
Close ups
I wanted use repetition with the flow of the line to allow the story unfolds on its own. But keeping it in a surrealist realm with an emphasis on nature and its interactions with human and how they intertwine.
1 x 6m
Watercolor & Sumi ink on drawing paper
#iloveart #ilovenature

Close ups
I wanted use repetition with the flow of the line to allow the story unfolds on its own. But keeping it in a surrealist realm with an emphasis on nature and its interactions with human and how they intertwine.
1 x 6m
Watercolor & Sumi ink on drawing paper
#iloveart #ilovenature

Close ups
I wanted use repetition with the flow of the line to allow the story unfolds on its own. But keeping it in a surrealist realm with an emphasis on nature and its interactions with human and how they intertwine.
1 x 6m
Watercolor & Sumi ink on drawing paper
#iloveart #ilovenature

Close ups
I wanted use repetition with the flow of the line to allow the story unfolds on its own. But keeping it in a surrealist realm with an emphasis on nature and its interactions with human and how they intertwine.
1 x 6m
Watercolor & Sumi ink on drawing paper
#iloveart #ilovenature

Close ups
I wanted use repetition with the flow of the line to allow the story unfolds on its own. But keeping it in a surrealist realm with an emphasis on nature and its interactions with human and how they intertwine.
1 x 6m
Watercolor & Sumi ink on drawing paper
#iloveart #ilovenature

Close ups
I wanted use repetition with the flow of the line to allow the story unfolds on its own. But keeping it in a surrealist realm with an emphasis on nature and its interactions with human and how they intertwine.
1 x 6m
Watercolor & Sumi ink on drawing paper
#iloveart #ilovenature
Close ups
I wanted use repetition with the flow of the line to allow the story unfolds on its own. But keeping it in a surrealist realm with an emphasis on nature and its interactions with human and how they intertwine.
1 x 6m
Watercolor & Sumi ink on drawing paper
#iloveart #ilovenature

III
In the woods there is a bird, whose song arrests you and makes you blush.
V
At an enormous distance of weight above my subterranean room,
the houses implant themselves, the brown mist assembles.
The quagmires are either red or black.
Township of monstrosity, night without end!
Not as high up there are sewers.
By its sides there is nothing but the
impassiveness of the globe.
Perhaps chasms of azure, mineshafts of fire.
There is a clock that does not sound
There is a pothole with one nest of white animals.
There is a cathedral which descends and a lake that rises.
There is a small car abandoned in the undergrowth, or which descends the common lane, forming ribbons.
There is a troop of little entertainers in costume, glimpsed from the road one travels along, beyond the edge of the woods.
There is, finally, when famished and in thirst, someone who chases you.
Perhaps it is on these levels the reconnoiter of moons and comets, of seas and fable.
In the hours of bitternesses I imagine balls of sapphire, of metal.
I am a master of silence.
What is it that appears in the basement window blenching the corner of my vault?
-Arthur Rimbaud
A continuation of a poem series from last October

III
In the woods there is a bird, whose song arrests you and makes you blush.
V
At an enormous distance of weight above my subterranean room,
the houses implant themselves, the brown mist assembles.
The quagmires are either red or black.
Township of monstrosity, night without end!
Not as high up there are sewers.
By its sides there is nothing but the
impassiveness of the globe.
Perhaps chasms of azure, mineshafts of fire.
There is a clock that does not sound
There is a pothole with one nest of white animals.
There is a cathedral which descends and a lake that rises.
There is a small car abandoned in the undergrowth, or which descends the common lane, forming ribbons.
There is a troop of little entertainers in costume, glimpsed from the road one travels along, beyond the edge of the woods.
There is, finally, when famished and in thirst, someone who chases you.
Perhaps it is on these levels the reconnoiter of moons and comets, of seas and fable.
In the hours of bitternesses I imagine balls of sapphire, of metal.
I am a master of silence.
What is it that appears in the basement window blenching the corner of my vault?
-Arthur Rimbaud
A continuation of a poem series from last October

III
In the woods there is a bird, whose song arrests you and makes you blush.
V
At an enormous distance of weight above my subterranean room,
the houses implant themselves, the brown mist assembles.
The quagmires are either red or black.
Township of monstrosity, night without end!
Not as high up there are sewers.
By its sides there is nothing but the
impassiveness of the globe.
Perhaps chasms of azure, mineshafts of fire.
There is a clock that does not sound
There is a pothole with one nest of white animals.
There is a cathedral which descends and a lake that rises.
There is a small car abandoned in the undergrowth, or which descends the common lane, forming ribbons.
There is a troop of little entertainers in costume, glimpsed from the road one travels along, beyond the edge of the woods.
There is, finally, when famished and in thirst, someone who chases you.
Perhaps it is on these levels the reconnoiter of moons and comets, of seas and fable.
In the hours of bitternesses I imagine balls of sapphire, of metal.
I am a master of silence.
What is it that appears in the basement window blenching the corner of my vault?
-Arthur Rimbaud
A continuation of a poem series from last October

III
In the woods there is a bird, whose song arrests you and makes you blush.
V
At an enormous distance of weight above my subterranean room,
the houses implant themselves, the brown mist assembles.
The quagmires are either red or black.
Township of monstrosity, night without end!
Not as high up there are sewers.
By its sides there is nothing but the
impassiveness of the globe.
Perhaps chasms of azure, mineshafts of fire.
There is a clock that does not sound
There is a pothole with one nest of white animals.
There is a cathedral which descends and a lake that rises.
There is a small car abandoned in the undergrowth, or which descends the common lane, forming ribbons.
There is a troop of little entertainers in costume, glimpsed from the road one travels along, beyond the edge of the woods.
There is, finally, when famished and in thirst, someone who chases you.
Perhaps it is on these levels the reconnoiter of moons and comets, of seas and fable.
In the hours of bitternesses I imagine balls of sapphire, of metal.
I am a master of silence.
What is it that appears in the basement window blenching the corner of my vault?
-Arthur Rimbaud
A continuation of a poem series from last October

III
In the woods there is a bird, whose song arrests you and makes you blush.
V
At an enormous distance of weight above my subterranean room,
the houses implant themselves, the brown mist assembles.
The quagmires are either red or black.
Township of monstrosity, night without end!
Not as high up there are sewers.
By its sides there is nothing but the
impassiveness of the globe.
Perhaps chasms of azure, mineshafts of fire.
There is a clock that does not sound
There is a pothole with one nest of white animals.
There is a cathedral which descends and a lake that rises.
There is a small car abandoned in the undergrowth, or which descends the common lane, forming ribbons.
There is a troop of little entertainers in costume, glimpsed from the road one travels along, beyond the edge of the woods.
There is, finally, when famished and in thirst, someone who chases you.
Perhaps it is on these levels the reconnoiter of moons and comets, of seas and fable.
In the hours of bitternesses I imagine balls of sapphire, of metal.
I am a master of silence.
What is it that appears in the basement window blenching the corner of my vault?
-Arthur Rimbaud
A continuation of a poem series from last October

III
In the woods there is a bird, whose song arrests you and makes you blush.
V
At an enormous distance of weight above my subterranean room,
the houses implant themselves, the brown mist assembles.
The quagmires are either red or black.
Township of monstrosity, night without end!
Not as high up there are sewers.
By its sides there is nothing but the
impassiveness of the globe.
Perhaps chasms of azure, mineshafts of fire.
There is a clock that does not sound
There is a pothole with one nest of white animals.
There is a cathedral which descends and a lake that rises.
There is a small car abandoned in the undergrowth, or which descends the common lane, forming ribbons.
There is a troop of little entertainers in costume, glimpsed from the road one travels along, beyond the edge of the woods.
There is, finally, when famished and in thirst, someone who chases you.
Perhaps it is on these levels the reconnoiter of moons and comets, of seas and fable.
In the hours of bitternesses I imagine balls of sapphire, of metal.
I am a master of silence.
What is it that appears in the basement window blenching the corner of my vault?
-Arthur Rimbaud
A continuation of a poem series from last October

Children of the sea
Trying something new with colors, process video in the end.
Digital

Children of the sea
Trying something new with colors, process video in the end.
Digital

Children of the sea
Trying something new with colors, process video in the end.
Digital

Children of the sea
Trying something new with colors, process video in the end.
Digital

Children of the sea
Trying something new with colors, process video in the end.
Digital
Children of the sea
Trying something new with colors, process video in the end.
Digital

Another view
8 x 10in
Watercolor, color pencil, graphite, digitally edited
#illustration #watercolor

Parasites & Parasitoid
contamination, growth, and rebirth of the self
diseased, healing
Watercolor, ink, color pencil on paper
Scanned, digitally altered
15.95 x 20 inches
#illustration #watercolor

Parasites & Parasitoid
contamination, growth, and rebirth of the self
diseased, healing
Watercolor, ink, color pencil on paper
Scanned, digitally altered
15.95 x 20 inches
#illustration #watercolor

Parasites & Parasitoid
contamination, growth, and rebirth of the self
diseased, healing
Watercolor, ink, color pencil on paper
Scanned, digitally altered
15.95 x 20 inches
#illustration #watercolor

Parasites & Parasitoid
contamination, growth, and rebirth of the self
diseased, healing
Watercolor, ink, color pencil on paper
Scanned, digitally altered
15.95 x 20 inches
#illustration #watercolor

Siren
“The sea is full of teeth, full of music,”
-Muriel Rukeyser
Watercolor, gouache, ink, color pencil on paper
scanned & digitally edited
20.5 x 32.5 inch
#illustration #watercolor

Siren
“The sea is full of teeth, full of music,”
-Muriel Rukeyser
Watercolor, gouache, ink, color pencil on paper
scanned & digitally edited
20.5 x 32.5 inch
#illustration #watercolor

Siren
“The sea is full of teeth, full of music,”
-Muriel Rukeyser
Watercolor, gouache, ink, color pencil on paper
scanned & digitally edited
20.5 x 32.5 inch
#illustration #watercolor

Siren
“The sea is full of teeth, full of music,”
-Muriel Rukeyser
Watercolor, gouache, ink, color pencil on paper
scanned & digitally edited
20.5 x 32.5 inch
#illustration #watercolor

Siren
“The sea is full of teeth, full of music,”
-Muriel Rukeyser
Watercolor, gouache, ink, color pencil on paper
scanned & digitally edited
20.5 x 32.5 inch
#illustration #watercolor

01: The Last Supper
.
.
the first of a series of drawings that i’ll be working on about a murder mystery story
#illustration #digitalart #seriesart #art

01: The Last Supper
.
.
the first of a series of drawings that i’ll be working on about a murder mystery story
#illustration #digitalart #seriesart #art

01: The Last Supper
.
.
the first of a series of drawings that i’ll be working on about a murder mystery story
#illustration #digitalart #seriesart #art

01: The Last Supper
.
.
the first of a series of drawings that i’ll be working on about a murder mystery story
#illustration #digitalart #seriesart #art

Light on the Land
Our first collaboration project, Light on the Land 001, explores the feeling of windy summer days. We approached this concept through mixed media, photography, film, and illustration. This experience has opened doors to future projects, and the whole process has been memorable and inspiring.
Photographer: @kritsinha_
Illustrator: @reginaa_z @a2aple
Lighting Assistant: @smarties_z
Talent: @yinzigartig
@nowkycul
@weilan_liu1108
@ulricaaa_gl
#photoshoot #illustration #mixmedia #filmphotography #fyp
Light on the Land
Our first collaboration project, Light on the Land 001, explores the feeling of windy summer days. We approached this concept through mixed media, photography, film, and illustration. This experience has opened doors to future projects, and the whole process has been memorable and inspiring.
Photographer: @kritsinha_
Illustrator: @reginaa_z @a2aple
Lighting Assistant: @smarties_z
Talent: @yinzigartig
@nowkycul
@weilan_liu1108
@ulricaaa_gl
#photoshoot #illustration #mixmedia #filmphotography #fyp

Light on the Land
Our first collaboration project, Light on the Land 001, explores the feeling of windy summer days. We approached this concept through mixed media, photography, film, and illustration. This experience has opened doors to future projects, and the whole process has been memorable and inspiring.
Photographer: @kritsinha_
Illustrator: @reginaa_z @a2aple
Lighting Assistant: @smarties_z
Talent: @yinzigartig
@nowkycul
@weilan_liu1108
@ulricaaa_gl
#photoshoot #illustration #mixmedia #filmphotography #fyp

Light on the Land
Our first collaboration project, Light on the Land 001, explores the feeling of windy summer days. We approached this concept through mixed media, photography, film, and illustration. This experience has opened doors to future projects, and the whole process has been memorable and inspiring.
Photographer: @kritsinha_
Illustrator: @reginaa_z @a2aple
Lighting Assistant: @smarties_z
Talent: @yinzigartig
@nowkycul
@weilan_liu1108
@ulricaaa_gl
#photoshoot #illustration #mixmedia #filmphotography #fyp
Light on the Land
Our first collaboration project, Light on the Land 001, explores the feeling of windy summer days. We approached this concept through mixed media, photography, film, and illustration. This experience has opened doors to future projects, and the whole process has been memorable and inspiring.
Photographer: @kritsinha_
Illustrator: @reginaa_z @a2aple
Lighting Assistant: @smarties_z
Talent: @yinzigartig
@nowkycul
@weilan_liu1108
@ulricaaa_gl
#photoshoot #illustration #mixmedia #filmphotography #fyp

Light on the Land
Our first collaboration project, Light on the Land 001, explores the feeling of windy summer days. We approached this concept through mixed media, photography, film, and illustration. This experience has opened doors to future projects, and the whole process has been memorable and inspiring.
Photographer: @kritsinha_
Illustrator: @reginaa_z @a2aple
Lighting Assistant: @smarties_z
Talent: @yinzigartig
@nowkycul
@weilan_liu1108
@ulricaaa_gl
#photoshoot #illustration #mixmedia #filmphotography #fyp

Light on the Land
Our first collaboration project, Light on the Land 001, explores the feeling of windy summer days. We approached this concept through mixed media, photography, film, and illustration. This experience has opened doors to future projects, and the whole process has been memorable and inspiring.
Photographer: @kritsinha_
Illustrator: @reginaa_z @a2aple
Lighting Assistant: @smarties_z
Talent: @yinzigartig
@nowkycul
@weilan_liu1108
@ulricaaa_gl
#photoshoot #illustration #mixmedia #filmphotography #fyp
Light on the Land
Our first collaboration project, Light on the Land 001, explores the feeling of windy summer days. We approached this concept through mixed media, photography, film, and illustration. This experience has opened doors to future projects, and the whole process has been memorable and inspiring.
Photographer: @kritsinha_
Illustrator: @reginaa_z @a2aple
Lighting Assistant: @smarties_z
Talent: @yinzigartig
@nowkycul
@weilan_liu1108
@ulricaaa_gl
#photoshoot #illustration #mixmedia #filmphotography #fyp

tattoo flash sheet inspired by sea holly and tree rings
No.12 is taken
dm for more info

tattoo flash sheet inspired by sea holly and tree rings
No.12 is taken
dm for more info

tattoo flash sheet inspired by sea holly and tree rings
No.12 is taken
dm for more info

You abandoned us and departed.
But we the living wrapped you in a cocoon so that you might burst forth as a butterfly into your new world.
- Sayat-Nova
Inspired by the poem of Sayat-Nova from the movie The Colors of Pomegranates.
.
#poem #lyricalpoetry #illustration #film #thecolorofpomegranates #avantgarde #sayatnova #art #digitalart

You abandoned us and departed.
But we the living wrapped you in a cocoon so that you might burst forth as a butterfly into your new world.
- Sayat-Nova
Inspired by the poem of Sayat-Nova from the movie The Colors of Pomegranates.
.
#poem #lyricalpoetry #illustration #film #thecolorofpomegranates #avantgarde #sayatnova #art #digitalart

You abandoned us and departed.
But we the living wrapped you in a cocoon so that you might burst forth as a butterfly into your new world.
- Sayat-Nova
Inspired by the poem of Sayat-Nova from the movie The Colors of Pomegranates.
.
#poem #lyricalpoetry #illustration #film #thecolorofpomegranates #avantgarde #sayatnova #art #digitalart

You abandoned us and departed.
But we the living wrapped you in a cocoon so that you might burst forth as a butterfly into your new world.
- Sayat-Nova
Inspired by the poem of Sayat-Nova from the movie The Colors of Pomegranates.
.
#poem #lyricalpoetry #illustration #film #thecolorofpomegranates #avantgarde #sayatnova #art #digitalart
O Visualizador de Stories do Instagram é uma ferramenta fácil que permite assistir e salvar stories, vídeos, fotos ou IGTV do Instagram secretamente. Com este serviço, você pode baixar conteúdos e apreciá-los offline sempre que quiser. Se você encontrar algo interessante no Instagram que gostaria de ver mais tarde ou quiser visualizar stories de forma anônima, nosso Visualizador é perfeito para você. Anonstories oferece uma excelente solução para manter sua identidade oculta. O Instagram lançou a funcionalidade de Stories em agosto de 2023, que logo foi adotada por outras plataformas devido ao seu formato dinâmico e sensível ao tempo. Os Stories permitem que os usuários compartilhem atualizações rápidas, sejam fotos, vídeos ou selfies, com textos, emojis ou filtros, e ficam visíveis por apenas 24 horas. Esse limite de tempo cria maior engajamento em comparação com posts comuns. Nos dias de hoje, os Stories são uma das formas mais populares de se conectar e comunicar nas redes sociais. No entanto, quando você visualiza um Story, o criador pode ver seu nome na lista de visualizadores, o que pode ser uma preocupação com a privacidade. E se você quiser navegar pelos Stories sem ser notado? É aí que o Anonstories se torna útil. Ele permite que você assista a conteúdos públicos do Instagram sem revelar sua identidade. Basta digitar o nome de usuário do perfil que você está curioso, e a ferramenta mostrará seus Stories mais recentes. Funcionalidades do Visualizador Anonstories: - Navegação Anônima: Veja Stories sem aparecer na lista de visualizadores. - Sem Conta Necessária: Veja conteúdos públicos sem se cadastrar no Instagram. - Download de Conteúdos: Salve qualquer conteúdo de Stories diretamente no seu dispositivo para uso offline. - Veja Destaques: Acesse os Destaques do Instagram, até mesmo após o prazo de 24 horas. - Monitoramento de Reposts: Acompanhe os reposts ou o nível de engajamento em Stories de perfis pessoais. Limitações: - Esta ferramenta funciona apenas com contas públicas; contas privadas permanecem inacessíveis. Benefícios: - Amigável à Privacidade: Veja qualquer conteúdo do Instagram sem ser notado. - Simples e Fácil: Não há necessidade de instalação de aplicativo ou registro. - Ferramentas Exclusivas: Baixe e gerencie conteúdos de maneiras que o Instagram não oferece.
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