andrew sondern
🙃 rascal
(deputy design director, news @ nyt)
Alfred! A 16-page broadsheet newspaper for my grandfather’s 100th birthday. It tells the story of his life in a breezy 30,000 words. The text is synthesized from 18+ hours of interviews with Al conducted by his friends and family from 2016 to 2024. I transcribed the interviews, edited them together, designed the paper and made some maps.
My entire family helped in one way or another, but I had a lot of help from @goldfished, who scanned photos, helped with the photo editing, and took new frames for the project. The cover photograph is by @andrewsoutham, who also contributed interview transcripts and a huge number of photographs he took of Al over the years.
The display face is Respira by @sharp_type. Printed in New York City by @lincoprinting.

Alfred! A 16-page broadsheet newspaper for my grandfather’s 100th birthday. It tells the story of his life in a breezy 30,000 words. The text is synthesized from 18+ hours of interviews with Al conducted by his friends and family from 2016 to 2024. I transcribed the interviews, edited them together, designed the paper and made some maps.
My entire family helped in one way or another, but I had a lot of help from @goldfished, who scanned photos, helped with the photo editing, and took new frames for the project. The cover photograph is by @andrewsoutham, who also contributed interview transcripts and a huge number of photographs he took of Al over the years.
The display face is Respira by @sharp_type. Printed in New York City by @lincoprinting.

Alfred! A 16-page broadsheet newspaper for my grandfather’s 100th birthday. It tells the story of his life in a breezy 30,000 words. The text is synthesized from 18+ hours of interviews with Al conducted by his friends and family from 2016 to 2024. I transcribed the interviews, edited them together, designed the paper and made some maps.
My entire family helped in one way or another, but I had a lot of help from @goldfished, who scanned photos, helped with the photo editing, and took new frames for the project. The cover photograph is by @andrewsoutham, who also contributed interview transcripts and a huge number of photographs he took of Al over the years.
The display face is Respira by @sharp_type. Printed in New York City by @lincoprinting.

Alfred! A 16-page broadsheet newspaper for my grandfather’s 100th birthday. It tells the story of his life in a breezy 30,000 words. The text is synthesized from 18+ hours of interviews with Al conducted by his friends and family from 2016 to 2024. I transcribed the interviews, edited them together, designed the paper and made some maps.
My entire family helped in one way or another, but I had a lot of help from @goldfished, who scanned photos, helped with the photo editing, and took new frames for the project. The cover photograph is by @andrewsoutham, who also contributed interview transcripts and a huge number of photographs he took of Al over the years.
The display face is Respira by @sharp_type. Printed in New York City by @lincoprinting.

Alfred! A 16-page broadsheet newspaper for my grandfather’s 100th birthday. It tells the story of his life in a breezy 30,000 words. The text is synthesized from 18+ hours of interviews with Al conducted by his friends and family from 2016 to 2024. I transcribed the interviews, edited them together, designed the paper and made some maps.
My entire family helped in one way or another, but I had a lot of help from @goldfished, who scanned photos, helped with the photo editing, and took new frames for the project. The cover photograph is by @andrewsoutham, who also contributed interview transcripts and a huge number of photographs he took of Al over the years.
The display face is Respira by @sharp_type. Printed in New York City by @lincoprinting.

Alfred! A 16-page broadsheet newspaper for my grandfather’s 100th birthday. It tells the story of his life in a breezy 30,000 words. The text is synthesized from 18+ hours of interviews with Al conducted by his friends and family from 2016 to 2024. I transcribed the interviews, edited them together, designed the paper and made some maps.
My entire family helped in one way or another, but I had a lot of help from @goldfished, who scanned photos, helped with the photo editing, and took new frames for the project. The cover photograph is by @andrewsoutham, who also contributed interview transcripts and a huge number of photographs he took of Al over the years.
The display face is Respira by @sharp_type. Printed in New York City by @lincoprinting.

From here, space, water, sky, and morsels of the world that was here before it all began — these dominate. The city, magnificent still, inevitable, but less overpowering, waits for one to return, renewed.
From here, space, water, sky, and morsels of the world that was here before it all began — these dominate. The city, magnificent still, inevitable, but less overpowering, waits for one to return, renewed.

From here, space, water, sky, and morsels of the world that was here before it all began — these dominate. The city, magnificent still, inevitable, but less overpowering, waits for one to return, renewed.

From here, space, water, sky, and morsels of the world that was here before it all began — these dominate. The city, magnificent still, inevitable, but less overpowering, waits for one to return, renewed.
From here, space, water, sky, and morsels of the world that was here before it all began — these dominate. The city, magnificent still, inevitable, but less overpowering, waits for one to return, renewed.

From here, space, water, sky, and morsels of the world that was here before it all began — these dominate. The city, magnificent still, inevitable, but less overpowering, waits for one to return, renewed.

From here, space, water, sky, and morsels of the world that was here before it all began — these dominate. The city, magnificent still, inevitable, but less overpowering, waits for one to return, renewed.

From here, space, water, sky, and morsels of the world that was here before it all began — these dominate. The city, magnificent still, inevitable, but less overpowering, waits for one to return, renewed.

From here, space, water, sky, and morsels of the world that was here before it all began — these dominate. The city, magnificent still, inevitable, but less overpowering, waits for one to return, renewed.
From here, space, water, sky, and morsels of the world that was here before it all began — these dominate. The city, magnificent still, inevitable, but less overpowering, waits for one to return, renewed.

Days Afield on Staten Island
Island scenes: Crooke’s Point, Blood Root Valley, the ferryboat John J. Marchi, Fort Wadsworth, the Farm Colony, the Harbor House, Travis and Freshkills Park

Days Afield on Staten Island
Island scenes: Crooke’s Point, Blood Root Valley, the ferryboat John J. Marchi, Fort Wadsworth, the Farm Colony, the Harbor House, Travis and Freshkills Park

Days Afield on Staten Island
Island scenes: Crooke’s Point, Blood Root Valley, the ferryboat John J. Marchi, Fort Wadsworth, the Farm Colony, the Harbor House, Travis and Freshkills Park

Days Afield on Staten Island
Island scenes: Crooke’s Point, Blood Root Valley, the ferryboat John J. Marchi, Fort Wadsworth, the Farm Colony, the Harbor House, Travis and Freshkills Park

Days Afield on Staten Island
Island scenes: Crooke’s Point, Blood Root Valley, the ferryboat John J. Marchi, Fort Wadsworth, the Farm Colony, the Harbor House, Travis and Freshkills Park

Days Afield on Staten Island
Island scenes: Crooke’s Point, Blood Root Valley, the ferryboat John J. Marchi, Fort Wadsworth, the Farm Colony, the Harbor House, Travis and Freshkills Park

Days Afield on Staten Island
Island scenes: Crooke’s Point, Blood Root Valley, the ferryboat John J. Marchi, Fort Wadsworth, the Farm Colony, the Harbor House, Travis and Freshkills Park
Days Afield on Staten Island
Island scenes: Crooke’s Point, Blood Root Valley, the ferryboat John J. Marchi, Fort Wadsworth, the Farm Colony, the Harbor House, Travis and Freshkills Park

Days Afield on Staten Island
Island scenes: Crooke’s Point, Blood Root Valley, the ferryboat John J. Marchi, Fort Wadsworth, the Farm Colony, the Harbor House, Travis and Freshkills Park
Days Afield on Staten Island
Island scenes: Crooke’s Point, Blood Root Valley, the ferryboat John J. Marchi, Fort Wadsworth, the Farm Colony, the Harbor House, Travis and Freshkills Park

“God might have made a more beautiful place than Staten Island, but he didn’t.”
- George William Curtis
“God might have made a more beautiful place than Staten Island, but he didn’t.”
- George William Curtis

“God might have made a more beautiful place than Staten Island, but he didn’t.”
- George William Curtis

“God might have made a more beautiful place than Staten Island, but he didn’t.”
- George William Curtis

“God might have made a more beautiful place than Staten Island, but he didn’t.”
- George William Curtis

“God might have made a more beautiful place than Staten Island, but he didn’t.”
- George William Curtis

“God might have made a more beautiful place than Staten Island, but he didn’t.”
- George William Curtis

“God might have made a more beautiful place than Staten Island, but he didn’t.”
- George William Curtis
“God might have made a more beautiful place than Staten Island, but he didn’t.”
- George William Curtis

“God might have made a more beautiful place than Staten Island, but he didn’t.”
- George William Curtis

Inside The Times: today we relaunched the @nytimes front-of-book, and after 5 years, finally gave it a name. Beautiful refresh and page design by @sarahgephart.
Inside The Times: today we relaunched the @nytimes front-of-book, and after 5 years, finally gave it a name. Beautiful refresh and page design by @sarahgephart.

Inside The Times: today we relaunched the @nytimes front-of-book, and after 5 years, finally gave it a name. Beautiful refresh and page design by @sarahgephart.

Each dot represents one person who has died of Covid-19 in the United States.
Extraordinary wraparound front page design by @carrielynnemifsud. Dot density map by Jeremy White.

Each dot represents one person who has died of Covid-19 in the United States.
Extraordinary wraparound front page design by @carrielynnemifsud. Dot density map by Jeremy White.

Each dot represents one person who has died of Covid-19 in the United States.
Extraordinary wraparound front page design by @carrielynnemifsud. Dot density map by Jeremy White.

Each dot represents one person who has died of Covid-19 in the United States.
Extraordinary wraparound front page design by @carrielynnemifsud. Dot density map by Jeremy White.

Each dot represents one person who has died of Covid-19 in the United States.
Extraordinary wraparound front page design by @carrielynnemifsud. Dot density map by Jeremy White.
O Visualizador de Stories do Instagram é uma ferramenta fácil que permite assistir e salvar stories, vídeos, fotos ou IGTV do Instagram secretamente. Com este serviço, você pode baixar conteúdos e apreciá-los offline sempre que quiser. Se você encontrar algo interessante no Instagram que gostaria de ver mais tarde ou quiser visualizar stories de forma anônima, nosso Visualizador é perfeito para você. Anonstories oferece uma excelente solução para manter sua identidade oculta. O Instagram lançou a funcionalidade de Stories em agosto de 2023, que logo foi adotada por outras plataformas devido ao seu formato dinâmico e sensível ao tempo. Os Stories permitem que os usuários compartilhem atualizações rápidas, sejam fotos, vídeos ou selfies, com textos, emojis ou filtros, e ficam visíveis por apenas 24 horas. Esse limite de tempo cria maior engajamento em comparação com posts comuns. Nos dias de hoje, os Stories são uma das formas mais populares de se conectar e comunicar nas redes sociais. No entanto, quando você visualiza um Story, o criador pode ver seu nome na lista de visualizadores, o que pode ser uma preocupação com a privacidade. E se você quiser navegar pelos Stories sem ser notado? É aí que o Anonstories se torna útil. Ele permite que você assista a conteúdos públicos do Instagram sem revelar sua identidade. Basta digitar o nome de usuário do perfil que você está curioso, e a ferramenta mostrará seus Stories mais recentes. Funcionalidades do Visualizador Anonstories: - Navegação Anônima: Veja Stories sem aparecer na lista de visualizadores. - Sem Conta Necessária: Veja conteúdos públicos sem se cadastrar no Instagram. - Download de Conteúdos: Salve qualquer conteúdo de Stories diretamente no seu dispositivo para uso offline. - Veja Destaques: Acesse os Destaques do Instagram, até mesmo após o prazo de 24 horas. - Monitoramento de Reposts: Acompanhe os reposts ou o nível de engajamento em Stories de perfis pessoais. Limitações: - Esta ferramenta funciona apenas com contas públicas; contas privadas permanecem inacessíveis. Benefícios: - Amigável à Privacidade: Veja qualquer conteúdo do Instagram sem ser notado. - Simples e Fácil: Não há necessidade de instalação de aplicativo ou registro. - Ferramentas Exclusivas: Baixe e gerencie conteúdos de maneiras que o Instagram não oferece.
Acompanhe as atualizações do Instagram de forma discreta, protegendo sua privacidade e permanecendo anônimo.
Veja perfis e fotos anonimamente com facilidade usando o Visualizador de Perfil Privado.
Esta ferramenta gratuita permite que você veja Stories do Instagram anonimamente, garantindo que sua atividade permaneça oculta do criador do story.
Anonstories permite que os usuários vejam stories do Instagram sem alertar o criador.
Funciona perfeitamente em iOS, Android, Windows, macOS e navegadores modernos como Chrome e Safari.
Prioriza navegação segura e anônima, sem necessidade de credenciais de login.
Os usuários podem visualizar stories públicos digitando apenas o nome de usuário—sem precisar de uma conta.
Baixa fotos (JPEG) e vídeos (MP4) com facilidade.
O serviço é gratuito.
Conteúdos de contas privadas só podem ser acessados por seguidores.
Os arquivos são para uso pessoal ou educacional, conforme as regras de direitos autorais.
Digite um nome de usuário público para ver ou baixar stories. O serviço gera links diretos para salvar o conteúdo localmente.