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That’s a wrap on Render Network’s #RenderCon 🔥

From every speaker to every detail, it surpassed all expectations.

Grateful for everyone who made it special.
Recaps + highlights coming soon - stay tuned.

“Gerçekleri tarih yazar, tarihi Galatasaray” 🇹🇷

Translation: History writes the facts, Galatasaray writes the history…

This incredible piece by @bastheadstudio, a Render Network Grant recipient, was created for the @galatasaray UEFA 2000 Tribute Film.

Rendered on Redshift using the Render Network.

Step inside “1685: Immersive,” a breathtaking collab by @DavidAriew, @chelseaevenstar, and @Zedd, originally part of Zedd’s Coachella opening set.

Months of intricate detail in Procreate, 18K rendering on the Render Network. Watch David attempt to capture every detail in slide 3 - seeing his piece come to life for the first time.

Open through Dec 13 - get your tickets to experience SUBMERGE (link in bio).

Step inside “1685: Immersive,” a breathtaking collab by @DavidAriew, @chelseaevenstar, and @Zedd, originally part of Zedd’s Coachella opening set.

Months of intricate detail in Procreate, 18K rendering on the Render Network. Watch David attempt to capture every detail in slide 3 - seeing his piece come to life for the first time.

Open through Dec 13 - get your tickets to experience SUBMERGE (link in bio).

Step inside “1685: Immersive,” a breathtaking collab by @DavidAriew, @chelseaevenstar, and @Zedd, originally part of Zedd’s Coachella opening set.

Months of intricate detail in Procreate, 18K rendering on the Render Network. Watch David attempt to capture every detail in slide 3 - seeing his piece come to life for the first time.

Open through Dec 13 - get your tickets to experience SUBMERGE (link in bio).

The April monthly report is now live!

This month features #RenderCon2026 recap, the passing of RNP-023 bringing Salad’s node operator rewards to RENDER, and an appearance on the @allincryptoofficial podcast.

Full report now available - link in bio.

Andrey Lebrov, Head of CG & VFX Production and Founder of LMI, walked through his Octane Assembly Pipeline at #RC2026.

What you're watching: a snippet of a 300GB animated forest and groomed creature walking through it. Built in Houdini, assembled in Octane Standalone, rendered entirely on Render Network.

No in-house machines. No crashes. Would not have been possible without these combined tools.
Full talk - link in bio.

@alexpearce3d, co-founder of Sim-Plates, built his virtual production company on Render Network, and still depends on it to deliver 12K driving plates on broadcast deadlines, even with a 16-GPU A6000 farm in-house.

He told the story at RenderCon 2026 - watch full talk (Link in bio).

@alexpearce3d, co-founder of Sim-Plates, built his virtual production company on Render Network, and still depends on it to deliver 12K driving plates on broadcast deadlines, even with a 16-GPU A6000 farm in-house.

He told the story at RenderCon 2026 - watch full talk (Link in bio).

Watch the exclusive talk of #sunnyosahn for free @sunnyosahn from @rendertoken by #motionplusdesign >>> (website link in the bio)

#motiondesign #motiongraphics #motiondesigners

In 2024, I had the chance to work on a small batch of visuals for @zedd's TELOS Tour. The goal was to create a set of minimal, but 3D 'VJ Tools' to integrate into the arch-shaped LED wall at the center of his stage. These visuals were used to help the audience see depth in the LED wall, and to combine with the production in moments with heavy use of lasers and lights.

I've compiled some of my favourite photos and videos of the visuals as they were being toured across the USA, South America, and Asia. In 2014, Zedd was one of the first DJs I saw perform after I had started my daily GIF artworks, so it felt like a very full-circle moment to see these visuals a decade later on some massive stages including the Ultra Miami main stage.

I've also included a few breakdowns of the individual layers for each visual.

Huge thank you to @_sillygabe_ for bringing me on for this project!

Photo credits: @ai.visuals @kursza @leep_che @ps66sss @ryandaveyphoto @zedd @pislices

Video credits: guanhong1009 (YouTube, Slide 2+5), Pi-Slices (Slide 7, from when I saw the show in Seattle!)

Visuals made with @maxon.cinema.4d @otoy @rendertoken

Images / visuals compiled @cavalry.app

In 2024, I had the chance to work on a small batch of visuals for @zedd's TELOS Tour. The goal was to create a set of minimal, but 3D 'VJ Tools' to integrate into the arch-shaped LED wall at the center of his stage. These visuals were used to help the audience see depth in the LED wall, and to combine with the production in moments with heavy use of lasers and lights.

I've compiled some of my favourite photos and videos of the visuals as they were being toured across the USA, South America, and Asia. In 2014, Zedd was one of the first DJs I saw perform after I had started my daily GIF artworks, so it felt like a very full-circle moment to see these visuals a decade later on some massive stages including the Ultra Miami main stage.

I've also included a few breakdowns of the individual layers for each visual.

Huge thank you to @_sillygabe_ for bringing me on for this project!

Photo credits: @ai.visuals @kursza @leep_che @ps66sss @ryandaveyphoto @zedd @pislices

Video credits: guanhong1009 (YouTube, Slide 2+5), Pi-Slices (Slide 7, from when I saw the show in Seattle!)

Visuals made with @maxon.cinema.4d @otoy @rendertoken

Images / visuals compiled @cavalry.app

In 2024, I had the chance to work on a small batch of visuals for @zedd's TELOS Tour. The goal was to create a set of minimal, but 3D 'VJ Tools' to integrate into the arch-shaped LED wall at the center of his stage. These visuals were used to help the audience see depth in the LED wall, and to combine with the production in moments with heavy use of lasers and lights.

I've compiled some of my favourite photos and videos of the visuals as they were being toured across the USA, South America, and Asia. In 2014, Zedd was one of the first DJs I saw perform after I had started my daily GIF artworks, so it felt like a very full-circle moment to see these visuals a decade later on some massive stages including the Ultra Miami main stage.

I've also included a few breakdowns of the individual layers for each visual.

Huge thank you to @_sillygabe_ for bringing me on for this project!

Photo credits: @ai.visuals @kursza @leep_che @ps66sss @ryandaveyphoto @zedd @pislices

Video credits: guanhong1009 (YouTube, Slide 2+5), Pi-Slices (Slide 7, from when I saw the show in Seattle!)

Visuals made with @maxon.cinema.4d @otoy @rendertoken

Images / visuals compiled @cavalry.app

In 2024, I had the chance to work on a small batch of visuals for @zedd's TELOS Tour. The goal was to create a set of minimal, but 3D 'VJ Tools' to integrate into the arch-shaped LED wall at the center of his stage. These visuals were used to help the audience see depth in the LED wall, and to combine with the production in moments with heavy use of lasers and lights.

I've compiled some of my favourite photos and videos of the visuals as they were being toured across the USA, South America, and Asia. In 2014, Zedd was one of the first DJs I saw perform after I had started my daily GIF artworks, so it felt like a very full-circle moment to see these visuals a decade later on some massive stages including the Ultra Miami main stage.

I've also included a few breakdowns of the individual layers for each visual.

Huge thank you to @_sillygabe_ for bringing me on for this project!

Photo credits: @ai.visuals @kursza @leep_che @ps66sss @ryandaveyphoto @zedd @pislices

Video credits: guanhong1009 (YouTube, Slide 2+5), Pi-Slices (Slide 7, from when I saw the show in Seattle!)

Visuals made with @maxon.cinema.4d @otoy @rendertoken

Images / visuals compiled @cavalry.app

In 2024, I had the chance to work on a small batch of visuals for @zedd's TELOS Tour. The goal was to create a set of minimal, but 3D 'VJ Tools' to integrate into the arch-shaped LED wall at the center of his stage. These visuals were used to help the audience see depth in the LED wall, and to combine with the production in moments with heavy use of lasers and lights.

I've compiled some of my favourite photos and videos of the visuals as they were being toured across the USA, South America, and Asia. In 2014, Zedd was one of the first DJs I saw perform after I had started my daily GIF artworks, so it felt like a very full-circle moment to see these visuals a decade later on some massive stages including the Ultra Miami main stage.

I've also included a few breakdowns of the individual layers for each visual.

Huge thank you to @_sillygabe_ for bringing me on for this project!

Photo credits: @ai.visuals @kursza @leep_che @ps66sss @ryandaveyphoto @zedd @pislices

Video credits: guanhong1009 (YouTube, Slide 2+5), Pi-Slices (Slide 7, from when I saw the show in Seattle!)

Visuals made with @maxon.cinema.4d @otoy @rendertoken

Images / visuals compiled @cavalry.app

In 2024, I had the chance to work on a small batch of visuals for @zedd's TELOS Tour. The goal was to create a set of minimal, but 3D 'VJ Tools' to integrate into the arch-shaped LED wall at the center of his stage. These visuals were used to help the audience see depth in the LED wall, and to combine with the production in moments with heavy use of lasers and lights.

I've compiled some of my favourite photos and videos of the visuals as they were being toured across the USA, South America, and Asia. In 2014, Zedd was one of the first DJs I saw perform after I had started my daily GIF artworks, so it felt like a very full-circle moment to see these visuals a decade later on some massive stages including the Ultra Miami main stage.

I've also included a few breakdowns of the individual layers for each visual.

Huge thank you to @_sillygabe_ for bringing me on for this project!

Photo credits: @ai.visuals @kursza @leep_che @ps66sss @ryandaveyphoto @zedd @pislices

Video credits: guanhong1009 (YouTube, Slide 2+5), Pi-Slices (Slide 7, from when I saw the show in Seattle!)

Visuals made with @maxon.cinema.4d @otoy @rendertoken

Images / visuals compiled @cavalry.app

In 2024, I had the chance to work on a small batch of visuals for @zedd's TELOS Tour. The goal was to create a set of minimal, but 3D 'VJ Tools' to integrate into the arch-shaped LED wall at the center of his stage. These visuals were used to help the audience see depth in the LED wall, and to combine with the production in moments with heavy use of lasers and lights.

I've compiled some of my favourite photos and videos of the visuals as they were being toured across the USA, South America, and Asia. In 2014, Zedd was one of the first DJs I saw perform after I had started my daily GIF artworks, so it felt like a very full-circle moment to see these visuals a decade later on some massive stages including the Ultra Miami main stage.

I've also included a few breakdowns of the individual layers for each visual.

Huge thank you to @_sillygabe_ for bringing me on for this project!

Photo credits: @ai.visuals @kursza @leep_che @ps66sss @ryandaveyphoto @zedd @pislices

Video credits: guanhong1009 (YouTube, Slide 2+5), Pi-Slices (Slide 7, from when I saw the show in Seattle!)

Visuals made with @maxon.cinema.4d @otoy @rendertoken

Images / visuals compiled @cavalry.app

In 2024, I had the chance to work on a small batch of visuals for @zedd's TELOS Tour. The goal was to create a set of minimal, but 3D 'VJ Tools' to integrate into the arch-shaped LED wall at the center of his stage. These visuals were used to help the audience see depth in the LED wall, and to combine with the production in moments with heavy use of lasers and lights.

I've compiled some of my favourite photos and videos of the visuals as they were being toured across the USA, South America, and Asia. In 2014, Zedd was one of the first DJs I saw perform after I had started my daily GIF artworks, so it felt like a very full-circle moment to see these visuals a decade later on some massive stages including the Ultra Miami main stage.

I've also included a few breakdowns of the individual layers for each visual.

Huge thank you to @_sillygabe_ for bringing me on for this project!

Photo credits: @ai.visuals @kursza @leep_che @ps66sss @ryandaveyphoto @zedd @pislices

Video credits: guanhong1009 (YouTube, Slide 2+5), Pi-Slices (Slide 7, from when I saw the show in Seattle!)

Visuals made with @maxon.cinema.4d @otoy @rendertoken

Images / visuals compiled @cavalry.app

In 2024, I had the chance to work on a small batch of visuals for @zedd's TELOS Tour. The goal was to create a set of minimal, but 3D 'VJ Tools' to integrate into the arch-shaped LED wall at the center of his stage. These visuals were used to help the audience see depth in the LED wall, and to combine with the production in moments with heavy use of lasers and lights.

I've compiled some of my favourite photos and videos of the visuals as they were being toured across the USA, South America, and Asia. In 2014, Zedd was one of the first DJs I saw perform after I had started my daily GIF artworks, so it felt like a very full-circle moment to see these visuals a decade later on some massive stages including the Ultra Miami main stage.

I've also included a few breakdowns of the individual layers for each visual.

Huge thank you to @_sillygabe_ for bringing me on for this project!

Photo credits: @ai.visuals @kursza @leep_che @ps66sss @ryandaveyphoto @zedd @pislices

Video credits: guanhong1009 (YouTube, Slide 2+5), Pi-Slices (Slide 7, from when I saw the show in Seattle!)

Visuals made with @maxon.cinema.4d @otoy @rendertoken

Images / visuals compiled @cavalry.app

B.R.R.D. UNIT DEPLOYED
#brrd #gundam #bass #animeedits #bird

Our custom SNW Bridge! Check out this first of a kind cross over story now! VOY Era meets SNW, all coming together logically.

Made by fans for fans. Share so more fans can enjoy

Rendered in @rendertoken & @otoy

https://www.youtube.com/watch?v=WzmJN_XQpEU

Support us now http://kck.st/3PnGbFq

Justin Bieber’s (@lilbieber) set was one of the most talked-about shows at #Coachella2026. Some of the visuals accompanying the set were created by @certainhouse and rendered on the Render Network.
Their original post listed the full production credits - go show the team some love.

Studio/Creator: Certainhouse
Project: Background visuals for Justin Bieber’s Coachella performance
Render Credit: Rendered on the Render Network
Full Credits: Tagged at Certainhouse’s original post
@certainhouse @lilbieber @rendertoken

Justin Bieber’s (@lilbieber) set was one of the most talked-about shows at #Coachella2026. Some of the visuals accompanying the set were created by @certainhouse and rendered on the Render Network.
Their original post listed the full production credits - go show the team some love.

Studio/Creator: Certainhouse
Project: Background visuals for Justin Bieber’s Coachella performance
Render Credit: Rendered on the Render Network
Full Credits: Tagged at Certainhouse’s original post
@certainhouse @lilbieber @rendertoken

Justin Bieber’s (@lilbieber) set was one of the most talked-about shows at #Coachella2026. Some of the visuals accompanying the set were created by @certainhouse and rendered on the Render Network.
Their original post listed the full production credits - go show the team some love.

Studio/Creator: Certainhouse
Project: Background visuals for Justin Bieber’s Coachella performance
Render Credit: Rendered on the Render Network
Full Credits: Tagged at Certainhouse’s original post
@certainhouse @lilbieber @rendertoken

During the Foundation Updates talk at #RC2026, Render Network Foundation board member Trevor Harries-Jones @trevorhere11 said three things that excite him about Dispersed are:

1. Running @blender.official jobs on Dispersed nodes.
2. Generating Gaussian splats on Dispersed first, then in @otoy Studio, and eventually natively inside Octane.
3. The wide range of use cases from various projects building on Dispersed.

During the Foundation Updates talk at #RC2026, Render Network Foundation board member Trevor Harries-Jones @trevorhere11 said three things that excite him about Dispersed are:

1. Running @blender.official jobs on Dispersed nodes.
2. Generating Gaussian splats on Dispersed first, then in @otoy Studio, and eventually natively inside Octane.
3. The wide range of use cases from various projects building on Dispersed.

During the Foundation Updates talk at #RC2026, Render Network Foundation board member Trevor Harries-Jones @trevorhere11 said three things that excite him about Dispersed are:

1. Running @blender.official jobs on Dispersed nodes.
2. Generating Gaussian splats on Dispersed first, then in @otoy Studio, and eventually natively inside Octane.
3. The wide range of use cases from various projects building on Dispersed.