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Let’s welcome 5th and final speaker for our event on 14th of May! Very excited @elliotjaystocks will be joining us 💫

Elliot Jay Stocks is a designer and author, known in typographic circles thanks to his time as Creative Director of Adobe Typekit, founder of typography magazine 8 Faces, the co-creator of Google Fonts Knowledge, and the author of Universal Principles of Typography (Quarto, 2024) and Fine Specimens (Quarto, 2026).

Elliot has spoken at over 80 conferences around the world and served as a judge for the D&AD Awards. He lives in the countryside in Somerset, UK, and recently rejoined the design team at Adobe Fonts.

@elliotjaystocks
elliotjaystocks.com
bsky.app/profile/elliotjaystocks.bsky.social

Tickets in bio! 🔗

Photo by Norman Posselt

Let’s welcome 5th and final speaker for our event on 14th of May! Very excited @elliotjaystocks will be joining us 💫

Elliot Jay Stocks is a designer and author, known in typographic circles thanks to his time as Creative Director of Adobe Typekit, founder of typography magazine 8 Faces, the co-creator of Google Fonts Knowledge, and the author of Universal Principles of Typography (Quarto, 2024) and Fine Specimens (Quarto, 2026).

Elliot has spoken at over 80 conferences around the world and served as a judge for the D&AD Awards. He lives in the countryside in Somerset, UK, and recently rejoined the design team at Adobe Fonts.

@elliotjaystocks
elliotjaystocks.com
bsky.app/profile/elliotjaystocks.bsky.social

Tickets in bio! 🔗

Photo by Norman Posselt

Let’s welcome 5th and final speaker for our event on 14th of May! Very excited @elliotjaystocks will be joining us 💫

Elliot Jay Stocks is a designer and author, known in typographic circles thanks to his time as Creative Director of Adobe Typekit, founder of typography magazine 8 Faces, the co-creator of Google Fonts Knowledge, and the author of Universal Principles of Typography (Quarto, 2024) and Fine Specimens (Quarto, 2026).

Elliot has spoken at over 80 conferences around the world and served as a judge for the D&AD Awards. He lives in the countryside in Somerset, UK, and recently rejoined the design team at Adobe Fonts.

@elliotjaystocks
elliotjaystocks.com
bsky.app/profile/elliotjaystocks.bsky.social

Tickets in bio! 🔗

Photo by Norman Posselt

Let’s welcome 5th and final speaker for our event on 14th of May! Very excited @elliotjaystocks will be joining us 💫

Elliot Jay Stocks is a designer and author, known in typographic circles thanks to his time as Creative Director of Adobe Typekit, founder of typography magazine 8 Faces, the co-creator of Google Fonts Knowledge, and the author of Universal Principles of Typography (Quarto, 2024) and Fine Specimens (Quarto, 2026).

Elliot has spoken at over 80 conferences around the world and served as a judge for the D&AD Awards. He lives in the countryside in Somerset, UK, and recently rejoined the design team at Adobe Fonts.

@elliotjaystocks
elliotjaystocks.com
bsky.app/profile/elliotjaystocks.bsky.social

Tickets in bio! 🔗

Photo by Norman Posselt

Let’s welcome 5th and final speaker for our event on 14th of May! Very excited @elliotjaystocks will be joining us 💫

Elliot Jay Stocks is a designer and author, known in typographic circles thanks to his time as Creative Director of Adobe Typekit, founder of typography magazine 8 Faces, the co-creator of Google Fonts Knowledge, and the author of Universal Principles of Typography (Quarto, 2024) and Fine Specimens (Quarto, 2026).

Elliot has spoken at over 80 conferences around the world and served as a judge for the D&AD Awards. He lives in the countryside in Somerset, UK, and recently rejoined the design team at Adobe Fonts.

@elliotjaystocks
elliotjaystocks.com
bsky.app/profile/elliotjaystocks.bsky.social

Tickets in bio! 🔗

Photo by Norman Posselt

Let’s welcome 5th and final speaker for our event on 14th of May! Very excited @elliotjaystocks will be joining us 💫

Elliot Jay Stocks is a designer and author, known in typographic circles thanks to his time as Creative Director of Adobe Typekit, founder of typography magazine 8 Faces, the co-creator of Google Fonts Knowledge, and the author of Universal Principles of Typography (Quarto, 2024) and Fine Specimens (Quarto, 2026).

Elliot has spoken at over 80 conferences around the world and served as a judge for the D&AD Awards. He lives in the countryside in Somerset, UK, and recently rejoined the design team at Adobe Fonts.

@elliotjaystocks
elliotjaystocks.com
bsky.app/profile/elliotjaystocks.bsky.social

Tickets in bio! 🔗

Photo by Norman Posselt

Let’s welcome 5th and final speaker for our event on 14th of May! Very excited @elliotjaystocks will be joining us 💫

Elliot Jay Stocks is a designer and author, known in typographic circles thanks to his time as Creative Director of Adobe Typekit, founder of typography magazine 8 Faces, the co-creator of Google Fonts Knowledge, and the author of Universal Principles of Typography (Quarto, 2024) and Fine Specimens (Quarto, 2026).

Elliot has spoken at over 80 conferences around the world and served as a judge for the D&AD Awards. He lives in the countryside in Somerset, UK, and recently rejoined the design team at Adobe Fonts.

@elliotjaystocks
elliotjaystocks.com
bsky.app/profile/elliotjaystocks.bsky.social

Tickets in bio! 🔗

Photo by Norman Posselt

Let’s welcome 5th and final speaker for our event on 14th of May! Very excited @elliotjaystocks will be joining us 💫

Elliot Jay Stocks is a designer and author, known in typographic circles thanks to his time as Creative Director of Adobe Typekit, founder of typography magazine 8 Faces, the co-creator of Google Fonts Knowledge, and the author of Universal Principles of Typography (Quarto, 2024) and Fine Specimens (Quarto, 2026).

Elliot has spoken at over 80 conferences around the world and served as a judge for the D&AD Awards. He lives in the countryside in Somerset, UK, and recently rejoined the design team at Adobe Fonts.

@elliotjaystocks
elliotjaystocks.com
bsky.app/profile/elliotjaystocks.bsky.social

Tickets in bio! 🔗

Photo by Norman Posselt

Let’s welcome 5th and final speaker for our event on 14th of May! Very excited @elliotjaystocks will be joining us 💫

Elliot Jay Stocks is a designer and author, known in typographic circles thanks to his time as Creative Director of Adobe Typekit, founder of typography magazine 8 Faces, the co-creator of Google Fonts Knowledge, and the author of Universal Principles of Typography (Quarto, 2024) and Fine Specimens (Quarto, 2026).

Elliot has spoken at over 80 conferences around the world and served as a judge for the D&AD Awards. He lives in the countryside in Somerset, UK, and recently rejoined the design team at Adobe Fonts.

@elliotjaystocks
elliotjaystocks.com
bsky.app/profile/elliotjaystocks.bsky.social

Tickets in bio! 🔗

Photo by Norman Posselt

Let’s welcome 5th and final speaker for our event on 14th of May! Very excited @elliotjaystocks will be joining us 💫

Elliot Jay Stocks is a designer and author, known in typographic circles thanks to his time as Creative Director of Adobe Typekit, founder of typography magazine 8 Faces, the co-creator of Google Fonts Knowledge, and the author of Universal Principles of Typography (Quarto, 2024) and Fine Specimens (Quarto, 2026).

Elliot has spoken at over 80 conferences around the world and served as a judge for the D&AD Awards. He lives in the countryside in Somerset, UK, and recently rejoined the design team at Adobe Fonts.

@elliotjaystocks
elliotjaystocks.com
bsky.app/profile/elliotjaystocks.bsky.social

Tickets in bio! 🔗

Photo by Norman Posselt

Let’s welcome 5th and final speaker for our event on 14th of May! Very excited @elliotjaystocks will be joining us 💫

Elliot Jay Stocks is a designer and author, known in typographic circles thanks to his time as Creative Director of Adobe Typekit, founder of typography magazine 8 Faces, the co-creator of Google Fonts Knowledge, and the author of Universal Principles of Typography (Quarto, 2024) and Fine Specimens (Quarto, 2026).

Elliot has spoken at over 80 conferences around the world and served as a judge for the D&AD Awards. He lives in the countryside in Somerset, UK, and recently rejoined the design team at Adobe Fonts.

@elliotjaystocks
elliotjaystocks.com
bsky.app/profile/elliotjaystocks.bsky.social

Tickets in bio! 🔗

Photo by Norman Posselt

Let’s welcome 5th and final speaker for our event on 14th of May! Very excited @elliotjaystocks will be joining us 💫

Elliot Jay Stocks is a designer and author, known in typographic circles thanks to his time as Creative Director of Adobe Typekit, founder of typography magazine 8 Faces, the co-creator of Google Fonts Knowledge, and the author of Universal Principles of Typography (Quarto, 2024) and Fine Specimens (Quarto, 2026).

Elliot has spoken at over 80 conferences around the world and served as a judge for the D&AD Awards. He lives in the countryside in Somerset, UK, and recently rejoined the design team at Adobe Fonts.

@elliotjaystocks
elliotjaystocks.com
bsky.app/profile/elliotjaystocks.bsky.social

Tickets in bio! 🔗

Photo by Norman Posselt

Let’s welcome 5th and final speaker for our event on 14th of May! Very excited @elliotjaystocks will be joining us 💫

Elliot Jay Stocks is a designer and author, known in typographic circles thanks to his time as Creative Director of Adobe Typekit, founder of typography magazine 8 Faces, the co-creator of Google Fonts Knowledge, and the author of Universal Principles of Typography (Quarto, 2024) and Fine Specimens (Quarto, 2026).

Elliot has spoken at over 80 conferences around the world and served as a judge for the D&AD Awards. He lives in the countryside in Somerset, UK, and recently rejoined the design team at Adobe Fonts.

@elliotjaystocks
elliotjaystocks.com
bsky.app/profile/elliotjaystocks.bsky.social

Tickets in bio! 🔗

Photo by Norman Posselt

Let’s welcome 5th and final speaker for our event on 14th of May! Very excited @elliotjaystocks will be joining us 💫

Elliot Jay Stocks is a designer and author, known in typographic circles thanks to his time as Creative Director of Adobe Typekit, founder of typography magazine 8 Faces, the co-creator of Google Fonts Knowledge, and the author of Universal Principles of Typography (Quarto, 2024) and Fine Specimens (Quarto, 2026).

Elliot has spoken at over 80 conferences around the world and served as a judge for the D&AD Awards. He lives in the countryside in Somerset, UK, and recently rejoined the design team at Adobe Fonts.

@elliotjaystocks
elliotjaystocks.com
bsky.app/profile/elliotjaystocks.bsky.social

Tickets in bio! 🔗

Photo by Norman Posselt

Onto speaker number 4! Let’s give a warm welcome to @joshuajamessaunders 🌟

Josh Saunders is a freelance designer from the South-West of England, better known for #nevernotworking – Making a living from letters. But faking it when it comes to designing fonts. Talking about the difference between fonts, typefaces & lettering. Designers always ask, „What font is that?” but sometimes the answer is, it’s not a font at all. A lot of logos & brand marks aren’t typed out, they’re drawn by hand, letter by letter. How custom characters allow you to add personality & little details you’d never get from an off the shelf typeface.

@joshuajamessaunders

Tickets in bio! 🔗

Onto speaker number 4! Let’s give a warm welcome to @joshuajamessaunders 🌟

Josh Saunders is a freelance designer from the South-West of England, better known for #nevernotworking – Making a living from letters. But faking it when it comes to designing fonts. Talking about the difference between fonts, typefaces & lettering. Designers always ask, „What font is that?” but sometimes the answer is, it’s not a font at all. A lot of logos & brand marks aren’t typed out, they’re drawn by hand, letter by letter. How custom characters allow you to add personality & little details you’d never get from an off the shelf typeface.

@joshuajamessaunders

Tickets in bio! 🔗

Onto speaker number 4! Let’s give a warm welcome to @joshuajamessaunders 🌟

Josh Saunders is a freelance designer from the South-West of England, better known for #nevernotworking – Making a living from letters. But faking it when it comes to designing fonts. Talking about the difference between fonts, typefaces & lettering. Designers always ask, „What font is that?” but sometimes the answer is, it’s not a font at all. A lot of logos & brand marks aren’t typed out, they’re drawn by hand, letter by letter. How custom characters allow you to add personality & little details you’d never get from an off the shelf typeface.

@joshuajamessaunders

Tickets in bio! 🔗

Onto speaker number 4! Let’s give a warm welcome to @joshuajamessaunders 🌟

Josh Saunders is a freelance designer from the South-West of England, better known for #nevernotworking – Making a living from letters. But faking it when it comes to designing fonts. Talking about the difference between fonts, typefaces & lettering. Designers always ask, „What font is that?” but sometimes the answer is, it’s not a font at all. A lot of logos & brand marks aren’t typed out, they’re drawn by hand, letter by letter. How custom characters allow you to add personality & little details you’d never get from an off the shelf typeface.

@joshuajamessaunders

Tickets in bio! 🔗

Onto speaker number 4! Let’s give a warm welcome to @joshuajamessaunders 🌟

Josh Saunders is a freelance designer from the South-West of England, better known for #nevernotworking – Making a living from letters. But faking it when it comes to designing fonts. Talking about the difference between fonts, typefaces & lettering. Designers always ask, „What font is that?” but sometimes the answer is, it’s not a font at all. A lot of logos & brand marks aren’t typed out, they’re drawn by hand, letter by letter. How custom characters allow you to add personality & little details you’d never get from an off the shelf typeface.

@joshuajamessaunders

Tickets in bio! 🔗

Onto speaker number 4! Let’s give a warm welcome to @joshuajamessaunders 🌟

Josh Saunders is a freelance designer from the South-West of England, better known for #nevernotworking – Making a living from letters. But faking it when it comes to designing fonts. Talking about the difference between fonts, typefaces & lettering. Designers always ask, „What font is that?” but sometimes the answer is, it’s not a font at all. A lot of logos & brand marks aren’t typed out, they’re drawn by hand, letter by letter. How custom characters allow you to add personality & little details you’d never get from an off the shelf typeface.

@joshuajamessaunders

Tickets in bio! 🔗

Onto speaker number 4! Let’s give a warm welcome to @joshuajamessaunders 🌟

Josh Saunders is a freelance designer from the South-West of England, better known for #nevernotworking – Making a living from letters. But faking it when it comes to designing fonts. Talking about the difference between fonts, typefaces & lettering. Designers always ask, „What font is that?” but sometimes the answer is, it’s not a font at all. A lot of logos & brand marks aren’t typed out, they’re drawn by hand, letter by letter. How custom characters allow you to add personality & little details you’d never get from an off the shelf typeface.

@joshuajamessaunders

Tickets in bio! 🔗

Onto speaker number 4! Let’s give a warm welcome to @joshuajamessaunders 🌟

Josh Saunders is a freelance designer from the South-West of England, better known for #nevernotworking – Making a living from letters. But faking it when it comes to designing fonts. Talking about the difference between fonts, typefaces & lettering. Designers always ask, „What font is that?” but sometimes the answer is, it’s not a font at all. A lot of logos & brand marks aren’t typed out, they’re drawn by hand, letter by letter. How custom characters allow you to add personality & little details you’d never get from an off the shelf typeface.

@joshuajamessaunders

Tickets in bio! 🔗

Onto speaker number 4! Let’s give a warm welcome to @joshuajamessaunders 🌟

Josh Saunders is a freelance designer from the South-West of England, better known for #nevernotworking – Making a living from letters. But faking it when it comes to designing fonts. Talking about the difference between fonts, typefaces & lettering. Designers always ask, „What font is that?” but sometimes the answer is, it’s not a font at all. A lot of logos & brand marks aren’t typed out, they’re drawn by hand, letter by letter. How custom characters allow you to add personality & little details you’d never get from an off the shelf typeface.

@joshuajamessaunders

Tickets in bio! 🔗

Onto speaker number 4! Let’s give a warm welcome to @joshuajamessaunders 🌟

Josh Saunders is a freelance designer from the South-West of England, better known for #nevernotworking – Making a living from letters. But faking it when it comes to designing fonts. Talking about the difference between fonts, typefaces & lettering. Designers always ask, „What font is that?” but sometimes the answer is, it’s not a font at all. A lot of logos & brand marks aren’t typed out, they’re drawn by hand, letter by letter. How custom characters allow you to add personality & little details you’d never get from an off the shelf typeface.

@joshuajamessaunders

Tickets in bio! 🔗

Onto speaker number 4! Let’s give a warm welcome to @joshuajamessaunders 🌟

Josh Saunders is a freelance designer from the South-West of England, better known for #nevernotworking – Making a living from letters. But faking it when it comes to designing fonts. Talking about the difference between fonts, typefaces & lettering.
Designers always ask, „What font is that?” but sometimes the answer is, it’s not a font at all. A lot of logos & brand marks aren’t typed out, they’re drawn by hand, letter by letter. How custom characters allow you to add personality & little details you’d never get from an off the shelf typeface.

@joshuajamessaunders

Tickets in bio! 🔗

For speaker number 3, we’d like to introduce @s_carewe who will visit us straight from Paris 🇫🇷

Sebastian Carewe is an independent font engineer, developer and linguist from Berlin, based in Paris. His work at the intersection of type design and software development is driven by the dread of repetitive tasks, which he prefers to automate with a few lines of code. Specialised in the design of Latin and Cyrillic, he is especially interested in multi-script projects and localisation, backed by his background in linguistics.
Sebastian works with a wide range of foundries, on tasks ranging from design questions, mastering and tool development to workflow optimisation and project management. He loves giving workshops and maintains an extensive open-source library of Glyphs scripts and plugins.
Aside from type, Sebastian has a broad background in music theory and jazz piano. He can solve a Rubik’s cube in nine seconds, but can’t tell you the point.

@s_carewe
sebastiancarewe.com
github.com/eweracs

Tickets in bio! 🔗

For speaker number 3, we’d like to introduce @s_carewe who will visit us straight from Paris 🇫🇷

Sebastian Carewe is an independent font engineer, developer and linguist from Berlin, based in Paris. His work at the intersection of type design and software development is driven by the dread of repetitive tasks, which he prefers to automate with a few lines of code. Specialised in the design of Latin and Cyrillic, he is especially interested in multi-script projects and localisation, backed by his background in linguistics.
Sebastian works with a wide range of foundries, on tasks ranging from design questions, mastering and tool development to workflow optimisation and project management. He loves giving workshops and maintains an extensive open-source library of Glyphs scripts and plugins.
Aside from type, Sebastian has a broad background in music theory and jazz piano. He can solve a Rubik’s cube in nine seconds, but can’t tell you the point.

@s_carewe
sebastiancarewe.com
github.com/eweracs

Tickets in bio! 🔗

For speaker number 3, we’d like to introduce @s_carewe who will visit us straight from Paris 🇫🇷

Sebastian Carewe is an independent font engineer, developer and linguist from Berlin, based in Paris. His work at the intersection of type design and software development is driven by the dread of repetitive tasks, which he prefers to automate with a few lines of code. Specialised in the design of Latin and Cyrillic, he is especially interested in multi-script projects and localisation, backed by his background in linguistics.
Sebastian works with a wide range of foundries, on tasks ranging from design questions, mastering and tool development to workflow optimisation and project management. He loves giving workshops and maintains an extensive open-source library of Glyphs scripts and plugins.
Aside from type, Sebastian has a broad background in music theory and jazz piano. He can solve a Rubik’s cube in nine seconds, but can’t tell you the point.

@s_carewe
sebastiancarewe.com
github.com/eweracs

Tickets in bio! 🔗

For speaker number 3, we’d like to introduce @s_carewe who will visit us straight from Paris 🇫🇷

Sebastian Carewe is an independent font engineer, developer and linguist from Berlin, based in Paris. His work at the intersection of type design and software development is driven by the dread of repetitive tasks, which he prefers to automate with a few lines of code. Specialised in the design of Latin and Cyrillic, he is especially interested in multi-script projects and localisation, backed by his background in linguistics.
Sebastian works with a wide range of foundries, on tasks ranging from design questions, mastering and tool development to workflow optimisation and project management. He loves giving workshops and maintains an extensive open-source library of Glyphs scripts and plugins.
Aside from type, Sebastian has a broad background in music theory and jazz piano. He can solve a Rubik’s cube in nine seconds, but can’t tell you the point.

@s_carewe
sebastiancarewe.com
github.com/eweracs

Tickets in bio! 🔗

For speaker number 3, we’d like to introduce @s_carewe who will visit us straight from Paris 🇫🇷

Sebastian Carewe is an independent font engineer, developer and linguist from Berlin, based in Paris. His work at the intersection of type design and software development is driven by the dread of repetitive tasks, which he prefers to automate with a few lines of code. Specialised in the design of Latin and Cyrillic, he is especially interested in multi-script projects and localisation, backed by his background in linguistics.
Sebastian works with a wide range of foundries, on tasks ranging from design questions, mastering and tool development to workflow optimisation and project management. He loves giving workshops and maintains an extensive open-source library of Glyphs scripts and plugins.
Aside from type, Sebastian has a broad background in music theory and jazz piano. He can solve a Rubik’s cube in nine seconds, but can’t tell you the point.

@s_carewe
sebastiancarewe.com
github.com/eweracs

Tickets in bio! 🔗

Brace yourselves for the first two speakers of this months’ 5 (!) speaker lineup!
Will and Induilaxa, both students at Kingston School of Art, will talk us through their projects on May 14th ☀️

Will Aggett (carousel images 1-6) is a type and graphic designer in his final year at Kingston School of Art. He’s currently developing research within modularity, community and
physical making.
His work investigates how modular systems can shape visual language, while also creating opportunities for a collaboration and shared authorship. Through a process of hands-on and digital typographic processes, he engages with making as both a method of research and a means of connecting people, materials and ideas.

Will will talk us through his project ‘TO-114’ — A revival of a U.S. Government document from the early 1990s that defined the decoration and formal markings used on aircraft and boats. Reinterpreted through a contemporary type design lens, it incorporates stylistic alternates and contextual OpenType features.
@willaggett

Induilaxa (carousel images 7-10) is a Graphic Designer from Kingston University who critically investigates cultural studies. Guided by her curiosity towards identity and media, her work recontextualises the communities through a graphic design lens. Being quite new to typography, even when she changes the medium, her design output still lies within researching societies and the historical contexts of their visual styles. Using an illustrative approach to explore expressive characters, and disseminating the refined verisons through multiple mediums.

She will talk us through her investigation of the cultural and historical contexts of the cybersigilism aesthetic. Originating from the 2010s Berlin rave scene to being repopularised in forms of music and fashion. Actualised with biomechanical forms showing sections of history through different weights.
@luck.design.y

Tickets in bio! 🔗

Brace yourselves for the first two speakers of this months’ 5 (!) speaker lineup!
Will and Induilaxa, both students at Kingston School of Art, will talk us through their projects on May 14th ☀️

Will Aggett (carousel images 1-6) is a type and graphic designer in his final year at Kingston School of Art. He’s currently developing research within modularity, community and
physical making.
His work investigates how modular systems can shape visual language, while also creating opportunities for a collaboration and shared authorship. Through a process of hands-on and digital typographic processes, he engages with making as both a method of research and a means of connecting people, materials and ideas.

Will will talk us through his project ‘TO-114’ — A revival of a U.S. Government document from the early 1990s that defined the decoration and formal markings used on aircraft and boats. Reinterpreted through a contemporary type design lens, it incorporates stylistic alternates and contextual OpenType features.
@willaggett

Induilaxa (carousel images 7-10) is a Graphic Designer from Kingston University who critically investigates cultural studies. Guided by her curiosity towards identity and media, her work recontextualises the communities through a graphic design lens. Being quite new to typography, even when she changes the medium, her design output still lies within researching societies and the historical contexts of their visual styles. Using an illustrative approach to explore expressive characters, and disseminating the refined verisons through multiple mediums.

She will talk us through her investigation of the cultural and historical contexts of the cybersigilism aesthetic. Originating from the 2010s Berlin rave scene to being repopularised in forms of music and fashion. Actualised with biomechanical forms showing sections of history through different weights.
@luck.design.y

Tickets in bio! 🔗

Brace yourselves for the first two speakers of this months’ 5 (!) speaker lineup!
Will and Induilaxa, both students at Kingston School of Art, will talk us through their projects on May 14th ☀️

Will Aggett (carousel images 1-6) is a type and graphic designer in his final year at Kingston School of Art. He’s currently developing research within modularity, community and
physical making.
His work investigates how modular systems can shape visual language, while also creating opportunities for a collaboration and shared authorship. Through a process of hands-on and digital typographic processes, he engages with making as both a method of research and a means of connecting people, materials and ideas.

Will will talk us through his project ‘TO-114’ — A revival of a U.S. Government document from the early 1990s that defined the decoration and formal markings used on aircraft and boats. Reinterpreted through a contemporary type design lens, it incorporates stylistic alternates and contextual OpenType features.
@willaggett

Induilaxa (carousel images 7-10) is a Graphic Designer from Kingston University who critically investigates cultural studies. Guided by her curiosity towards identity and media, her work recontextualises the communities through a graphic design lens. Being quite new to typography, even when she changes the medium, her design output still lies within researching societies and the historical contexts of their visual styles. Using an illustrative approach to explore expressive characters, and disseminating the refined verisons through multiple mediums.

She will talk us through her investigation of the cultural and historical contexts of the cybersigilism aesthetic. Originating from the 2010s Berlin rave scene to being repopularised in forms of music and fashion. Actualised with biomechanical forms showing sections of history through different weights.
@luck.design.y

Tickets in bio! 🔗

Brace yourselves for the first two speakers of this months’ 5 (!) speaker lineup!
Will and Induilaxa, both students at Kingston School of Art, will talk us through their projects on May 14th ☀️

Will Aggett (carousel images 1-6) is a type and graphic designer in his final year at Kingston School of Art. He’s currently developing research within modularity, community and
physical making.
His work investigates how modular systems can shape visual language, while also creating opportunities for a collaboration and shared authorship. Through a process of hands-on and digital typographic processes, he engages with making as both a method of research and a means of connecting people, materials and ideas.

Will will talk us through his project ‘TO-114’ — A revival of a U.S. Government document from the early 1990s that defined the decoration and formal markings used on aircraft and boats. Reinterpreted through a contemporary type design lens, it incorporates stylistic alternates and contextual OpenType features.
@willaggett

Induilaxa (carousel images 7-10) is a Graphic Designer from Kingston University who critically investigates cultural studies. Guided by her curiosity towards identity and media, her work recontextualises the communities through a graphic design lens. Being quite new to typography, even when she changes the medium, her design output still lies within researching societies and the historical contexts of their visual styles. Using an illustrative approach to explore expressive characters, and disseminating the refined verisons through multiple mediums.

She will talk us through her investigation of the cultural and historical contexts of the cybersigilism aesthetic. Originating from the 2010s Berlin rave scene to being repopularised in forms of music and fashion. Actualised with biomechanical forms showing sections of history through different weights.
@luck.design.y

Tickets in bio! 🔗

Brace yourselves for the first two speakers of this months’ 5 (!) speaker lineup!
Will and Induilaxa, both students at Kingston School of Art, will talk us through their projects on May 14th ☀️

Will Aggett (carousel images 1-6) is a type and graphic designer in his final year at Kingston School of Art. He’s currently developing research within modularity, community and
physical making.
His work investigates how modular systems can shape visual language, while also creating opportunities for a collaboration and shared authorship. Through a process of hands-on and digital typographic processes, he engages with making as both a method of research and a means of connecting people, materials and ideas.

Will will talk us through his project ‘TO-114’ — A revival of a U.S. Government document from the early 1990s that defined the decoration and formal markings used on aircraft and boats. Reinterpreted through a contemporary type design lens, it incorporates stylistic alternates and contextual OpenType features.
@willaggett

Induilaxa (carousel images 7-10) is a Graphic Designer from Kingston University who critically investigates cultural studies. Guided by her curiosity towards identity and media, her work recontextualises the communities through a graphic design lens. Being quite new to typography, even when she changes the medium, her design output still lies within researching societies and the historical contexts of their visual styles. Using an illustrative approach to explore expressive characters, and disseminating the refined verisons through multiple mediums.

She will talk us through her investigation of the cultural and historical contexts of the cybersigilism aesthetic. Originating from the 2010s Berlin rave scene to being repopularised in forms of music and fashion. Actualised with biomechanical forms showing sections of history through different weights.
@luck.design.y

Tickets in bio! 🔗

Brace yourselves for the first two speakers of this months’ 5 (!) speaker lineup!
Will and Induilaxa, both students at Kingston School of Art, will talk us through their projects on May 14th ☀️

Will Aggett (carousel images 1-6) is a type and graphic designer in his final year at Kingston School of Art. He’s currently developing research within modularity, community and
physical making.
His work investigates how modular systems can shape visual language, while also creating opportunities for a collaboration and shared authorship. Through a process of hands-on and digital typographic processes, he engages with making as both a method of research and a means of connecting people, materials and ideas.

Will will talk us through his project ‘TO-114’ — A revival of a U.S. Government document from the early 1990s that defined the decoration and formal markings used on aircraft and boats. Reinterpreted through a contemporary type design lens, it incorporates stylistic alternates and contextual OpenType features.
@willaggett

Induilaxa (carousel images 7-10) is a Graphic Designer from Kingston University who critically investigates cultural studies. Guided by her curiosity towards identity and media, her work recontextualises the communities through a graphic design lens. Being quite new to typography, even when she changes the medium, her design output still lies within researching societies and the historical contexts of their visual styles. Using an illustrative approach to explore expressive characters, and disseminating the refined verisons through multiple mediums.

She will talk us through her investigation of the cultural and historical contexts of the cybersigilism aesthetic. Originating from the 2010s Berlin rave scene to being repopularised in forms of music and fashion. Actualised with biomechanical forms showing sections of history through different weights.
@luck.design.y

Tickets in bio! 🔗

Brace yourselves for the first two speakers of this months’ 5 (!) speaker lineup!
Will and Induilaxa, both students at Kingston School of Art, will talk us through their projects on May 14th ☀️

Will Aggett (carousel images 1-6) is a type and graphic designer in his final year at Kingston School of Art. He’s currently developing research within modularity, community and
physical making.
His work investigates how modular systems can shape visual language, while also creating opportunities for a collaboration and shared authorship. Through a process of hands-on and digital typographic processes, he engages with making as both a method of research and a means of connecting people, materials and ideas.

Will will talk us through his project ‘TO-114’ — A revival of a U.S. Government document from the early 1990s that defined the decoration and formal markings used on aircraft and boats. Reinterpreted through a contemporary type design lens, it incorporates stylistic alternates and contextual OpenType features.
@willaggett

Induilaxa (carousel images 7-10) is a Graphic Designer from Kingston University who critically investigates cultural studies. Guided by her curiosity towards identity and media, her work recontextualises the communities through a graphic design lens. Being quite new to typography, even when she changes the medium, her design output still lies within researching societies and the historical contexts of their visual styles. Using an illustrative approach to explore expressive characters, and disseminating the refined verisons through multiple mediums.

She will talk us through her investigation of the cultural and historical contexts of the cybersigilism aesthetic. Originating from the 2010s Berlin rave scene to being repopularised in forms of music and fashion. Actualised with biomechanical forms showing sections of history through different weights.
@luck.design.y

Tickets in bio! 🔗

Brace yourselves for the first two speakers of this months’ 5 (!) speaker lineup!
Will and Induilaxa, both students at Kingston School of Art, will talk us through their projects on May 14th ☀️

Will Aggett (carousel images 1-6) is a type and graphic designer in his final year at Kingston School of Art. He’s currently developing research within modularity, community and
physical making.
His work investigates how modular systems can shape visual language, while also creating opportunities for a collaboration and shared authorship. Through a process of hands-on and digital typographic processes, he engages with making as both a method of research and a means of connecting people, materials and ideas.

Will will talk us through his project ‘TO-114’ — A revival of a U.S. Government document from the early 1990s that defined the decoration and formal markings used on aircraft and boats. Reinterpreted through a contemporary type design lens, it incorporates stylistic alternates and contextual OpenType features.
@willaggett

Induilaxa (carousel images 7-10) is a Graphic Designer from Kingston University who critically investigates cultural studies. Guided by her curiosity towards identity and media, her work recontextualises the communities through a graphic design lens. Being quite new to typography, even when she changes the medium, her design output still lies within researching societies and the historical contexts of their visual styles. Using an illustrative approach to explore expressive characters, and disseminating the refined verisons through multiple mediums.

She will talk us through her investigation of the cultural and historical contexts of the cybersigilism aesthetic. Originating from the 2010s Berlin rave scene to being repopularised in forms of music and fashion. Actualised with biomechanical forms showing sections of history through different weights.
@luck.design.y

Tickets in bio! 🔗

Brace yourselves for the first two speakers of this months’ 5 (!) speaker lineup!
Will and Induilaxa, both students at Kingston School of Art, will talk us through their projects on May 14th ☀️

Will Aggett (carousel images 1-6) is a type and graphic designer in his final year at Kingston School of Art. He’s currently developing research within modularity, community and
physical making.
His work investigates how modular systems can shape visual language, while also creating opportunities for a collaboration and shared authorship. Through a process of hands-on and digital typographic processes, he engages with making as both a method of research and a means of connecting people, materials and ideas.

Will will talk us through his project ‘TO-114’ — A revival of a U.S. Government document from the early 1990s that defined the decoration and formal markings used on aircraft and boats. Reinterpreted through a contemporary type design lens, it incorporates stylistic alternates and contextual OpenType features.
@willaggett

Induilaxa (carousel images 7-10) is a Graphic Designer from Kingston University who critically investigates cultural studies. Guided by her curiosity towards identity and media, her work recontextualises the communities through a graphic design lens. Being quite new to typography, even when she changes the medium, her design output still lies within researching societies and the historical contexts of their visual styles. Using an illustrative approach to explore expressive characters, and disseminating the refined verisons through multiple mediums.

She will talk us through her investigation of the cultural and historical contexts of the cybersigilism aesthetic. Originating from the 2010s Berlin rave scene to being repopularised in forms of music and fashion. Actualised with biomechanical forms showing sections of history through different weights.
@luck.design.y

Tickets in bio! 🔗

Brace yourselves for the first two speakers of this months’ 5 (!) speaker lineup!
Will and Induilaxa, both students at Kingston School of Art, will talk us through their projects on May 14th ☀️

Will Aggett (carousel images 1-6) is a type and graphic designer in his final year at Kingston School of Art. He’s currently developing research within modularity, community and
physical making.
His work investigates how modular systems can shape visual language, while also creating opportunities for a collaboration and shared authorship. Through a process of hands-on and digital typographic processes, he engages with making as both a method of research and a means of connecting people, materials and ideas.

Will will talk us through his project ‘TO-114’ — A revival of a U.S. Government document from the early 1990s that defined the decoration and formal markings used on aircraft and boats. Reinterpreted through a contemporary type design lens, it incorporates stylistic alternates and contextual OpenType features.
@willaggett

Induilaxa (carousel images 7-10) is a Graphic Designer from Kingston University who critically investigates cultural studies. Guided by her curiosity towards identity and media, her work recontextualises the communities through a graphic design lens. Being quite new to typography, even when she changes the medium, her design output still lies within researching societies and the historical contexts of their visual styles. Using an illustrative approach to explore expressive characters, and disseminating the refined verisons through multiple mediums.

She will talk us through her investigation of the cultural and historical contexts of the cybersigilism aesthetic. Originating from the 2010s Berlin rave scene to being repopularised in forms of music and fashion. Actualised with biomechanical forms showing sections of history through different weights.
@luck.design.y

Tickets in bio! 🔗

Brace yourselves for the first two speakers of this months’ 5 (!) speaker lineup!

Will and Induilaxa, both students at Kingston School of Art, will talk us through their projects on May 14th ☀️

Have a read about their projects below.

Will Aggett is a type and graphic designer in his final year at Kingston School of Art. He’s currently developing research within modularity, community and
physical making.
His work investigates how modular systems can shape visual language, while also creating opportunities for a collaboration and shared authorship. Through a process of hands-on and digital typographic processes, he engages with making as both a method of research and a means of connecting people, materials and ideas.

Will will talk us through his project ‘TO-114’ — A revival of a U.S. Government document from the early 1990s that defined the decoration and formal markings used on aircraft and boats. Reinterpreted through a contemporary type design lens, it incorporates stylistic alternates and contextual OpenType features.
@willaggett

—————-

Induilaxa is a Graphic Designer from Kingston University who critically investigates cultural studies. Guided by her curiosity towards identity and media, her work recontextualises the communities through a graphic design lens. Being quite new to typography, even when she changes the medium, her design output still lies within researching societies and the historical contexts of their visual styles. Using an illustrative approach to explore expressive characters, and disseminating the refined verisons through multiple mediums.

She will talk us through her investigation of the cultural and historical contexts of the cybersigilism aesthetic. Originating from the 2010s Berlin rave scene to being repopularised in forms of music and fashion. Actualised with biomechanical forms showing sections of history through different weights.
@luck.design.y

Tickets in bio! 🔗

Hey Type Faces, it’s time!

Have you noticed your mood lifting recently? A sudden lightness of being, strong energy bursts to draw more glyphs, the urge to walk barefoot on the fresh grass? Us too.

And so for our May event, we’re taking inspiration from sunshine suddenly hitting our faces and lush greenery of nearby Victoria Park.

So mark it in your calendars:

14th May, doors open 6:15 PM
The Art House by Acrylicize @thearthouselive
30-36 Pritchard’s Rd, London E2 9AP

The Art House by Acrylicize provides project, studio, and event space, all to nurture and amplify contemporary arts and culture, with a dynamic public programme spanning visual arts, performance, film, literature, music, and artist residencies.

And thank you to our partner @gfsmithpapers for supplying excellent paper for our monthly riso zine.

Don’t miss it.
Tickets in bio! 🔗

Hey Type Faces, it’s time!

Have you noticed your mood lifting recently? A sudden lightness of being, strong energy bursts to draw more glyphs, the urge to walk barefoot on the fresh grass? Us too.

And so for our May event, we’re taking inspiration from sunshine suddenly hitting our faces and lush greenery of nearby Victoria Park.

So mark it in your calendars:

14th May, doors open 6:15 PM
The Art House by Acrylicize @thearthouselive
30-36 Pritchard’s Rd, London E2 9AP

The Art House by Acrylicize provides project, studio, and event space, all to nurture and amplify contemporary arts and culture, with a dynamic public programme spanning visual arts, performance, film, literature, music, and artist residencies.

And thank you to our partner @gfsmithpapers for supplying excellent paper for our monthly riso zine.

Don’t miss it.
Tickets in bio! 🔗

The brief for May's zine is out! ⭐

--

Life on Earth can feel chaotic and unpredictable.

One way to find perspective is to look up – way up. 🔭

This month, we’re venturing into the void:

✨ TYPE&SPACE ✨

Defined as the vast, near-perfect vacuum existing beyond Earth's atmosphere, the outer space is hard to grasp. An "unknown" that silences our daily noise and reminds us of our true scale in the grand design of the universe.
‍
Whether you’re inspired by the precision of a star map or the chaos of a nebula, this brief is about finding clarity in the infinite. We want to see typography that vibrates in the vacuum of the cosmos.
‍
As always, what the poster says is entirely up to you.

Perhaps your message is written in the stars – a piece of typographic destiny – or it's about a celestial objects, or a concept that fascinates you. There are infinite angles to approach this theme… 🌑🌒🌓🌔🌕🌖🌗🌘 but here are a few sparks to get you started:

Universal: Constellations, solar flares, orbits, and the geometry of the night sky. 🛰️

The Atmospheric: Black holes, light-speed distortions, and warped objects. 🌑

The Existential: Reflections on scale, time, and the "Pale Blue Dot." 🌍

The Space-Extrovert: What would you tell aliens? And how, since they might not know your language (has anyone seen The Arrival?)

Leave the gravity of the everyday behind.

Go where the air is thin and the ideas are infinite. We can't wait to see what you come back to Earth with.

To the stars! ⭐

Brief and specs from 🔗 in bio!

We collected all the submissions from the community in this carousel – enjoy!

The last theme was TYPE&GROWTH, and we so are stoked to see that the interest around this fun challenge has been growing too. So much talent, personal explorations and original executions. 👏


“We grow on ruins” was designed by Aurélien Brigaud @aur.brigaud.
🔥
“The work I am submitting explores the paradox between ruin and growth, destruction and construction coexisting in the same moment. The core idea is the slime mould, an organism that forages with an almost unnatural intelligence, connecting distant points through self-organizing networks.From that starting point, I coded a generative simulation inspired by the work of Sage Jenson and Bleuje, using it as a way to animate a typographic composition and let the algorithm trace paths between letterforms, building the mental image I had in mind.”


Website: aurelien-brigaud.fr
IG: @aur.brigaud


Thanks to GF Smith for supporting this initiative!
@gfsmithpapers

Printed on:
GF Smith
Colorplan Azure Blue
175GSM

Riso print by:
Cecilie Press @ceciliepress

-

New brief dropping soon!

We collected all the submissions from the community in this carousel – enjoy!

The last theme was TYPE&GROWTH, and we so are stoked to see that the interest around this fun challenge has been growing too. So much talent, personal explorations and original executions. 👏


“We grow on ruins” was designed by Aurélien Brigaud @aur.brigaud.
🔥
“The work I am submitting explores the paradox between ruin and growth, destruction and construction coexisting in the same moment. The core idea is the slime mould, an organism that forages with an almost unnatural intelligence, connecting distant points through self-organizing networks.From that starting point, I coded a generative simulation inspired by the work of Sage Jenson and Bleuje, using it as a way to animate a typographic composition and let the algorithm trace paths between letterforms, building the mental image I had in mind.”


Website: aurelien-brigaud.fr
IG: @aur.brigaud


Thanks to GF Smith for supporting this initiative!
@gfsmithpapers

Printed on:
GF Smith
Colorplan Azure Blue
175GSM

Riso print by:
Cecilie Press @ceciliepress

-

New brief dropping soon!

what a memorable tag do