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For Michael @michaelmovie , cinematographer Dion Beebe, ASC, ACS @ddbeebe and chief lighting technician Mike Ambrose @ambrose728 used Unreal Engine to previsualize the lighting design for four career-defining concert tours before a single fixture was rigged on Sony’s Stage 27. The rig — which took six weeks to construct — combined period fixture housings re-lamped with Fuse LEDs, replica stamped-aluminum gel frames, more than 500 tungsten PAR cans, and aluminum salad bowls mounted to mimic period scoop lamps. Chief lighting technician Mike Ambrose and key grip Jim Kwiatkowski built a system of rolling, suspended rigs that could be repositioned overnight to accommodate changeovers between concert eras.

Read the full article in the May/June 2026 issue.

#Cinematography #ASC #AmericanCinematographer #DionBeebe

For Michael @michaelmovie , cinematographer Dion Beebe, ASC, ACS @ddbeebe and chief lighting technician Mike Ambrose @ambrose728 used Unreal Engine to previsualize the lighting design for four career-defining concert tours before a single fixture was rigged on Sony’s Stage 27. The rig — which took six weeks to construct — combined period fixture housings re-lamped with Fuse LEDs, replica stamped-aluminum gel frames, more than 500 tungsten PAR cans, and aluminum salad bowls mounted to mimic period scoop lamps. Chief lighting technician Mike Ambrose and key grip Jim Kwiatkowski built a system of rolling, suspended rigs that could be repositioned overnight to accommodate changeovers between concert eras.

Read the full article in the May/June 2026 issue.

#Cinematography #ASC #AmericanCinematographer #DionBeebe

For Michael @michaelmovie , cinematographer Dion Beebe, ASC, ACS @ddbeebe and chief lighting technician Mike Ambrose @ambrose728 used Unreal Engine to previsualize the lighting design for four career-defining concert tours before a single fixture was rigged on Sony’s Stage 27. The rig — which took six weeks to construct — combined period fixture housings re-lamped with Fuse LEDs, replica stamped-aluminum gel frames, more than 500 tungsten PAR cans, and aluminum salad bowls mounted to mimic period scoop lamps. Chief lighting technician Mike Ambrose and key grip Jim Kwiatkowski built a system of rolling, suspended rigs that could be repositioned overnight to accommodate changeovers between concert eras.

Read the full article in the May/June 2026 issue.

#Cinematography #ASC #AmericanCinematographer #DionBeebe

For Michael @michaelmovie , cinematographer Dion Beebe, ASC, ACS @ddbeebe and chief lighting technician Mike Ambrose @ambrose728 used Unreal Engine to previsualize the lighting design for four career-defining concert tours before a single fixture was rigged on Sony’s Stage 27. The rig — which took six weeks to construct — combined period fixture housings re-lamped with Fuse LEDs, replica stamped-aluminum gel frames, more than 500 tungsten PAR cans, and aluminum salad bowls mounted to mimic period scoop lamps. Chief lighting technician Mike Ambrose and key grip Jim Kwiatkowski built a system of rolling, suspended rigs that could be repositioned overnight to accommodate changeovers between concert eras.

Read the full article in the May/June 2026 issue.

#Cinematography #ASC #AmericanCinematographer #DionBeebe

They say it takes a village… it took the best crews in Hollywood to bring MICHAEL to the big screen. Here we are on the actual location in east LA where @michaeljackson filmed #thriller recreating this iconic dance sequence 40 years later with the extraordinary @jaafarjackson Shout out to my incredible camera, lighting and grip teams who all contributed to the amazing record smashing opening weekend for @michaelmovie @gkfilms @antoinefuqua

So many amazing people on this journey… @gkfilms @antoinefuqua @jaafarjackson @ambrose728 @ejmjr @gripnation and many, many more. @michaelmovie

This post arrives somewhat after the event but wanted to extend my thanks to #Angenieux & the Cannes Film Festival for an amazing week. Always strange to look back at one’s work however it did make me appreciate the amazing filmmakers I have had the honor of working with… and the many more I plan to work with!

At the Oscars with these legends of the craft… Hoyte,, Ellen, Rodrigo & Matty.

Here we go…

Excited to have The Little Mermaid finally make its way onto the big screen this weekend. Amazing group of people gave a lot to make this movie. To my awesome crew… thank you!! #thelittlemermaid

Rounding out a long journey in Nazare, Portugal #thelittlemermaid

Celebrated a lifetime of so many great achievements with this guy.. #harveykeitel #lifetimeachievementaward #newportbeachfilmfestival #legend

After 2 ½ yrs it’s finally a wrap on ‘The Little Mermaid’. Amazing journey with an amazing crew.

‘I am Woman’ @unjoomoon@tildac_h_ Evan Peters @daniellemacdonald #australianmovies #acs
#aftrs

‘I am Woman’ ACS Golden Tripod for best feature. Very honored to be recognized by my fellow ACS members. Enjoyed being back in Australia working with incredible crew. That sometimes means being stuffed in the front on a car with an Alexa 65. Inspiring director @unjoomoon and amazing cast. #alexa65 #australiancrew #helenreddy #acs #AustalianCinematographersSociety #arri #aftrs Big thanks to Arri for all their support.