘Ngangkari Ngura (Healing Country)’ 2022
Betty Kuntiwa Pumani ‘Antara’ 2022
Kunmanara Kawiny ‘Seven Sisters’ 2011
Maringka Baker ‘Kuru Ala’ 2007
Matjangka Nyukana Norris ‘Ngura Pilti’ 2021
#pitjantjatjara #yankunytjatjara #apy
The ‘Ngura Pulka Epic Country’ exhibition @nationalgalleryaus is a knockout. Ignore the noise and sit with these pictures, they’ll take your breath away.
Shown here are:
Mimili Minyma Women’s Collaborative (Betty Tjulpukana Campbell, Emma Singer, Pauline Minmila Wangin) ‘Kapi (water)’ 2022
Mitakiki Women’s Collaborative (Naomi Kantjuriny, Tjimpayi Presley, Joylene Presley, Mona Mitakiki Shepherd) ‘Seven Sisters’ 2021
Teresa Baker ‘Minyma Malilunya’ 2022
Kunmanara (Ray) Ken ‘Kulata Tjuta’ 2013
Tuppy Goodwin ‘Antara’ 2022
Betty Muffler and Maringka Burton ‘Ngangkari Ngura (Healing Country)’ 2022
Betty Kuntiwa Pumani ‘Antara’ 2022
Kunmanara Kawiny ‘Seven Sisters’ 2011
Maringka Baker ‘Kuru Ala’ 2007
Matjangka Nyukana Norris ‘Ngura Pilti’ 2021
#pitjantjatjara #yankunytjatjara #apy
The ‘Ngura Pulka Epic Country’ exhibition @nationalgalleryaus is a knockout. Ignore the noise and sit with these pictures, they’ll take your breath away.
Shown here are:
Mimili Minyma Women’s Collaborative (Betty Tjulpukana Campbell, Emma Singer, Pauline Minmila Wangin) ‘Kapi (water)’ 2022
Mitakiki Women’s Collaborative (Naomi Kantjuriny, Tjimpayi Presley, Joylene Presley, Mona Mitakiki Shepherd) ‘Seven Sisters’ 2021
Teresa Baker ‘Minyma Malilunya’ 2022
Kunmanara (Ray) Ken ‘Kulata Tjuta’ 2013
Tuppy Goodwin ‘Antara’ 2022
Betty Muffler and Maringka Burton ‘Ngangkari Ngura (Healing Country)’ 2022
Betty Kuntiwa Pumani ‘Antara’ 2022
Kunmanara Kawiny ‘Seven Sisters’ 2011
Maringka Baker ‘Kuru Ala’ 2007
Matjangka Nyukana Norris ‘Ngura Pilti’ 2021
#pitjantjatjara #yankunytjatjara #apy
The ‘Ngura Pulka Epic Country’ exhibition @nationalgalleryaus is a knockout. Ignore the noise and sit with these pictures, they’ll take your breath away.
Shown here are:
Mimili Minyma Women’s Collaborative (Betty Tjulpukana Campbell, Emma Singer, Pauline Minmila Wangin) ‘Kapi (water)’ 2022
Mitakiki Women’s Collaborative (Naomi Kantjuriny, Tjimpayi Presley, Joylene Presley, Mona Mitakiki Shepherd) ‘Seven Sisters’ 2021
Teresa Baker ‘Minyma Malilunya’ 2022
Kunmanara (Ray) Ken ‘Kulata Tjuta’ 2013
Tuppy Goodwin ‘Antara’ 2022
Betty Muffler and Maringka Burton ‘Ngangkari Ngura (Healing Country)’ 2022
Betty Kuntiwa Pumani ‘Antara’ 2022
Kunmanara Kawiny ‘Seven Sisters’ 2011
Maringka Baker ‘Kuru Ala’ 2007
Matjangka Nyukana Norris ‘Ngura Pilti’ 2021
#pitjantjatjara #yankunytjatjara #apy
The ‘Ngura Pulka Epic Country’ exhibition @nationalgalleryaus is a knockout. Ignore the noise and sit with these pictures, they’ll take your breath away.
Shown here are:
Mimili Minyma Women’s Collaborative (Betty Tjulpukana Campbell, Emma Singer, Pauline Minmila Wangin) ‘Kapi (water)’ 2022
Mitakiki Women’s Collaborative (Naomi Kantjuriny, Tjimpayi Presley, Joylene Presley, Mona Mitakiki Shepherd) ‘Seven Sisters’ 2021
Teresa Baker ‘Minyma Malilunya’ 2022
Kunmanara (Ray) Ken ‘Kulata Tjuta’ 2013
Tuppy Goodwin ‘Antara’ 2022
Betty Muffler and Maringka Burton ‘Ngangkari Ngura (Healing Country)’ 2022
Betty Kuntiwa Pumani ‘Antara’ 2022
Kunmanara Kawiny ‘Seven Sisters’ 2011
Maringka Baker ‘Kuru Ala’ 2007
Matjangka Nyukana Norris ‘Ngura Pilti’ 2021
#pitjantjatjara #yankunytjatjara #apy
The ‘Ngura Pulka Epic Country’ exhibition @nationalgalleryaus is a knockout. Ignore the noise and sit with these pictures, they’ll take your breath away.
Shown here are:
Mimili Minyma Women’s Collaborative (Betty Tjulpukana Campbell, Emma Singer, Pauline Minmila Wangin) ‘Kapi (water)’ 2022
Mitakiki Women’s Collaborative (Naomi Kantjuriny, Tjimpayi Presley, Joylene Presley, Mona Mitakiki Shepherd) ‘Seven Sisters’ 2021
Teresa Baker ‘Minyma Malilunya’ 2022
Kunmanara (Ray) Ken ‘Kulata Tjuta’ 2013
Tuppy Goodwin ‘Antara’ 2022
Betty Muffler and Maringka Burton ‘Ngangkari Ngura (Healing Country)’ 2022
Betty Kuntiwa Pumani ‘Antara’ 2022
Kunmanara Kawiny ‘Seven Sisters’ 2011
Maringka Baker ‘Kuru Ala’ 2007
Matjangka Nyukana Norris ‘Ngura Pilti’ 2021
#pitjantjatjara #yankunytjatjara #apy
The ‘Ngura Pulka Epic Country’ exhibition @nationalgalleryaus is a knockout. Ignore the noise and sit with these pictures, they’ll take your breath away.
Shown here are:
Mimili Minyma Women’s Collaborative (Betty Tjulpukana Campbell, Emma Singer, Pauline Minmila Wangin) ‘Kapi (water)’ 2022
Mitakiki Women’s Collaborative (Naomi Kantjuriny, Tjimpayi Presley, Joylene Presley, Mona Mitakiki Shepherd) ‘Seven Sisters’ 2021
Teresa Baker ‘Minyma Malilunya’ 2022
Kunmanara (Ray) Ken ‘Kulata Tjuta’ 2013
Tuppy Goodwin ‘Antara’ 2022
Betty Muffler and Maringka Burton ‘Ngangkari Ngura (Healing Country)’ 2022
Betty Kuntiwa Pumani ‘Antara’ 2022
Kunmanara Kawiny ‘Seven Sisters’ 2011
Maringka Baker ‘Kuru Ala’ 2007
Matjangka Nyukana Norris ‘Ngura Pilti’ 2021
#pitjantjatjara #yankunytjatjara #apy
There’s a powerful collection display at the @nationalgalleryaus with a series of works by @richard_lewer that look at family, memory, love, grief, loss and all that it is being human
Shown here is a wall of paintings from the ‘Steve’ series painted on found laminate table tops and stills from the video work ‘Steve’ 2023-24,a devastating yet beautiful family story of a dementia diagnosis. Incredible stuff.
There’s a powerful collection display at the @nationalgalleryaus with a series of works by @richard_lewer that look at family, memory, love, grief, loss and all that it is being human
Shown here is a wall of paintings from the ‘Steve’ series painted on found laminate table tops and stills from the video work ‘Steve’ 2023-24,a devastating yet beautiful family story of a dementia diagnosis. Incredible stuff.
There’s a powerful collection display at the @nationalgalleryaus with a series of works by @richard_lewer that look at family, memory, love, grief, loss and all that it is being human
Shown here is a wall of paintings from the ‘Steve’ series painted on found laminate table tops and stills from the video work ‘Steve’ 2023-24,a devastating yet beautiful family story of a dementia diagnosis. Incredible stuff.
There’s a powerful collection display at the @nationalgalleryaus with a series of works by @richard_lewer that look at family, memory, love, grief, loss and all that it is being human
Shown here is a wall of paintings from the ‘Steve’ series painted on found laminate table tops and stills from the video work ‘Steve’ 2023-24,a devastating yet beautiful family story of a dementia diagnosis. Incredible stuff.
There’s a powerful collection display at the @nationalgalleryaus with a series of works by @richard_lewer that look at family, memory, love, grief, loss and all that it is being human
Shown here is a wall of paintings from the ‘Steve’ series painted on found laminate table tops and stills from the video work ‘Steve’ 2023-24,a devastating yet beautiful family story of a dementia diagnosis. Incredible stuff.
There’s a powerful collection display at the @nationalgalleryaus with a series of works by @richard_lewer that look at family, memory, love, grief, loss and all that it is being human
Shown here is a wall of paintings from the ‘Steve’ series painted on found laminate table tops and stills from the video work ‘Steve’ 2023-24,a devastating yet beautiful family story of a dementia diagnosis. Incredible stuff.
‘John Brack x Noel McKenna: A face in the mirror’ is a wonderful, wonderful show and so worth a trip to the @portraitau The affinities of image, sensibility and dry, dry humour are so simply revealed, yet packed with constant moments of insight and delight. I loved it.
Shown here is Brack ‘The fish shop’ 1955, McKenna ‘Untitled from Animals I have known’ 2015-16, Brack ‘The conference’ 1956, McKenna ‘Daschund trick’ 2018, Brack ‘The seagull’ 1955, McKenna ‘Quiet room’ 2013, Brack ‘A face in the mirror’ 1965 and some install shots of the show.
Bravo @noel.mckenna and the NPG team 👏🏻👏🏻👏🏻
‘John Brack x Noel McKenna: A face in the mirror’ is a wonderful, wonderful show and so worth a trip to the @portraitau The affinities of image, sensibility and dry, dry humour are so simply revealed, yet packed with constant moments of insight and delight. I loved it.
Shown here is Brack ‘The fish shop’ 1955, McKenna ‘Untitled from Animals I have known’ 2015-16, Brack ‘The conference’ 1956, McKenna ‘Daschund trick’ 2018, Brack ‘The seagull’ 1955, McKenna ‘Quiet room’ 2013, Brack ‘A face in the mirror’ 1965 and some install shots of the show.
Bravo @noel.mckenna and the NPG team 👏🏻👏🏻👏🏻
‘John Brack x Noel McKenna: A face in the mirror’ is a wonderful, wonderful show and so worth a trip to the @portraitau The affinities of image, sensibility and dry, dry humour are so simply revealed, yet packed with constant moments of insight and delight. I loved it.
Shown here is Brack ‘The fish shop’ 1955, McKenna ‘Untitled from Animals I have known’ 2015-16, Brack ‘The conference’ 1956, McKenna ‘Daschund trick’ 2018, Brack ‘The seagull’ 1955, McKenna ‘Quiet room’ 2013, Brack ‘A face in the mirror’ 1965 and some install shots of the show.
Bravo @noel.mckenna and the NPG team 👏🏻👏🏻👏🏻
‘John Brack x Noel McKenna: A face in the mirror’ is a wonderful, wonderful show and so worth a trip to the @portraitau The affinities of image, sensibility and dry, dry humour are so simply revealed, yet packed with constant moments of insight and delight. I loved it.
Shown here is Brack ‘The fish shop’ 1955, McKenna ‘Untitled from Animals I have known’ 2015-16, Brack ‘The conference’ 1956, McKenna ‘Daschund trick’ 2018, Brack ‘The seagull’ 1955, McKenna ‘Quiet room’ 2013, Brack ‘A face in the mirror’ 1965 and some install shots of the show.
Bravo @noel.mckenna and the NPG team 👏🏻👏🏻👏🏻
‘John Brack x Noel McKenna: A face in the mirror’ is a wonderful, wonderful show and so worth a trip to the @portraitau The affinities of image, sensibility and dry, dry humour are so simply revealed, yet packed with constant moments of insight and delight. I loved it.
Shown here is Brack ‘The fish shop’ 1955, McKenna ‘Untitled from Animals I have known’ 2015-16, Brack ‘The conference’ 1956, McKenna ‘Daschund trick’ 2018, Brack ‘The seagull’ 1955, McKenna ‘Quiet room’ 2013, Brack ‘A face in the mirror’ 1965 and some install shots of the show.
Bravo @noel.mckenna and the NPG team 👏🏻👏🏻👏🏻
‘John Brack x Noel McKenna: A face in the mirror’ is a wonderful, wonderful show and so worth a trip to the @portraitau The affinities of image, sensibility and dry, dry humour are so simply revealed, yet packed with constant moments of insight and delight. I loved it.
Shown here is Brack ‘The fish shop’ 1955, McKenna ‘Untitled from Animals I have known’ 2015-16, Brack ‘The conference’ 1956, McKenna ‘Daschund trick’ 2018, Brack ‘The seagull’ 1955, McKenna ‘Quiet room’ 2013, Brack ‘A face in the mirror’ 1965 and some install shots of the show.
Bravo @noel.mckenna and the NPG team 👏🏻👏🏻👏🏻
‘John Brack x Noel McKenna: A face in the mirror’ is a wonderful, wonderful show and so worth a trip to the @portraitau The affinities of image, sensibility and dry, dry humour are so simply revealed, yet packed with constant moments of insight and delight. I loved it.
Shown here is Brack ‘The fish shop’ 1955, McKenna ‘Untitled from Animals I have known’ 2015-16, Brack ‘The conference’ 1956, McKenna ‘Daschund trick’ 2018, Brack ‘The seagull’ 1955, McKenna ‘Quiet room’ 2013, Brack ‘A face in the mirror’ 1965 and some install shots of the show.
Bravo @noel.mckenna and the NPG team 👏🏻👏🏻👏🏻
‘John Brack x Noel McKenna: A face in the mirror’ is a wonderful, wonderful show and so worth a trip to the @portraitau The affinities of image, sensibility and dry, dry humour are so simply revealed, yet packed with constant moments of insight and delight. I loved it.
Shown here is Brack ‘The fish shop’ 1955, McKenna ‘Untitled from Animals I have known’ 2015-16, Brack ‘The conference’ 1956, McKenna ‘Daschund trick’ 2018, Brack ‘The seagull’ 1955, McKenna ‘Quiet room’ 2013, Brack ‘A face in the mirror’ 1965 and some install shots of the show.
Bravo @noel.mckenna and the NPG team 👏🏻👏🏻👏🏻
‘John Brack x Noel McKenna: A face in the mirror’ is a wonderful, wonderful show and so worth a trip to the @portraitau The affinities of image, sensibility and dry, dry humour are so simply revealed, yet packed with constant moments of insight and delight. I loved it.
Shown here is Brack ‘The fish shop’ 1955, McKenna ‘Untitled from Animals I have known’ 2015-16, Brack ‘The conference’ 1956, McKenna ‘Daschund trick’ 2018, Brack ‘The seagull’ 1955, McKenna ‘Quiet room’ 2013, Brack ‘A face in the mirror’ 1965 and some install shots of the show.
Bravo @noel.mckenna and the NPG team 👏🏻👏🏻👏🏻
‘John Brack x Noel McKenna: A face in the mirror’ is a wonderful, wonderful show and so worth a trip to the @portraitau The affinities of image, sensibility and dry, dry humour are so simply revealed, yet packed with constant moments of insight and delight. I loved it.
Shown here is Brack ‘The fish shop’ 1955, McKenna ‘Untitled from Animals I have known’ 2015-16, Brack ‘The conference’ 1956, McKenna ‘Daschund trick’ 2018, Brack ‘The seagull’ 1955, McKenna ‘Quiet room’ 2013, Brack ‘A face in the mirror’ 1965 and some install shots of the show.
Bravo @noel.mckenna and the NPG team 👏🏻👏🏻👏🏻
John Peart, the highly anticipated, hardcover monograph bringing together essay contributions by Sioux GARSIDE, Chris SAINES CNZM, Anne RYAN, Quentin SPRAGUE, Joe FROST and John Peart, is now AVAILABLE to purchase online and in the gallery.
Our next exhibition Unfolding Time: Selected from the Estate of John Peart coincides with the launch of the book in Sydney. The book will be officially launched by Sioux GARSIDE and Anne RYAN at King Street Gallery on William.
For a list of available work by John Peart, or more information about the new book, please email us via art@kingstreetgallery.com
@spitting.img
#JohnPeart #TheArtofJohnPeart #JohnPeartEstate #johnpeartartist #newbook #booklaunch #spittingimage #kingstreetgalleryonwilliam
Edward Hopper ‘Evening wind’ 1921 etching
Edward Hopper has placed his subject - a single figure in an interior - with her face turned from the viewer, looking out a window. She is an everywoman – anonymous, alone in the most private of settings, but intrinsically connected with the life of the modern city. The strong chiaroscuro of the image simplifies the interior and renders it cocoon-like and intimate; it is the outside world that draws her attention, and ours.
This print was first exhibited in 1921 at the National Acadmy of Design, New York. Critics noted Hopper’s ‘genius for finding beauty in ugliness’ – that is, his interest in everyday subject matter, which marked him as ‘modern’ in the eyes of his contemporaries. Hopper was a key figure in the American Ashcan School of painters, which emphasised realism and veracity instead of idealisation.
Thrilled that this superb etching is now in the @artgalleryofnsw collection #edwardhopper #eveningwind #joyandharoldmarchantfoundation #etching
@zaclangdonpole excellent room of stitched/jigsawed together objects including the rather marvellous ’Translatio Studii’ bowls. Strangely satisfying and compelling things.
Part of the ‘All the world’s memories’ exhibition @unswgalleries
@zaclangdonpole excellent room of stitched/jigsawed together objects including the rather marvellous ’Translatio Studii’ bowls. Strangely satisfying and compelling things.
Part of the ‘All the world’s memories’ exhibition @unswgalleries
@zaclangdonpole excellent room of stitched/jigsawed together objects including the rather marvellous ’Translatio Studii’ bowls. Strangely satisfying and compelling things.
Part of the ‘All the world’s memories’ exhibition @unswgalleries
@zaclangdonpole excellent room of stitched/jigsawed together objects including the rather marvellous ’Translatio Studii’ bowls. Strangely satisfying and compelling things.
Part of the ‘All the world’s memories’ exhibition @unswgalleries
@zaclangdonpole excellent room of stitched/jigsawed together objects including the rather marvellous ’Translatio Studii’ bowls. Strangely satisfying and compelling things.
Part of the ‘All the world’s memories’ exhibition @unswgalleries
@zaclangdonpole excellent room of stitched/jigsawed together objects including the rather marvellous ’Translatio Studii’ bowls. Strangely satisfying and compelling things.
Part of the ‘All the world’s memories’ exhibition @unswgalleries
@zaclangdonpole excellent room of stitched/jigsawed together objects including the rather marvellous ’Translatio Studii’ bowls. Strangely satisfying and compelling things.
Part of the ‘All the world’s memories’ exhibition @unswgalleries
Just love the beautifully refined ‘Mitch Cairns: Artist’s mouth’ exhibition @nas_au , which surveys Cairns’ practice since his graduation from that same institution twenty years ago.
Shown here is ‘Study for Painting in increments’ 2014 oil on linen; ‘Manuscript painting’ 2024 oil on linen; ‘World travel (after Tom Kreisler) 2023 oil on linen; ‘Writer with readers’ 2025 oil on linen; ‘Monents notice’ 2018 oil on linen; ‘Soliloquy workshop’ 2018 oil on linen; ‘Redpath Shoes or cover charge’ 2025 oil on linen; ‘One half of a woman’s waistline repeated (Study two)’ 2012 oil on linen; ‘WHAT WA(s) THE NATURE OF WHAT WAS SAID? ?YRROS APOLOGETIC? ? NIA(g)A YAS COULD YOU PLEASE ADDRESS THE QUESTION DIRECTLY?,’ 2015 oil on linen; ‘Low rent’ 2008 oil on linen
#mitchcairns @lulatella
Just love the beautifully refined ‘Mitch Cairns: Artist’s mouth’ exhibition @nas_au , which surveys Cairns’ practice since his graduation from that same institution twenty years ago.
Shown here is ‘Study for Painting in increments’ 2014 oil on linen; ‘Manuscript painting’ 2024 oil on linen; ‘World travel (after Tom Kreisler) 2023 oil on linen; ‘Writer with readers’ 2025 oil on linen; ‘Monents notice’ 2018 oil on linen; ‘Soliloquy workshop’ 2018 oil on linen; ‘Redpath Shoes or cover charge’ 2025 oil on linen; ‘One half of a woman’s waistline repeated (Study two)’ 2012 oil on linen; ‘WHAT WA(s) THE NATURE OF WHAT WAS SAID? ?YRROS APOLOGETIC? ? NIA(g)A YAS COULD YOU PLEASE ADDRESS THE QUESTION DIRECTLY?,’ 2015 oil on linen; ‘Low rent’ 2008 oil on linen
#mitchcairns @lulatella
Just love the beautifully refined ‘Mitch Cairns: Artist’s mouth’ exhibition @nas_au , which surveys Cairns’ practice since his graduation from that same institution twenty years ago.
Shown here is ‘Study for Painting in increments’ 2014 oil on linen; ‘Manuscript painting’ 2024 oil on linen; ‘World travel (after Tom Kreisler) 2023 oil on linen; ‘Writer with readers’ 2025 oil on linen; ‘Monents notice’ 2018 oil on linen; ‘Soliloquy workshop’ 2018 oil on linen; ‘Redpath Shoes or cover charge’ 2025 oil on linen; ‘One half of a woman’s waistline repeated (Study two)’ 2012 oil on linen; ‘WHAT WA(s) THE NATURE OF WHAT WAS SAID? ?YRROS APOLOGETIC? ? NIA(g)A YAS COULD YOU PLEASE ADDRESS THE QUESTION DIRECTLY?,’ 2015 oil on linen; ‘Low rent’ 2008 oil on linen
#mitchcairns @lulatella
Just love the beautifully refined ‘Mitch Cairns: Artist’s mouth’ exhibition @nas_au , which surveys Cairns’ practice since his graduation from that same institution twenty years ago.
Shown here is ‘Study for Painting in increments’ 2014 oil on linen; ‘Manuscript painting’ 2024 oil on linen; ‘World travel (after Tom Kreisler) 2023 oil on linen; ‘Writer with readers’ 2025 oil on linen; ‘Monents notice’ 2018 oil on linen; ‘Soliloquy workshop’ 2018 oil on linen; ‘Redpath Shoes or cover charge’ 2025 oil on linen; ‘One half of a woman’s waistline repeated (Study two)’ 2012 oil on linen; ‘WHAT WA(s) THE NATURE OF WHAT WAS SAID? ?YRROS APOLOGETIC? ? NIA(g)A YAS COULD YOU PLEASE ADDRESS THE QUESTION DIRECTLY?,’ 2015 oil on linen; ‘Low rent’ 2008 oil on linen
#mitchcairns @lulatella
Just love the beautifully refined ‘Mitch Cairns: Artist’s mouth’ exhibition @nas_au , which surveys Cairns’ practice since his graduation from that same institution twenty years ago.
Shown here is ‘Study for Painting in increments’ 2014 oil on linen; ‘Manuscript painting’ 2024 oil on linen; ‘World travel (after Tom Kreisler) 2023 oil on linen; ‘Writer with readers’ 2025 oil on linen; ‘Monents notice’ 2018 oil on linen; ‘Soliloquy workshop’ 2018 oil on linen; ‘Redpath Shoes or cover charge’ 2025 oil on linen; ‘One half of a woman’s waistline repeated (Study two)’ 2012 oil on linen; ‘WHAT WA(s) THE NATURE OF WHAT WAS SAID? ?YRROS APOLOGETIC? ? NIA(g)A YAS COULD YOU PLEASE ADDRESS THE QUESTION DIRECTLY?,’ 2015 oil on linen; ‘Low rent’ 2008 oil on linen
#mitchcairns @lulatella
Just love the beautifully refined ‘Mitch Cairns: Artist’s mouth’ exhibition @nas_au , which surveys Cairns’ practice since his graduation from that same institution twenty years ago.
Shown here is ‘Study for Painting in increments’ 2014 oil on linen; ‘Manuscript painting’ 2024 oil on linen; ‘World travel (after Tom Kreisler) 2023 oil on linen; ‘Writer with readers’ 2025 oil on linen; ‘Monents notice’ 2018 oil on linen; ‘Soliloquy workshop’ 2018 oil on linen; ‘Redpath Shoes or cover charge’ 2025 oil on linen; ‘One half of a woman’s waistline repeated (Study two)’ 2012 oil on linen; ‘WHAT WA(s) THE NATURE OF WHAT WAS SAID? ?YRROS APOLOGETIC? ? NIA(g)A YAS COULD YOU PLEASE ADDRESS THE QUESTION DIRECTLY?,’ 2015 oil on linen; ‘Low rent’ 2008 oil on linen
#mitchcairns @lulatella
Just love the beautifully refined ‘Mitch Cairns: Artist’s mouth’ exhibition @nas_au , which surveys Cairns’ practice since his graduation from that same institution twenty years ago.
Shown here is ‘Study for Painting in increments’ 2014 oil on linen; ‘Manuscript painting’ 2024 oil on linen; ‘World travel (after Tom Kreisler) 2023 oil on linen; ‘Writer with readers’ 2025 oil on linen; ‘Monents notice’ 2018 oil on linen; ‘Soliloquy workshop’ 2018 oil on linen; ‘Redpath Shoes or cover charge’ 2025 oil on linen; ‘One half of a woman’s waistline repeated (Study two)’ 2012 oil on linen; ‘WHAT WA(s) THE NATURE OF WHAT WAS SAID? ?YRROS APOLOGETIC? ? NIA(g)A YAS COULD YOU PLEASE ADDRESS THE QUESTION DIRECTLY?,’ 2015 oil on linen; ‘Low rent’ 2008 oil on linen
#mitchcairns @lulatella
Just love the beautifully refined ‘Mitch Cairns: Artist’s mouth’ exhibition @nas_au , which surveys Cairns’ practice since his graduation from that same institution twenty years ago.
Shown here is ‘Study for Painting in increments’ 2014 oil on linen; ‘Manuscript painting’ 2024 oil on linen; ‘World travel (after Tom Kreisler) 2023 oil on linen; ‘Writer with readers’ 2025 oil on linen; ‘Monents notice’ 2018 oil on linen; ‘Soliloquy workshop’ 2018 oil on linen; ‘Redpath Shoes or cover charge’ 2025 oil on linen; ‘One half of a woman’s waistline repeated (Study two)’ 2012 oil on linen; ‘WHAT WA(s) THE NATURE OF WHAT WAS SAID? ?YRROS APOLOGETIC? ? NIA(g)A YAS COULD YOU PLEASE ADDRESS THE QUESTION DIRECTLY?,’ 2015 oil on linen; ‘Low rent’ 2008 oil on linen
#mitchcairns @lulatella
Just love the beautifully refined ‘Mitch Cairns: Artist’s mouth’ exhibition @nas_au , which surveys Cairns’ practice since his graduation from that same institution twenty years ago.
Shown here is ‘Study for Painting in increments’ 2014 oil on linen; ‘Manuscript painting’ 2024 oil on linen; ‘World travel (after Tom Kreisler) 2023 oil on linen; ‘Writer with readers’ 2025 oil on linen; ‘Monents notice’ 2018 oil on linen; ‘Soliloquy workshop’ 2018 oil on linen; ‘Redpath Shoes or cover charge’ 2025 oil on linen; ‘One half of a woman’s waistline repeated (Study two)’ 2012 oil on linen; ‘WHAT WA(s) THE NATURE OF WHAT WAS SAID? ?YRROS APOLOGETIC? ? NIA(g)A YAS COULD YOU PLEASE ADDRESS THE QUESTION DIRECTLY?,’ 2015 oil on linen; ‘Low rent’ 2008 oil on linen
#mitchcairns @lulatella
Just love the beautifully refined ‘Mitch Cairns: Artist’s mouth’ exhibition @nas_au , which surveys Cairns’ practice since his graduation from that same institution twenty years ago.
Shown here is ‘Study for Painting in increments’ 2014 oil on linen; ‘Manuscript painting’ 2024 oil on linen; ‘World travel (after Tom Kreisler) 2023 oil on linen; ‘Writer with readers’ 2025 oil on linen; ‘Monents notice’ 2018 oil on linen; ‘Soliloquy workshop’ 2018 oil on linen; ‘Redpath Shoes or cover charge’ 2025 oil on linen; ‘One half of a woman’s waistline repeated (Study two)’ 2012 oil on linen; ‘WHAT WA(s) THE NATURE OF WHAT WAS SAID? ?YRROS APOLOGETIC? ? NIA(g)A YAS COULD YOU PLEASE ADDRESS THE QUESTION DIRECTLY?,’ 2015 oil on linen; ‘Low rent’ 2008 oil on linen
#mitchcairns @lulatella
Just love the beautifully refined ‘Mitch Cairns: Artist’s mouth’ exhibition @nas_au , which surveys Cairns’ practice since his graduation from that same institution twenty years ago.
Shown here is ‘Study for Painting in increments’ 2014 oil on linen; ‘Manuscript painting’ 2024 oil on linen; ‘World travel (after Tom Kreisler) 2023 oil on linen; ‘Writer with readers’ 2025 oil on linen; ‘Monents notice’ 2018 oil on linen; ‘Soliloquy workshop’ 2018 oil on linen; ‘Redpath Shoes or cover charge’ 2025 oil on linen; ‘One half of a woman’s waistline repeated (Study two)’ 2012 oil on linen; ‘WHAT WA(s) THE NATURE OF WHAT WAS SAID? ?YRROS APOLOGETIC? ? NIA(g)A YAS COULD YOU PLEASE ADDRESS THE QUESTION DIRECTLY?,’ 2015 oil on linen; ‘Low rent’ 2008 oil on linen
#mitchcairns @lulatella
Just love the beautifully refined ‘Mitch Cairns: Artist’s mouth’ exhibition @nas_au , which surveys Cairns’ practice since his graduation from that same institution twenty years ago.
Shown here is ‘Study for Painting in increments’ 2014 oil on linen; ‘Manuscript painting’ 2024 oil on linen; ‘World travel (after Tom Kreisler) 2023 oil on linen; ‘Writer with readers’ 2025 oil on linen; ‘Monents notice’ 2018 oil on linen; ‘Soliloquy workshop’ 2018 oil on linen; ‘Redpath Shoes or cover charge’ 2025 oil on linen; ‘One half of a woman’s waistline repeated (Study two)’ 2012 oil on linen; ‘WHAT WA(s) THE NATURE OF WHAT WAS SAID? ?YRROS APOLOGETIC? ? NIA(g)A YAS COULD YOU PLEASE ADDRESS THE QUESTION DIRECTLY?,’ 2015 oil on linen; ‘Low rent’ 2008 oil on linen
#mitchcairns @lulatella
@benquilty ‘The River’ exhibition @janmurphygallery
Shown here is ‘Bonnet scoop (a pile of rocks)’ 2026, ‘Axeman no1’ 2026 and ‘Driver (the guard dog)’ 2026 all oil on linen
@benquilty ‘The River’ exhibition @janmurphygallery
Shown here is ‘Bonnet scoop (a pile of rocks)’ 2026, ‘Axeman no1’ 2026 and ‘Driver (the guard dog)’ 2026 all oil on linen
@benquilty ‘The River’ exhibition @janmurphygallery
Shown here is ‘Bonnet scoop (a pile of rocks)’ 2026, ‘Axeman no1’ 2026 and ‘Driver (the guard dog)’ 2026 all oil on linen
@benquilty ‘The River’ exhibition @janmurphygallery
Shown here is ‘Bonnet scoop (a pile of rocks)’ 2026, ‘Axeman no1’ 2026 and ‘Driver (the guard dog)’ 2026 all oil on linen
@benquilty ‘The River’ exhibition @janmurphygallery
Shown here is ‘Bonnet scoop (a pile of rocks)’ 2026, ‘Axeman no1’ 2026 and ‘Driver (the guard dog)’ 2026 all oil on linen
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.