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Lisa Vicari for LE MILE Magazine Spring/Summer 2026 — Identity 40.

@lisa.vicari in conversation with @albanonline
seen @lotte.thor via @xodotstudio
styled @saskiajung_
make up @denise_grundmann
hair @dennis_brandt
photo assistant @sophiaborzilleri
fashion assistant @lena__lauer
retouch @nittygritty.berlin
agency @telescope_agency

Lisa Vicari is wearing @gucci by @demna

The 40th issue is on sale from 15 April. Preorders available exclusively online via link in bio.

#LEMILESS26 #Identity #LisaVicari

Lisa Vicari for LE MILE Magazine Spring/Summer 2026 — Identity 40.

@lisa.vicari in conversation with @albanonline
seen @lotte.thor via @xodotstudio
styled @saskiajung_
make up @denise_grundmann
hair @dennis_brandt
photo assistant @sophiaborzilleri
fashion assistant @lena__lauer
retouch @nittygritty.berlin
agency @telescope_agency

Lisa Vicari is wearing @gucci by @demna

The 40th issue is on sale from 15 April. Preorders available exclusively online via link in bio.

#LEMILESS26 #Identity #LisaVicari

Lisa Vicari for LE MILE Magazine Spring/Summer 2026 — Identity 40.

@lisa.vicari in conversation with @albanonline
seen @lotte.thor via @xodotstudio
styled @saskiajung_
make up @denise_grundmann
hair @dennis_brandt
photo assistant @sophiaborzilleri
fashion assistant @lena__lauer
retouch @nittygritty.berlin
agency @telescope_agency

Lisa Vicari is wearing @gucci by @demna

The 40th issue is on sale from 15 April. Preorders available exclusively online via link in bio.

#LEMILESS26 #Identity #LisaVicari

LE MILE Issue 40 (Spring/Summer 2026) is officially released today. Three Stripes and the Codes of a Generation for LE MILE Magazine — Identity 40.

Adidas appears in contemporary painting with a frequency that would have seemed unlikely a generation ago. The three stripes have moved beyond sportswear and entered the visual vocabulary of a younger generation of artists.

Cosima Kaibel creates the first painted cover for LE MILE Issue 40. The scene focuses on two bodies meeting, carried through stance, contact and detail. It reflects a lived environment where clothing, movement and proximity hold meaning. The adidas Adistar remains within that space, present in the same way as everything else.

artist @cosima.png
seen @_nicosauer_
styled + fashion editor @klaas.hammer
make up + hair @byleostern
male model @attratus
head of production @albanonline
production @lemile
film + direction @fzetin

Cosima and Merlin wearing @adidasgermany

The 40th issue is now on sale. Get your copy via the link in our bio or at selected stores
worldwide.

#LEMILESS26 #Identity #adidas #CosimaKaibel #adistar

LE MILE Issue 40 (Spring/Summer 2026) is officially released today. Three Stripes and the Codes of a Generation for LE MILE Magazine — Identity 40.

Adidas appears in contemporary painting with a frequency that would have seemed unlikely a generation ago. The three stripes have moved beyond sportswear and entered the visual vocabulary of a younger generation of artists.

Cosima Kaibel creates the first painted cover for LE MILE Issue 40. The scene focuses on two bodies meeting, carried through stance, contact and detail. It reflects a lived environment where clothing, movement and proximity hold meaning. The adidas Adistar remains within that space, present in the same way as everything else.

artist @cosima.png
seen @_nicosauer_
styled + fashion editor @klaas.hammer
make up + hair @byleostern
male model @attratus
head of production @albanonline
production @lemile
film + direction @fzetin

Cosima and Merlin wearing @adidasgermany

The 40th issue is now on sale. Get your copy via the link in our bio or at selected stores
worldwide.

#LEMILESS26 #Identity #adidas #CosimaKaibel #adistar

LE MILE Issue 40 (Spring/Summer 2026) is officially released today. Three Stripes and the Codes of a Generation for LE MILE Magazine — Identity 40.

Adidas appears in contemporary painting with a frequency that would have seemed unlikely a generation ago. The three stripes have moved beyond sportswear and entered the visual vocabulary of a younger generation of artists.

Cosima Kaibel creates the first painted cover for LE MILE Issue 40. The scene focuses on two bodies meeting, carried through stance, contact and detail. It reflects a lived environment where clothing, movement and proximity hold meaning. The adidas Adistar remains within that space, present in the same way as everything else.

artist @cosima.png
seen @_nicosauer_
styled + fashion editor @klaas.hammer
make up + hair @byleostern
male model @attratus
head of production @albanonline
production @lemile
film + direction @fzetin

Cosima and Merlin wearing @adidasgermany

The 40th issue is now on sale. Get your copy via the link in our bio or at selected stores
worldwide.

#LEMILESS26 #Identity #adidas #CosimaKaibel #adistar

Karolina Capkova for LE MILE Magazine Spring/Summer 2026 — Identity 40.

For the IDENTITY Issue, LE MILE approaches Dior Spring/Summer 2026 through reduction and precision. The collection by Jonathan Anderson is not expanded into narrative. It is contained, held close, and allowed to articulate itself through form, surface, and gesture. Fabric falls without interruption. Volume builds through restraint. The body remains present, but never performs.
 
seen @chris.puttins
stylist @bydennisschneider
hair @helgebranscheidt using @oribe
make up @theoschnuerer using @diorbeauty
model @karolinacapkova via @elite_prague
casting director @panagiotaf via @wolkn_casting
location producer @thelocationconnaiseur @030venues 
shot at @bode.gallery
photography assistant @moritzhilker
styling assistant Louisa Edogun
Karolina Capkova is wearing @dior SS26 by Jonathan Anderson

The 40th issue is on sale from 15 April. Preorders available exclusively online via link in bio.
 
#LEMILESS26 #Identity #Dior #JonathanAnderson

Karolina Capkova for LE MILE Magazine Spring/Summer 2026 — Identity 40.

For the IDENTITY Issue, LE MILE approaches Dior Spring/Summer 2026 through reduction and precision. The collection by Jonathan Anderson is not expanded into narrative. It is contained, held close, and allowed to articulate itself through form, surface, and gesture. Fabric falls without interruption. Volume builds through restraint. The body remains present, but never performs.
 
seen @chris.puttins
stylist @bydennisschneider
hair @helgebranscheidt using @oribe
make up @theoschnuerer using @diorbeauty
model @karolinacapkova via @elite_prague
casting director @panagiotaf via @wolkn_casting
location producer @thelocationconnaiseur @030venues 
shot at @bode.gallery
photography assistant @moritzhilker
styling assistant Louisa Edogun
Karolina Capkova is wearing @dior SS26 by Jonathan Anderson

The 40th issue is on sale from 15 April. Preorders available exclusively online via link in bio.
 
#LEMILESS26 #Identity #Dior #JonathanAnderson

Karolina Capkova for LE MILE Magazine Spring/Summer 2026 — Identity 40.

For the IDENTITY Issue, LE MILE approaches Dior Spring/Summer 2026 through reduction and precision. The collection by Jonathan Anderson is not expanded into narrative. It is contained, held close, and allowed to articulate itself through form, surface, and gesture. Fabric falls without interruption. Volume builds through restraint. The body remains present, but never performs.
 
seen @chris.puttins
stylist @bydennisschneider
hair @helgebranscheidt using @oribe
make up @theoschnuerer using @diorbeauty
model @karolinacapkova via @elite_prague
casting director @panagiotaf via @wolkn_casting
location producer @thelocationconnaiseur @030venues 
shot at @bode.gallery
photography assistant @moritzhilker
styling assistant Louisa Edogun
Karolina Capkova is wearing @dior SS26 by Jonathan Anderson

The 40th issue is on sale from 15 April. Preorders available exclusively online via link in bio.
 
#LEMILESS26 #Identity #Dior #JonathanAnderson

Aurelien Muller Opens His Camera Roll From Cannes 2026

For this edition of The Personal Edit, @aurelien_muller_official shares a glimpse into his personal camera roll from his first visit to the Cannes Film Festival. Moving between hotel moments on the Côte d’Azur, fittings, red carpets and late-night celebrations, the images document the rhythm and atmosphere surrounding one of cinema’s most visible annual gatherings.

Known for his recent appearance in Emily in Paris, Muller approached Cannes through a mix of film, fashion and personal observation. Across the festival, he attended events hosted by brands including Chopard, Ray-Ban and HFC Parfums, while stepping onto the Cannes red carpet for the very first time. Shot on his phone and paired with his own captions, The Personal Edit follows the days from arrival to closing night through Muller’s perspective.

—see full camera roll series online.

Captions in order:
1. Looking out for any finishing touches before I walk the Cannes red carpet for the first time.
2. Arriving in the sunny Riviera for my first ever Cannes Film Festival.
3. A moment of peace at Chatea de Theoule before the excitement begins!
4. Then come those special Côte d’Azur nights. This evening celebrating HFC parfums was unforgettable.
5. A memorable evening with great company.
6. What a pleasant surprise!
7. A moment for the many outfits of Cannes!
8. One of the final outfits of the trip, for a very special closing night!

#aurelienmuller #cannes #thepersonaledit

Aurelien Muller Opens His Camera Roll From Cannes 2026

For this edition of The Personal Edit, @aurelien_muller_official shares a glimpse into his personal camera roll from his first visit to the Cannes Film Festival. Moving between hotel moments on the Côte d’Azur, fittings, red carpets and late-night celebrations, the images document the rhythm and atmosphere surrounding one of cinema’s most visible annual gatherings.

Known for his recent appearance in Emily in Paris, Muller approached Cannes through a mix of film, fashion and personal observation. Across the festival, he attended events hosted by brands including Chopard, Ray-Ban and HFC Parfums, while stepping onto the Cannes red carpet for the very first time. Shot on his phone and paired with his own captions, The Personal Edit follows the days from arrival to closing night through Muller’s perspective.

—see full camera roll series online.

Captions in order:
1. Looking out for any finishing touches before I walk the Cannes red carpet for the first time.
2. Arriving in the sunny Riviera for my first ever Cannes Film Festival.
3. A moment of peace at Chatea de Theoule before the excitement begins!
4. Then come those special Côte d’Azur nights. This evening celebrating HFC parfums was unforgettable.
5. A memorable evening with great company.
6. What a pleasant surprise!
7. A moment for the many outfits of Cannes!
8. One of the final outfits of the trip, for a very special closing night!

#aurelienmuller #cannes #thepersonaledit

Aurelien Muller Opens His Camera Roll From Cannes 2026

For this edition of The Personal Edit, @aurelien_muller_official shares a glimpse into his personal camera roll from his first visit to the Cannes Film Festival. Moving between hotel moments on the Côte d’Azur, fittings, red carpets and late-night celebrations, the images document the rhythm and atmosphere surrounding one of cinema’s most visible annual gatherings.

Known for his recent appearance in Emily in Paris, Muller approached Cannes through a mix of film, fashion and personal observation. Across the festival, he attended events hosted by brands including Chopard, Ray-Ban and HFC Parfums, while stepping onto the Cannes red carpet for the very first time. Shot on his phone and paired with his own captions, The Personal Edit follows the days from arrival to closing night through Muller’s perspective.

—see full camera roll series online.

Captions in order:
1. Looking out for any finishing touches before I walk the Cannes red carpet for the first time.
2. Arriving in the sunny Riviera for my first ever Cannes Film Festival.
3. A moment of peace at Chatea de Theoule before the excitement begins!
4. Then come those special Côte d’Azur nights. This evening celebrating HFC parfums was unforgettable.
5. A memorable evening with great company.
6. What a pleasant surprise!
7. A moment for the many outfits of Cannes!
8. One of the final outfits of the trip, for a very special closing night!

#aurelienmuller #cannes #thepersonaledit

Aurelien Muller Opens His Camera Roll From Cannes 2026

For this edition of The Personal Edit, @aurelien_muller_official shares a glimpse into his personal camera roll from his first visit to the Cannes Film Festival. Moving between hotel moments on the Côte d’Azur, fittings, red carpets and late-night celebrations, the images document the rhythm and atmosphere surrounding one of cinema’s most visible annual gatherings.

Known for his recent appearance in Emily in Paris, Muller approached Cannes through a mix of film, fashion and personal observation. Across the festival, he attended events hosted by brands including Chopard, Ray-Ban and HFC Parfums, while stepping onto the Cannes red carpet for the very first time. Shot on his phone and paired with his own captions, The Personal Edit follows the days from arrival to closing night through Muller’s perspective.

—see full camera roll series online.

Captions in order:
1. Looking out for any finishing touches before I walk the Cannes red carpet for the first time.
2. Arriving in the sunny Riviera for my first ever Cannes Film Festival.
3. A moment of peace at Chatea de Theoule before the excitement begins!
4. Then come those special Côte d’Azur nights. This evening celebrating HFC parfums was unforgettable.
5. A memorable evening with great company.
6. What a pleasant surprise!
7. A moment for the many outfits of Cannes!
8. One of the final outfits of the trip, for a very special closing night!

#aurelienmuller #cannes #thepersonaledit

Aurelien Muller Opens His Camera Roll From Cannes 2026

For this edition of The Personal Edit, @aurelien_muller_official shares a glimpse into his personal camera roll from his first visit to the Cannes Film Festival. Moving between hotel moments on the Côte d’Azur, fittings, red carpets and late-night celebrations, the images document the rhythm and atmosphere surrounding one of cinema’s most visible annual gatherings.

Known for his recent appearance in Emily in Paris, Muller approached Cannes through a mix of film, fashion and personal observation. Across the festival, he attended events hosted by brands including Chopard, Ray-Ban and HFC Parfums, while stepping onto the Cannes red carpet for the very first time. Shot on his phone and paired with his own captions, The Personal Edit follows the days from arrival to closing night through Muller’s perspective.

—see full camera roll series online.

Captions in order:
1. Looking out for any finishing touches before I walk the Cannes red carpet for the first time.
2. Arriving in the sunny Riviera for my first ever Cannes Film Festival.
3. A moment of peace at Chatea de Theoule before the excitement begins!
4. Then come those special Côte d’Azur nights. This evening celebrating HFC parfums was unforgettable.
5. A memorable evening with great company.
6. What a pleasant surprise!
7. A moment for the many outfits of Cannes!
8. One of the final outfits of the trip, for a very special closing night!

#aurelienmuller #cannes #thepersonaledit

Aurelien Muller Opens His Camera Roll From Cannes 2026

For this edition of The Personal Edit, @aurelien_muller_official shares a glimpse into his personal camera roll from his first visit to the Cannes Film Festival. Moving between hotel moments on the Côte d’Azur, fittings, red carpets and late-night celebrations, the images document the rhythm and atmosphere surrounding one of cinema’s most visible annual gatherings.

Known for his recent appearance in Emily in Paris, Muller approached Cannes through a mix of film, fashion and personal observation. Across the festival, he attended events hosted by brands including Chopard, Ray-Ban and HFC Parfums, while stepping onto the Cannes red carpet for the very first time. Shot on his phone and paired with his own captions, The Personal Edit follows the days from arrival to closing night through Muller’s perspective.

—see full camera roll series online.

Captions in order:
1. Looking out for any finishing touches before I walk the Cannes red carpet for the first time.
2. Arriving in the sunny Riviera for my first ever Cannes Film Festival.
3. A moment of peace at Chatea de Theoule before the excitement begins!
4. Then come those special Côte d’Azur nights. This evening celebrating HFC parfums was unforgettable.
5. A memorable evening with great company.
6. What a pleasant surprise!
7. A moment for the many outfits of Cannes!
8. One of the final outfits of the trip, for a very special closing night!

#aurelienmuller #cannes #thepersonaledit

Aurelien Muller Opens His Camera Roll From Cannes 2026

For this edition of The Personal Edit, @aurelien_muller_official shares a glimpse into his personal camera roll from his first visit to the Cannes Film Festival. Moving between hotel moments on the Côte d’Azur, fittings, red carpets and late-night celebrations, the images document the rhythm and atmosphere surrounding one of cinema’s most visible annual gatherings.

Known for his recent appearance in Emily in Paris, Muller approached Cannes through a mix of film, fashion and personal observation. Across the festival, he attended events hosted by brands including Chopard, Ray-Ban and HFC Parfums, while stepping onto the Cannes red carpet for the very first time. Shot on his phone and paired with his own captions, The Personal Edit follows the days from arrival to closing night through Muller’s perspective.

—see full camera roll series online.

Captions in order:
1. Looking out for any finishing touches before I walk the Cannes red carpet for the first time.
2. Arriving in the sunny Riviera for my first ever Cannes Film Festival.
3. A moment of peace at Chatea de Theoule before the excitement begins!
4. Then come those special Côte d’Azur nights. This evening celebrating HFC parfums was unforgettable.
5. A memorable evening with great company.
6. What a pleasant surprise!
7. A moment for the many outfits of Cannes!
8. One of the final outfits of the trip, for a very special closing night!

#aurelienmuller #cannes #thepersonaledit

Aurelien Muller Opens His Camera Roll From Cannes 2026

For this edition of The Personal Edit, @aurelien_muller_official shares a glimpse into his personal camera roll from his first visit to the Cannes Film Festival. Moving between hotel moments on the Côte d’Azur, fittings, red carpets and late-night celebrations, the images document the rhythm and atmosphere surrounding one of cinema’s most visible annual gatherings.

Known for his recent appearance in Emily in Paris, Muller approached Cannes through a mix of film, fashion and personal observation. Across the festival, he attended events hosted by brands including Chopard, Ray-Ban and HFC Parfums, while stepping onto the Cannes red carpet for the very first time. Shot on his phone and paired with his own captions, The Personal Edit follows the days from arrival to closing night through Muller’s perspective.

—see full camera roll series online.

Captions in order:
1. Looking out for any finishing touches before I walk the Cannes red carpet for the first time.
2. Arriving in the sunny Riviera for my first ever Cannes Film Festival.
3. A moment of peace at Chatea de Theoule before the excitement begins!
4. Then come those special Côte d’Azur nights. This evening celebrating HFC parfums was unforgettable.
5. A memorable evening with great company.
6. What a pleasant surprise!
7. A moment for the many outfits of Cannes!
8. One of the final outfits of the trip, for a very special closing night!

#aurelienmuller #cannes #thepersonaledit

CLUB KIDS for LE MILE Identity Issue

—

Photography: @kasperjernhag
Styling: @sophiegiannoules
Hair: @soh_soh_soh_
Makeup: @fr.aue
Photo Assistant: @sashafktrv
Styling Assistant: @anasphie
Production Assistant: @tildewolfgang
Models: @hurricane_season2, @9999996666666.xx, @ridi.shhaa, @leonaisabellalutz

CLUB KIDS for LE MILE Identity Issue

—

Photography: @kasperjernhag
Styling: @sophiegiannoules
Hair: @soh_soh_soh_
Makeup: @fr.aue
Photo Assistant: @sashafktrv
Styling Assistant: @anasphie
Production Assistant: @tildewolfgang
Models: @hurricane_season2, @9999996666666.xx, @ridi.shhaa, @leonaisabellalutz

CLUB KIDS for LE MILE Identity Issue

—

Photography: @kasperjernhag
Styling: @sophiegiannoules
Hair: @soh_soh_soh_
Makeup: @fr.aue
Photo Assistant: @sashafktrv
Styling Assistant: @anasphie
Production Assistant: @tildewolfgang
Models: @hurricane_season2, @9999996666666.xx, @ridi.shhaa, @leonaisabellalutz

CLUB KIDS for LE MILE Identity Issue

—

Photography: @kasperjernhag
Styling: @sophiegiannoules
Hair: @soh_soh_soh_
Makeup: @fr.aue
Photo Assistant: @sashafktrv
Styling Assistant: @anasphie
Production Assistant: @tildewolfgang
Models: @hurricane_season2, @9999996666666.xx, @ridi.shhaa, @leonaisabellalutz

CLUB KIDS for LE MILE Identity Issue

—

Photography: @kasperjernhag
Styling: @sophiegiannoules
Hair: @soh_soh_soh_
Makeup: @fr.aue
Photo Assistant: @sashafktrv
Styling Assistant: @anasphie
Production Assistant: @tildewolfgang
Models: @hurricane_season2, @9999996666666.xx, @ridi.shhaa, @leonaisabellalutz

CLUB KIDS for LE MILE Identity Issue

—

Photography: @kasperjernhag
Styling: @sophiegiannoules
Hair: @soh_soh_soh_
Makeup: @fr.aue
Photo Assistant: @sashafktrv
Styling Assistant: @anasphie
Production Assistant: @tildewolfgang
Models: @hurricane_season2, @9999996666666.xx, @ridi.shhaa, @leonaisabellalutz

CLUB KIDS for LE MILE Identity Issue

—

Photography: @kasperjernhag
Styling: @sophiegiannoules
Hair: @soh_soh_soh_
Makeup: @fr.aue
Photo Assistant: @sashafktrv
Styling Assistant: @anasphie
Production Assistant: @tildewolfgang
Models: @hurricane_season2, @9999996666666.xx, @ridi.shhaa, @leonaisabellalutz

CLUB KIDS for LE MILE Identity Issue

—

Photography: @kasperjernhag
Styling: @sophiegiannoules
Hair: @soh_soh_soh_
Makeup: @fr.aue
Photo Assistant: @sashafktrv
Styling Assistant: @anasphie
Production Assistant: @tildewolfgang
Models: @hurricane_season2, @9999996666666.xx, @ridi.shhaa, @leonaisabellalutz

What Hope Looks Like to Mërgim Shabani
 
Kosovo-born, Vienna-hailed talent Mërgim Shabani kicked off his creative path that didn’t follow the customary trajectory in this realm. “I was very focused on sports and football growing up, but maybe because I’m left-handed and played football with my left foot, I had to learn early on how to adapt — and approach things in a more creative way,” he says.

At the same time, Shabani was in touch with fashion from a young age, especially with Prada. “My uncle, who owned a variety of Prada shoes, had a strong influence on me,” he recalls, the moment we begin to settle in our conversation. “It was probably my first experience with something that felt more premium and intentional compared to other clothing, and it stayed with me,” he adds. Below, LE MILE grabs five with Shabani; unpacking all things influence, mental health and future hopes. You’re welcome.
 
—read the Interview Now Online.
 
seen @cosimobuccolieri via @studiorepossi
fashion market director @chido.obasi
head of production @jessicalovato_
fashion @edwardpusca
make up @elijagutierrez via @studiorepossi using @dolcegabbana_beauty
hair @fujiwara_takahashi via @mksmilano
talent @jimy_09 via next + @nextmilan
photo assistant Antonio Crotti
fashion assistants @farina_sofia + @simona_vernazza + @luiza_angl + @b.l.o.n.d.y._ + @isaruizz.of

What Hope Looks Like to Mërgim Shabani
 
Kosovo-born, Vienna-hailed talent Mërgim Shabani kicked off his creative path that didn’t follow the customary trajectory in this realm. “I was very focused on sports and football growing up, but maybe because I’m left-handed and played football with my left foot, I had to learn early on how to adapt — and approach things in a more creative way,” he says.

At the same time, Shabani was in touch with fashion from a young age, especially with Prada. “My uncle, who owned a variety of Prada shoes, had a strong influence on me,” he recalls, the moment we begin to settle in our conversation. “It was probably my first experience with something that felt more premium and intentional compared to other clothing, and it stayed with me,” he adds. Below, LE MILE grabs five with Shabani; unpacking all things influence, mental health and future hopes. You’re welcome.
 
—read the Interview Now Online.
 
seen @cosimobuccolieri via @studiorepossi
fashion market director @chido.obasi
head of production @jessicalovato_
fashion @edwardpusca
make up @elijagutierrez via @studiorepossi using @dolcegabbana_beauty
hair @fujiwara_takahashi via @mksmilano
talent @jimy_09 via next + @nextmilan
photo assistant Antonio Crotti
fashion assistants @farina_sofia + @simona_vernazza + @luiza_angl + @b.l.o.n.d.y._ + @isaruizz.of

What Hope Looks Like to Mërgim Shabani
 
Kosovo-born, Vienna-hailed talent Mërgim Shabani kicked off his creative path that didn’t follow the customary trajectory in this realm. “I was very focused on sports and football growing up, but maybe because I’m left-handed and played football with my left foot, I had to learn early on how to adapt — and approach things in a more creative way,” he says.

At the same time, Shabani was in touch with fashion from a young age, especially with Prada. “My uncle, who owned a variety of Prada shoes, had a strong influence on me,” he recalls, the moment we begin to settle in our conversation. “It was probably my first experience with something that felt more premium and intentional compared to other clothing, and it stayed with me,” he adds. Below, LE MILE grabs five with Shabani; unpacking all things influence, mental health and future hopes. You’re welcome.
 
—read the Interview Now Online.
 
seen @cosimobuccolieri via @studiorepossi
fashion market director @chido.obasi
head of production @jessicalovato_
fashion @edwardpusca
make up @elijagutierrez via @studiorepossi using @dolcegabbana_beauty
hair @fujiwara_takahashi via @mksmilano
talent @jimy_09 via next + @nextmilan
photo assistant Antonio Crotti
fashion assistants @farina_sofia + @simona_vernazza + @luiza_angl + @b.l.o.n.d.y._ + @isaruizz.of

What Hope Looks Like to Mërgim Shabani
 
Kosovo-born, Vienna-hailed talent Mërgim Shabani kicked off his creative path that didn’t follow the customary trajectory in this realm. “I was very focused on sports and football growing up, but maybe because I’m left-handed and played football with my left foot, I had to learn early on how to adapt — and approach things in a more creative way,” he says.

At the same time, Shabani was in touch with fashion from a young age, especially with Prada. “My uncle, who owned a variety of Prada shoes, had a strong influence on me,” he recalls, the moment we begin to settle in our conversation. “It was probably my first experience with something that felt more premium and intentional compared to other clothing, and it stayed with me,” he adds. Below, LE MILE grabs five with Shabani; unpacking all things influence, mental health and future hopes. You’re welcome.
 
—read the Interview Now Online.
 
seen @cosimobuccolieri via @studiorepossi
fashion market director @chido.obasi
head of production @jessicalovato_
fashion @edwardpusca
make up @elijagutierrez via @studiorepossi using @dolcegabbana_beauty
hair @fujiwara_takahashi via @mksmilano
talent @jimy_09 via next + @nextmilan
photo assistant Antonio Crotti
fashion assistants @farina_sofia + @simona_vernazza + @luiza_angl + @b.l.o.n.d.y._ + @isaruizz.of

What Hope Looks Like to Mërgim Shabani
 
Kosovo-born, Vienna-hailed talent Mërgim Shabani kicked off his creative path that didn’t follow the customary trajectory in this realm. “I was very focused on sports and football growing up, but maybe because I’m left-handed and played football with my left foot, I had to learn early on how to adapt — and approach things in a more creative way,” he says.

At the same time, Shabani was in touch with fashion from a young age, especially with Prada. “My uncle, who owned a variety of Prada shoes, had a strong influence on me,” he recalls, the moment we begin to settle in our conversation. “It was probably my first experience with something that felt more premium and intentional compared to other clothing, and it stayed with me,” he adds. Below, LE MILE grabs five with Shabani; unpacking all things influence, mental health and future hopes. You’re welcome.
 
—read the Interview Now Online.
 
seen @cosimobuccolieri via @studiorepossi
fashion market director @chido.obasi
head of production @jessicalovato_
fashion @edwardpusca
make up @elijagutierrez via @studiorepossi using @dolcegabbana_beauty
hair @fujiwara_takahashi via @mksmilano
talent @jimy_09 via next + @nextmilan
photo assistant Antonio Crotti
fashion assistants @farina_sofia + @simona_vernazza + @luiza_angl + @b.l.o.n.d.y._ + @isaruizz.of

Esra von Kornatzki is a Berlin-based designer trained in sculpture at Universität der Künste. She builds garments directly on the body through draping and mold-based techniques. Materials come from existing sources like leather, inherited fabrics and used saddle blankets, with their wear deliberately kept and fixed into the surface. The resistance of these materials defines the cut, resulting in firm, structured silhouettes that retain clear traces of their origin.

— read the full interview online.

designer @esravonkornatzki
seen @julian.melzer
styled @ssxuanie
hair + make up @janetteptrsmua
assistant @yeonghyeon.kr

Esra von Kornatzki is a Berlin-based designer trained in sculpture at Universität der Künste. She builds garments directly on the body through draping and mold-based techniques. Materials come from existing sources like leather, inherited fabrics and used saddle blankets, with their wear deliberately kept and fixed into the surface. The resistance of these materials defines the cut, resulting in firm, structured silhouettes that retain clear traces of their origin.

— read the full interview online.

designer @esravonkornatzki
seen @julian.melzer
styled @ssxuanie
hair + make up @janetteptrsmua
assistant @yeonghyeon.kr

Esra von Kornatzki is a Berlin-based designer trained in sculpture at Universität der Künste. She builds garments directly on the body through draping and mold-based techniques. Materials come from existing sources like leather, inherited fabrics and used saddle blankets, with their wear deliberately kept and fixed into the surface. The resistance of these materials defines the cut, resulting in firm, structured silhouettes that retain clear traces of their origin.

— read the full interview online.

designer @esravonkornatzki
seen @julian.melzer
styled @ssxuanie
hair + make up @janetteptrsmua
assistant @yeonghyeon.kr

Objects Don’t Rest, They Plot
Adrian Kiss Keeps the Comfort Complicated

There’s a duvet folded in half in @adrian.kiss memory, heavy with wool and childhood, a private weather system pressed close in the dark. Long before anyone started calling it sculpture, there were mattresses, blankets, the stubborn geometry of safety and sleep, objects that promised comfort and ended up complicating it. Adrian grew up negotiating softness and weight, inventing worlds under covers that protected and sometimes trapped, learning early that the line between body and object is a moving target.

His work never hides its seams, and materials arrive marked, stained, scarred by use or time, sometimes freshly buried, sometimes coaxed into new shapes by the hands of collaborators or by gravity itself. When things risk getting too polished, Adrian ruins the surface, lets chaos in, or simply walks away until time itself gets bored and leaves its mark. He’s learned to trust whatever’s at hand, scrap, memory, silence, and to keep the choreography open, the outcome unresolved. 
Every object in the room wants to speak, but the story keeps shifting, between sleep and vigilance, labor and leisure, skin and structure. That’s the paradox Adrian returns to inhabit, over and over, until the work feels as alive and restless as the hand that made it.

— read the full interview Online.

#adriankiss

Objects Don’t Rest, They Plot
Adrian Kiss Keeps the Comfort Complicated

There’s a duvet folded in half in @adrian.kiss memory, heavy with wool and childhood, a private weather system pressed close in the dark. Long before anyone started calling it sculpture, there were mattresses, blankets, the stubborn geometry of safety and sleep, objects that promised comfort and ended up complicating it. Adrian grew up negotiating softness and weight, inventing worlds under covers that protected and sometimes trapped, learning early that the line between body and object is a moving target.

His work never hides its seams, and materials arrive marked, stained, scarred by use or time, sometimes freshly buried, sometimes coaxed into new shapes by the hands of collaborators or by gravity itself. When things risk getting too polished, Adrian ruins the surface, lets chaos in, or simply walks away until time itself gets bored and leaves its mark. He’s learned to trust whatever’s at hand, scrap, memory, silence, and to keep the choreography open, the outcome unresolved. 
Every object in the room wants to speak, but the story keeps shifting, between sleep and vigilance, labor and leisure, skin and structure. That’s the paradox Adrian returns to inhabit, over and over, until the work feels as alive and restless as the hand that made it.

— read the full interview Online.

#adriankiss

Objects Don’t Rest, They Plot
Adrian Kiss Keeps the Comfort Complicated

There’s a duvet folded in half in @adrian.kiss memory, heavy with wool and childhood, a private weather system pressed close in the dark. Long before anyone started calling it sculpture, there were mattresses, blankets, the stubborn geometry of safety and sleep, objects that promised comfort and ended up complicating it. Adrian grew up negotiating softness and weight, inventing worlds under covers that protected and sometimes trapped, learning early that the line between body and object is a moving target.

His work never hides its seams, and materials arrive marked, stained, scarred by use or time, sometimes freshly buried, sometimes coaxed into new shapes by the hands of collaborators or by gravity itself. When things risk getting too polished, Adrian ruins the surface, lets chaos in, or simply walks away until time itself gets bored and leaves its mark. He’s learned to trust whatever’s at hand, scrap, memory, silence, and to keep the choreography open, the outcome unresolved. 
Every object in the room wants to speak, but the story keeps shifting, between sleep and vigilance, labor and leisure, skin and structure. That’s the paradox Adrian returns to inhabit, over and over, until the work feels as alive and restless as the hand that made it.

— read the full interview Online.

#adriankiss

Objects Don’t Rest, They Plot
Adrian Kiss Keeps the Comfort Complicated

There’s a duvet folded in half in @adrian.kiss memory, heavy with wool and childhood, a private weather system pressed close in the dark. Long before anyone started calling it sculpture, there were mattresses, blankets, the stubborn geometry of safety and sleep, objects that promised comfort and ended up complicating it. Adrian grew up negotiating softness and weight, inventing worlds under covers that protected and sometimes trapped, learning early that the line between body and object is a moving target.

His work never hides its seams, and materials arrive marked, stained, scarred by use or time, sometimes freshly buried, sometimes coaxed into new shapes by the hands of collaborators or by gravity itself. When things risk getting too polished, Adrian ruins the surface, lets chaos in, or simply walks away until time itself gets bored and leaves its mark. He’s learned to trust whatever’s at hand, scrap, memory, silence, and to keep the choreography open, the outcome unresolved. 
Every object in the room wants to speak, but the story keeps shifting, between sleep and vigilance, labor and leisure, skin and structure. That’s the paradox Adrian returns to inhabit, over and over, until the work feels as alive and restless as the hand that made it.

— read the full interview Online.

#adriankiss

Objects Don’t Rest, They Plot
Adrian Kiss Keeps the Comfort Complicated

There’s a duvet folded in half in @adrian.kiss memory, heavy with wool and childhood, a private weather system pressed close in the dark. Long before anyone started calling it sculpture, there were mattresses, blankets, the stubborn geometry of safety and sleep, objects that promised comfort and ended up complicating it. Adrian grew up negotiating softness and weight, inventing worlds under covers that protected and sometimes trapped, learning early that the line between body and object is a moving target.

His work never hides its seams, and materials arrive marked, stained, scarred by use or time, sometimes freshly buried, sometimes coaxed into new shapes by the hands of collaborators or by gravity itself. When things risk getting too polished, Adrian ruins the surface, lets chaos in, or simply walks away until time itself gets bored and leaves its mark. He’s learned to trust whatever’s at hand, scrap, memory, silence, and to keep the choreography open, the outcome unresolved. 
Every object in the room wants to speak, but the story keeps shifting, between sleep and vigilance, labor and leisure, skin and structure. That’s the paradox Adrian returns to inhabit, over and over, until the work feels as alive and restless as the hand that made it.

— read the full interview Online.

#adriankiss

Objects Don’t Rest, They Plot
Adrian Kiss Keeps the Comfort Complicated

There’s a duvet folded in half in @adrian.kiss memory, heavy with wool and childhood, a private weather system pressed close in the dark. Long before anyone started calling it sculpture, there were mattresses, blankets, the stubborn geometry of safety and sleep, objects that promised comfort and ended up complicating it. Adrian grew up negotiating softness and weight, inventing worlds under covers that protected and sometimes trapped, learning early that the line between body and object is a moving target.

His work never hides its seams, and materials arrive marked, stained, scarred by use or time, sometimes freshly buried, sometimes coaxed into new shapes by the hands of collaborators or by gravity itself. When things risk getting too polished, Adrian ruins the surface, lets chaos in, or simply walks away until time itself gets bored and leaves its mark. He’s learned to trust whatever’s at hand, scrap, memory, silence, and to keep the choreography open, the outcome unresolved. 
Every object in the room wants to speak, but the story keeps shifting, between sleep and vigilance, labor and leisure, skin and structure. That’s the paradox Adrian returns to inhabit, over and over, until the work feels as alive and restless as the hand that made it.

— read the full interview Online.

#adriankiss

Mulaa Joans Opens Her Camera Roll from Her First International Shows

For this edition of the Personal Edit, @mulaajoans Joans gives us a glimpse into what life is really like for a young rising artist. Between soundchecks, fan meet-ups, radio interviews, and visits to all kinds of venues, things never get boring. The singer has already caused quite a buzz on social media. She has more than 400,000 followers on TikTok, and her song “Love Letter” alone has been streamed millions of times, with over 50,000 posts created using her sound.

—see full camera roll series online.
words by @klaas.hammer

Captions in order:
1. A moment for the Paris fit… This skirt I will be buried in
2. Backstage pouts, ’cause it’s my go-to face 🤫
3. This was my first time seeing my name in lightssss… WTF
4. Claws out for my headline in Amsterdam! It was unbelievable, I loved every second
5. My first international radio interview in Amsterdammm
6. Fan meet-up in Amsterdam! This blew my mind, and I can’t wait to come back

#mulaajoans #mulaa #thepersonaledit

Mulaa Joans Opens Her Camera Roll from Her First International Shows

For this edition of the Personal Edit, @mulaajoans Joans gives us a glimpse into what life is really like for a young rising artist. Between soundchecks, fan meet-ups, radio interviews, and visits to all kinds of venues, things never get boring. The singer has already caused quite a buzz on social media. She has more than 400,000 followers on TikTok, and her song “Love Letter” alone has been streamed millions of times, with over 50,000 posts created using her sound.

—see full camera roll series online.
words by @klaas.hammer

Captions in order:
1. A moment for the Paris fit… This skirt I will be buried in
2. Backstage pouts, ’cause it’s my go-to face 🤫
3. This was my first time seeing my name in lightssss… WTF
4. Claws out for my headline in Amsterdam! It was unbelievable, I loved every second
5. My first international radio interview in Amsterdammm
6. Fan meet-up in Amsterdam! This blew my mind, and I can’t wait to come back

#mulaajoans #mulaa #thepersonaledit

Mulaa Joans Opens Her Camera Roll from Her First International Shows

For this edition of the Personal Edit, @mulaajoans Joans gives us a glimpse into what life is really like for a young rising artist. Between soundchecks, fan meet-ups, radio interviews, and visits to all kinds of venues, things never get boring. The singer has already caused quite a buzz on social media. She has more than 400,000 followers on TikTok, and her song “Love Letter” alone has been streamed millions of times, with over 50,000 posts created using her sound.

—see full camera roll series online.
words by @klaas.hammer

Captions in order:
1. A moment for the Paris fit… This skirt I will be buried in
2. Backstage pouts, ’cause it’s my go-to face 🤫
3. This was my first time seeing my name in lightssss… WTF
4. Claws out for my headline in Amsterdam! It was unbelievable, I loved every second
5. My first international radio interview in Amsterdammm
6. Fan meet-up in Amsterdam! This blew my mind, and I can’t wait to come back

#mulaajoans #mulaa #thepersonaledit

Mulaa Joans Opens Her Camera Roll from Her First International Shows

For this edition of the Personal Edit, @mulaajoans Joans gives us a glimpse into what life is really like for a young rising artist. Between soundchecks, fan meet-ups, radio interviews, and visits to all kinds of venues, things never get boring. The singer has already caused quite a buzz on social media. She has more than 400,000 followers on TikTok, and her song “Love Letter” alone has been streamed millions of times, with over 50,000 posts created using her sound.

—see full camera roll series online.
words by @klaas.hammer

Captions in order:
1. A moment for the Paris fit… This skirt I will be buried in
2. Backstage pouts, ’cause it’s my go-to face 🤫
3. This was my first time seeing my name in lightssss… WTF
4. Claws out for my headline in Amsterdam! It was unbelievable, I loved every second
5. My first international radio interview in Amsterdammm
6. Fan meet-up in Amsterdam! This blew my mind, and I can’t wait to come back

#mulaajoans #mulaa #thepersonaledit

Mulaa Joans Opens Her Camera Roll from Her First International Shows

For this edition of the Personal Edit, @mulaajoans Joans gives us a glimpse into what life is really like for a young rising artist. Between soundchecks, fan meet-ups, radio interviews, and visits to all kinds of venues, things never get boring. The singer has already caused quite a buzz on social media. She has more than 400,000 followers on TikTok, and her song “Love Letter” alone has been streamed millions of times, with over 50,000 posts created using her sound.

—see full camera roll series online.
words by @klaas.hammer

Captions in order:
1. A moment for the Paris fit… This skirt I will be buried in
2. Backstage pouts, ’cause it’s my go-to face 🤫
3. This was my first time seeing my name in lightssss… WTF
4. Claws out for my headline in Amsterdam! It was unbelievable, I loved every second
5. My first international radio interview in Amsterdammm
6. Fan meet-up in Amsterdam! This blew my mind, and I can’t wait to come back

#mulaajoans #mulaa #thepersonaledit

Mulaa Joans Opens Her Camera Roll from Her First International Shows

For this edition of the Personal Edit, @mulaajoans Joans gives us a glimpse into what life is really like for a young rising artist. Between soundchecks, fan meet-ups, radio interviews, and visits to all kinds of venues, things never get boring. The singer has already caused quite a buzz on social media. She has more than 400,000 followers on TikTok, and her song “Love Letter” alone has been streamed millions of times, with over 50,000 posts created using her sound.

—see full camera roll series online.
words by @klaas.hammer

Captions in order:
1. A moment for the Paris fit… This skirt I will be buried in
2. Backstage pouts, ’cause it’s my go-to face 🤫
3. This was my first time seeing my name in lightssss… WTF
4. Claws out for my headline in Amsterdam! It was unbelievable, I loved every second
5. My first international radio interview in Amsterdammm
6. Fan meet-up in Amsterdam! This blew my mind, and I can’t wait to come back

#mulaajoans #mulaa #thepersonaledit

That’s How Elmiene Lets Songs Become Someone Else’s on “sounds for someone

@elmiene proves that the future of neo-soul and contemporary R&B is in good hands. With his gentle voice, smooth production, and emotionally raw, poetic songwriting, the British-Sudanese artist blends modern sounds with a sense of nostalgia. His track “Someday” perfectly captures this signature style.

His rise began unexpectedly when a viral 2021 cover of D’Angelo’s “Untitled (How Does It Feel?)” caught the attention of producer Lil Silva, marking a turning point in his career. Since then, he has released several EPs and standout singles, earning recognition such as a top-five placement in the BBC Sound of 2024 poll and a BRIT Award nomination for Rising Star.

Following a steady stream of releases, including his 2026 single “Reclusive,” Elmiene now offers a first glimpse into the next chapter of his artistry with his debut album „sounds for someone“.

— read the full interview online.

written @klaas.hammer
talent @elmiene
seen by Andres Castillo
thanks to @cherry_create

#elmiene

That’s How Elmiene Lets Songs Become Someone Else’s on “sounds for someone

@elmiene proves that the future of neo-soul and contemporary R&B is in good hands. With his gentle voice, smooth production, and emotionally raw, poetic songwriting, the British-Sudanese artist blends modern sounds with a sense of nostalgia. His track “Someday” perfectly captures this signature style.

His rise began unexpectedly when a viral 2021 cover of D’Angelo’s “Untitled (How Does It Feel?)” caught the attention of producer Lil Silva, marking a turning point in his career. Since then, he has released several EPs and standout singles, earning recognition such as a top-five placement in the BBC Sound of 2024 poll and a BRIT Award nomination for Rising Star.

Following a steady stream of releases, including his 2026 single “Reclusive,” Elmiene now offers a first glimpse into the next chapter of his artistry with his debut album „sounds for someone“.

— read the full interview online.

written @klaas.hammer
talent @elmiene
seen by Andres Castillo
thanks to @cherry_create

#elmiene

That’s Ivan Ugrin, Unfiltered

Croatian-born, Amsterdam-hailed multidisciplinary artist Ivan Ugrin spent the last decade finding and shaping his stride. “I’ve been a professional contemporary dancer for fifteen years, with stints as a movement director and a model,” he tells LE MILE’S Fashion Market Director, Chidozie Obasi, the moment they meet in Spring, during a sun-soaked day in Milan ahead. The past year was a rough one for everyone around him, himself included. “It was a year of monumental changes, but also a year of big personal growth,” he shares, adding how he feels very proud of how far he’s come. “I changed my creative field, going from the contemporary dance world into a more fashion-driven realm,” he says. “My modeling career kicked off, and I honestly feel very grateful and blessed to be where I am right now,” he adds. Below, we grabbed five with Ugrin to unpack influences, career feats and future hopes.

—read the Interview Now Online.

seen @andreacenetiempo
fashion market director + styled @chido.obasi
head of production @jessicalovato_
fashion coordinators @albe.michi + @edwardpusca
make up @edf_makeupartist via @wmmanagement
hair @fujiwara_takahashi via @mksmilano
talent @ivancidrian via @dejaprisagency
fashion assistants @valeinvmaking + @vnc.enzo + @_sebieee

That’s Ivan Ugrin, Unfiltered

Croatian-born, Amsterdam-hailed multidisciplinary artist Ivan Ugrin spent the last decade finding and shaping his stride. “I’ve been a professional contemporary dancer for fifteen years, with stints as a movement director and a model,” he tells LE MILE’S Fashion Market Director, Chidozie Obasi, the moment they meet in Spring, during a sun-soaked day in Milan ahead. The past year was a rough one for everyone around him, himself included. “It was a year of monumental changes, but also a year of big personal growth,” he shares, adding how he feels very proud of how far he’s come. “I changed my creative field, going from the contemporary dance world into a more fashion-driven realm,” he says. “My modeling career kicked off, and I honestly feel very grateful and blessed to be where I am right now,” he adds. Below, we grabbed five with Ugrin to unpack influences, career feats and future hopes.

—read the Interview Now Online.

seen @andreacenetiempo
fashion market director + styled @chido.obasi
head of production @jessicalovato_
fashion coordinators @albe.michi + @edwardpusca
make up @edf_makeupartist via @wmmanagement
hair @fujiwara_takahashi via @mksmilano
talent @ivancidrian via @dejaprisagency
fashion assistants @valeinvmaking + @vnc.enzo + @_sebieee

That’s Ivan Ugrin, Unfiltered

Croatian-born, Amsterdam-hailed multidisciplinary artist Ivan Ugrin spent the last decade finding and shaping his stride. “I’ve been a professional contemporary dancer for fifteen years, with stints as a movement director and a model,” he tells LE MILE’S Fashion Market Director, Chidozie Obasi, the moment they meet in Spring, during a sun-soaked day in Milan ahead. The past year was a rough one for everyone around him, himself included. “It was a year of monumental changes, but also a year of big personal growth,” he shares, adding how he feels very proud of how far he’s come. “I changed my creative field, going from the contemporary dance world into a more fashion-driven realm,” he says. “My modeling career kicked off, and I honestly feel very grateful and blessed to be where I am right now,” he adds. Below, we grabbed five with Ugrin to unpack influences, career feats and future hopes.

—read the Interview Now Online.

seen @andreacenetiempo
fashion market director + styled @chido.obasi
head of production @jessicalovato_
fashion coordinators @albe.michi + @edwardpusca
make up @edf_makeupartist via @wmmanagement
hair @fujiwara_takahashi via @mksmilano
talent @ivancidrian via @dejaprisagency
fashion assistants @valeinvmaking + @vnc.enzo + @_sebieee

That’s Ivan Ugrin, Unfiltered

Croatian-born, Amsterdam-hailed multidisciplinary artist Ivan Ugrin spent the last decade finding and shaping his stride. “I’ve been a professional contemporary dancer for fifteen years, with stints as a movement director and a model,” he tells LE MILE’S Fashion Market Director, Chidozie Obasi, the moment they meet in Spring, during a sun-soaked day in Milan ahead. The past year was a rough one for everyone around him, himself included. “It was a year of monumental changes, but also a year of big personal growth,” he shares, adding how he feels very proud of how far he’s come. “I changed my creative field, going from the contemporary dance world into a more fashion-driven realm,” he says. “My modeling career kicked off, and I honestly feel very grateful and blessed to be where I am right now,” he adds. Below, we grabbed five with Ugrin to unpack influences, career feats and future hopes.

—read the Interview Now Online.

seen @andreacenetiempo
fashion market director + styled @chido.obasi
head of production @jessicalovato_
fashion coordinators @albe.michi + @edwardpusca
make up @edf_makeupartist via @wmmanagement
hair @fujiwara_takahashi via @mksmilano
talent @ivancidrian via @dejaprisagency
fashion assistants @valeinvmaking + @vnc.enzo + @_sebieee

That’s Ivan Ugrin, Unfiltered

Croatian-born, Amsterdam-hailed multidisciplinary artist Ivan Ugrin spent the last decade finding and shaping his stride. “I’ve been a professional contemporary dancer for fifteen years, with stints as a movement director and a model,” he tells LE MILE’S Fashion Market Director, Chidozie Obasi, the moment they meet in Spring, during a sun-soaked day in Milan ahead. The past year was a rough one for everyone around him, himself included. “It was a year of monumental changes, but also a year of big personal growth,” he shares, adding how he feels very proud of how far he’s come. “I changed my creative field, going from the contemporary dance world into a more fashion-driven realm,” he says. “My modeling career kicked off, and I honestly feel very grateful and blessed to be where I am right now,” he adds. Below, we grabbed five with Ugrin to unpack influences, career feats and future hopes.

—read the Interview Now Online.

seen @andreacenetiempo
fashion market director + styled @chido.obasi
head of production @jessicalovato_
fashion coordinators @albe.michi + @edwardpusca
make up @edf_makeupartist via @wmmanagement
hair @fujiwara_takahashi via @mksmilano
talent @ivancidrian via @dejaprisagency
fashion assistants @valeinvmaking + @vnc.enzo + @_sebieee

That’s Ivan Ugrin, Unfiltered

Croatian-born, Amsterdam-hailed multidisciplinary artist Ivan Ugrin spent the last decade finding and shaping his stride. “I’ve been a professional contemporary dancer for fifteen years, with stints as a movement director and a model,” he tells LE MILE’S Fashion Market Director, Chidozie Obasi, the moment they meet in Spring, during a sun-soaked day in Milan ahead. The past year was a rough one for everyone around him, himself included. “It was a year of monumental changes, but also a year of big personal growth,” he shares, adding how he feels very proud of how far he’s come. “I changed my creative field, going from the contemporary dance world into a more fashion-driven realm,” he says. “My modeling career kicked off, and I honestly feel very grateful and blessed to be where I am right now,” he adds. Below, we grabbed five with Ugrin to unpack influences, career feats and future hopes.

—read the Interview Now Online.

seen @andreacenetiempo
fashion market director + styled @chido.obasi
head of production @jessicalovato_
fashion coordinators @albe.michi + @edwardpusca
make up @edf_makeupartist via @wmmanagement
hair @fujiwara_takahashi via @mksmilano
talent @ivancidrian via @dejaprisagency
fashion assistants @valeinvmaking + @vnc.enzo + @_sebieee

Why Modular Sofas Are Redefining the Living Room
— A Look at Sweef

Modular sofas reflect a broader shift in contemporary interiors, where furniture is expected to adapt to changing routines, layered spaces and longer patterns of living. The sofa has become a form of soft architecture, shaping circulation, atmosphere and the way a room is inhabited. Deep seats, generous proportions, tactile upholstery and flexible configurations give it a spatial presence that extends beyond comfort alone. Within this context, @sweef_furniture approach to modular seating, made-to-order fabrics and Scandinavian clarity reflects how the contemporary living room is being redefined through adaptability, material character and lasting domestic presence.

—read more online.

#sweef #modularsofa