Просмотр Историй Instagram

LED Unit is a virtual production studio based in Riga, Latvia. We provide a turn-key service for cinematographic or commercial production using In-camera Visual Effects or «ICVFX».

LED Unit piedāvā unikālu telpu prezentāciju, konferenču, sporta pasākumu un koncertu rīkošanai.

Modernā studija ar milzīgu LED sienu un elastīgu infrastruktūru paver jaunas iespējas jebkura mēroga pasākumu organizēšanai.

Mūsu priekšrocība — inovatīvu tehnoloģiju un pārdomāta telpas dizaina apvienojums. Pateicoties virtuālās produkcijas sistēmai un spēcīgām vizuālajām iespējām, jūs varat pilnībā pārveidot telpu atbilstoši jūsu pasākuma koncepcijai — no biznesa konferences līdz krāšņam šovam.

Studija atrodas ērti pieejamā vietā Rīgā, ar ērtu piekļuvi un iespēju uzstādīt papildu aprīkojumu. Uzrakstiet mums: info@ledunit.net

Diana takes the bus. Then she walks into a temple. Then a jungle. She never left Riga.

Maersk's "The Artefact" — hero film of the "Discover New Paths" global campaign — visits five worlds across a 60-second journey. We built each on a single LED volume, three shoot days, one stage. nDisplay live, ARRI ALEXA, no green screen.

**Which scene fooled you longest? Comment the slide number — we're collecting answers from the directors who follow us.**

Crew tags in first comment.

#virtualproduction #ICVFX #ledunit #unrealengine #ndisplay #cinematography #maersk #discovernewpaths

Diana takes the bus. Then she walks into a temple. Then a jungle. She never left Riga.

Maersk's "The Artefact" — hero film of the "Discover New Paths" global campaign — visits five worlds across a 60-second journey. We built each on a single LED volume, three shoot days, one stage. nDisplay live, ARRI ALEXA, no green screen.

**Which scene fooled you longest? Comment the slide number — we're collecting answers from the directors who follow us.**

Crew tags in first comment.

#virtualproduction #ICVFX #ledunit #unrealengine #ndisplay #cinematography #maersk #discovernewpaths

Diana takes the bus. Then she walks into a temple. Then a jungle. She never left Riga.

Maersk's "The Artefact" — hero film of the "Discover New Paths" global campaign — visits five worlds across a 60-second journey. We built each on a single LED volume, three shoot days, one stage. nDisplay live, ARRI ALEXA, no green screen.

**Which scene fooled you longest? Comment the slide number — we're collecting answers from the directors who follow us.**

Crew tags in first comment.

#virtualproduction #ICVFX #ledunit #unrealengine #ndisplay #cinematography #maersk #discovernewpaths

Diana takes the bus. Then she walks into a temple. Then a jungle. She never left Riga.

Maersk's "The Artefact" — hero film of the "Discover New Paths" global campaign — visits five worlds across a 60-second journey. We built each on a single LED volume, three shoot days, one stage. nDisplay live, ARRI ALEXA, no green screen.

**Which scene fooled you longest? Comment the slide number — we're collecting answers from the directors who follow us.**

Crew tags in first comment.

#virtualproduction #ICVFX #ledunit #unrealengine #ndisplay #cinematography #maersk #discovernewpaths

Diana takes the bus. Then she walks into a temple. Then a jungle. She never left Riga.

Maersk's "The Artefact" — hero film of the "Discover New Paths" global campaign — visits five worlds across a 60-second journey. We built each on a single LED volume, three shoot days, one stage. nDisplay live, ARRI ALEXA, no green screen.

**Which scene fooled you longest? Comment the slide number — we're collecting answers from the directors who follow us.**

Crew tags in first comment.

#virtualproduction #ICVFX #ledunit #unrealengine #ndisplay #cinematography #maersk #discovernewpaths

Diana takes the bus. Then she walks into a temple. Then a jungle. She never left Riga.

Maersk's "The Artefact" — hero film of the "Discover New Paths" global campaign — visits five worlds across a 60-second journey. We built each on a single LED volume, three shoot days, one stage. nDisplay live, ARRI ALEXA, no green screen.

**Which scene fooled you longest? Comment the slide number — we're collecting answers from the directors who follow us.**

Crew tags in first comment.

#virtualproduction #ICVFX #ledunit #unrealengine #ndisplay #cinematography #maersk #discovernewpaths

Our LED wall doesn't just light the world behind the dancer. It lights the dancer too.

On Lacoste "Shot The Lights Out" we sampled regions of the wall with NDI Capture, ran the feed through MadMapper to convert each zone into DMX, and pushed it out through a Chamsys MagicQ PC Wing to 40 Solaris Flare XL36 fixtures rigged in the truss above set. 1,440 RGBW pixels of practical light, following the wall through every phase — sunrise gradient, organic motion, motion-blur empowerment.

No keyed-in highlights in post. No second-guessing the colour cast. What hit the lens is what we built — wall, ceiling, and lamps reading from the same source.

Directors: @global_studio (Julien Malègue & Antoine Mayet) · DOP: @jakescottdp · Agency: @the7th.house · Production: @wearepartizan · Gaffer: @eduardsstefanovics · Choreography & dance: Nicolas Huchard · Dancer: Xiaoyi Liu · Client: @lacoste · Shot at @ledunit_studio

Get a quote — link in bio

#virtualproduction #ICVFX #ledunit #pixelmapping #unrealengine #cinematography #ledwall #lacoste

Our LED wall doesn't just light the world behind the dancer. It lights the dancer too.

On Lacoste "Shot The Lights Out" we sampled regions of the wall with NDI Capture, ran the feed through MadMapper to convert each zone into DMX, and pushed it out through a Chamsys MagicQ PC Wing to 40 Solaris Flare XL36 fixtures rigged in the truss above set. 1,440 RGBW pixels of practical light, following the wall through every phase — sunrise gradient, organic motion, motion-blur empowerment.

No keyed-in highlights in post. No second-guessing the colour cast. What hit the lens is what we built — wall, ceiling, and lamps reading from the same source.

Directors: @global_studio (Julien Malègue & Antoine Mayet) · DOP: @jakescottdp · Agency: @the7th.house · Production: @wearepartizan · Gaffer: @eduardsstefanovics · Choreography & dance: Nicolas Huchard · Dancer: Xiaoyi Liu · Client: @lacoste · Shot at @ledunit_studio

Get a quote — link in bio

#virtualproduction #ICVFX #ledunit #pixelmapping #unrealengine #cinematography #ledwall #lacoste

Our LED wall doesn't just light the world behind the dancer. It lights the dancer too.

On Lacoste "Shot The Lights Out" we sampled regions of the wall with NDI Capture, ran the feed through MadMapper to convert each zone into DMX, and pushed it out through a Chamsys MagicQ PC Wing to 40 Solaris Flare XL36 fixtures rigged in the truss above set. 1,440 RGBW pixels of practical light, following the wall through every phase — sunrise gradient, organic motion, motion-blur empowerment.

No keyed-in highlights in post. No second-guessing the colour cast. What hit the lens is what we built — wall, ceiling, and lamps reading from the same source.

Directors: @global_studio (Julien Malègue & Antoine Mayet) · DOP: @jakescottdp · Agency: @the7th.house · Production: @wearepartizan · Gaffer: @eduardsstefanovics · Choreography & dance: Nicolas Huchard · Dancer: Xiaoyi Liu · Client: @lacoste · Shot at @ledunit_studio

Get a quote — link in bio

#virtualproduction #ICVFX #ledunit #pixelmapping #unrealengine #cinematography #ledwall #lacoste

Our LED wall doesn't just light the world behind the dancer. It lights the dancer too.

On Lacoste "Shot The Lights Out" we sampled regions of the wall with NDI Capture, ran the feed through MadMapper to convert each zone into DMX, and pushed it out through a Chamsys MagicQ PC Wing to 40 Solaris Flare XL36 fixtures rigged in the truss above set. 1,440 RGBW pixels of practical light, following the wall through every phase — sunrise gradient, organic motion, motion-blur empowerment.

No keyed-in highlights in post. No second-guessing the colour cast. What hit the lens is what we built — wall, ceiling, and lamps reading from the same source.

Directors: @global_studio (Julien Malègue & Antoine Mayet) · DOP: @jakescottdp · Agency: @the7th.house · Production: @wearepartizan · Gaffer: @eduardsstefanovics · Choreography & dance: Nicolas Huchard · Dancer: Xiaoyi Liu · Client: @lacoste · Shot at @ledunit_studio

Get a quote — link in bio

#virtualproduction #ICVFX #ledunit #pixelmapping #unrealengine #cinematography #ledwall #lacoste

Our LED wall doesn't just light the world behind the dancer. It lights the dancer too.

On Lacoste "Shot The Lights Out" we sampled regions of the wall with NDI Capture, ran the feed through MadMapper to convert each zone into DMX, and pushed it out through a Chamsys MagicQ PC Wing to 40 Solaris Flare XL36 fixtures rigged in the truss above set. 1,440 RGBW pixels of practical light, following the wall through every phase — sunrise gradient, organic motion, motion-blur empowerment.

No keyed-in highlights in post. No second-guessing the colour cast. What hit the lens is what we built — wall, ceiling, and lamps reading from the same source.

Directors: @global_studio (Julien Malègue & Antoine Mayet) · DOP: @jakescottdp · Agency: @the7th.house · Production: @wearepartizan · Gaffer: @eduardsstefanovics · Choreography & dance: Nicolas Huchard · Dancer: Xiaoyi Liu · Client: @lacoste · Shot at @ledunit_studio

Get a quote — link in bio

#virtualproduction #ICVFX #ledunit #pixelmapping #unrealengine #cinematography #ledwall #lacoste

Our LED wall doesn't just light the world behind the dancer. It lights the dancer too.

On Lacoste "Shot The Lights Out" we sampled regions of the wall with NDI Capture, ran the feed through MadMapper to convert each zone into DMX, and pushed it out through a Chamsys MagicQ PC Wing to 40 Solaris Flare XL36 fixtures rigged in the truss above set. 1,440 RGBW pixels of practical light, following the wall through every phase — sunrise gradient, organic motion, motion-blur empowerment.

No keyed-in highlights in post. No second-guessing the colour cast. What hit the lens is what we built — wall, ceiling, and lamps reading from the same source.

Directors: @global_studio (Julien Malègue & Antoine Mayet) · DOP: @jakescottdp · Agency: @the7th.house · Production: @wearepartizan · Gaffer: @eduardsstefanovics · Choreography & dance: Nicolas Huchard · Dancer: Xiaoyi Liu · Client: @lacoste · Shot at @ledunit_studio

Get a quote — link in bio

#virtualproduction #ICVFX #ledunit #pixelmapping #unrealengine #cinematography #ledwall #lacoste

Two music videos. Two completely different worlds. One LED volume in Riga.

We built both Imminence environments — "Death Shall Have No Dominion" and "God Fearing Man" — on the same stage. Different lighting, different sets, same crew, same wall. Watch the swap.

Director: @pashatre
DOP: @rayneeed
Production: @tre.film
Band: @imminenceswe
Shot at @ledunit_studio

Get a quote — link in bio

#virtualproduction #ICVFX #ledunit #unrealengine #musicvideo

On the moon, anyone can dunk like Jordan. Or so we figured.

We built a lunar surface in Unreal Engine for a Eurojackpot commercial — slam dunks, free throws, and a Eurojackpot flag where Apollo's used to be. All shot in our LED volume in Riga, with the stunt team on a techno crane and a real basketball hoop on the moon.

Swipe to see how we made it →

Director: @garidas
DOP: @evansteez
Production Design: @straupedesign
Production: @filmikiproductions
Producer: @pathykatsoufi
Service production: @formaprofilms
Gaffer: @eduardsstefanovics
VP Supervisor: @simonhegarty
Shot at @ledunit_studio

Get a quote — link in bio

#virtualproduction #ICVFX #ledunit #unrealengine #commercialproduction

On the moon, anyone can dunk like Jordan. Or so we figured.

We built a lunar surface in Unreal Engine for a Eurojackpot commercial — slam dunks, free throws, and a Eurojackpot flag where Apollo's used to be. All shot in our LED volume in Riga, with the stunt team on a techno crane and a real basketball hoop on the moon.

Swipe to see how we made it →

Director: @garidas
DOP: @evansteez
Production Design: @straupedesign
Production: @filmikiproductions
Producer: @pathykatsoufi
Service production: @formaprofilms
Gaffer: @eduardsstefanovics
VP Supervisor: @simonhegarty
Shot at @ledunit_studio

Get a quote — link in bio

#virtualproduction #ICVFX #ledunit #unrealengine #commercialproduction

On the moon, anyone can dunk like Jordan. Or so we figured.

We built a lunar surface in Unreal Engine for a Eurojackpot commercial — slam dunks, free throws, and a Eurojackpot flag where Apollo's used to be. All shot in our LED volume in Riga, with the stunt team on a techno crane and a real basketball hoop on the moon.

Swipe to see how we made it →

Director: @garidas
DOP: @evansteez
Production Design: @straupedesign
Production: @filmikiproductions
Producer: @pathykatsoufi
Service production: @formaprofilms
Gaffer: @eduardsstefanovics
VP Supervisor: @simonhegarty
Shot at @ledunit_studio

Get a quote — link in bio

#virtualproduction #ICVFX #ledunit #unrealengine #commercialproduction

On the moon, anyone can dunk like Jordan. Or so we figured.

We built a lunar surface in Unreal Engine for a Eurojackpot commercial — slam dunks, free throws, and a Eurojackpot flag where Apollo's used to be. All shot in our LED volume in Riga, with the stunt team on a techno crane and a real basketball hoop on the moon.

Swipe to see how we made it →

Director: @garidas
DOP: @evansteez
Production Design: @straupedesign
Production: @filmikiproductions
Producer: @pathykatsoufi
Service production: @formaprofilms
Gaffer: @eduardsstefanovics
VP Supervisor: @simonhegarty
Shot at @ledunit_studio

Get a quote — link in bio

#virtualproduction #ICVFX #ledunit #unrealengine #commercialproduction

On the moon, anyone can dunk like Jordan. Or so we figured.

We built a lunar surface in Unreal Engine for a Eurojackpot commercial — slam dunks, free throws, and a Eurojackpot flag where Apollo's used to be. All shot in our LED volume in Riga, with the stunt team on a techno crane and a real basketball hoop on the moon.

Swipe to see how we made it →

Director: @garidas
DOP: @evansteez
Production Design: @straupedesign
Production: @filmikiproductions
Producer: @pathykatsoufi
Service production: @formaprofilms
Gaffer: @eduardsstefanovics
VP Supervisor: @simonhegarty
Shot at @ledunit_studio

Get a quote — link in bio

#virtualproduction #ICVFX #ledunit #unrealengine #commercialproduction

On the moon, anyone can dunk like Jordan. Or so we figured.

We built a lunar surface in Unreal Engine for a Eurojackpot commercial — slam dunks, free throws, and a Eurojackpot flag where Apollo's used to be. All shot in our LED volume in Riga, with the stunt team on a techno crane and a real basketball hoop on the moon.

Swipe to see how we made it →

Director: @garidas
DOP: @evansteez
Production Design: @straupedesign
Production: @filmikiproductions
Producer: @pathykatsoufi
Service production: @formaprofilms
Gaffer: @eduardsstefanovics
VP Supervisor: @simonhegarty
Shot at @ledunit_studio

Get a quote — link in bio

#virtualproduction #ICVFX #ledunit #unrealengine #commercialproduction

**Look up.**

The wall gets all the credit. But the ceiling is what sells the lighting.

A 26.5-metre curved LED wall paints the world behind your talent. The LED ceiling — directly above them — is what lands on their hair, their shoulders, the top of the sofa, the rim of a helmet bubble. It's the soft warm sky on Mars. The cool blue spill in a city build. The pink magic-hour wash that screen-only setups can't fake.

Audible "Sofa Travel" (Accenture Song / Parasol Island, shot at LED Unit Riga): five worlds in fifteen hours, and on every one the ceiling is doing half the lighting work.

Real top-light, in-camera, from a screen — not a gel.

Get a quote — link in bio.

#virtualproduction #ICVFX #ledunit #unrealengine #cinematography

**Look up.**

The wall gets all the credit. But the ceiling is what sells the lighting.

A 26.5-metre curved LED wall paints the world behind your talent. The LED ceiling — directly above them — is what lands on their hair, their shoulders, the top of the sofa, the rim of a helmet bubble. It's the soft warm sky on Mars. The cool blue spill in a city build. The pink magic-hour wash that screen-only setups can't fake.

Audible "Sofa Travel" (Accenture Song / Parasol Island, shot at LED Unit Riga): five worlds in fifteen hours, and on every one the ceiling is doing half the lighting work.

Real top-light, in-camera, from a screen — not a gel.

Get a quote — link in bio.

#virtualproduction #ICVFX #ledunit #unrealengine #cinematography

**Look up.**

The wall gets all the credit. But the ceiling is what sells the lighting.

A 26.5-metre curved LED wall paints the world behind your talent. The LED ceiling — directly above them — is what lands on their hair, their shoulders, the top of the sofa, the rim of a helmet bubble. It's the soft warm sky on Mars. The cool blue spill in a city build. The pink magic-hour wash that screen-only setups can't fake.

Audible "Sofa Travel" (Accenture Song / Parasol Island, shot at LED Unit Riga): five worlds in fifteen hours, and on every one the ceiling is doing half the lighting work.

Real top-light, in-camera, from a screen — not a gel.

Get a quote — link in bio.

#virtualproduction #ICVFX #ledunit #unrealengine #cinematography

**Look up.**

The wall gets all the credit. But the ceiling is what sells the lighting.

A 26.5-metre curved LED wall paints the world behind your talent. The LED ceiling — directly above them — is what lands on their hair, their shoulders, the top of the sofa, the rim of a helmet bubble. It's the soft warm sky on Mars. The cool blue spill in a city build. The pink magic-hour wash that screen-only setups can't fake.

Audible "Sofa Travel" (Accenture Song / Parasol Island, shot at LED Unit Riga): five worlds in fifteen hours, and on every one the ceiling is doing half the lighting work.

Real top-light, in-camera, from a screen — not a gel.

Get a quote — link in bio.

#virtualproduction #ICVFX #ledunit #unrealengine #cinematography

**Look up.**

The wall gets all the credit. But the ceiling is what sells the lighting.

A 26.5-metre curved LED wall paints the world behind your talent. The LED ceiling — directly above them — is what lands on their hair, their shoulders, the top of the sofa, the rim of a helmet bubble. It's the soft warm sky on Mars. The cool blue spill in a city build. The pink magic-hour wash that screen-only setups can't fake.

Audible "Sofa Travel" (Accenture Song / Parasol Island, shot at LED Unit Riga): five worlds in fifteen hours, and on every one the ceiling is doing half the lighting work.

Real top-light, in-camera, from a screen — not a gel.

Get a quote — link in bio.

#virtualproduction #ICVFX #ledunit #unrealengine #cinematography

This park doesn't exist. Neither does the snow, the skyline, or the -20°C wind chill.

We built a full Central Park winter environment in Unreal Engine for a TUMS commercial — frosted trees, glowing street lamps, city skyline, all rendered in real time on our LED volume in Riga.

The cast walked through "New York," skated on real ice, and never left our studio.

Swipe to see how we made it →

Director: @luisakracht
DOP: @natashabraier
Production: @formaprofilms
Shot at @ledunit_studio

#virtualproduction #ICVFX #ledunit #behindthescenes #unrealengine #commercialproduction #filmmaking #ledwall

This park doesn't exist. Neither does the snow, the skyline, or the -20°C wind chill.

We built a full Central Park winter environment in Unreal Engine for a TUMS commercial — frosted trees, glowing street lamps, city skyline, all rendered in real time on our LED volume in Riga.

The cast walked through "New York," skated on real ice, and never left our studio.

Swipe to see how we made it →

Director: @luisakracht
DOP: @natashabraier
Production: @formaprofilms
Shot at @ledunit_studio

#virtualproduction #ICVFX #ledunit #behindthescenes #unrealengine #commercialproduction #filmmaking #ledwall

This park doesn't exist. Neither does the snow, the skyline, or the -20°C wind chill.

We built a full Central Park winter environment in Unreal Engine for a TUMS commercial — frosted trees, glowing street lamps, city skyline, all rendered in real time on our LED volume in Riga.

The cast walked through "New York," skated on real ice, and never left our studio.

Swipe to see how we made it →

Director: @luisakracht
DOP: @natashabraier
Production: @formaprofilms
Shot at @ledunit_studio

#virtualproduction #ICVFX #ledunit #behindthescenes #unrealengine #commercialproduction #filmmaking #ledwall

This park doesn't exist. Neither does the snow, the skyline, or the -20°C wind chill.

We built a full Central Park winter environment in Unreal Engine for a TUMS commercial — frosted trees, glowing street lamps, city skyline, all rendered in real time on our LED volume in Riga.

The cast walked through "New York," skated on real ice, and never left our studio.

Swipe to see how we made it →

Director: @luisakracht
DOP: @natashabraier
Production: @formaprofilms
Shot at @ledunit_studio

#virtualproduction #ICVFX #ledunit #behindthescenes #unrealengine #commercialproduction #filmmaking #ledwall

This park doesn't exist. Neither does the snow, the skyline, or the -20°C wind chill.

We built a full Central Park winter environment in Unreal Engine for a TUMS commercial — frosted trees, glowing street lamps, city skyline, all rendered in real time on our LED volume in Riga.

The cast walked through "New York," skated on real ice, and never left our studio.

Swipe to see how we made it →

Director: @luisakracht
DOP: @natashabraier
Production: @formaprofilms
Shot at @ledunit_studio

#virtualproduction #ICVFX #ledunit #behindthescenes #unrealengine #commercialproduction #filmmaking #ledwall

This park doesn't exist. Neither does the snow, the skyline, or the -20°C wind chill.

We built a full Central Park winter environment in Unreal Engine for a TUMS commercial — frosted trees, glowing street lamps, city skyline, all rendered in real time on our LED volume in Riga.

The cast walked through "New York," skated on real ice, and never left our studio.

Swipe to see how we made it →

Director: @luisakracht
DOP: @natashabraier
Production: @formaprofilms
Shot at @ledunit_studio

#virtualproduction #ICVFX #ledunit #behindthescenes #unrealengine #commercialproduction #filmmaking #ledwall

In film production, every detail matters. At LED Unit Virtual Production Studio, attention to detail is not optional — our team carefully controls lighting, color, perspective, and environment to ensure that every frame is visually consistent and cinematic. #virtualproduction #unrealengine #filmproduction #ledunit #filmmaking

The LED Unit Virtual Production Studio is staffed by a skilled crew who combine technical precision with creative thinking. Every role is essential in shaping the final result, from virtual production supervisors and real-time engine operators to lighting specialists and VFX artists.
#virtualproduction #unrealengine #filmproduction #filmmaking #ledunit

With LED Unit Virtual Production Studio, you are no longer limited by physical locations.

A stadium, a forest, a desert, a city or deep space — any environment can become part of your scene, created in real time using ICVFX directly during the shoot.

You decide where the story takes place. The only limit is your concept. #virtualproduction #unrealengine #filmproduction #ledunit #filmmaking

At LED Unit Virtual Production Studio, every project is supported by a highly experienced professional crew — specialists who understand the full potential of virtual production and ICVFX workflows.

From pre-production planning to the final shot, our team works closely with directors, cinematographers, production designers, and VFX supervisors to ensure that every scene is executed with precision.

#virtualproduction #unrealengine #filmproduction #ledunit #filmmaking