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MEGAFON [ Dir Cut ]

Directed by @ladokvataniya
Director of Photography @ushakov.dp
Production Designer @alexey_yandovskiy
Music by @xumanmusic
Edited by @admitricks

Starring @actorsashapetrov
Created by @instinct.moscow

Client by megafon
@in_zabava
@sasha_potapova
@nekto_ju
@elena_igoshina
@kdanl
@apriljuli
@leravsemprivet

Produced by Hoodyakov Production
Executive Producer @elyakhakimova
Post Production Producer @vitaly_kurapov
Production Coordinators @annanovikova4243@alexeyvolosach
Unit Production Manager @juliacheh

First Assistant Director @laposhina_
Second Assistant Director @poliiinaaav

Costume Designers @qooldevich@upetizauglom
Assistant Costume Designers  @koleskina@zavtra_budu  @boryavolkov

Make-Up Artist @stolbovaekaterina
Make-Up Assistant @inspector_makeup

Casting by @maroussia1985
Casting Assistants @uliana___e@spakeeva 
Extras Casting @obraz1
Assistant to Mr.Petrov @balasholya

Focus Puller @boodarash
Camera Engineers @po6y@stanislav1201
Gaffer @ageevanton
Fly Head Operator @eduardmeerovich
Gimbal Operator @m.kuzmin777

Camera @yourrental
Motion Control @kran.spiderarm
Motion Control Bolt X @bigblack.studio

Set Decorator @amashapokrasote
Property Master #olgakryachkova
Construction Coordinator @_burmistrovsergey_
SFX Supervisors @sfxstudio.ru#valera.grankov
Location Manager @10nikiforco
Location Coordinator @nik_locations

CG Studio @studioknife
Sound Designer @stanislav.paushev
Colorist @alexanderzolotarev
Storyboard Artist @anton_smolkin

@vimeo Best of the Year for HAQQIM BOR

When I received my first @vimeostaffpicks for Fata Morgana eight years ago, I was incredibly proud. Now there are five of them, and each one is special. @vimeo has been — and remains — a key international platform and a bridge to new opportunities and industry attention.

The numbers are simple: out of tens of thousands of works submitted from around the world, only about 300 projects receive a Staff Pick each year. And from those 300, only 10 make it into the Best of the Year. The odds are minimal — which makes being in the top ten especially meaningful.

For me, it’s yet another confirmation of a simple truth: the budget is always secondary. What matters most is the idea, the message to the world, and the team capable of carrying that idea through all the challenges of production.

Когда я восемь лет назад получил свой первый Staff Pick за “Fata Morgana”, я был безумно горд. Теперь их уже пять, и каждый — особенный.

Сухие цифры: из десятков тысяч работ со всего мира Staff Pick ежегодно получают всего лишь 300 проектов. Из этих 300 — только десятки попадают в Best of the Year.

Для меня это очередное подтверждение простого факта: бюджет всегда вторичен. Главное — идея, послание миру и команда, способная пронести эту идею через все тернии производства.

Поздравляю всех причастных!

CALL OF DUTY: BLACK OPS 7

[ Director’s cut ]

Directed by @ladokvataniya
Producer | @gatosamericana
Production Co |@underwondercontent
Exec Producers | @frankborin @ivannaborin
Dop | @minka_farthing_kohl
Production Designer | @brandonmendez
Production Manager | Luke Trevino
Editor | @Admitricks
Composer | @xumanmusic
Sound Design | @stanislav.paushev
Colorist | @alexandrezolotarev

72andSunny | @therealwillnader @ashtonrose @kensyme @hollagrafik @jennifercursio @loraschulson @mur_fee @danstenz

NEW YORK /// 2025

“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director

“Haqqim Bor”

Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev

Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya

Production Company:@khabimedia
VFX:@studioknife

Camera:ARRI ALEXA 35

“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director

“Haqqim Bor”

Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev

Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya

Production Company:@khabimedia
VFX:@studioknife

Camera:ARRI ALEXA 35

“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director

“Haqqim Bor”

Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev

Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya

Production Company:@khabimedia
VFX:@studioknife

Camera:ARRI ALEXA 35

“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director

“Haqqim Bor”

Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev

Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya

Production Company:@khabimedia
VFX:@studioknife

Camera:ARRI ALEXA 35

“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director

“Haqqim Bor”

Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev

Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya

Production Company:@khabimedia
VFX:@studioknife

Camera:ARRI ALEXA 35

“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director

“Haqqim Bor”

Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev

Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya

Production Company:@khabimedia
VFX:@studioknife

Camera:ARRI ALEXA 35

“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director

“Haqqim Bor”

Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev

Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya

Production Company:@khabimedia
VFX:@studioknife

Camera:ARRI ALEXA 35

“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director

“Haqqim Bor”

Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev

Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya

Production Company:@khabimedia
VFX:@studioknife

Camera:ARRI ALEXA 35

“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director

“Haqqim Bor”

Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev

Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya

Production Company:@khabimedia
VFX:@studioknife

Camera:ARRI ALEXA 35

“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director

“Haqqim Bor”

Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev

Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya

Production Company:@khabimedia
VFX:@studioknife

Camera:ARRI ALEXA 35

“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director

“Haqqim Bor”

Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev

Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya

Production Company:@khabimedia
VFX:@studioknife

Camera:ARRI ALEXA 35

“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director

“Haqqim Bor”

Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev

Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya

Production Company:@khabimedia
VFX:@studioknife

Camera:ARRI ALEXA 35

“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director

“Haqqim Bor”

Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev

Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya

Production Company:@khabimedia
VFX:@studioknife

Camera:ARRI ALEXA 35

“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director

“Haqqim Bor”

Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev

Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya

Production Company:@khabimedia
VFX:@studioknife

Camera:ARRI ALEXA 35

We got a @vimeo Staff Pick for our latest short film [ Haqqim Bor ]

Thank you to the @vimeo team for recognizing our work. This means a lot — and now, more people will have a chance to see it.

Congratulations to the entire team. Everyone gave their all. If this story helps save even one child’s life, it was all worth it.

Спасибо команде @vimeo за то, что отметили нашу работу. Это особенно важно — теперь о ней узнают больше людей.

Поздравляю всю команду. Каждый вложил себя без остатка. Если эта история поможет спасти хотя бы одну детскую жизнь — значит, всё было не зря.

Commercial Feature: Tochka Bank - “Change Your Job”

Director:@ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexandrezolotarev

Production Designer:@alexey_yandovskiy
Props Master:@mariana_mari
Makeup Artist:@boiko_igorchik
Choreographer:@tronov_sasha
UPM:@inshootwetrust
Gaffer:@ageevanton
1st AC:@baikov_baikov
2nd AC:@po6y
Sound Designer: @xumanmusic
Post Producer: @shomodi
Producer:@tania.solomatina
Executive Producer:@arisharisharishh

Agency:@voskhodforpeace
Production Company:@daddys.film
Post House:@studioknife

Commercial Feature: Tochka Bank - “Change Your Job”

Director:@ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexandrezolotarev

Production Designer:@alexey_yandovskiy
Props Master:@mariana_mari
Makeup Artist:@boiko_igorchik
Choreographer:@tronov_sasha
UPM:@inshootwetrust
Gaffer:@ageevanton
1st AC:@baikov_baikov
2nd AC:@po6y
Sound Designer: @xumanmusic
Post Producer: @shomodi
Producer:@tania.solomatina
Executive Producer:@arisharisharishh

Agency:@voskhodforpeace
Production Company:@daddys.film
Post House:@studioknife

Commercial Feature: Tochka Bank - “Change Your Job”

Director:@ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexandrezolotarev

Production Designer:@alexey_yandovskiy
Props Master:@mariana_mari
Makeup Artist:@boiko_igorchik
Choreographer:@tronov_sasha
UPM:@inshootwetrust
Gaffer:@ageevanton
1st AC:@baikov_baikov
2nd AC:@po6y
Sound Designer: @xumanmusic
Post Producer: @shomodi
Producer:@tania.solomatina
Executive Producer:@arisharisharishh

Agency:@voskhodforpeace
Production Company:@daddys.film
Post House:@studioknife

Commercial Feature: Tochka Bank - “Change Your Job”

Director:@ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexandrezolotarev

Production Designer:@alexey_yandovskiy
Props Master:@mariana_mari
Makeup Artist:@boiko_igorchik
Choreographer:@tronov_sasha
UPM:@inshootwetrust
Gaffer:@ageevanton
1st AC:@baikov_baikov
2nd AC:@po6y
Sound Designer: @xumanmusic
Post Producer: @shomodi
Producer:@tania.solomatina
Executive Producer:@arisharisharishh

Agency:@voskhodforpeace
Production Company:@daddys.film
Post House:@studioknife

Commercial Feature: Tochka Bank - “Change Your Job”

Director:@ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexandrezolotarev

Production Designer:@alexey_yandovskiy
Props Master:@mariana_mari
Makeup Artist:@boiko_igorchik
Choreographer:@tronov_sasha
UPM:@inshootwetrust
Gaffer:@ageevanton
1st AC:@baikov_baikov
2nd AC:@po6y
Sound Designer: @xumanmusic
Post Producer: @shomodi
Producer:@tania.solomatina
Executive Producer:@arisharisharishh

Agency:@voskhodforpeace
Production Company:@daddys.film
Post House:@studioknife

Commercial Feature: Tochka Bank - “Change Your Job”

Director:@ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexandrezolotarev

Production Designer:@alexey_yandovskiy
Props Master:@mariana_mari
Makeup Artist:@boiko_igorchik
Choreographer:@tronov_sasha
UPM:@inshootwetrust
Gaffer:@ageevanton
1st AC:@baikov_baikov
2nd AC:@po6y
Sound Designer: @xumanmusic
Post Producer: @shomodi
Producer:@tania.solomatina
Executive Producer:@arisharisharishh

Agency:@voskhodforpeace
Production Company:@daddys.film
Post House:@studioknife

Commercial Feature: Tochka Bank - “Change Your Job”

Director:@ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexandrezolotarev

Production Designer:@alexey_yandovskiy
Props Master:@mariana_mari
Makeup Artist:@boiko_igorchik
Choreographer:@tronov_sasha
UPM:@inshootwetrust
Gaffer:@ageevanton
1st AC:@baikov_baikov
2nd AC:@po6y
Sound Designer: @xumanmusic
Post Producer: @shomodi
Producer:@tania.solomatina
Executive Producer:@arisharisharishh

Agency:@voskhodforpeace
Production Company:@daddys.film
Post House:@studioknife

Commercial Feature: Tochka Bank - “Change Your Job”

Director:@ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexandrezolotarev

Production Designer:@alexey_yandovskiy
Props Master:@mariana_mari
Makeup Artist:@boiko_igorchik
Choreographer:@tronov_sasha
UPM:@inshootwetrust
Gaffer:@ageevanton
1st AC:@baikov_baikov
2nd AC:@po6y
Sound Designer: @xumanmusic
Post Producer: @shomodi
Producer:@tania.solomatina
Executive Producer:@arisharisharishh

Agency:@voskhodforpeace
Production Company:@daddys.film
Post House:@studioknife

Commercial Feature: Tochka Bank - “Change Your Job”

Director:@ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexandrezolotarev

Production Designer:@alexey_yandovskiy
Props Master:@mariana_mari
Makeup Artist:@boiko_igorchik
Choreographer:@tronov_sasha
UPM:@inshootwetrust
Gaffer:@ageevanton
1st AC:@baikov_baikov
2nd AC:@po6y
Sound Designer: @xumanmusic
Post Producer: @shomodi
Producer:@tania.solomatina
Executive Producer:@arisharisharishh

Agency:@voskhodforpeace
Production Company:@daddys.film
Post House:@studioknife

[ HAQQIM BOR ] TEASER /// LINK IN BIO

Children carry strange backpacks shaped like buildings — a kindergarten, a school, a home. Inside each one, something is hidden — the things adults choose not to see. But every night, lights flicker on inside those tiny structures. And what was buried begins to crawl out.

Дети носят на спине странные рюкзаки-здания, похожие на детский сад, школу, дом. В каждом рюкзаке спрятано то, что взрослые предпочитают не замечать. Каждую ночь в этих зданиях загорается свет и то, что прятолось внутри - вылезает наружу.

Written and directed by @ladokvataniya
Director of Photography — @ushakov.dp
General Producer — @khabi.nabiev
Production — @khabimedia
Supported by National Agency for Social Protection — @ijtimoiyhimoya_agentligi

Creative Director’s — @farrux_sharif, @zamirakhman
Producers — @imnel.lly, @kamoliddin_xamrayev
Executive Producer — @ladokvataniya

Production Designer — @alexey_yandovskiy
Set Decorator — @amashapokrasote
Props Master — @vika_kusichka
Costume Designer’s— @sonibatur, @irinadtoka, @ksyustar
Hair & Makeup Artist — @ekaterina.seryakova.78

Cast:
Farangiz Akhmedova
Khojiakbar Alibekov
Umidjon Rahadaliyev
Nargiza Umarova
Leyla Farrukhova
Zhorabek Arziev
Khurshida Arabshoyeva
Firdavs Hakimjonov
Nigora Karimbaeva

1st Assistant Director — @mackmapple
2nd Assistant Director — @a.mukhv
Props Assistant — @annabelka_mi, @GUYDOOK
Casting Director — @baxtiyor.raimjonov
Assistant Director (AD) — @bakhodir_kasimov
Location Manager — @yusupovmuzaffar, @jokhn_rauf, @voxid_634
Gaffer — @timurazim

VFX BY @studioknife
Editor — @admitricks
Composer — @xumanmusic
Sound Designer — @stanislav.paushev
Colorist — @alexanderzolotarev
Storyboard — @anton_smolkin
Design By — @sagi.tg
Poster & Art Direction By — @bgr8studio

RENTAL - @goldvisionrental @bayramfilm @cityrental.uz

Special Thanks:
Tashkent City Mall
Tashkent film
Manizha Sangin
Olivia Kvataniya
Nikita Kvataniya

UZBEKISTAN — TASHKENT /// 2025

[ Change Your Job|Tochka ]

Directed by @ladokvataniya
Director of Photography @ushakov.dp
Production Designer @alexey_yandovskiy
Concept by @voskhodforpeace

Produced by @daddys.film
General producers @intelligence_service @tania.solomatina
Executive producer @arisharisharishh

1AD @laposhina_
2AD @poliiinaaav
Unit Production Manager @inshootwetrust — ddimch @gogadze
Producer Assistant @karinashau

Production Designer Assistant @amashapokrasote
Props Master @mariana_mari
Construction Coordinator @_burmistrovsergey_

Costume Designer @inyooliana
Assistant Costume Designer @levidream @garcon.en.noir
Make Up Artist @boiko_igorchik
Make Up Assistants @makemaryj @maridrevna

Casting @maroussia1985
Casting Assistants @uliana___e @spakeeva @kupry_yanova
Choreographer @tronov_sasha
Extras Chief @nikitrepin

Post Production Producer @shomodi
Editor @admitricks
CG Studio @studioknife
Music & Sound Design @xumanmusic
Colorist @alexandrezolotarev
Technical Editor @alex_burato

Gaffer @ageevanton
1AC @baikov_baikov
2AC @po6y
Dolly @kashinsdollygang
Motion Control @kran.spiderarm

Main Hero | Mark Davidenko
Actors | Iraida Kandudina, Milana Korneeva, Slava Babichev, Aidar Khamidullin, Semyon Styazhkin, Sasha Smychnikova, Natasha Yesenia, Nastya Novoseltseva, Diana Khismatullina, Anna Vishnyakova, Sasha Sevosyanova, Andrey Lavrikov, Rustam Nadraliev, Ruslan Mamadaliev, Ilya Karpel

[ Haqqim Bor • I have the right • Имею право ]

• TEASER •

Чудесная история Про Гуся

Yandex PRO:
Chief Marketing Officer - @aksutinje
Group head of the Brand Marketing group -@anya.lu
Senior marketing manager - Kate Kravtsova
Magic Camp:
Creative directors -@smeloch, @apotekhin Producers -@anohin.s,@mibarbar, @kupry_yanova, Ksenia Boyarkina, @_squad.ad_
Director - @ladokvataniya
DOP - @firstov
Set Designer - @alexey_yandovskiy
Zagranitsa:
Head of production - @ivangelfer
General producer - @yakovenko.ivan
Executive Producer -@gibadulov
Producer - @alinakroyter, @milnatus Assistant producer - @karmanov_danil
1st AD - Daria Kostyuchenko
2nd AD assistant - youngrinaa
Production manager - @alpatskiy_nikolay
Costume designer - Anna Kudevich
Make-up artist - @boiko_igorchik
Gaffer - Pavel Brukh
1st AC — Alexander Budarin

Post production producer - Tatyana Ivanova
Virtual production -@xovirtualproduction
Editor - @admitricks
Color Grading -@timofeyg_colorist
Additional Edit - @enrvate
Composer - @xumanmusic
Sound Design - Alexander Borisov
CG studio -@odysseystudios.ie
Designer - @auev
Poster Department -@smzv.pro
Poster General & Creative Producer -@mllovanova
PosterArt Director - @kosmofish.work
Poster Retouching & Compositing -
@retouch_gornostaeva
Photo light -@kometa_light
Cast by - Margarita Sayapina
Actors -
Andrey Kharybin
Elena Zhitkevich
Mikhail Sakulin
Vitaly Bratukhin
Aisen Zakharov
Nikita Tokarev

Даже не думал, что др в эмиграции окажется настолько кайфовым🙌🏻 Спасибо!

Даже не думал, что др в эмиграции окажется настолько кайфовым🙌🏻 Спасибо!

Даже не думал, что др в эмиграции окажется настолько кайфовым🙌🏻 Спасибо!

Даже не думал, что др в эмиграции окажется настолько кайфовым🙌🏻 Спасибо!

ХАСКИ - РЕВАНШ ///OST Петровы в гриппе
Фильм в прокате с 9 сентября!

Режиссёр/сценарист | @ladokvataniya
Оператор-постановщик | @lightfromabyss
Продюсеры | @ilyastewart / @muradosmann / @byri78
Со-продюсер | @ferbik
Исполнительный продюсер | @mishanovitskiy
Ассистенты продюсера | @angi.g / @nikitakvataniya

Cast
Гости | @juliaaug / @senya_serzin / @simonsteinberg / @sasha_gorch / @barbaraska_92 / @klescheva.marina / @revenko.alexandra

Труп | @papinomoloko
Дед Мороз | @kirillserebrennikov
Баянист | @aydarsalakhov

Художники-постановщики | Анна Караваева / @sysoevnefm
Художник по костюмам | @dolmatovskaya
Художник по гриму | @lilyakiose
Художник по реквизиту | @gigiadze
Пост-продакшн продюсер | @loui.lvt
Монтаж | @amzek / @admitricks
Цветокоррекция | @alexandrezolotarev
CG | @nekhoda.tm
Титры | Андрей Ольшевский

@hype.film / Russia, 2021