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Stoked to work with @arrival.fest to present Oren Ambarchi + Pale Ribbons Tossed Into the Dark on Monday June 1 at Wyola Club.

Oren's work exists in a personal and unique space between post-minimalist repetition, the electronic edge of 70s prog, contemporary electroacoustic music, and psycho-acoustic experimentalism.Live, he plays guitar through a Leslie speaker & an array of electronics over which he has a dextrous, light touch and what comes across as complete control. In less referential terms (and in our own experience of seeing him live a couple of times) it's beautiful, subtly changing music full of energy and direction, yet with a sense of introversion or mystery about it.

Ambarchi has an immense collaborative CV, having worked with Fennesz, Charlemagne Palestine, Will Guthrie, Sunn O))), Keiji Haino, crys cole, Alvin Lucier, John Zorn, Annea Lockwood, Merzbow, Jim O'Rourke, Jules Reidy, John Tilbury, Evan Parker, Fredrik Rasten & many, many more.

Oren is crucial to the experimental music history of this continent through his involvement with What Is Music? Festival. He has gone onto become globally influential via his various collaborations and his custodianship of Black Truffle Records.

Supporting are Pale Ribbons Tossed Into the Dark who are the post-rock/electro-acoustic/power-ambient trio from Boorloo consisting of Michael Terren, Djuna Lee & Jameson Feakes, tripping through a similarly elliptic crossover of forthright experimentalism and satisfying digital lushness.

Wyola Club is a new venue on High St above Honky Tonk, which is wheelchair accessible via lift.

Tickets on sale now via the link in our bio.

Tone List's annual program is supported by the WA government through @cits_wa.

Our co-presentation with @arrival.fest is a fortnight away on June 1. Join us at new venue @wyola.freo for an exceptionally rare concert of one of the most influential voices in contemporary experimental music, alongside local powerhouse trio @pale.ribbons. Oren's performances are warm-toned trips, patient and unfolding, articulated through a heavily processed electric guitar and a Leslie speaker.

Amongst Oren's myriad endeavours as a musician, as co-organiser of What is Music? Festival he served a crucial role connecting this continent to the global scene of adventurous music. It has been a long time since Oren has played here - we hope you won't sleep on a chance to hear him live.

Ticket link in our profile bio.

Bio:
Oren Ambarchi is an Australian multi-instrumentalist whose practice focuses on the exploration of the guitar. He is a prolific solo artist and consummate collaborator who has performed and recorded with a diverse array of artists over the last three decades including; Fennesz, Charlemagne Palestine, Sunn 0)), crys cole, Thomas Brinkmann, Keiji Haino, Alvin Lucier, John Zorn, Annea Lockwood, Alvin Curran, Loren Connors, Manuel Gottsching/Ash Ra, Merzbow, Jim O'Rourke, Keith Rowe, David Rosenboom, Akio Suzuki, Phill Niblock, John Tilbury, Richard Pinhas, Evan Parker, Fire! and many more. He has released numerous recordings over the years for labels such as Touch, Editions Mego, Drag City, PAN, Kranky, Staubgold and Tzadik. Since 2009 Ambarchi has run the Black Truffle record label. Ambarchi's latest album (together with Johan Berthling and Andreas Werliin) is Ghosted III released via US label Drag City.

Photo: Rene Passet (1), Barry C Douglas (2)

Our co-presentation with @arrival.fest is a fortnight away on June 1. Join us at new venue @wyola.freo for an exceptionally rare concert of one of the most influential voices in contemporary experimental music, alongside local powerhouse trio @pale.ribbons. Oren's performances are warm-toned trips, patient and unfolding, articulated through a heavily processed electric guitar and a Leslie speaker.

Amongst Oren's myriad endeavours as a musician, as co-organiser of What is Music? Festival he served a crucial role connecting this continent to the global scene of adventurous music. It has been a long time since Oren has played here - we hope you won't sleep on a chance to hear him live.

Ticket link in our profile bio.

Bio:
Oren Ambarchi is an Australian multi-instrumentalist whose practice focuses on the exploration of the guitar. He is a prolific solo artist and consummate collaborator who has performed and recorded with a diverse array of artists over the last three decades including; Fennesz, Charlemagne Palestine, Sunn 0)), crys cole, Thomas Brinkmann, Keiji Haino, Alvin Lucier, John Zorn, Annea Lockwood, Alvin Curran, Loren Connors, Manuel Gottsching/Ash Ra, Merzbow, Jim O'Rourke, Keith Rowe, David Rosenboom, Akio Suzuki, Phill Niblock, John Tilbury, Richard Pinhas, Evan Parker, Fire! and many more. He has released numerous recordings over the years for labels such as Touch, Editions Mego, Drag City, PAN, Kranky, Staubgold and Tzadik. Since 2009 Ambarchi has run the Black Truffle record label. Ambarchi's latest album (together with Johan Berthling and Andreas Werliin) is Ghosted III released via US label Drag City.

Photo: Rene Passet (1), Barry C Douglas (2)

Daytime on Saturday at Audible Edge 2026 by @joshwellsphotography

@saskia.robin @_umav @naoko.uemoto
@marianancy @jlfeakes
Mark Cain @parentheses_records
@young______________1
@lenny.spooks
@duff_fluff
@nobuviii @__pb_________

Daytime on Saturday at Audible Edge 2026 by @joshwellsphotography

@saskia.robin @_umav @naoko.uemoto
@marianancy @jlfeakes
Mark Cain @parentheses_records
@young______________1
@lenny.spooks
@duff_fluff
@nobuviii @__pb_________

Daytime on Saturday at Audible Edge 2026 by @joshwellsphotography

@saskia.robin @_umav @naoko.uemoto
@marianancy @jlfeakes
Mark Cain @parentheses_records
@young______________1
@lenny.spooks
@duff_fluff
@nobuviii @__pb_________

Daytime on Saturday at Audible Edge 2026 by @joshwellsphotography

@saskia.robin @_umav @naoko.uemoto
@marianancy @jlfeakes
Mark Cain @parentheses_records
@young______________1
@lenny.spooks
@duff_fluff
@nobuviii @__pb_________

Daytime on Saturday at Audible Edge 2026 by @joshwellsphotography

@saskia.robin @_umav @naoko.uemoto
@marianancy @jlfeakes
Mark Cain @parentheses_records
@young______________1
@lenny.spooks
@duff_fluff
@nobuviii @__pb_________

Daytime on Saturday at Audible Edge 2026 by @joshwellsphotography

@saskia.robin @_umav @naoko.uemoto
@marianancy @jlfeakes
Mark Cain @parentheses_records
@young______________1
@lenny.spooks
@duff_fluff
@nobuviii @__pb_________

Daytime on Saturday at Audible Edge 2026 by @joshwellsphotography

@saskia.robin @_umav @naoko.uemoto
@marianancy @jlfeakes
Mark Cain @parentheses_records
@young______________1
@lenny.spooks
@duff_fluff
@nobuviii @__pb_________

Daytime on Saturday at Audible Edge 2026 by @joshwellsphotography

@saskia.robin @_umav @naoko.uemoto
@marianancy @jlfeakes
Mark Cain @parentheses_records
@young______________1
@lenny.spooks
@duff_fluff
@nobuviii @__pb_________

Daytime on Saturday at Audible Edge 2026 by @joshwellsphotography

@saskia.robin @_umav @naoko.uemoto
@marianancy @jlfeakes
Mark Cain @parentheses_records
@young______________1
@lenny.spooks
@duff_fluff
@nobuviii @__pb_________

Daytime on Saturday at Audible Edge 2026 by @joshwellsphotography

@saskia.robin @_umav @naoko.uemoto
@marianancy @jlfeakes
Mark Cain @parentheses_records
@young______________1
@lenny.spooks
@duff_fluff
@nobuviii @__pb_________

Daytime on Saturday at Audible Edge 2026 by @joshwellsphotography

@saskia.robin @_umav @naoko.uemoto
@marianancy @jlfeakes
Mark Cain @parentheses_records
@young______________1
@lenny.spooks
@duff_fluff
@nobuviii @__pb_________

Daytime on Saturday at Audible Edge 2026 by @joshwellsphotography

@saskia.robin @_umav @naoko.uemoto
@marianancy @jlfeakes
Mark Cain @parentheses_records
@young______________1
@lenny.spooks
@duff_fluff
@nobuviii @__pb_________

Daytime on Saturday at Audible Edge 2026 by @joshwellsphotography

@saskia.robin @_umav @naoko.uemoto
@marianancy @jlfeakes
Mark Cain @parentheses_records
@young______________1
@lenny.spooks
@duff_fluff
@nobuviii @__pb_________

Daytime on Saturday at Audible Edge 2026 by @joshwellsphotography

@saskia.robin @_umav @naoko.uemoto
@marianancy @jlfeakes
Mark Cain @parentheses_records
@young______________1
@lenny.spooks
@duff_fluff
@nobuviii @__pb_________

Daytime on Saturday at Audible Edge 2026 by @joshwellsphotography

@saskia.robin @_umav @naoko.uemoto
@marianancy @jlfeakes
Mark Cain @parentheses_records
@young______________1
@lenny.spooks
@duff_fluff
@nobuviii @__pb_________

Daytime on Saturday at Audible Edge 2026 by @joshwellsphotography

@saskia.robin @_umav @naoko.uemoto
@marianancy @jlfeakes
Mark Cain @parentheses_records
@young______________1
@lenny.spooks
@duff_fluff
@nobuviii @__pb_________

Daytime on Saturday at Audible Edge 2026 by @joshwellsphotography

@saskia.robin @_umav @naoko.uemoto
@marianancy @jlfeakes
Mark Cain @parentheses_records
@young______________1
@lenny.spooks
@duff_fluff
@nobuviii @__pb_________

Daytime on Saturday at Audible Edge 2026 by @joshwellsphotography

@saskia.robin @_umav @naoko.uemoto
@marianancy @jlfeakes
Mark Cain @parentheses_records
@young______________1
@lenny.spooks
@duff_fluff
@nobuviii @__pb_________

Daytime on Saturday at Audible Edge 2026 by @joshwellsphotography

@saskia.robin @_umav @naoko.uemoto
@marianancy @jlfeakes
Mark Cain @parentheses_records
@young______________1
@lenny.spooks
@duff_fluff
@nobuviii @__pb_________

Very grateful for the invitation to present an edition of @vhstracking at @goolugatupheathcote, this coming Wednesday May 20.

We will share two experimental 'films':

- the "aural cinema" of Re-Recorder, a kind of imageless film by @judith.hamann and Joshua Bonnetta. A disorienting, immaculate and beautiful study of layering, making impossible spaces real.

- the near-silent study of light & time, "time space motion" by @shinkan_tamaki, a very moving and subtle work.

Free events, you just need to RSVP!
6:30pm doors for a 7pm start, with an intermission between the two films.

With thanks to the artists, @_tfid and @lyndonxblue, and also to @_d_i_g_e_s_t_i_n_g_ for the flyer.

Very grateful for the invitation to present an edition of @vhstracking at @goolugatupheathcote, this coming Wednesday May 20.

We will share two experimental 'films':

- the "aural cinema" of Re-Recorder, a kind of imageless film by @judith.hamann and Joshua Bonnetta. A disorienting, immaculate and beautiful study of layering, making impossible spaces real.

- the near-silent study of light & time, "time space motion" by @shinkan_tamaki, a very moving and subtle work.

Free events, you just need to RSVP!
6:30pm doors for a 7pm start, with an intermission between the two films.

With thanks to the artists, @_tfid and @lyndonxblue, and also to @_d_i_g_e_s_t_i_n_g_ for the flyer.

Very grateful for the invitation to present an edition of @vhstracking at @goolugatupheathcote, this coming Wednesday May 20.

We will share two experimental 'films':

- the "aural cinema" of Re-Recorder, a kind of imageless film by @judith.hamann and Joshua Bonnetta. A disorienting, immaculate and beautiful study of layering, making impossible spaces real.

- the near-silent study of light & time, "time space motion" by @shinkan_tamaki, a very moving and subtle work.

Free events, you just need to RSVP!
6:30pm doors for a 7pm start, with an intermission between the two films.

With thanks to the artists, @_tfid and @lyndonxblue, and also to @_d_i_g_e_s_t_i_n_g_ for the flyer.

The cheekiness of Mark Cain in action at Audible Edge 2026.

Mark Cain's "Threads" is available now on Tone List (Boorloo/perth, australia) and Parenthèses (Brussels, Belgium). On CD or digital download/streaming.

Filmed by @joshwellsphotography

Friday night of AE'26 by @joshwellsphotography

@dylan_collard
@siber_cha and John Kinsella with @mobilelifeforms @saskia.robin @jlfeakes @djunalee
@lyndonxblue with @floracarbo
@jonnytsog
@sieffdee with @duff_fluff and @phil_christie_
@anniikamoses and @jostenmyburgh

Hanging works in the main hall by @_d_i_g_e_s_t_i_n_g_

Lighting by @lia_t and @o.vangass

Friday night of AE'26 by @joshwellsphotography

@dylan_collard
@siber_cha and John Kinsella with @mobilelifeforms @saskia.robin @jlfeakes @djunalee
@lyndonxblue with @floracarbo
@jonnytsog
@sieffdee with @duff_fluff and @phil_christie_
@anniikamoses and @jostenmyburgh

Hanging works in the main hall by @_d_i_g_e_s_t_i_n_g_

Lighting by @lia_t and @o.vangass

Friday night of AE'26 by @joshwellsphotography

@dylan_collard
@siber_cha and John Kinsella with @mobilelifeforms @saskia.robin @jlfeakes @djunalee
@lyndonxblue with @floracarbo
@jonnytsog
@sieffdee with @duff_fluff and @phil_christie_
@anniikamoses and @jostenmyburgh

Hanging works in the main hall by @_d_i_g_e_s_t_i_n_g_

Lighting by @lia_t and @o.vangass

Friday night of AE'26 by @joshwellsphotography

@dylan_collard
@siber_cha and John Kinsella with @mobilelifeforms @saskia.robin @jlfeakes @djunalee
@lyndonxblue with @floracarbo
@jonnytsog
@sieffdee with @duff_fluff and @phil_christie_
@anniikamoses and @jostenmyburgh

Hanging works in the main hall by @_d_i_g_e_s_t_i_n_g_

Lighting by @lia_t and @o.vangass

Friday night of AE'26 by @joshwellsphotography

@dylan_collard
@siber_cha and John Kinsella with @mobilelifeforms @saskia.robin @jlfeakes @djunalee
@lyndonxblue with @floracarbo
@jonnytsog
@sieffdee with @duff_fluff and @phil_christie_
@anniikamoses and @jostenmyburgh

Hanging works in the main hall by @_d_i_g_e_s_t_i_n_g_

Lighting by @lia_t and @o.vangass

Friday night of AE'26 by @joshwellsphotography

@dylan_collard
@siber_cha and John Kinsella with @mobilelifeforms @saskia.robin @jlfeakes @djunalee
@lyndonxblue with @floracarbo
@jonnytsog
@sieffdee with @duff_fluff and @phil_christie_
@anniikamoses and @jostenmyburgh

Hanging works in the main hall by @_d_i_g_e_s_t_i_n_g_

Lighting by @lia_t and @o.vangass

Friday night of AE'26 by @joshwellsphotography

@dylan_collard
@siber_cha and John Kinsella with @mobilelifeforms @saskia.robin @jlfeakes @djunalee
@lyndonxblue with @floracarbo
@jonnytsog
@sieffdee with @duff_fluff and @phil_christie_
@anniikamoses and @jostenmyburgh

Hanging works in the main hall by @_d_i_g_e_s_t_i_n_g_

Lighting by @lia_t and @o.vangass

Friday night of AE'26 by @joshwellsphotography

@dylan_collard
@siber_cha and John Kinsella with @mobilelifeforms @saskia.robin @jlfeakes @djunalee
@lyndonxblue with @floracarbo
@jonnytsog
@sieffdee with @duff_fluff and @phil_christie_
@anniikamoses and @jostenmyburgh

Hanging works in the main hall by @_d_i_g_e_s_t_i_n_g_

Lighting by @lia_t and @o.vangass

Friday night of AE'26 by @joshwellsphotography

@dylan_collard
@siber_cha and John Kinsella with @mobilelifeforms @saskia.robin @jlfeakes @djunalee
@lyndonxblue with @floracarbo
@jonnytsog
@sieffdee with @duff_fluff and @phil_christie_
@anniikamoses and @jostenmyburgh

Hanging works in the main hall by @_d_i_g_e_s_t_i_n_g_

Lighting by @lia_t and @o.vangass

Friday night of AE'26 by @joshwellsphotography

@dylan_collard
@siber_cha and John Kinsella with @mobilelifeforms @saskia.robin @jlfeakes @djunalee
@lyndonxblue with @floracarbo
@jonnytsog
@sieffdee with @duff_fluff and @phil_christie_
@anniikamoses and @jostenmyburgh

Hanging works in the main hall by @_d_i_g_e_s_t_i_n_g_

Lighting by @lia_t and @o.vangass

Friday night of AE'26 by @joshwellsphotography

@dylan_collard
@siber_cha and John Kinsella with @mobilelifeforms @saskia.robin @jlfeakes @djunalee
@lyndonxblue with @floracarbo
@jonnytsog
@sieffdee with @duff_fluff and @phil_christie_
@anniikamoses and @jostenmyburgh

Hanging works in the main hall by @_d_i_g_e_s_t_i_n_g_

Lighting by @lia_t and @o.vangass

Friday night of AE'26 by @joshwellsphotography

@dylan_collard
@siber_cha and John Kinsella with @mobilelifeforms @saskia.robin @jlfeakes @djunalee
@lyndonxblue with @floracarbo
@jonnytsog
@sieffdee with @duff_fluff and @phil_christie_
@anniikamoses and @jostenmyburgh

Hanging works in the main hall by @_d_i_g_e_s_t_i_n_g_

Lighting by @lia_t and @o.vangass

Friday night of AE'26 by @joshwellsphotography

@dylan_collard
@siber_cha and John Kinsella with @mobilelifeforms @saskia.robin @jlfeakes @djunalee
@lyndonxblue with @floracarbo
@jonnytsog
@sieffdee with @duff_fluff and @phil_christie_
@anniikamoses and @jostenmyburgh

Hanging works in the main hall by @_d_i_g_e_s_t_i_n_g_

Lighting by @lia_t and @o.vangass

Friday night of AE'26 by @joshwellsphotography

@dylan_collard
@siber_cha and John Kinsella with @mobilelifeforms @saskia.robin @jlfeakes @djunalee
@lyndonxblue with @floracarbo
@jonnytsog
@sieffdee with @duff_fluff and @phil_christie_
@anniikamoses and @jostenmyburgh

Hanging works in the main hall by @_d_i_g_e_s_t_i_n_g_

Lighting by @lia_t and @o.vangass

Tone List is proud to introduce ‘Winding’, a collaborative album from Lyndon Blue featuring Flora Carbo. @lyndonxblue @floracarbo

Winding is a meeting of two sublime sonic wanders transgressing and melding into each others timbral sensitivities.Ten tracks a-wash of found sound , samples and snippets laminates into verbed and hazy structures, all flushed out with glistening saxophone, sparkling and swooping in the space between.

Fresh from premiering the first live performance of Winding at Audible Edge on the 1st of May 26, the duo's emergent unity and cohesiveness can be heard even more magnetically on Lyndon Blue's new studio offering.

"Winding began life as a loose cassette-collage that accumulated over a month in southern Mexico. I'd made it just to pass the downtime on long bus rides or quiet evenings, using an old iPad and a failing dictaphone held together by sellotape. listening back, I liked the mingling of field recordings and musical vignettes (sometimes resembling songs), but didn't know what to do with it... apart from a few distinct snippets (a punk band playing in Coyoacán, a wisp of the Fierro Viejo ("scrap metal") jingle from a passing truck vendor), the sounds captured on mic were mostly vague, hazy, in-between, in no way a travelogue or vivid document of place. The music felt aimless, but in a carefree way that reminded me of the trip's sunny dérives, naive detours and rambling excursions. It kept me curious, but unsure, until I showed Flora and - over the course of just one night in April - she traced over the top with inspired bursts of saxophone that made the whole thing glow. As of now, Winding is still a dusty, scattershot journal entry from places I've briefly been, but also the sound of a fresh collaboration on its maiden voyage, which feels fun on both counts. big thanks to Tone List for being keen to usher it into the world. L x"

Mastered by @encodersound and also featuring contributions from Ben Fear and Darryl Tirtha.

Tone List is proud to introduce ‘Winding’, a collaborative album from Lyndon Blue featuring Flora Carbo. @lyndonxblue @floracarbo

Winding is a meeting of two sublime sonic wanders transgressing and melding into each others timbral sensitivities.Ten tracks a-wash of found sound , samples and snippets laminates into verbed and hazy structures, all flushed out with glistening saxophone, sparkling and swooping in the space between.

Fresh from premiering the first live performance of Winding at Audible Edge on the 1st of May 26, the duo's emergent unity and cohesiveness can be heard even more magnetically on Lyndon Blue's new studio offering.

"Winding began life as a loose cassette-collage that accumulated over a month in southern Mexico. I'd made it just to pass the downtime on long bus rides or quiet evenings, using an old iPad and a failing dictaphone held together by sellotape. listening back, I liked the mingling of field recordings and musical vignettes (sometimes resembling songs), but didn't know what to do with it... apart from a few distinct snippets (a punk band playing in Coyoacán, a wisp of the Fierro Viejo ("scrap metal") jingle from a passing truck vendor), the sounds captured on mic were mostly vague, hazy, in-between, in no way a travelogue or vivid document of place. The music felt aimless, but in a carefree way that reminded me of the trip's sunny dérives, naive detours and rambling excursions. It kept me curious, but unsure, until I showed Flora and - over the course of just one night in April - she traced over the top with inspired bursts of saxophone that made the whole thing glow. As of now, Winding is still a dusty, scattershot journal entry from places I've briefly been, but also the sound of a fresh collaboration on its maiden voyage, which feels fun on both counts. big thanks to Tone List for being keen to usher it into the world. L x"

Mastered by @encodersound and also featuring contributions from Ben Fear and Darryl Tirtha.

Last chance to donate to the seed fund! The fundraiser closes on the weekend.

Hear from the charismatic @realjanestark about the impact Audible Edge has had on her life and music since being a Seed Fund artist in 2025.

We know AE is loved, but it even after eight years it remains uncertain every year whether we will make it to the next. Your donation is a way to increase the likelihood of AE's return.

Link in bio! Donations are tax deductible.

Last-minute post-AE show alert ‼️🇱🇧

Audible Edge presents a Lebanon Fundraiser
On Saturday May 9, 8pm, downstairs at The Buffalo Club

After celebrating exploratory music from here and beyond last weekend, let's channel the Audible Edge energy to support those in need.

Join us to raise money for the Beirut Synthesizer Centre & Tunefork Studios relief fund for those suffering displacement and damages as a result of the invasion and bombing of Lebanon.

With music by Audible Edge visiting artists still kicking around, friends in the scene & new collaborations from folks who performed in the festival.

Presented with great thanks to the Buffalo Club for supporting us to host this last-minute event!

Music by:

@maryrapp_music (Boorloo/Warrang) & Eduardo Cossio - first-time collaboration of improvised cello & zithers

A new project by trumpet player/composer @_umav (Warrang) and @august_wav

Wittenoom - experimental metal/noise quartet of @frozenmoontattoo @yumyab @paracetamail @jostenmyburgh

Pay-what-you-can. Tickets and accessibility info in the link in bio.

Love and respect to everyone who participated in Audible Edge as a volunteer, audience member, team member or artist, across three days and nights packed with listeners willing to go deep

THANK YOU to every performer, installer, composer, writer & deviser who contributed to the sonic and visual tapestry of AE'26. There are more than fifty of you, all essential

THANK YOU to our incredible team: the titans themselves Oscar van Gass and Tess Stephenson, backed by Korrin Stoney, Cara Teusner-Gartland, Lia Tsesmelis, Patrick Gunasekera, Caitlin Johnston and Jesse Smith

THANK YOU to Larry's Arms: to Indira Edwards, Cooper Fox, Ben Aguero, Grace Connors, Tom Rogers, James Enderby, Rose KB & Ella Bunker

THANK YOU to our superstar bump-in volunteers Kyla-Rae Ashworth & Alix Simatos, who gave of their time immensely and with such enthusiasm and onto-it-ness, and to our host of other volunteers: Bobby Fletcher, Izzy French, Lara Dorling, Olivia Dodd, Jane Shaw, Bren Nurinna, Iris Grey, Cat Vernon, Sage Harlow & Ellen Tatchley, each who filled a crucial role in the festival. And anyone who jumped in last-minute to patch something up or lend a hand - THANK YOU too

THANK YOU to our designer Mike Midnight, our photographer/videographer Josh Wells, and our fashion designer Luci Young, who helped us hype the festival and get such a lovely crowd into our space

THANK YOU to our sponsors and partners, the Western Australian state government, City of Fremantle, Liquid Architecture, the Audio Foundation, Frontrunner AV, Fremantle Small Projects, Culture Ireland, Local Weirdos, Pound and Shelter

THANK YOU to North 54, Suku and Teeter for keeping everyone satiated & sensorially awake

THANK YOU for your attention, listening, reflections, hot takes, & the myriad other things each of yas bring to build the AE culture together

THANK YOU

To a bazillion more years of AE
from Josten, Annika & Lenny ❤️

THANK YOU to our generous Seed Fund supporters for getting us 1/3rd of the way to funding our four commissions by @saskia.robin, @_umav & @naoko.uemoto naoko.uemoto, @lia_t and R Glacken, @tahl_palm and @siber_cha and John Kinsella.

Please donate generously to support new work by WA artists! All donations above $2 are tax deductible.

Donate via the link in bio.

So pleased to see folks enjoying the festival this weekend and looking forward to more!

During Audible Edge we launch TL10Y, a book publication reflecting on the past, present and future of Tone List, ahead of our forthcoming ten year anniversary.

Come at 5pm to Fremantle Small Projects (the back part of Victoria Hall) for some readings and a celebration! This interstitial program is accessible to ticketholders of both the day and evening Saturday programs of AE.

Featuring
Foreword by Annika Moses & Paul Boyé (editors)
'Spots in the Everywhen' by Jim Denley
'We are building it together / DIY Forever.' by Raag Bhatia
'When I'm away, my body . remembers .' by Ainslie Allan
'triggers of positive (?) change' by nobu '
'A Brief Zine WIIMintermission' by WWIM
'A bazillion more years' by Grace Connors & Paul Boyé
'Some notes on Tone List' by Sage J Harlow
'Eduardo Cossio: the dark energy of life' by Josten Myburgh
'BTL "Before Tone List"' by Dan O'Connor

Designed by Tim Meakins with cover-scrib contributions by Oli Rawlings, Paul Boyé & Annika Moses

The publication of TL10Y and our ten-year anniversary program is proudly supported by the Western Australian state government.

@anniikamoses @__pb_________ @a.nu.raag @daisysanders28 @nobuviii @wwimfest @gracecorners @jostenmyburgh @encodersound @oli.svg

During Audible Edge we launch TL10Y, a book publication reflecting on the past, present and future of Tone List, ahead of our forthcoming ten year anniversary.

Come at 5pm to Fremantle Small Projects (the back part of Victoria Hall) for some readings and a celebration! This interstitial program is accessible to ticketholders of both the day and evening Saturday programs of AE.

Featuring
Foreword by Annika Moses & Paul Boyé (editors)
'Spots in the Everywhen' by Jim Denley
'We are building it together / DIY Forever.' by Raag Bhatia
'When I'm away, my body . remembers .' by Ainslie Allan
'triggers of positive (?) change' by nobu '
'A Brief Zine WIIMintermission' by WWIM
'A bazillion more years' by Grace Connors & Paul Boyé
'Some notes on Tone List' by Sage J Harlow
'Eduardo Cossio: the dark energy of life' by Josten Myburgh
'BTL "Before Tone List"' by Dan O'Connor

Designed by Tim Meakins with cover-scrib contributions by Oli Rawlings, Paul Boyé & Annika Moses

The publication of TL10Y and our ten-year anniversary program is proudly supported by the Western Australian state government.

@anniikamoses @__pb_________ @a.nu.raag @daisysanders28 @nobuviii @wwimfest @gracecorners @jostenmyburgh @encodersound @oli.svg

During Audible Edge we launch TL10Y, a book publication reflecting on the past, present and future of Tone List, ahead of our forthcoming ten year anniversary.

Come at 5pm to Fremantle Small Projects (the back part of Victoria Hall) for some readings and a celebration! This interstitial program is accessible to ticketholders of both the day and evening Saturday programs of AE.

Featuring
Foreword by Annika Moses & Paul Boyé (editors)
'Spots in the Everywhen' by Jim Denley
'We are building it together / DIY Forever.' by Raag Bhatia
'When I'm away, my body . remembers .' by Ainslie Allan
'triggers of positive (?) change' by nobu '
'A Brief Zine WIIMintermission' by WWIM
'A bazillion more years' by Grace Connors & Paul Boyé
'Some notes on Tone List' by Sage J Harlow
'Eduardo Cossio: the dark energy of life' by Josten Myburgh
'BTL "Before Tone List"' by Dan O'Connor

Designed by Tim Meakins with cover-scrib contributions by Oli Rawlings, Paul Boyé & Annika Moses

The publication of TL10Y and our ten-year anniversary program is proudly supported by the Western Australian state government.

@anniikamoses @__pb_________ @a.nu.raag @daisysanders28 @nobuviii @wwimfest @gracecorners @jostenmyburgh @encodersound @oli.svg

During Audible Edge we launch TL10Y, a book publication reflecting on the past, present and future of Tone List, ahead of our forthcoming ten year anniversary.

Come at 5pm to Fremantle Small Projects (the back part of Victoria Hall) for some readings and a celebration! This interstitial program is accessible to ticketholders of both the day and evening Saturday programs of AE.

Featuring
Foreword by Annika Moses & Paul Boyé (editors)
'Spots in the Everywhen' by Jim Denley
'We are building it together / DIY Forever.' by Raag Bhatia
'When I'm away, my body . remembers .' by Ainslie Allan
'triggers of positive (?) change' by nobu '
'A Brief Zine WIIMintermission' by WWIM
'A bazillion more years' by Grace Connors & Paul Boyé
'Some notes on Tone List' by Sage J Harlow
'Eduardo Cossio: the dark energy of life' by Josten Myburgh
'BTL "Before Tone List"' by Dan O'Connor

Designed by Tim Meakins with cover-scrib contributions by Oli Rawlings, Paul Boyé & Annika Moses

The publication of TL10Y and our ten-year anniversary program is proudly supported by the Western Australian state government.

@anniikamoses @__pb_________ @a.nu.raag @daisysanders28 @nobuviii @wwimfest @gracecorners @jostenmyburgh @encodersound @oli.svg