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☁️ MARCH / APRIL ☁️

RAYE brings THIS TOUR MAY CONTAIN NEW MUSIC to the cover of TPi 🗞️

Featuring: TPi Awards 2026 • Florence + The Machine • Hans Zimmer • The Live Events Stage returns to ISE for 2026 • Gravity Rigs • Star Live discusses 50 years • HansTolo Enterprises analyse where the industry is headed • Hannah Eakins shares the latest news from PF • Roadies in Recovery on the importance of their presence at the TPi Awards • Gearheads: Martin Audio update to Wavefront Precision and Martin Professional unveils the MAC One Beam • Nancy Skipper takes the hot seat 🔥 • PLUS more live event design and technology news and features!

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📸: Luke Dyson

Join us backstage!

Here are the official images of our incredible winners 🏆

More highlights will be coming soon and you can read the full story of the night in an upcoming issue of TPi 🗞

📸: @projoe.photography

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Join us backstage!

Here are the official images of our incredible winners 🏆

More highlights will be coming soon and you can read the full story of the night in an upcoming issue of TPi 🗞

📸: @projoe.photography

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Join us backstage!

Here are the official images of our incredible winners 🏆

More highlights will be coming soon and you can read the full story of the night in an upcoming issue of TPi 🗞

📸: @projoe.photography

1/2

Join us backstage!

Here are the official images of our incredible winners 🏆

More highlights will be coming soon and you can read the full story of the night in an upcoming issue of TPi 🗞

📸: @projoe.photography

1/2

Join us backstage!

Here are the official images of our incredible winners 🏆

More highlights will be coming soon and you can read the full story of the night in an upcoming issue of TPi 🗞

📸: @projoe.photography

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Join us backstage!

Here are the official images of our incredible winners 🏆

More highlights will be coming soon and you can read the full story of the night in an upcoming issue of TPi 🗞

📸: @projoe.photography

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Join us backstage!

Here are the official images of our incredible winners 🏆

More highlights will be coming soon and you can read the full story of the night in an upcoming issue of TPi 🗞

📸: @projoe.photography

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Join us backstage!

Here are the official images of our incredible winners 🏆

More highlights will be coming soon and you can read the full story of the night in an upcoming issue of TPi 🗞

📸: @projoe.photography

1/2

Join us backstage!

Here are the official images of our incredible winners 🏆

More highlights will be coming soon and you can read the full story of the night in an upcoming issue of TPi 🗞

📸: @projoe.photography

1/2

Join us backstage!

Here are the official images of our incredible winners 🏆

More highlights will be coming soon and you can read the full story of the night in an upcoming issue of TPi 🗞

📸: @projoe.photography

1/2

Join us backstage!

Here are the official images of our incredible winners 🏆

More highlights will be coming soon and you can read the full story of the night in an upcoming issue of TPi 🗞

📸: @projoe.photography

1/2

Join us backstage!

Here are the official images of our incredible winners 🏆

More highlights will be coming soon and you can read the full story of the night in an upcoming issue of TPi 🗞

📸: @projoe.photography

1/2

Join us backstage!

Here are the official images of our incredible winners 🏆

More highlights will be coming soon and you can read the full story of the night in an upcoming issue of TPi 🗞

📸: @projoe.photography

1/2

Join us backstage!

Here are the official images of our incredible winners 🏆

More highlights will be coming soon and you can read the full story of the night in an upcoming issue of TPi 🗞

📸: @projoe.photography

1/2

Join us backstage!

Here are the official images of our incredible winners 🏆

More highlights will be coming soon and you can read the full story of the night in an upcoming issue of TPi 🗞

📸: @projoe.photography

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Join us backstage!

Here are the official images of our incredible winners 🏆

More highlights will be coming soon and you can read the full story of the night in an upcoming issue of TPi 🗞

📸: @projoe.photography

2/2

Join us backstage!

Here are the official images of our incredible winners 🏆

More highlights will be coming soon and you can read the full story of the night in an upcoming issue of TPi 🗞

📸: @projoe.photography

2/2

Join us backstage!

Here are the official images of our incredible winners 🏆

More highlights will be coming soon and you can read the full story of the night in an upcoming issue of TPi 🗞

📸: @projoe.photography

2/2

Join us backstage!

Here are the official images of our incredible winners 🏆

More highlights will be coming soon and you can read the full story of the night in an upcoming issue of TPi 🗞

📸: @projoe.photography

2/2

Join us backstage!

Here are the official images of our incredible winners 🏆

More highlights will be coming soon and you can read the full story of the night in an upcoming issue of TPi 🗞

📸: @projoe.photography

2/2

Join us backstage!

Here are the official images of our incredible winners 🏆

More highlights will be coming soon and you can read the full story of the night in an upcoming issue of TPi 🗞

📸: @projoe.photography

2/2

Join us backstage!

Here are the official images of our incredible winners 🏆

More highlights will be coming soon and you can read the full story of the night in an upcoming issue of TPi 🗞

📸: @projoe.photography

2/2

Join us backstage!

Here are the official images of our incredible winners 🏆

More highlights will be coming soon and you can read the full story of the night in an upcoming issue of TPi 🗞

📸: @projoe.photography

2/2

Join us backstage!

Here are the official images of our incredible winners 🏆

More highlights will be coming soon and you can read the full story of the night in an upcoming issue of TPi 🗞

📸: @projoe.photography

2/2

Join us backstage!

Here are the official images of our incredible winners 🏆

More highlights will be coming soon and you can read the full story of the night in an upcoming issue of TPi 🗞

📸: @projoe.photography

2/2

Join us backstage!

Here are the official images of our incredible winners 🏆

More highlights will be coming soon and you can read the full story of the night in an upcoming issue of TPi 🗞

📸: @projoe.photography

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Naming a tour The Next Level, the expectation for a great production was already set, yet when it comes to decorated Hollywood composer, Hans Zimmer, whose shows are already equal parts epic and cinematic, TPi wondered what more could be in store for audiences. TPi met the team behind the tour at The O2 in London to uncover what pushed this live show up a level.

Production Manager, Jim Baggott, and Tour Director, Michael Weiss, took care of the 150-strong touring party and the 20-truck production. The suppliers included Neg Earth Lights (Lighting, Rigging and Automation), Britannia Row Productions – part of Clair Global (audio), BBM Clair (video), All Access Staging & Productions (staging), Beat The Street (bussing), Trucking Service, NorthHouse (screen visuals), Eat Your Hearts Out (catering) and Lightswitch (lighting and concept design).

Read the full story in the latest issue of TPi Magazine 🗞️

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📸: Susan Teressa

Naming a tour The Next Level, the expectation for a great production was already set, yet when it comes to decorated Hollywood composer, Hans Zimmer, whose shows are already equal parts epic and cinematic, TPi wondered what more could be in store for audiences. TPi met the team behind the tour at The O2 in London to uncover what pushed this live show up a level.

Production Manager, Jim Baggott, and Tour Director, Michael Weiss, took care of the 150-strong touring party and the 20-truck production. The suppliers included Neg Earth Lights (Lighting, Rigging and Automation), Britannia Row Productions – part of Clair Global (audio), BBM Clair (video), All Access Staging & Productions (staging), Beat The Street (bussing), Trucking Service, NorthHouse (screen visuals), Eat Your Hearts Out (catering) and Lightswitch (lighting and concept design).

Read the full story in the latest issue of TPi Magazine 🗞️

🔗 in bio

📸: Susan Teressa

Naming a tour The Next Level, the expectation for a great production was already set, yet when it comes to decorated Hollywood composer, Hans Zimmer, whose shows are already equal parts epic and cinematic, TPi wondered what more could be in store for audiences. TPi met the team behind the tour at The O2 in London to uncover what pushed this live show up a level.

Production Manager, Jim Baggott, and Tour Director, Michael Weiss, took care of the 150-strong touring party and the 20-truck production. The suppliers included Neg Earth Lights (Lighting, Rigging and Automation), Britannia Row Productions – part of Clair Global (audio), BBM Clair (video), All Access Staging & Productions (staging), Beat The Street (bussing), Trucking Service, NorthHouse (screen visuals), Eat Your Hearts Out (catering) and Lightswitch (lighting and concept design).

Read the full story in the latest issue of TPi Magazine 🗞️

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📸: Susan Teressa

For a publication that showcases the best visual creatives, often encyclopaedic in their knowledge of the latest in event technology, it’s amusing to think that, often, the goal in show design is to hide technology to ‘keep the magic’. However, this seemed to be the goal behind the design for French rapper Tiakola’s latest tour, where the creatives sought to create a truly mobile, integrated stage space that would meld with the rapper’s performance and that of his band.

TPi caught up with Julien Peyrache and Michael Berzon of Alien le studio, who oversaw scenography and lighting design for the project. Having been brought in by Nonstop Productions, the duo began initial conversations with Tiakola’s producers, Morgan Antonutti and Marie-Sandrine Martin, to discuss the show’s vision 🗣️

Read the full story in the latest issue of TPi Magazine 🗞️

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📸: Alien le studio

For a publication that showcases the best visual creatives, often encyclopaedic in their knowledge of the latest in event technology, it’s amusing to think that, often, the goal in show design is to hide technology to ‘keep the magic’. However, this seemed to be the goal behind the design for French rapper Tiakola’s latest tour, where the creatives sought to create a truly mobile, integrated stage space that would meld with the rapper’s performance and that of his band.

TPi caught up with Julien Peyrache and Michael Berzon of Alien le studio, who oversaw scenography and lighting design for the project. Having been brought in by Nonstop Productions, the duo began initial conversations with Tiakola’s producers, Morgan Antonutti and Marie-Sandrine Martin, to discuss the show’s vision 🗣️

Read the full story in the latest issue of TPi Magazine 🗞️

🔗 in bio

📸: Alien le studio

For a publication that showcases the best visual creatives, often encyclopaedic in their knowledge of the latest in event technology, it’s amusing to think that, often, the goal in show design is to hide technology to ‘keep the magic’. However, this seemed to be the goal behind the design for French rapper Tiakola’s latest tour, where the creatives sought to create a truly mobile, integrated stage space that would meld with the rapper’s performance and that of his band.

TPi caught up with Julien Peyrache and Michael Berzon of Alien le studio, who oversaw scenography and lighting design for the project. Having been brought in by Nonstop Productions, the duo began initial conversations with Tiakola’s producers, Morgan Antonutti and Marie-Sandrine Martin, to discuss the show’s vision 🗣️

Read the full story in the latest issue of TPi Magazine 🗞️

🔗 in bio

📸: Alien le studio

Fresh off another successful Core Pro Show, Core Pro Audio opens the doors to a new space for immersive audio workflows.

On top of brands sharing time with attendees at Core Pro Show, visitors got an exclusive look at the company’s brand-new L-Acoustics L-ISA Auditorium – the first of its kind in the UK, meeting the specification outlined by L-Acoustics. “We didn’t want to provide a truss box in a warehouse but maximise the opportunity by providing a space that is unique,” stated Tim Bamber, Director of Core Pro Audio. “The end result is a full spec L-ISA Auditorium, which means any engineer can roll in their control setup and start working on a mix for an upcoming show, or use the in-house system.”

Read the full interview in the latest issue of TPi Magazine 🗞️

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📸: Core Pro Audio

Two years in the making, Luciano premiered ALIVE – his most ambitious tour to date – at Art Basel Miami, supported by a fully bespoke rig and tour support from Gravity Rigs.

Raw, improvised, and driven by emotion, ALIVE demonstrates how sound, light, machines, and human energy merge in real time, creating a performance that exists only in the moment. The Swiss – Chilean DJ and producer approached Gravity Rigs in late 2023. Following a disastrous flood in his studio that destroyed almost everything, Luciano rose from the proverbial ashes to pay tribute to 30 plus years of songwriting, emotion, and memory that were almost lost forever 🎛️

Read the full story in the latest issue of TPi Magazine 🗞️

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📸: Positronic Studio and Lito Viduarra

Two years in the making, Luciano premiered ALIVE – his most ambitious tour to date – at Art Basel Miami, supported by a fully bespoke rig and tour support from Gravity Rigs.

Raw, improvised, and driven by emotion, ALIVE demonstrates how sound, light, machines, and human energy merge in real time, creating a performance that exists only in the moment. The Swiss – Chilean DJ and producer approached Gravity Rigs in late 2023. Following a disastrous flood in his studio that destroyed almost everything, Luciano rose from the proverbial ashes to pay tribute to 30 plus years of songwriting, emotion, and memory that were almost lost forever 🎛️

Read the full story in the latest issue of TPi Magazine 🗞️

🔗 in bio

📸: Positronic Studio and Lito Viduarra

Two years in the making, Luciano premiered ALIVE – his most ambitious tour to date – at Art Basel Miami, supported by a fully bespoke rig and tour support from Gravity Rigs.

Raw, improvised, and driven by emotion, ALIVE demonstrates how sound, light, machines, and human energy merge in real time, creating a performance that exists only in the moment. The Swiss – Chilean DJ and producer approached Gravity Rigs in late 2023. Following a disastrous flood in his studio that destroyed almost everything, Luciano rose from the proverbial ashes to pay tribute to 30 plus years of songwriting, emotion, and memory that were almost lost forever 🎛️

Read the full story in the latest issue of TPi Magazine 🗞️

🔗 in bio

📸: Positronic Studio and Lito Viduarra

Full-service production houses are on the uptick and @hanstolo.ent is no different, with co-founders Tone Lopez and Raphiki Rhodes at the helm. TPi caught up with the tour and production management specialists to get an insight into the beginnings of HansTolo Enterprises, highlights from the past year, and where the duo see the industry headed.

After starting the company in 2010, Lopez explained how “things started to get serious between 2014 and 2016”, when the pair were given some bigger opportunities. “We’ve been fortunate to be part of the development of some of the younger artists that are really having their moment right now,” he commented.

Read the full story in the latest issue of TPi Magazine 🗞️

🔗: https://www.tpimagazine.com/hanstolo-enterprises-the-rise-of-full-service-production-houses/

📸: Travis Colbert

Full-service production houses are on the uptick and @hanstolo.ent is no different, with co-founders Tone Lopez and Raphiki Rhodes at the helm. TPi caught up with the tour and production management specialists to get an insight into the beginnings of HansTolo Enterprises, highlights from the past year, and where the duo see the industry headed.

After starting the company in 2010, Lopez explained how “things started to get serious between 2014 and 2016”, when the pair were given some bigger opportunities. “We’ve been fortunate to be part of the development of some of the younger artists that are really having their moment right now,” he commented.

Read the full story in the latest issue of TPi Magazine 🗞️

🔗: https://www.tpimagazine.com/hanstolo-enterprises-the-rise-of-full-service-production-houses/

📸: Travis Colbert

Full-service production houses are on the uptick and @hanstolo.ent is no different, with co-founders Tone Lopez and Raphiki Rhodes at the helm. TPi caught up with the tour and production management specialists to get an insight into the beginnings of HansTolo Enterprises, highlights from the past year, and where the duo see the industry headed.

After starting the company in 2010, Lopez explained how “things started to get serious between 2014 and 2016”, when the pair were given some bigger opportunities. “We’ve been fortunate to be part of the development of some of the younger artists that are really having their moment right now,” he commented.

Read the full story in the latest issue of TPi Magazine 🗞️

🔗: https://www.tpimagazine.com/hanstolo-enterprises-the-rise-of-full-service-production-houses/

📸: Travis Colbert

#AD @truss_aluminium_factory´s Tower 3 is engineered for productions where height, load capacity and safety cannot be compromised.

With a maximum height of 20 m and a load capacity of 8000 kg, it expands the lifting possibilities within our tower range. Alongside Tower 2 (12 m / 2000 kg), it offers a solution for larger-scale builds that require extended height and significantly higher load performance.

The integrated safety lock tube provides additional mechanical security during operation, while the durable steel sleeve block enhances structural strength and long-term reliability under heavy loads.

Designed for large LED installations, complex lighting systems and demanding stage structures, Tower 3 delivers controlled lifting, rigidity and confidence at height.

📞 Contact us: +420 730 893 969
📩 Email: sales@taf.cz

#TAF #TAFTruss #Tower3 #LiftingSolutions #EventProduction #Rigging #LiveEvents #ProAV #EngineeredForSafety #TheFactory

More than one billion young people are reportedly at risk of hearing loss from unsafe recreational sound exposure, a damning statistic that should give everyone in the sector room for pause. The HELA Initiative is confronting that reality head-on, delivering the education needed to protect audiences, crews, venue staff, and local communities, while making a clear case that safety and exceptional sound are not opposing goals. As HELA marks its first anniversary, @cosmicears’ Mike R Bufton speaks to the brains behind its sonic philosophy: Dr Adam Hill, Associate Professor of Electroacoustics at the University of Derby, and respected live sound engineer Jon Burton 👂

Read the full story via the 🔗 in bio

More than one billion young people are reportedly at risk of hearing loss from unsafe recreational sound exposure, a damning statistic that should give everyone in the sector room for pause. The HELA Initiative is confronting that reality head-on, delivering the education needed to protect audiences, crews, venue staff, and local communities, while making a clear case that safety and exceptional sound are not opposing goals. As HELA marks its first anniversary, @cosmicears’ Mike R Bufton speaks to the brains behind its sonic philosophy: Dr Adam Hill, Associate Professor of Electroacoustics at the University of Derby, and respected live sound engineer Jon Burton 👂

Read the full story via the 🔗 in bio

More than one billion young people are reportedly at risk of hearing loss from unsafe recreational sound exposure, a damning statistic that should give everyone in the sector room for pause. The HELA Initiative is confronting that reality head-on, delivering the education needed to protect audiences, crews, venue staff, and local communities, while making a clear case that safety and exceptional sound are not opposing goals. As HELA marks its first anniversary, @cosmicears’ Mike R Bufton speaks to the brains behind its sonic philosophy: Dr Adam Hill, Associate Professor of Electroacoustics at the University of Derby, and respected live sound engineer Jon Burton 👂

Read the full story via the 🔗 in bio

🗣️💬: “We’re proud of what we achieved with limited time and money for the one-off show. There was the potential for costs to spiral out of control, or timeframes stretched, which could have resulted in compromises being made. Thanks to the commitment, creativity and professionalism of the entire production team, we produced a show within all budget and creative requirements.”

Before the turn of the year, The Reytons headlined their biggest gig outside of their home county. Bringing South Yorkshire and a football-inspired production to OVO Arena Wembley was a labour of love for the band and their touring team, including Insert Productions Ltd. £37.50 for an arena show in 2025 is unheard of, yet the band knew most of their fans would be travelling down from Yorkshire and wanted neither to price them out of being able to come, nor make a profit at their expense, writes Matt Rakowski 👏

Read the full story in the latest issue of TPi Magazine 🗞️

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📸: Matt Rakowski

🗣️💬: “We’re proud of what we achieved with limited time and money for the one-off show. There was the potential for costs to spiral out of control, or timeframes stretched, which could have resulted in compromises being made. Thanks to the commitment, creativity and professionalism of the entire production team, we produced a show within all budget and creative requirements.”

Before the turn of the year, The Reytons headlined their biggest gig outside of their home county. Bringing South Yorkshire and a football-inspired production to OVO Arena Wembley was a labour of love for the band and their touring team, including Insert Productions Ltd. £37.50 for an arena show in 2025 is unheard of, yet the band knew most of their fans would be travelling down from Yorkshire and wanted neither to price them out of being able to come, nor make a profit at their expense, writes Matt Rakowski 👏

Read the full story in the latest issue of TPi Magazine 🗞️

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📸: Matt Rakowski

Bewitching. Ethereal. Enchanting. Few tours in recent memory have embodied these qualities quite like Florence + The Machine’s Everybody Scream Tour. Each night, the artist leaves it all out there – emotionally, through a deeply introspective record, and physically, as she paces the stage barefoot, charging up and down the thrust before casting herself among the crowd. Surrounding her, a dance troupe known as the Witch Choir twist and contort, shaping their bodies and expressions into arresting, otherworldly forms. For the production team, the brief is anything but straightforward: to create a performance environment that underpins and amplifies this narrative, forges a connection between audience and art, and navigates the logistical, technical and financial realities of touring.

Thankfully, Production Manager Wob Roberts orchestrated the tour, drawing on the expertise of Britannia Row Productions (audio), Neg Earth Lights (lighting), Strictly FX (special effects), Solotech (video), Vis-A-Vis (cameras), All Access Staging & Productions (stage mechanisms), The Next Stage (staging), Tysers and Acre Jean (drapes), EPS (barriers), Sarah’s Kitchen (catering), Nicely Done (furniture), CSE Crosscom (radios), KB Event (trucking), Phoenix Bussing (crew travel), LH2 Studios (production rehearsals), Silent Partners Studio (video content), Silent House Productions (show design), and Equinox Travel (travel agents), Skytime Jets (charter flights), Goldstar Chauffeur (ground transport), among others. “It’s a complex production that requires collaboration,” Roberts informed TPi from backstage at Liverpool’s M&S Bank Arena.

Read the full story in the latest issue of TPi 🗞️

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📸: Madison Julie (@madisonjuliephoto)

Bewitching. Ethereal. Enchanting. Few tours in recent memory have embodied these qualities quite like Florence + The Machine’s Everybody Scream Tour. Each night, the artist leaves it all out there – emotionally, through a deeply introspective record, and physically, as she paces the stage barefoot, charging up and down the thrust before casting herself among the crowd. Surrounding her, a dance troupe known as the Witch Choir twist and contort, shaping their bodies and expressions into arresting, otherworldly forms. For the production team, the brief is anything but straightforward: to create a performance environment that underpins and amplifies this narrative, forges a connection between audience and art, and navigates the logistical, technical and financial realities of touring.

Thankfully, Production Manager Wob Roberts orchestrated the tour, drawing on the expertise of Britannia Row Productions (audio), Neg Earth Lights (lighting), Strictly FX (special effects), Solotech (video), Vis-A-Vis (cameras), All Access Staging & Productions (stage mechanisms), The Next Stage (staging), Tysers and Acre Jean (drapes), EPS (barriers), Sarah’s Kitchen (catering), Nicely Done (furniture), CSE Crosscom (radios), KB Event (trucking), Phoenix Bussing (crew travel), LH2 Studios (production rehearsals), Silent Partners Studio (video content), Silent House Productions (show design), and Equinox Travel (travel agents), Skytime Jets (charter flights), Goldstar Chauffeur (ground transport), among others. “It’s a complex production that requires collaboration,” Roberts informed TPi from backstage at Liverpool’s M&S Bank Arena.

Read the full story in the latest issue of TPi 🗞️

🔗 in bio

📸: Madison Julie (@madisonjuliephoto)

Bewitching. Ethereal. Enchanting. Few tours in recent memory have embodied these qualities quite like Florence + The Machine’s Everybody Scream Tour. Each night, the artist leaves it all out there – emotionally, through a deeply introspective record, and physically, as she paces the stage barefoot, charging up and down the thrust before casting herself among the crowd. Surrounding her, a dance troupe known as the Witch Choir twist and contort, shaping their bodies and expressions into arresting, otherworldly forms. For the production team, the brief is anything but straightforward: to create a performance environment that underpins and amplifies this narrative, forges a connection between audience and art, and navigates the logistical, technical and financial realities of touring.

Thankfully, Production Manager Wob Roberts orchestrated the tour, drawing on the expertise of Britannia Row Productions (audio), Neg Earth Lights (lighting), Strictly FX (special effects), Solotech (video), Vis-A-Vis (cameras), All Access Staging & Productions (stage mechanisms), The Next Stage (staging), Tysers and Acre Jean (drapes), EPS (barriers), Sarah’s Kitchen (catering), Nicely Done (furniture), CSE Crosscom (radios), KB Event (trucking), Phoenix Bussing (crew travel), LH2 Studios (production rehearsals), Silent Partners Studio (video content), Silent House Productions (show design), and Equinox Travel (travel agents), Skytime Jets (charter flights), Goldstar Chauffeur (ground transport), among others. “It’s a complex production that requires collaboration,” Roberts informed TPi from backstage at Liverpool’s M&S Bank Arena.

Read the full story in the latest issue of TPi 🗞️

🔗 in bio

📸: Madison Julie (@madisonjuliephoto)

Bewitching. Ethereal. Enchanting. Few tours in recent memory have embodied these qualities quite like Florence + The Machine’s Everybody Scream Tour. Each night, the artist leaves it all out there – emotionally, through a deeply introspective record, and physically, as she paces the stage barefoot, charging up and down the thrust before casting herself among the crowd. Surrounding her, a dance troupe known as the Witch Choir twist and contort, shaping their bodies and expressions into arresting, otherworldly forms. For the production team, the brief is anything but straightforward: to create a performance environment that underpins and amplifies this narrative, forges a connection between audience and art, and navigates the logistical, technical and financial realities of touring.

Thankfully, Production Manager Wob Roberts orchestrated the tour, drawing on the expertise of Britannia Row Productions (audio), Neg Earth Lights (lighting), Strictly FX (special effects), Solotech (video), Vis-A-Vis (cameras), All Access Staging & Productions (stage mechanisms), The Next Stage (staging), Tysers and Acre Jean (drapes), EPS (barriers), Sarah’s Kitchen (catering), Nicely Done (furniture), CSE Crosscom (radios), KB Event (trucking), Phoenix Bussing (crew travel), LH2 Studios (production rehearsals), Silent Partners Studio (video content), Silent House Productions (show design), and Equinox Travel (travel agents), Skytime Jets (charter flights), Goldstar Chauffeur (ground transport), among others. “It’s a complex production that requires collaboration,” Roberts informed TPi from backstage at Liverpool’s M&S Bank Arena.

Read the full story in the latest issue of TPi 🗞️

🔗 in bio

📸: Madison Julie (@madisonjuliephoto)