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Knowing Oneself
Oil on canvas.
12 x 16 in | 30.5 x 40.5cm
2026

Knowing Oneself
Oil on canvas.
12 x 16 in | 30.5 x 40.5cm
2026

Knowing Oneself
Oil on canvas.
12 x 16 in | 30.5 x 40.5cm
2026

Knowing Oneself
Oil on canvas.
12 x 16 in | 30.5 x 40.5cm
2026

Dissolve
Graphite on paper.
9.5” x 8” | 24cm x 20.5cm
2026

Dissolve
Graphite on paper.
9.5” x 8” | 24cm x 20.5cm
2026

Dissolve
Graphite on paper.
9.5” x 8” | 24cm x 20.5cm
2026

Dissolve
Graphite on paper.
9.5” x 8” | 24cm x 20.5cm
2026

I created this series in collaboration with @amplifierart and @intersectionsofourlives, extending ideas from my @matinggames project into a broader conversation around reproductive justice, care, and collective power.

These works are part of a larger initiative led by @latinainstitute, @napawf, and @blackwomensrj, centering the lived realities of women of color and gender-expansive communities.

This series connects to my ongoing @matinggames work, exploring bodies, autonomy, desire, and the systems that shape our reproductive choices. The stakes show up in access to healthcare, economic freedom, and the ability to build a life on your own terms.

To learn more or support the work, follow @intersectionsofourlives and @amplifierart.

Thank you @amplifierart for including me in yet another powerful project. ⚡

I created this series in collaboration with @amplifierart and @intersectionsofourlives, extending ideas from my @matinggames project into a broader conversation around reproductive justice, care, and collective power.

These works are part of a larger initiative led by @latinainstitute, @napawf, and @blackwomensrj, centering the lived realities of women of color and gender-expansive communities.

This series connects to my ongoing @matinggames work, exploring bodies, autonomy, desire, and the systems that shape our reproductive choices. The stakes show up in access to healthcare, economic freedom, and the ability to build a life on your own terms.

To learn more or support the work, follow @intersectionsofourlives and @amplifierart.

Thank you @amplifierart for including me in yet another powerful project. ⚡

I created this series in collaboration with @amplifierart and @intersectionsofourlives, extending ideas from my @matinggames project into a broader conversation around reproductive justice, care, and collective power.

These works are part of a larger initiative led by @latinainstitute, @napawf, and @blackwomensrj, centering the lived realities of women of color and gender-expansive communities.

This series connects to my ongoing @matinggames work, exploring bodies, autonomy, desire, and the systems that shape our reproductive choices. The stakes show up in access to healthcare, economic freedom, and the ability to build a life on your own terms.

To learn more or support the work, follow @intersectionsofourlives and @amplifierart.

Thank you @amplifierart for including me in yet another powerful project. ⚡

I created this series in collaboration with @amplifierart and @intersectionsofourlives, extending ideas from my @matinggames project into a broader conversation around reproductive justice, care, and collective power.

These works are part of a larger initiative led by @latinainstitute, @napawf, and @blackwomensrj, centering the lived realities of women of color and gender-expansive communities.

This series connects to my ongoing @matinggames work, exploring bodies, autonomy, desire, and the systems that shape our reproductive choices. The stakes show up in access to healthcare, economic freedom, and the ability to build a life on your own terms.

To learn more or support the work, follow @intersectionsofourlives and @amplifierart.

Thank you @amplifierart for including me in yet another powerful project. ⚡

I created this series in collaboration with @amplifierart and @intersectionsofourlives, extending ideas from my @matinggames project into a broader conversation around reproductive justice, care, and collective power.

These works are part of a larger initiative led by @latinainstitute, @napawf, and @blackwomensrj, centering the lived realities of women of color and gender-expansive communities.

This series connects to my ongoing @matinggames work, exploring bodies, autonomy, desire, and the systems that shape our reproductive choices. The stakes show up in access to healthcare, economic freedom, and the ability to build a life on your own terms.

To learn more or support the work, follow @intersectionsofourlives and @amplifierart.

Thank you @amplifierart for including me in yet another powerful project. ⚡

I created this series in collaboration with @amplifierart and @intersectionsofourlives, extending ideas from my @matinggames project into a broader conversation around reproductive justice, care, and collective power.

These works are part of a larger initiative led by @latinainstitute, @napawf, and @blackwomensrj, centering the lived realities of women of color and gender-expansive communities.

This series connects to my ongoing @matinggames work, exploring bodies, autonomy, desire, and the systems that shape our reproductive choices. The stakes show up in access to healthcare, economic freedom, and the ability to build a life on your own terms.

To learn more or support the work, follow @intersectionsofourlives and @amplifierart.

Thank you @amplifierart for including me in yet another powerful project. ⚡

I created this series in collaboration with @amplifierart and @intersectionsofourlives, extending ideas from my @matinggames project into a broader conversation around reproductive justice, care, and collective power.

These works are part of a larger initiative led by @latinainstitute, @napawf, and @blackwomensrj, centering the lived realities of women of color and gender-expansive communities.

This series connects to my ongoing @matinggames work, exploring bodies, autonomy, desire, and the systems that shape our reproductive choices. The stakes show up in access to healthcare, economic freedom, and the ability to build a life on your own terms.

To learn more or support the work, follow @intersectionsofourlives and @amplifierart.

Thank you @amplifierart for including me in yet another powerful project. ⚡

I created this series in collaboration with @amplifierart and @intersectionsofourlives, extending ideas from my @matinggames project into a broader conversation around reproductive justice, care, and collective power.

These works are part of a larger initiative led by @latinainstitute, @napawf, and @blackwomensrj, centering the lived realities of women of color and gender-expansive communities.

This series connects to my ongoing @matinggames work, exploring bodies, autonomy, desire, and the systems that shape our reproductive choices. The stakes show up in access to healthcare, economic freedom, and the ability to build a life on your own terms.

To learn more or support the work, follow @intersectionsofourlives and @amplifierart.

Thank you @amplifierart for including me in yet another powerful project. ⚡

I created this series in collaboration with @amplifierart and @intersectionsofourlives, extending ideas from my @matinggames project into a broader conversation around reproductive justice, care, and collective power.

These works are part of a larger initiative led by @latinainstitute, @napawf, and @blackwomensrj, centering the lived realities of women of color and gender-expansive communities.

This series connects to my ongoing @matinggames work, exploring bodies, autonomy, desire, and the systems that shape our reproductive choices. The stakes show up in access to healthcare, economic freedom, and the ability to build a life on your own terms.

To learn more or support the work, follow @intersectionsofourlives and @amplifierart.

Thank you @amplifierart for including me in yet another powerful project. ⚡

I created this series in collaboration with @amplifierart and @intersectionsofourlives, extending ideas from my @matinggames project into a broader conversation around reproductive justice, care, and collective power.

These works are part of a larger initiative led by @latinainstitute, @napawf, and @blackwomensrj, centering the lived realities of women of color and gender-expansive communities.

This series connects to my ongoing @matinggames work, exploring bodies, autonomy, desire, and the systems that shape our reproductive choices. The stakes show up in access to healthcare, economic freedom, and the ability to build a life on your own terms.

To learn more or support the work, follow @intersectionsofourlives and @amplifierart.

Thank you @amplifierart for including me in yet another powerful project. ⚡

I created this series in collaboration with @amplifierart and @intersectionsofourlives, extending ideas from my @matinggames project into a broader conversation around reproductive justice, care, and collective power.

These works are part of a larger initiative led by @latinainstitute, @napawf, and @blackwomensrj, centering the lived realities of women of color and gender-expansive communities.

This series connects to my ongoing @matinggames work, exploring bodies, autonomy, desire, and the systems that shape our reproductive choices. The stakes show up in access to healthcare, economic freedom, and the ability to build a life on your own terms.

To learn more or support the work, follow @intersectionsofourlives and @amplifierart.

Thank you @amplifierart for including me in yet another powerful project. ⚡

Installation views from my recent exhibition, Still Waters, in Paris.

29.1.2026 - 2.2.2026
18 Rue de Montmorency
75003 Paris, France

Curated by @deepfeelings.art
Inquiries: hannah@deepfeelings.art

Thank you to everyone who came to support.
Paris, je t’aime 🤍

Installation views from my recent exhibition, Still Waters, in Paris.

29.1.2026 - 2.2.2026
18 Rue de Montmorency
75003 Paris, France

Curated by @deepfeelings.art
Inquiries: hannah@deepfeelings.art

Thank you to everyone who came to support.
Paris, je t’aime 🤍

Installation views from my recent exhibition, Still Waters, in Paris.

29.1.2026 - 2.2.2026
18 Rue de Montmorency
75003 Paris, France

Curated by @deepfeelings.art
Inquiries: hannah@deepfeelings.art

Thank you to everyone who came to support.
Paris, je t’aime 🤍

Installation views from my recent exhibition, Still Waters, in Paris.

29.1.2026 - 2.2.2026
18 Rue de Montmorency
75003 Paris, France

Curated by @deepfeelings.art
Inquiries: hannah@deepfeelings.art

Thank you to everyone who came to support.
Paris, je t’aime 🤍

Installation views from my recent exhibition, Still Waters, in Paris.

29.1.2026 - 2.2.2026
18 Rue de Montmorency
75003 Paris, France

Curated by @deepfeelings.art
Inquiries: hannah@deepfeelings.art

Thank you to everyone who came to support.
Paris, je t’aime 🤍

Installation views from my recent exhibition, Still Waters, in Paris.

29.1.2026 - 2.2.2026
18 Rue de Montmorency
75003 Paris, France

Curated by @deepfeelings.art
Inquiries: hannah@deepfeelings.art

Thank you to everyone who came to support.
Paris, je t’aime 🤍

Installation views from my recent exhibition, Still Waters, in Paris.

29.1.2026 - 2.2.2026
18 Rue de Montmorency
75003 Paris, France

Curated by @deepfeelings.art
Inquiries: hannah@deepfeelings.art

Thank you to everyone who came to support.
Paris, je t’aime 🤍

Installation views from my recent exhibition, Still Waters, in Paris.

29.1.2026 - 2.2.2026
18 Rue de Montmorency
75003 Paris, France

Curated by @deepfeelings.art
Inquiries: hannah@deepfeelings.art

Thank you to everyone who came to support.
Paris, je t’aime 🤍

First painting of 2026 and final painting from my exhibition, Still Waters, which opened last Thursday in Paris.

Escape
Oil and acrylic on canvas.
12” x 16” / 33 x 40.5cm
2026

First painting of 2026 and final painting from my exhibition, Still Waters, which opened last Thursday in Paris.

Escape
Oil and acrylic on canvas.
12” x 16” / 33 x 40.5cm
2026

First painting of 2026 and final painting from my exhibition, Still Waters, which opened last Thursday in Paris.

Escape
Oil and acrylic on canvas.
12” x 16” / 33 x 40.5cm
2026

First painting of 2026 and final painting from my exhibition, Still Waters, which opened last Thursday in Paris.

Escape
Oil and acrylic on canvas.
12” x 16” / 33 x 40.5cm
2026

First painting of 2026 and final painting from my exhibition, Still Waters, which opened last Thursday in Paris.

Escape
Oil and acrylic on canvas.
12” x 16” / 33 x 40.5cm
2026

First painting of 2026 and final painting from my exhibition, Still Waters, which opened last Thursday in Paris.

Escape
Oil and acrylic on canvas.
12” x 16” / 33 x 40.5cm
2026

First painting of 2026 and final painting from my exhibition, Still Waters, which opened last Thursday in Paris.

Escape
Oil and acrylic on canvas.
12” x 16” / 33 x 40.5cm
2026

First painting of 2026 and final painting from my exhibition, Still Waters, which opened last Thursday in Paris.

Escape
Oil and acrylic on canvas.
12” x 16” / 33 x 40.5cm
2026

I am thrilled to announce Still Waters, my first exhibition in Paris, is opening this Thursday, January 29th from 6-8pm with @deepfeelings.art.

After living and painting in the city for the past 10 months, I’m excited to share a selection of work shaped by this time and place.

Curated by @deepfeelings.art .
Studio portrait by @ornelavorpsi.

18 rue de Montmorency
Paris, France

I am thrilled to announce Still Waters, my first exhibition in Paris, is opening this Thursday, January 29th from 6-8pm with @deepfeelings.art.

After living and painting in the city for the past 10 months, I’m excited to share a selection of work shaped by this time and place.

Curated by @deepfeelings.art .
Studio portrait by @ornelavorpsi.

18 rue de Montmorency
Paris, France

I am thrilled to announce Still Waters, my first exhibition in Paris, is opening this Thursday, January 29th from 6-8pm with @deepfeelings.art.

After living and painting in the city for the past 10 months, I’m excited to share a selection of work shaped by this time and place.

Curated by @deepfeelings.art .
Studio portrait by @ornelavorpsi.

18 rue de Montmorency
Paris, France

First painting and first real snow of 2026.

Double Happiness / 囍
Oil and acrylic on canvas.
10.6” x 13” / 27 x 33cm
2026

First painting and first real snow of 2026.

Double Happiness / 囍
Oil and acrylic on canvas.
10.6” x 13” / 27 x 33cm
2026

First painting and first real snow of 2026.

Double Happiness / 囍
Oil and acrylic on canvas.
10.6” x 13” / 27 x 33cm
2026

First painting and first real snow of 2026.

Double Happiness / 囍
Oil and acrylic on canvas.
10.6” x 13” / 27 x 33cm
2026

First painting and first real snow of 2026.

Double Happiness / 囍
Oil and acrylic on canvas.
10.6” x 13” / 27 x 33cm
2026

I spent the past couple mornings drawing the view from my window and decided to share it along with some of my favorite sketchbook drawings of the year. Happy end of 2025! 🐍

I spent the past couple mornings drawing the view from my window and decided to share it along with some of my favorite sketchbook drawings of the year. Happy end of 2025! 🐍

I spent the past couple mornings drawing the view from my window and decided to share it along with some of my favorite sketchbook drawings of the year. Happy end of 2025! 🐍

I spent the past couple mornings drawing the view from my window and decided to share it along with some of my favorite sketchbook drawings of the year. Happy end of 2025! 🐍

I spent the past couple mornings drawing the view from my window and decided to share it along with some of my favorite sketchbook drawings of the year. Happy end of 2025! 🐍

I spent the past couple mornings drawing the view from my window and decided to share it along with some of my favorite sketchbook drawings of the year. Happy end of 2025! 🐍

I spent the past couple mornings drawing the view from my window and decided to share it along with some of my favorite sketchbook drawings of the year. Happy end of 2025! 🐍

I spent the past couple mornings drawing the view from my window and decided to share it along with some of my favorite sketchbook drawings of the year. Happy end of 2025! 🐍

I spent the past couple mornings drawing the view from my window and decided to share it along with some of my favorite sketchbook drawings of the year. Happy end of 2025! 🐍

I spent the past couple mornings drawing the view from my window and decided to share it along with some of my favorite sketchbook drawings of the year. Happy end of 2025! 🐍

I spent the past couple mornings drawing the view from my window and decided to share it along with some of my favorite sketchbook drawings of the year. Happy end of 2025! 🐍

I spent the past couple mornings drawing the view from my window and decided to share it along with some of my favorite sketchbook drawings of the year. Happy end of 2025! 🐍

I spent the past couple mornings drawing the view from my window and decided to share it along with some of my favorite sketchbook drawings of the year. Happy end of 2025! 🐍

I spent the past couple mornings drawing the view from my window and decided to share it along with some of my favorite sketchbook drawings of the year. Happy end of 2025! 🐍

I spent the past couple mornings drawing the view from my window and decided to share it along with some of my favorite sketchbook drawings of the year. Happy end of 2025! 🐍

I spent the past couple mornings drawing the view from my window and decided to share it along with some of my favorite sketchbook drawings of the year. Happy end of 2025! 🐍

I spent the past couple mornings drawing the view from my window and decided to share it along with some of my favorite sketchbook drawings of the year. Happy end of 2025! 🐍

I spent the past couple mornings drawing the view from my window and decided to share it along with some of my favorite sketchbook drawings of the year. Happy end of 2025! 🐍

Catwoman
Oil and acrylic on canvas.
10.6” x 13” / 27 x 33cm
2025

Chosen (I)
Oil and acrylic on canvas.
13” x 16” / 33 x 41 cm
2025

Chosen (I)
Oil and acrylic on canvas.
13” x 16” / 33 x 41 cm
2025

Chosen (I)
Oil and acrylic on canvas.
13” x 16” / 33 x 41 cm
2025

Chosen (I)
Oil and acrylic on canvas.
13” x 16” / 33 x 41 cm
2025

Catfish Ghost
Oil and acrylic on canvas.
12” x 16” / 30.5cm x 40.5cm
2025

Catfish Ghost
Oil and acrylic on canvas.
12” x 16” / 30.5cm x 40.5cm
2025

Catfish Ghost
Oil and acrylic on canvas.
12” x 16” / 30.5cm x 40.5cm
2025

My white American grandfather was stationed in Korea for the duration of the war from 1950–1953. He returned with a Silver Star, a Purple Heart, and haunting memories. He recalled eating lunch on the Inchung Peninsula, flanked on either side by the torn remains of two North Korean soldiers. His platoon wasn’t given proper winter clothing and he hated the smell of burning wood for the rest of his life.

I learned about his memories after his death, some from family and others recounted at his military funeral. I grapple with inheriting the history of a war fought against Korean and Chinese people, as his half-Chinese American grandchild painting his memories into existence.

Lunch Break
Oil and acrylic on canvas.
29” x 40” / 73cm x 100cm
2025

My white American grandfather was stationed in Korea for the duration of the war from 1950–1953. He returned with a Silver Star, a Purple Heart, and haunting memories. He recalled eating lunch on the Inchung Peninsula, flanked on either side by the torn remains of two North Korean soldiers. His platoon wasn’t given proper winter clothing and he hated the smell of burning wood for the rest of his life.

I learned about his memories after his death, some from family and others recounted at his military funeral. I grapple with inheriting the history of a war fought against Korean and Chinese people, as his half-Chinese American grandchild painting his memories into existence.

Lunch Break
Oil and acrylic on canvas.
29” x 40” / 73cm x 100cm
2025

My white American grandfather was stationed in Korea for the duration of the war from 1950–1953. He returned with a Silver Star, a Purple Heart, and haunting memories. He recalled eating lunch on the Inchung Peninsula, flanked on either side by the torn remains of two North Korean soldiers. His platoon wasn’t given proper winter clothing and he hated the smell of burning wood for the rest of his life.

I learned about his memories after his death, some from family and others recounted at his military funeral. I grapple with inheriting the history of a war fought against Korean and Chinese people, as his half-Chinese American grandchild painting his memories into existence.

Lunch Break
Oil and acrylic on canvas.
29” x 40” / 73cm x 100cm
2025

My white American grandfather was stationed in Korea for the duration of the war from 1950–1953. He returned with a Silver Star, a Purple Heart, and haunting memories. He recalled eating lunch on the Inchung Peninsula, flanked on either side by the torn remains of two North Korean soldiers. His platoon wasn’t given proper winter clothing and he hated the smell of burning wood for the rest of his life.

I learned about his memories after his death, some from family and others recounted at his military funeral. I grapple with inheriting the history of a war fought against Korean and Chinese people, as his half-Chinese American grandchild painting his memories into existence.

Lunch Break
Oil and acrylic on canvas.
29” x 40” / 73cm x 100cm
2025

My white American grandfather was stationed in Korea for the duration of the war from 1950–1953. He returned with a Silver Star, a Purple Heart, and haunting memories. He recalled eating lunch on the Inchung Peninsula, flanked on either side by the torn remains of two North Korean soldiers. His platoon wasn’t given proper winter clothing and he hated the smell of burning wood for the rest of his life.

I learned about his memories after his death, some from family and others recounted at his military funeral. I grapple with inheriting the history of a war fought against Korean and Chinese people, as his half-Chinese American grandchild painting his memories into existence.

Lunch Break
Oil and acrylic on canvas.
29” x 40” / 73cm x 100cm
2025

My white American grandfather was stationed in Korea for the duration of the war from 1950–1953. He returned with a Silver Star, a Purple Heart, and haunting memories. He recalled eating lunch on the Inchung Peninsula, flanked on either side by the torn remains of two North Korean soldiers. His platoon wasn’t given proper winter clothing and he hated the smell of burning wood for the rest of his life.

I learned about his memories after his death, some from family and others recounted at his military funeral. I grapple with inheriting the history of a war fought against Korean and Chinese people, as his half-Chinese American grandchild painting his memories into existence.

Lunch Break
Oil and acrylic on canvas.
29” x 40” / 73cm x 100cm
2025

My white American grandfather was stationed in Korea for the duration of the war from 1950–1953. He returned with a Silver Star, a Purple Heart, and haunting memories. He recalled eating lunch on the Inchung Peninsula, flanked on either side by the torn remains of two North Korean soldiers. His platoon wasn’t given proper winter clothing and he hated the smell of burning wood for the rest of his life.

I learned about his memories after his death, some from family and others recounted at his military funeral. I grapple with inheriting the history of a war fought against Korean and Chinese people, as his half-Chinese American grandchild painting his memories into existence.

Lunch Break
Oil and acrylic on canvas.
29” x 40” / 73cm x 100cm
2025

My white American grandfather was stationed in Korea for the duration of the war from 1950–1953. He returned with a Silver Star, a Purple Heart, and haunting memories. He recalled eating lunch on the Inchung Peninsula, flanked on either side by the torn remains of two North Korean soldiers. His platoon wasn’t given proper winter clothing and he hated the smell of burning wood for the rest of his life.

I learned about his memories after his death, some from family and others recounted at his military funeral. I grapple with inheriting the history of a war fought against Korean and Chinese people, as his half-Chinese American grandchild painting his memories into existence.

Lunch Break
Oil and acrylic on canvas.
29” x 40” / 73cm x 100cm
2025