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Introducing Crosscurrent, Issue Eight, Spring/Summer 2026, Cover 2/6:

The Muse

“Birds of a Feather”
Malin by Anders Edström and Danny Reed

Malin wears dress, knit, shirt, and shorts by @prada

Photography by Anders Edström @andersedstrom_fashionworks
Fashion by Danny Reed @reed_danny
Hair by Franziska Presche @franziskapresche
Makeup by Thomasin Waite @thomasin.waite
Casting by Simone Schofer @simoneschofer
Talent Malin Rudnick @malin.rdk
Production by Artistry Global @artistryglobalagency

Founder, Editor-in-Chief & Creative Director Clarke Rudick @itsclarkewithane

See the full story in print. Available via the link in bio.

#crosscurrent
#crosscurrentissueeight
#crosscurrentmagazine

Introducing Crosscurrent, Issue Eight, Spring/Summer 2026, Cover 2/6:

The Muse

“Birds of a Feather”
Malin by Anders Edström and Danny Reed

Malin wears dress, knit, shirt, and shorts by @prada

Photography by Anders Edström @andersedstrom_fashionworks
Fashion by Danny Reed @reed_danny
Hair by Franziska Presche @franziskapresche
Makeup by Thomasin Waite @thomasin.waite
Casting by Simone Schofer @simoneschofer
Talent Malin Rudnick @malin.rdk
Production by Artistry Global @artistryglobalagency

Founder, Editor-in-Chief & Creative Director Clarke Rudick @itsclarkewithane

See the full story in print. Available via the link in bio.

#crosscurrent
#crosscurrentissueeight
#crosscurrentmagazine

“Show Off,” Roos by Danielle Neu and Danny Reed

1: Cotton jumpsuit from The Arc and felt hat by @noelstewart

2: Sequin trinkini by @jeanpaulgaultier

Photography by Danielle Neu @_danielleneu_
Fashion by Danny Reed @reed_danny
Hair by Soichi Inagaki @soichiinagaki
Makeup by Anne Sophie Costa @annesophiecosta
Casting by Rachel Chandler @midlandagency
Talent Roos Van Bosstraeten @roos.vanbosstraeten
Production by un/produced @un_produced

See the full story in print. Available at the link in bio.

#crosscurrent
#crosscurrentissueeight
#crosscurrentmagazine

“Show Off,” Roos by Danielle Neu and Danny Reed

1: Cotton jumpsuit from The Arc and felt hat by @noelstewart

2: Sequin trinkini by @jeanpaulgaultier

Photography by Danielle Neu @_danielleneu_
Fashion by Danny Reed @reed_danny
Hair by Soichi Inagaki @soichiinagaki
Makeup by Anne Sophie Costa @annesophiecosta
Casting by Rachel Chandler @midlandagency
Talent Roos Van Bosstraeten @roos.vanbosstraeten
Production by un/produced @un_produced

See the full story in print. Available at the link in bio.

#crosscurrent
#crosscurrentissueeight
#crosscurrentmagazine

Vince Aletti selects some of his most prized books for #crosscurrent Issue Eight

—

1: In Our Terribleness, Imamu Amiri Baraka (LeRoi Jones) & Fundi (Billy Abernathy) (1970)

2: Jazz, Ed van der Elsken (1959)

3: Information, Edited by Kynaston L. McShine (1970)

4: Peter Hujar, Edited by Peter Weiermair (1981)

—

Photography by Ben Taylor @benjamintayl0r

See the full story in print. Available at the link in bio.

#crosscurrent
#crosscurrentissueeight
#crosscurrentmagazine

Vince Aletti selects some of his most prized books for #crosscurrent Issue Eight

—

1: In Our Terribleness, Imamu Amiri Baraka (LeRoi Jones) & Fundi (Billy Abernathy) (1970)

2: Jazz, Ed van der Elsken (1959)

3: Information, Edited by Kynaston L. McShine (1970)

4: Peter Hujar, Edited by Peter Weiermair (1981)

—

Photography by Ben Taylor @benjamintayl0r

See the full story in print. Available at the link in bio.

#crosscurrent
#crosscurrentissueeight
#crosscurrentmagazine

Vince Aletti selects some of his most prized books for #crosscurrent Issue Eight

—

1: In Our Terribleness, Imamu Amiri Baraka (LeRoi Jones) & Fundi (Billy Abernathy) (1970)

2: Jazz, Ed van der Elsken (1959)

3: Information, Edited by Kynaston L. McShine (1970)

4: Peter Hujar, Edited by Peter Weiermair (1981)

—

Photography by Ben Taylor @benjamintayl0r

See the full story in print. Available at the link in bio.

#crosscurrent
#crosscurrentissueeight
#crosscurrentmagazine

Vince Aletti selects some of his most prized books for #crosscurrent Issue Eight

—

1: In Our Terribleness, Imamu Amiri Baraka (LeRoi Jones) & Fundi (Billy Abernathy) (1970)

2: Jazz, Ed van der Elsken (1959)

3: Information, Edited by Kynaston L. McShine (1970)

4: Peter Hujar, Edited by Peter Weiermair (1981)

—

Photography by Ben Taylor @benjamintayl0r

See the full story in print. Available at the link in bio.

#crosscurrent
#crosscurrentissueeight
#crosscurrentmagazine

“The Collector,” A life in photography with Vince Aletti

Photography by Duane Michals @theduanemichals
Interview by Clarke Rudick @itsclarkewithane

—

Critic and curator Vince Aletti has been passionate about images since he was a child thumbing through his father’s collection of US Camera. Now in his 80s, Aletti remains one of the most formidable voices in photography criticism (he was the photography critic for The Village Voice for twenty years and is a regular contributor to The New Yorker’s Goings On About Town column) and one of the most passionate collectors of photography monographs, catalogues, magazines, and ephemera. Alongside legendary artist Duane Michals, Crosscurrent visits Aletti’s apartment in The East Village to discuss criticism, identity, and his friendship with the late Peter Hujar.

—

Read the full story in print. Available at the link in bio.

#crosscurrent
#crosscurrentissueeight
#crosscurrentmagazine

“The Collector,” A life in photography with Vince Aletti

Photography by Duane Michals @theduanemichals
Interview by Clarke Rudick @itsclarkewithane

—

Critic and curator Vince Aletti has been passionate about images since he was a child thumbing through his father’s collection of US Camera. Now in his 80s, Aletti remains one of the most formidable voices in photography criticism (he was the photography critic for The Village Voice for twenty years and is a regular contributor to The New Yorker’s Goings On About Town column) and one of the most passionate collectors of photography monographs, catalogues, magazines, and ephemera. Alongside legendary artist Duane Michals, Crosscurrent visits Aletti’s apartment in The East Village to discuss criticism, identity, and his friendship with the late Peter Hujar.

—

Read the full story in print. Available at the link in bio.

#crosscurrent
#crosscurrentissueeight
#crosscurrentmagazine

“A Room with a View,” The Row Summer 2026 by Krisztián Éder and Alex Harrington

Jonah wears all clothing by @therow

Photography by Krisztián Éder @krisztianeder
Fashion by Alex Harrington @alex_jordan_harrington
Grooming by Tamás Tüzes @tamastuzes
Casting by Rachel Chandler @midlandagency
Talent Jonah @__ear_
Production by 102 NYC @102nyc

See the full story in print. Available at the link in bio.

#crosscurrent
#crosscurrentissueeight
#crosscurrentmagazine

“L’an 2440,” an essay by Caroline Sydney

Turning towards utopia in an age of cynicism.

Artwork: Laura, 2023 by Christopher Culver
Courtesy @stuartshavemodernart

—

Read the full essay in print. Available at the link in bio.

#crosscurrent
#croscurrentissueeight
#crosscurrentmagazine

“L’an 2440,” an essay by Caroline Sydney

Turning towards utopia in an age of cynicism.

Artwork: Laura, 2023 by Christopher Culver
Courtesy @stuartshavemodernart

—

Read the full essay in print. Available at the link in bio.

#crosscurrent
#croscurrentissueeight
#crosscurrentmagazine

“Handle Me” by Lengua and Taylor Thoroski

Chloe wears jumpsuit by @maisonalaia and shoes from @pyrnarchives

Photography by Lengua @1engua
Fashion by Taylor Thoroski @taylor_thoroski
Hair by Joe Burwin @joeburwin
Makeup by Cécile Paravina @cecileparavina
Nails by Melvyn Renaud @melvynrenaud
Casting by Julia Lange @julialangecasting
Talent Chloe Paredes @chloe_mpp
Production by Company @company.paris

See the full story in print. Available at the link in bio.

#crosscurrent
#crosscurrentissueeight
#crosscurrentmagazine

“Handle Me” by Lengua and Taylor Thoroski

Chloe wears jumpsuit by @maisonalaia and shoes from @pyrnarchives

Photography by Lengua @1engua
Fashion by Taylor Thoroski @taylor_thoroski
Hair by Joe Burwin @joeburwin
Makeup by Cécile Paravina @cecileparavina
Nails by Melvyn Renaud @melvynrenaud
Casting by Julia Lange @julialangecasting
Talent Chloe Paredes @chloe_mpp
Production by Company @company.paris

See the full story in print. Available at the link in bio.

#crosscurrent
#crosscurrentissueeight
#crosscurrentmagazine

“Some people are paralysed by the concept of how they can make things happen. I am not.”

Maverick filmmaker #LucaGuadagnino journeys to Paris in between edits of his highly anticipated OpenAI drama, Artificial, for an exclusive interview with Crosscurrent’s Editor-in-Chief Clarke Rudick.

Photography by Mark Borthwick @mark_borthwick
Story by Clarke Rudick @itsclarkewithane

Read the full story in print. Available at the link in bio.

#crosscurrent
#crosscurrentissueeight
#crosscurrentmagazine

“Some people are paralysed by the concept of how they can make things happen. I am not.”

Maverick filmmaker #LucaGuadagnino journeys to Paris in between edits of his highly anticipated OpenAI drama, Artificial, for an exclusive interview with Crosscurrent’s Editor-in-Chief Clarke Rudick.

Photography by Mark Borthwick @mark_borthwick
Story by Clarke Rudick @itsclarkewithane

Read the full story in print. Available at the link in bio.

#crosscurrent
#crosscurrentissueeight
#crosscurrentmagazine

“Table Manners” by Matthieu Lavanchy

Leather bag by #BottegaVeneta

Photography by Matthieu Lavanchy @matthieulavanchy
Fashion by Hisato Tasaka @hisato_tasaka
Set Design by Hella Keck @hellakeck

See the full story in print. Available at the link in bio.

#crosscurrent
#crosscurrentissueeight
#crosscurrentmagazine

“Dent Road,” by Olivia Reavey

@oliviareavey is an American photographer currently pursuing an MFA at Yale. Under the tutelage of celebrated artists like Justine Kurland and Collier Schorr, Reavey’s work has evolved to explore “morbidness, intimacy, and representations of gender and lust” by simulating a space in which bodily limitations are nonexistent.

For her series Dent Road, Reavey embarked on a road trip with new friends Luke and Fionn, paid for by money from a photography grant. Reminiscent of Philip-Lorca diCorcia’s Hustlers series, in which the artist paid his sex worker subjects with funds awarded to him by the National Endowment for the Arts, Dent Road explores the grey area between reality and fantasy, drawing inspiration from the “shapeshifting abilities” of the phallus to challenge traditional representations of masculinity and the body in photography.

—

See the full story in print. Available at the link in bio.

#crosscurrent
#crosscurrentissueeight
#crosscurrentmagazine

“Dent Road,” by Olivia Reavey

@oliviareavey is an American photographer currently pursuing an MFA at Yale. Under the tutelage of celebrated artists like Justine Kurland and Collier Schorr, Reavey’s work has evolved to explore “morbidness, intimacy, and representations of gender and lust” by simulating a space in which bodily limitations are nonexistent.

For her series Dent Road, Reavey embarked on a road trip with new friends Luke and Fionn, paid for by money from a photography grant. Reminiscent of Philip-Lorca diCorcia’s Hustlers series, in which the artist paid his sex worker subjects with funds awarded to him by the National Endowment for the Arts, Dent Road explores the grey area between reality and fantasy, drawing inspiration from the “shapeshifting abilities” of the phallus to challenge traditional representations of masculinity and the body in photography.

—

See the full story in print. Available at the link in bio.

#crosscurrent
#crosscurrentissueeight
#crosscurrentmagazine

“Dent Road,” by Olivia Reavey

@oliviareavey is an American photographer currently pursuing an MFA at Yale. Under the tutelage of celebrated artists like Justine Kurland and Collier Schorr, Reavey’s work has evolved to explore “morbidness, intimacy, and representations of gender and lust” by simulating a space in which bodily limitations are nonexistent.

For her series Dent Road, Reavey embarked on a road trip with new friends Luke and Fionn, paid for by money from a photography grant. Reminiscent of Philip-Lorca diCorcia’s Hustlers series, in which the artist paid his sex worker subjects with funds awarded to him by the National Endowment for the Arts, Dent Road explores the grey area between reality and fantasy, drawing inspiration from the “shapeshifting abilities” of the phallus to challenge traditional representations of masculinity and the body in photography.

—

See the full story in print. Available at the link in bio.

#crosscurrent
#crosscurrentissueeight
#crosscurrentmagazine

“Dent Road,” by Olivia Reavey

@oliviareavey is an American photographer currently pursuing an MFA at Yale. Under the tutelage of celebrated artists like Justine Kurland and Collier Schorr, Reavey’s work has evolved to explore “morbidness, intimacy, and representations of gender and lust” by simulating a space in which bodily limitations are nonexistent.

For her series Dent Road, Reavey embarked on a road trip with new friends Luke and Fionn, paid for by money from a photography grant. Reminiscent of Philip-Lorca diCorcia’s Hustlers series, in which the artist paid his sex worker subjects with funds awarded to him by the National Endowment for the Arts, Dent Road explores the grey area between reality and fantasy, drawing inspiration from the “shapeshifting abilities” of the phallus to challenge traditional representations of masculinity and the body in photography.

—

See the full story in print. Available at the link in bio.

#crosscurrent
#crosscurrentissueeight
#crosscurrentmagazine

“Dent Road,” by Olivia Reavey

@oliviareavey is an American photographer currently pursuing an MFA at Yale. Under the tutelage of celebrated artists like Justine Kurland and Collier Schorr, Reavey’s work has evolved to explore “morbidness, intimacy, and representations of gender and lust” by simulating a space in which bodily limitations are nonexistent.

For her series Dent Road, Reavey embarked on a road trip with new friends Luke and Fionn, paid for by money from a photography grant. Reminiscent of Philip-Lorca diCorcia’s Hustlers series, in which the artist paid his sex worker subjects with funds awarded to him by the National Endowment for the Arts, Dent Road explores the grey area between reality and fantasy, drawing inspiration from the “shapeshifting abilities” of the phallus to challenge traditional representations of masculinity and the body in photography.

—

See the full story in print. Available at the link in bio.

#crosscurrent
#crosscurrentissueeight
#crosscurrentmagazine

“Dent Road,” by Olivia Reavey

@oliviareavey is an American photographer currently pursuing an MFA at Yale. Under the tutelage of celebrated artists like Justine Kurland and Collier Schorr, Reavey’s work has evolved to explore “morbidness, intimacy, and representations of gender and lust” by simulating a space in which bodily limitations are nonexistent.

For her series Dent Road, Reavey embarked on a road trip with new friends Luke and Fionn, paid for by money from a photography grant. Reminiscent of Philip-Lorca diCorcia’s Hustlers series, in which the artist paid his sex worker subjects with funds awarded to him by the National Endowment for the Arts, Dent Road explores the grey area between reality and fantasy, drawing inspiration from the “shapeshifting abilities” of the phallus to challenge traditional representations of masculinity and the body in photography.

—

See the full story in print. Available at the link in bio.

#crosscurrent
#crosscurrentissueeight
#crosscurrentmagazine

“Dent Road,” by Olivia Reavey

@oliviareavey is an American photographer currently pursuing an MFA at Yale. Under the tutelage of celebrated artists like Justine Kurland and Collier Schorr, Reavey’s work has evolved to explore “morbidness, intimacy, and representations of gender and lust” by simulating a space in which bodily limitations are nonexistent.

For her series Dent Road, Reavey embarked on a road trip with new friends Luke and Fionn, paid for by money from a photography grant. Reminiscent of Philip-Lorca diCorcia’s Hustlers series, in which the artist paid his sex worker subjects with funds awarded to him by the National Endowment for the Arts, Dent Road explores the grey area between reality and fantasy, drawing inspiration from the “shapeshifting abilities” of the phallus to challenge traditional representations of masculinity and the body in photography.

—

See the full story in print. Available at the link in bio.

#crosscurrent
#crosscurrentissueeight
#crosscurrentmagazine

“Dent Road,” by Olivia Reavey

@oliviareavey is an American photographer currently pursuing an MFA at Yale. Under the tutelage of celebrated artists like Justine Kurland and Collier Schorr, Reavey’s work has evolved to explore “morbidness, intimacy, and representations of gender and lust” by simulating a space in which bodily limitations are nonexistent.

For her series Dent Road, Reavey embarked on a road trip with new friends Luke and Fionn, paid for by money from a photography grant. Reminiscent of Philip-Lorca diCorcia’s Hustlers series, in which the artist paid his sex worker subjects with funds awarded to him by the National Endowment for the Arts, Dent Road explores the grey area between reality and fantasy, drawing inspiration from the “shapeshifting abilities” of the phallus to challenge traditional representations of masculinity and the body in photography.

—

See the full story in print. Available at the link in bio.

#crosscurrent
#crosscurrentissueeight
#crosscurrentmagazine

“Dent Road,” by Olivia Reavey

@oliviareavey is an American photographer currently pursuing an MFA at Yale. Under the tutelage of celebrated artists like Justine Kurland and Collier Schorr, Reavey’s work has evolved to explore “morbidness, intimacy, and representations of gender and lust” by simulating a space in which bodily limitations are nonexistent.

For her series Dent Road, Reavey embarked on a road trip with new friends Luke and Fionn, paid for by money from a photography grant. Reminiscent of Philip-Lorca diCorcia’s Hustlers series, in which the artist paid his sex worker subjects with funds awarded to him by the National Endowment for the Arts, Dent Road explores the grey area between reality and fantasy, drawing inspiration from the “shapeshifting abilities” of the phallus to challenge traditional representations of masculinity and the body in photography.

—

See the full story in print. Available at the link in bio.

#crosscurrent
#crosscurrentissueeight
#crosscurrentmagazine

“Dent Road,” by Olivia Reavey

@oliviareavey is an American photographer currently pursuing an MFA at Yale. Under the tutelage of celebrated artists like Justine Kurland and Collier Schorr, Reavey’s work has evolved to explore “morbidness, intimacy, and representations of gender and lust” by simulating a space in which bodily limitations are nonexistent.

For her series Dent Road, Reavey embarked on a road trip with new friends Luke and Fionn, paid for by money from a photography grant. Reminiscent of Philip-Lorca diCorcia’s Hustlers series, in which the artist paid his sex worker subjects with funds awarded to him by the National Endowment for the Arts, Dent Road explores the grey area between reality and fantasy, drawing inspiration from the “shapeshifting abilities” of the phallus to challenge traditional representations of masculinity and the body in photography.

—

See the full story in print. Available at the link in bio.

#crosscurrent
#crosscurrentissueeight
#crosscurrentmagazine

“Dent Road,” by Olivia Reavey

@oliviareavey is an American photographer currently pursuing an MFA at Yale. Under the tutelage of celebrated artists like Justine Kurland and Collier Schorr, Reavey’s work has evolved to explore “morbidness, intimacy, and representations of gender and lust” by simulating a space in which bodily limitations are nonexistent.

For her series Dent Road, Reavey embarked on a road trip with new friends Luke and Fionn, paid for by money from a photography grant. Reminiscent of Philip-Lorca diCorcia’s Hustlers series, in which the artist paid his sex worker subjects with funds awarded to him by the National Endowment for the Arts, Dent Road explores the grey area between reality and fantasy, drawing inspiration from the “shapeshifting abilities” of the phallus to challenge traditional representations of masculinity and the body in photography.

—

See the full story in print. Available at the link in bio.

#crosscurrent
#crosscurrentissueeight
#crosscurrentmagazine

“Dent Road,” by Olivia Reavey

@oliviareavey is an American photographer currently pursuing an MFA at Yale. Under the tutelage of celebrated artists like Justine Kurland and Collier Schorr, Reavey’s work has evolved to explore “morbidness, intimacy, and representations of gender and lust” by simulating a space in which bodily limitations are nonexistent.

For her series Dent Road, Reavey embarked on a road trip with new friends Luke and Fionn, paid for by money from a photography grant. Reminiscent of Philip-Lorca diCorcia’s Hustlers series, in which the artist paid his sex worker subjects with funds awarded to him by the National Endowment for the Arts, Dent Road explores the grey area between reality and fantasy, drawing inspiration from the “shapeshifting abilities” of the phallus to challenge traditional representations of masculinity and the body in photography.

—

See the full story in print. Available at the link in bio.

#crosscurrent
#crosscurrentissueeight
#crosscurrentmagazine

On April 1, @serpentineuk hosted the launch of @crosscurrentmag Issue Eight with a private tour of our art cover star #CecilyBrown’s solo show, Picture Making, at Serpentine South. Guests enjoyed breakfast provided by @marchesi1824 before attending an intimate exhibition walkthrough with Chief Curator Lizzie Carey-Thomas and Assistant Curator Kit Gurnos.

Thank you @kolia_smirnov and @watnab_

Photography by @ellie.hoffmann

On April 1, @serpentineuk hosted the launch of @crosscurrentmag Issue Eight with a private tour of our art cover star #CecilyBrown’s solo show, Picture Making, at Serpentine South. Guests enjoyed breakfast provided by @marchesi1824 before attending an intimate exhibition walkthrough with Chief Curator Lizzie Carey-Thomas and Assistant Curator Kit Gurnos.

Thank you @kolia_smirnov and @watnab_

Photography by @ellie.hoffmann

On April 1, @serpentineuk hosted the launch of @crosscurrentmag Issue Eight with a private tour of our art cover star #CecilyBrown’s solo show, Picture Making, at Serpentine South. Guests enjoyed breakfast provided by @marchesi1824 before attending an intimate exhibition walkthrough with Chief Curator Lizzie Carey-Thomas and Assistant Curator Kit Gurnos.

Thank you @kolia_smirnov and @watnab_

Photography by @ellie.hoffmann

On April 1, @serpentineuk hosted the launch of @crosscurrentmag Issue Eight with a private tour of our art cover star #CecilyBrown’s solo show, Picture Making, at Serpentine South. Guests enjoyed breakfast provided by @marchesi1824 before attending an intimate exhibition walkthrough with Chief Curator Lizzie Carey-Thomas and Assistant Curator Kit Gurnos.

Thank you @kolia_smirnov and @watnab_

Photography by @ellie.hoffmann

On April 1, @serpentineuk hosted the launch of @crosscurrentmag Issue Eight with a private tour of our art cover star #CecilyBrown’s solo show, Picture Making, at Serpentine South. Guests enjoyed breakfast provided by @marchesi1824 before attending an intimate exhibition walkthrough with Chief Curator Lizzie Carey-Thomas and Assistant Curator Kit Gurnos.

Thank you @kolia_smirnov and @watnab_

Photography by @ellie.hoffmann

On April 1, @serpentineuk hosted the launch of @crosscurrentmag Issue Eight with a private tour of our art cover star #CecilyBrown’s solo show, Picture Making, at Serpentine South. Guests enjoyed breakfast provided by @marchesi1824 before attending an intimate exhibition walkthrough with Chief Curator Lizzie Carey-Thomas and Assistant Curator Kit Gurnos.

Thank you @kolia_smirnov and @watnab_

Photography by @ellie.hoffmann

On April 1, @serpentineuk hosted the launch of @crosscurrentmag Issue Eight with a private tour of our art cover star #CecilyBrown’s solo show, Picture Making, at Serpentine South. Guests enjoyed breakfast provided by @marchesi1824 before attending an intimate exhibition walkthrough with Chief Curator Lizzie Carey-Thomas and Assistant Curator Kit Gurnos.

Thank you @kolia_smirnov and @watnab_

Photography by @ellie.hoffmann

On April 1, @serpentineuk hosted the launch of @crosscurrentmag Issue Eight with a private tour of our art cover star #CecilyBrown’s solo show, Picture Making, at Serpentine South. Guests enjoyed breakfast provided by @marchesi1824 before attending an intimate exhibition walkthrough with Chief Curator Lizzie Carey-Thomas and Assistant Curator Kit Gurnos.

Thank you @kolia_smirnov and @watnab_

Photography by @ellie.hoffmann

On April 1, @serpentineuk hosted the launch of @crosscurrentmag Issue Eight with a private tour of our art cover star #CecilyBrown’s solo show, Picture Making, at Serpentine South. Guests enjoyed breakfast provided by @marchesi1824 before attending an intimate exhibition walkthrough with Chief Curator Lizzie Carey-Thomas and Assistant Curator Kit Gurnos.

Thank you @kolia_smirnov and @watnab_

Photography by @ellie.hoffmann