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countereditions
Counter Editions
Prints and multiples by leading contemporary artists
Tracey Emin
I Need Tomorrow
Six New Prints |Launching 14 May
Sign up to our mailing list (🔗 in bio) for updates and priority access.
Exclusively from CounterEditions.com
Tracey Emin
I Need Tomorrow
Six New Prints |Launching 14 May
Sign up to our mailing list (🔗 in bio) for updates and priority access.
Exclusively from CounterEditions.com
Tracey Emin
I Need Tomorrow
Six New Prints |Launching 14 May
Sign up to our mailing list (🔗 in bio) for updates and priority access.
Exclusively from CounterEditions.com
Tracey Emin
I Need Tomorrow
Six New Prints |Launching 14 May
Sign up to our mailing list (🔗 in bio) for updates and priority access.
Exclusively from CounterEditions.com
The works retain the immediacy of Emin’s mark-making, closely aligned with her drawing practice, with each image carrying a direct sense of her hand and the subtle tonal variation and depth unique to the lithographic process. The series coincides with Emin’s exhibition A Second Life at Tate Modern, widely recognised as a major moment in her career.
The prints will be exhibited for the first time at the London Original Print Fair at Somerset House, 14 – 17 May.
Congratulations Lubaina Himid @lubainapics on the opening of her Venice Biennale pavilion, representing Great Britain.
📣 The British Pavilion at the 61st International Art Exhibition at La Biennale di Venezia: Lubaina Himid, Predicting History: Testing Translation. 📣
Through a new series of large, multipaneled paintings in dazzling colours and surreal, magical settings, Himid establishes characters, narratives, and imagined dialogues, collaborating with Magda Stawarska to create a surreal soundscape.
#BritishPavilion #PredictingHistoryTestingTranslation #VeniceBiennale @labiennale #LubainaHimid
Lubaina Himid
Naming the Money: Kwesi, 2004/2021 (2021)
Edition of 125
21 Colour Screenprint and Inkjet on Somerset Enhanced Radiant White Satin 330gsm. Printed by Counter Studio.
76 x 60 cm ( 29.9 x 23.6 in)
Signed, numbered and dated by the artist
Published by Counter Editions
Tracey Emin
I Need Tomorrow
Six New Prints |Launching 14 May
Sign up to Counter Editions mailing list (🔗 in @CounterEditions bio) for updates and priority access.
Exclusively from CounterEditions.com
Tracey Emin
I Need Tomorrow
Six New Prints |Launching 14 May
Sign up to Counter Editions mailing list (🔗 in @CounterEditions bio) for updates and priority access.
Exclusively from CounterEditions.com
🎨🎉 Available Now - Waxing Star (2026) by Anya Gallaccio
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
Head to the 🔗 in @CounterEditions bio to purchase the limited edition print.
* Prints are sold unframed. Contact us if you’d like to get a frame quote. Framed images are for reference.
#AnyaGallaccio #LimitedEditionPrint
Exclusively available from CounterEditions.com
🎨🎉 Available Now - Waxing Star (2026) by Anya Gallaccio
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
Head to the 🔗 in @CounterEditions bio to purchase the limited edition print.
* Prints are sold unframed. Contact us if you’d like to get a frame quote. Framed images are for reference.
#AnyaGallaccio #LimitedEditionPrint
Exclusively available from CounterEditions.com
🎨🎉 Available Now - Waxing Star (2026) by Anya Gallaccio
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
Head to the 🔗 in @CounterEditions bio to purchase the limited edition print.
* Prints are sold unframed. Contact us if you’d like to get a frame quote. Framed images are for reference.
#AnyaGallaccio #LimitedEditionPrint
Exclusively available from CounterEditions.com
🎨🎉 Available Now - Waxing Star (2026) by Anya Gallaccio
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
Head to the 🔗 in @CounterEditions bio to purchase the limited edition print.
* Prints are sold unframed. Contact us if you’d like to get a frame quote. Framed images are for reference.
#AnyaGallaccio #LimitedEditionPrint
Exclusively available from CounterEditions.com
🎨🎉 Available Now - Waxing Star (2026) by Anya Gallaccio
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
Head to the 🔗 in @CounterEditions bio to purchase the limited edition print.
* Prints are sold unframed. Contact us if you’d like to get a frame quote. Framed images are for reference.
#AnyaGallaccio #LimitedEditionPrint
Exclusively available from CounterEditions.com
🎨🎉 Available Now - Waxing Star (2026) by Anya Gallaccio
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
Head to the 🔗 in @CounterEditions bio to purchase the limited edition print.
* Prints are sold unframed. Contact us if you’d like to get a frame quote. Framed images are for reference.
#AnyaGallaccio #LimitedEditionPrint
Exclusively available from CounterEditions.com
🎨🍏 Waxing Star (2026), our first edition with Anya Gallaccio, launches this week on Thursday 30 April at 2pm (BST).
Created through an intensive, process‑driven collaboration that began with the artist’s long‑standing fascination with historic apple imagery, the print offers a rare moment of stillness within a practice rooted in transformation.
Beginning with a series of studio photographs of individual apples – shot after Gallaccio arrived in the studio with a book of apple illustrations and a bag of fresh fruit – she then worked closely with the studio team to build a composition.
The final work combines inkjet underlayers with hand‑applied, pigmented varnishes, and ground pastel mixed into the surface. The result is a subtly intricate print that foregrounds the handmade, with each impression carrying its own character and the tactile presence of the artist’s process.
Gallaccio’s practice has long centred on works that resist permanence. Projects shaped by time, growth, decay and continual change; from her orchard of heritage Kent apple varieties planted at Lees Court with local primary school children, to large‑scale installations that evolve with the seasons, her work often unfolds slowly and collaboratively.
Waxing Star marks a rare moment of distillation: a print that captures her ongoing engagement with apples, process and material transformation, while acknowledging the challenge of fixing something from a practice that is usually in flux. Developed from photographs of individual apples and built through layered, hand‑worked surfaces, the print becomes a snapshot of her wider investigations into growth, labour and the passage of time.
Exclusively available from CounterEditions.com
Anya Gallaccio
Waxing Star (2026)
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
🎨🍏 A detail from Waxing Star (2026), our first edition with Anya Gallaccio, launching this week on Thursday 30 April at 2pm (BST).
Created through an intensive, process‑driven collaboration that began with the artist’s long‑standing fascination with historic apple imagery, the print offers a rare moment of stillness within a practice rooted in transformation.
Beginning with a series of studio photographs of individual apples – shot after Gallaccio arrived in the studio with a book of apple illustrations and a bag of fresh fruit – she then worked closely with the studio team to build a composition.
The final work combines inkjet underlayers with hand‑applied, pigmented varnishes, and ground pastel mixed into the surface. The result is a subtly intricate print that foregrounds the handmade, with each impression carrying its own character and the tactile presence of the artist’s process.
Gallaccio’s practice has long centred on works that resist permanence. Projects shaped by time, growth, decay and continual change; from her orchard of heritage Kent apple varieties planted at Lees Court with local primary school children, to large‑scale installations that evolve with the seasons, her work often unfolds slowly and collaboratively.
Waxing Star marks a rare moment of distillation: a print that captures her ongoing engagement with apples, process and material transformation, while acknowledging the challenge of fixing something from a practice that is usually in flux. Developed from photographs of individual apples and built through layered, hand‑worked surfaces, the print becomes a snapshot of her wider investigations into growth, labour and the passage of time.
Exclusively available from CounterEditions.com
Anya Gallaccio
Waxing Star (2026)
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
🎨🍏 A detail from Waxing Star (2026), our first edition with Anya Gallaccio, launching this week on Thursday 30 April at 2pm (BST).
Created through an intensive, process‑driven collaboration that began with the artist’s long‑standing fascination with historic apple imagery, the print offers a rare moment of stillness within a practice rooted in transformation.
Beginning with a series of studio photographs of individual apples – shot after Gallaccio arrived in the studio with a book of apple illustrations and a bag of fresh fruit – she then worked closely with the studio team to build a composition.
The final work combines inkjet underlayers with hand‑applied, pigmented varnishes, and ground pastel mixed into the surface. The result is a subtly intricate print that foregrounds the handmade, with each impression carrying its own character and the tactile presence of the artist’s process.
Gallaccio’s practice has long centred on works that resist permanence. Projects shaped by time, growth, decay and continual change; from her orchard of heritage Kent apple varieties planted at Lees Court with local primary school children, to large‑scale installations that evolve with the seasons, her work often unfolds slowly and collaboratively.
Waxing Star marks a rare moment of distillation: a print that captures her ongoing engagement with apples, process and material transformation, while acknowledging the challenge of fixing something from a practice that is usually in flux. Developed from photographs of individual apples and built through layered, hand‑worked surfaces, the print becomes a snapshot of her wider investigations into growth, labour and the passage of time.
Exclusively available from CounterEditions.com
Anya Gallaccio
Waxing Star (2026)
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
🎨🎉 We are pleased to share further details of Waxing Star (2026), our first edition with Anya Gallaccio. Launching on Thursday 30 April, 2pm (BST).
Created through an intensive, process‑driven collaboration that began with the artist’s long‑standing fascination with historic apple imagery, the print offers a rare moment of stillness within a practice rooted in transformation.
Beginning with a series of studio photographs of individual apples – shot after Gallaccio arrived in the studio with a book of apple illustrations and a bag of fresh fruit – she then worked closely with the studio team to build a composition.
The final work combines inkjet underlayers with hand‑applied, pigmented varnishes, and ground pastel mixed into the surface. The result is a subtly intricate print that foregrounds the handmade, with each impression carrying its own character and the tactile presence of the artist’s process.
Gallaccio’s practice has long centred on works that resist permanence. Projects shaped by time, growth, decay and continual change; from her orchard of heritage Kent apple varieties planted at Lees Court with local primary school children, to large‑scale installations that evolve with the seasons, her work often unfolds slowly and collaboratively.
Waxing Star marks a rare moment of distillation: a print that captures her ongoing engagement with apples, process and material transformation, while acknowledging the challenge of fixing something from a practice that is usually in flux. Developed from photographs of individual apples and built through layered, hand‑worked surfaces, the print becomes a snapshot of her wider investigations into growth, labour and the passage of time.
Exclusively available from CounterEditions.com
Anya Gallaccio
Waxing Star (2026)
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
🎨🎉 We are pleased to share further details of Waxing Star (2026), our first edition with Anya Gallaccio. Launching on Thursday 30 April, 2pm (BST).
Created through an intensive, process‑driven collaboration that began with the artist’s long‑standing fascination with historic apple imagery, the print offers a rare moment of stillness within a practice rooted in transformation.
Beginning with a series of studio photographs of individual apples – shot after Gallaccio arrived in the studio with a book of apple illustrations and a bag of fresh fruit – she then worked closely with the studio team to build a composition.
The final work combines inkjet underlayers with hand‑applied, pigmented varnishes, and ground pastel mixed into the surface. The result is a subtly intricate print that foregrounds the handmade, with each impression carrying its own character and the tactile presence of the artist’s process.
Gallaccio’s practice has long centred on works that resist permanence. Projects shaped by time, growth, decay and continual change; from her orchard of heritage Kent apple varieties planted at Lees Court with local primary school children, to large‑scale installations that evolve with the seasons, her work often unfolds slowly and collaboratively.
Waxing Star marks a rare moment of distillation: a print that captures her ongoing engagement with apples, process and material transformation, while acknowledging the challenge of fixing something from a practice that is usually in flux. Developed from photographs of individual apples and built through layered, hand‑worked surfaces, the print becomes a snapshot of her wider investigations into growth, labour and the passage of time.
Exclusively available from CounterEditions.com
Anya Gallaccio
Waxing Star (2026)
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
🎨🎉 We are pleased to share further details of Waxing Star (2026), our first edition with Anya Gallaccio. Launching on Thursday 30 April, 2pm (BST).
Created through an intensive, process‑driven collaboration that began with the artist’s long‑standing fascination with historic apple imagery, the print offers a rare moment of stillness within a practice rooted in transformation.
Beginning with a series of studio photographs of individual apples – shot after Gallaccio arrived in the studio with a book of apple illustrations and a bag of fresh fruit – she then worked closely with the studio team to build a composition.
The final work combines inkjet underlayers with hand‑applied, pigmented varnishes, and ground pastel mixed into the surface. The result is a subtly intricate print that foregrounds the handmade, with each impression carrying its own character and the tactile presence of the artist’s process.
Gallaccio’s practice has long centred on works that resist permanence. Projects shaped by time, growth, decay and continual change; from her orchard of heritage Kent apple varieties planted at Lees Court with local primary school children, to large‑scale installations that evolve with the seasons, her work often unfolds slowly and collaboratively.
Waxing Star marks a rare moment of distillation: a print that captures her ongoing engagement with apples, process and material transformation, while acknowledging the challenge of fixing something from a practice that is usually in flux. Developed from photographs of individual apples and built through layered, hand‑worked surfaces, the print becomes a snapshot of her wider investigations into growth, labour and the passage of time.
Exclusively available from CounterEditions.com
Anya Gallaccio
Waxing Star (2026)
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
🎨🎉 We are pleased to share further details of Waxing Star (2026), our first edition with Anya Gallaccio. Launching on Thursday 30 April, 2pm (BST).
Created through an intensive, process‑driven collaboration that began with the artist’s long‑standing fascination with historic apple imagery, the print offers a rare moment of stillness within a practice rooted in transformation.
Beginning with a series of studio photographs of individual apples – shot after Gallaccio arrived in the studio with a book of apple illustrations and a bag of fresh fruit – she then worked closely with the studio team to build a composition.
The final work combines inkjet underlayers with hand‑applied, pigmented varnishes, and ground pastel mixed into the surface. The result is a subtly intricate print that foregrounds the handmade, with each impression carrying its own character and the tactile presence of the artist’s process.
Gallaccio’s practice has long centred on works that resist permanence. Projects shaped by time, growth, decay and continual change; from her orchard of heritage Kent apple varieties planted at Lees Court with local primary school children, to large‑scale installations that evolve with the seasons, her work often unfolds slowly and collaboratively.
Waxing Star marks a rare moment of distillation: a print that captures her ongoing engagement with apples, process and material transformation, while acknowledging the challenge of fixing something from a practice that is usually in flux. Developed from photographs of individual apples and built through layered, hand‑worked surfaces, the print becomes a snapshot of her wider investigations into growth, labour and the passage of time.
Exclusively available from CounterEditions.com
Anya Gallaccio
Waxing Star (2026)
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
🎨🎉 Opening this Saturday in Margate! Carl Freedman Gallery is proud to present This Is The Universe… Big Isn’t It?, a solo exhibition by British artist Billy Childish.
Preview: Saturday 25 April 2026, 5:30-7:30 pm
Billy Childish (b. 1959, Kent, UK) is an extraordinary and prolific artist. His paintings, woodcuts, poetry, writing and music share a common honesty that, rather than being nombrilistic, is deeply compelling and idiosyncratic. Childish’s practice is informed by a tireless curiosity for themes as varied as war, the history and topography of his local and personal environment, social protest, hill walking and religious philosophy. Without the need for validation or approval from the art world, Childish has developed an authentic, independent and defiant position within culture that is admired by many worldwide.
This major new exhibition in Margate includes paintings of California’s Joshua Tree national park, alongside an ongoing series of Childish’s hand-painted wooden storage chests, historically used in shipping. The Californian and Joshua tree paintings were inspired by a family road trip last year, and continue Childish’s longterm investigation into the theme of universal vs local.
Free of irony or superficial novelty, Billy Childish’s paintings espouse values of authenticity, spirituality, and beauty. Present throughout is a quality of quiet melancholy combined with a vibrational, swirling energy. Waterfalls, the sea, trees, nudes, boatmen, swimmers, woods and the artist himself are all recurring motifs.
Billy Childish
This Is The Universe... Big Isn’t It?
26 April – 14 June 2026
#billychildish #margate #carlfreedmangallery
🎨🎉 We are delighted to announce our first collaboration with British artist Anya Gallaccio. Launching on Thursday 30 April, 2pm (BST).
Anya Gallaccio works at the intersection of sculpture, installation, and the natural world, drawing on organic and geological materials whose visible processes of change become the work’s subject as much as its medium. Her practice stages environments of slow transformation — curtains of apples, walls of pressed flowers, melting candles, felled trees, salt and chalk — where decay, growth and crystallisation unfold in real time. Fundamentally process-driven and site-responsive, Gallaccio’s work foregrounds memory, labour and ecology, inviting viewers to witness change as an ethical, as well as aesthetic, condition.
Gallaccio (b. 1963, Scotland) lives and works between London and San Diego. She studied at Kingston Polytechnic and Goldsmiths College. She was nominated for the Turner Prize in 2003 and has held major solo exhibitions at Tate Britain, the Palazzo delle Papesse, the Museum of Contemporary Art San Diego, Thomas Dane Gallery, and the Scottish National Gallery of Modern Art. In 2024–25 Turner Contemporary presented a comprehensive survey that restaged seminal works and a new site-specific commission, including a monumental felled ash, curtains of apples, walls of gerberas, melting candles, and a chalk-related commission responding to Kent’s landscape. Gallaccio is Professor Emerita in the Department of Visual Arts at the University of California San Diego and is recognised internationally for her radical use of organic materials, her embrace of entropy, and her sustained interrogation of how art occupies space, time, and memory.
Exclusively available from CounterEditions.com
Anya Gallaccio
Waxing Star (2026)
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
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