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For the last few months we've been working in the background on a new release into our functional sculpture range with our friends over at @chongoffice

Introducing the ‘Deflated Balloon Hanger” by @chongshopp . A fun but aesthetically and functionally pleasing clothes hanger, sustainably made from 100% @defy_design recycled plastic in Sydney, Australia.

Now available by order as a one piece item in 'Ink Black', Barbie Pink', 'Pool Blue', 'Sunny Lime' and 'Laundry White' or as a three pack (Pink, Blue and Lime). Order via the website, in store or contact us by email. Also available in commercial quantites.

Please kindly note that due to the nature of the material, recycled plastics, slight variation of colours across our ‘Deflated Balloon Hangers’ might be visible, making your piece unique and one-of-a-kind!

Please visit our website where you can find the product up the top on the home page!

About Chong Shop

Chong Shop is a new venture of Chong Office, an independent artist practice based in Melbourne. Initiated as a fun passion project back in 2022, we talk, source, and experiment with things we see, hear, and feel in our daily lives. Throughout our journeys, we explore conversations between forms, materials and functionality of everyday objects, venturing into new, endless possibilities.

Material responsibility informs how our creations come to life. Working closely with our manufacturing partner, Defy Design, a Sydney-based plastic recycling company pioneering in closed-loop production, every hanger is made in Sydney from 100% locally sourced recycled plastic, shaped through thoughtful processes and dedication to a sustainable future.

Adelaide friends! Visit @sodaobjects to see our ‘Deflated Balloon Hanger’ in person 🩵 You’ll be surprised

100% Recycled Plastic. Made in Sydney.

Photography SODA OBJECTS

#ChongShop #DeflatedBalloonHanger #RecycledPlastic #Homeware #ContemporaryDesign

'Globe' chair in motion by Pierre Paulin for Artifort. Made in the Netherlands.

See sodaobjects.com for all details, DM or email

MELANCHOLY | Side Table 02
350x300x750mmH
Aluminium, glass
2025

Made for @sodaobjects group show “Clockwork” curated by @mazmis for @every_where_adl Adelaide Design Week 2025

Glass cast by @drew_spangenberg, @bindinimmoglass and @artbybeast

Images taken at @soda__studios

MELANCHOLY | Side Table 02
350x300x750mmH
Aluminium, glass
2025

Made for @sodaobjects group show “Clockwork” curated by @mazmis for @every_where_adl Adelaide Design Week 2025

Glass cast by @drew_spangenberg, @bindinimmoglass and @artbybeast

Images taken at @soda__studios

MELANCHOLY | Side Table 02
350x300x750mmH
Aluminium, glass
2025

Made for @sodaobjects group show “Clockwork” curated by @mazmis for @every_where_adl Adelaide Design Week 2025

Glass cast by @drew_spangenberg, @bindinimmoglass and @artbybeast

Images taken at @soda__studios

MELANCHOLY | Side Table 02
350x300x750mmH
Aluminium, glass
2025

Made for @sodaobjects group show “Clockwork” curated by @mazmis for @every_where_adl Adelaide Design Week 2025

Glass cast by @drew_spangenberg, @bindinimmoglass and @artbybeast

Images taken at @soda__studios

MELANCHOLY | Side Table 02
350x300x750mmH
Aluminium, glass
2025

Made for @sodaobjects group show “Clockwork” curated by @mazmis for @every_where_adl Adelaide Design Week 2025

Glass cast by @drew_spangenberg, @bindinimmoglass and @artbybeast

Images taken at @soda__studios

MELANCHOLY | Side Table 02
350x300x750mmH
Aluminium, glass
2025

Made for @sodaobjects group show “Clockwork” curated by @mazmis for @every_where_adl Adelaide Design Week 2025

Glass cast by @drew_spangenberg, @bindinimmoglass and @artbybeast

Images taken at @soda__studios

MELANCHOLY | Side Table 02
350x300x750mmH
Aluminium, glass
2025

Made for @sodaobjects group show “Clockwork” curated by @mazmis for @every_where_adl Adelaide Design Week 2025

Glass cast by @drew_spangenberg, @bindinimmoglass and @artbybeast

Images taken at @soda__studios

Cast Coffee Table
1000x600x400mmH
Aluminium
2025

Made for @sodaobjects group show “Clockwork” curated by @mazmis for @every_where_adlAdelaide Design Week 2025

Images taken at @soda__studios

Cast Coffee Table
1000x600x400mmH
Aluminium
2025

Made for @sodaobjects group show “Clockwork” curated by @mazmis for @every_where_adlAdelaide Design Week 2025

Images taken at @soda__studios

Cast Coffee Table
1000x600x400mmH
Aluminium
2025

Made for @sodaobjects group show “Clockwork” curated by @mazmis for @every_where_adlAdelaide Design Week 2025

Images taken at @soda__studios

Cast Coffee Table
1000x600x400mmH
Aluminium
2025

Made for @sodaobjects group show “Clockwork” curated by @mazmis for @every_where_adlAdelaide Design Week 2025

Images taken at @soda__studios

Cast Coffee Table
1000x600x400mmH
Aluminium
2025

Made for @sodaobjects group show “Clockwork” curated by @mazmis for @every_where_adlAdelaide Design Week 2025

Images taken at @soda__studios

Cast Coffee Table
1000x600x400mmH
Aluminium
2025

Made for @sodaobjects group show “Clockwork” curated by @mazmis for @every_where_adlAdelaide Design Week 2025

Images taken at @soda__studios

Chene Armchair by Mathieu Cottin. Solid American Oak with an boucle upholstered seat and formed leather backrest. First designed 2019 and made locally in South Australia.

Mathieu Cottin is a French-origin furniture maker based in Adelaide, South Australia, known for handmade, design-driven, craft-inspired furniture. He combines his European upholstery background with local woodwork, participates in design events (like Denfair), and is part of Adelaide’s maker community.

Listing is specifically for the chair in stock and can be viewed instore. For bespoke options or quantities more than one, please use the enquiry option on our website or DM/email hello@sodaobjects.com

Chene Armchair by Mathieu Cottin. Solid American Oak with an boucle upholstered seat and formed leather backrest. First designed 2019 and made locally in South Australia.

Mathieu Cottin is a French-origin furniture maker based in Adelaide, South Australia, known for handmade, design-driven, craft-inspired furniture. He combines his European upholstery background with local woodwork, participates in design events (like Denfair), and is part of Adelaide’s maker community.

Listing is specifically for the chair in stock and can be viewed instore. For bespoke options or quantities more than one, please use the enquiry option on our website or DM/email hello@sodaobjects.com

Chene Armchair by Mathieu Cottin. Solid American Oak with an boucle upholstered seat and formed leather backrest. First designed 2019 and made locally in South Australia.

Mathieu Cottin is a French-origin furniture maker based in Adelaide, South Australia, known for handmade, design-driven, craft-inspired furniture. He combines his European upholstery background with local woodwork, participates in design events (like Denfair), and is part of Adelaide’s maker community.

Listing is specifically for the chair in stock and can be viewed instore. For bespoke options or quantities more than one, please use the enquiry option on our website or DM/email hello@sodaobjects.com

Chene Armchair by Mathieu Cottin. Solid American Oak with an boucle upholstered seat and formed leather backrest. First designed 2019 and made locally in South Australia.

Mathieu Cottin is a French-origin furniture maker based in Adelaide, South Australia, known for handmade, design-driven, craft-inspired furniture. He combines his European upholstery background with local woodwork, participates in design events (like Denfair), and is part of Adelaide’s maker community.

Listing is specifically for the chair in stock and can be viewed instore. For bespoke options or quantities more than one, please use the enquiry option on our website or DM/email hello@sodaobjects.com

Chene Armchair by Mathieu Cottin. Solid American Oak with an boucle upholstered seat and formed leather backrest. First designed 2019 and made locally in South Australia.

Mathieu Cottin is a French-origin furniture maker based in Adelaide, South Australia, known for handmade, design-driven, craft-inspired furniture. He combines his European upholstery background with local woodwork, participates in design events (like Denfair), and is part of Adelaide’s maker community.

Listing is specifically for the chair in stock and can be viewed instore. For bespoke options or quantities more than one, please use the enquiry option on our website or DM/email hello@sodaobjects.com

Chene Armchair by Mathieu Cottin. Solid American Oak with an boucle upholstered seat and formed leather backrest. First designed 2019 and made locally in South Australia.

Mathieu Cottin is a French-origin furniture maker based in Adelaide, South Australia, known for handmade, design-driven, craft-inspired furniture. He combines his European upholstery background with local woodwork, participates in design events (like Denfair), and is part of Adelaide’s maker community.

Listing is specifically for the chair in stock and can be viewed instore. For bespoke options or quantities more than one, please use the enquiry option on our website or DM/email hello@sodaobjects.com

Chene Armchair by Mathieu Cottin. Solid American Oak with an boucle upholstered seat and formed leather backrest. First designed 2019 and made locally in South Australia.

Mathieu Cottin is a French-origin furniture maker based in Adelaide, South Australia, known for handmade, design-driven, craft-inspired furniture. He combines his European upholstery background with local woodwork, participates in design events (like Denfair), and is part of Adelaide’s maker community.

Listing is specifically for the chair in stock and can be viewed instore. For bespoke options or quantities more than one, please use the enquiry option on our website or DM/email hello@sodaobjects.com

Chene Armchair by Mathieu Cottin. Solid American Oak with an boucle upholstered seat and formed leather backrest. First designed 2019 and made locally in South Australia.

Mathieu Cottin is a French-origin furniture maker based in Adelaide, South Australia, known for handmade, design-driven, craft-inspired furniture. He combines his European upholstery background with local woodwork, participates in design events (like Denfair), and is part of Adelaide’s maker community.

Listing is specifically for the chair in stock and can be viewed instore. For bespoke options or quantities more than one, please use the enquiry option on our website or DM/email hello@sodaobjects.com

'Anfibio’ lounge in tan leather, 3 seater, in the style of Alessandro Becchi, first designed 1971. Named Anfibio, Italian for amphibian, the design draws inspiration from fold-out life rafts, expressed through its fluid form and transformative functionality. Capable of four distinct configurations, it is a refined study in adaptability, balancing sculptural presence with everyday use.

Originally designed in 1971 by Alessandro Becchi, the Anfibio was selected for exhibition at Museum of Modern Art in New York and now resides in MoMA’s permanent collection, alongside those of 12 other major modern art museums worldwide, cementing its status as a landmark of radical Italian design.

Condition: The lounge was made recently and has seen very little use.

Please visit our website via the product link for all details and delivery quote request.

'Anfibio’ lounge in tan leather, 3 seater, in the style of Alessandro Becchi, first designed 1971. Named Anfibio, Italian for amphibian, the design draws inspiration from fold-out life rafts, expressed through its fluid form and transformative functionality. Capable of four distinct configurations, it is a refined study in adaptability, balancing sculptural presence with everyday use.

Originally designed in 1971 by Alessandro Becchi, the Anfibio was selected for exhibition at Museum of Modern Art in New York and now resides in MoMA’s permanent collection, alongside those of 12 other major modern art museums worldwide, cementing its status as a landmark of radical Italian design.

Condition: The lounge was made recently and has seen very little use.

Please visit our website via the product link for all details and delivery quote request.

'Anfibio’ lounge in tan leather, 3 seater, in the style of Alessandro Becchi, first designed 1971. Named Anfibio, Italian for amphibian, the design draws inspiration from fold-out life rafts, expressed through its fluid form and transformative functionality. Capable of four distinct configurations, it is a refined study in adaptability, balancing sculptural presence with everyday use.

Originally designed in 1971 by Alessandro Becchi, the Anfibio was selected for exhibition at Museum of Modern Art in New York and now resides in MoMA’s permanent collection, alongside those of 12 other major modern art museums worldwide, cementing its status as a landmark of radical Italian design.

Condition: The lounge was made recently and has seen very little use.

Please visit our website via the product link for all details and delivery quote request.

'Anfibio’ lounge in tan leather, 3 seater, in the style of Alessandro Becchi, first designed 1971. Named Anfibio, Italian for amphibian, the design draws inspiration from fold-out life rafts, expressed through its fluid form and transformative functionality. Capable of four distinct configurations, it is a refined study in adaptability, balancing sculptural presence with everyday use.

Originally designed in 1971 by Alessandro Becchi, the Anfibio was selected for exhibition at Museum of Modern Art in New York and now resides in MoMA’s permanent collection, alongside those of 12 other major modern art museums worldwide, cementing its status as a landmark of radical Italian design.

Condition: The lounge was made recently and has seen very little use.

Please visit our website via the product link for all details and delivery quote request.

'Anfibio’ lounge in tan leather, 3 seater, in the style of Alessandro Becchi, first designed 1971. Named Anfibio, Italian for amphibian, the design draws inspiration from fold-out life rafts, expressed through its fluid form and transformative functionality. Capable of four distinct configurations, it is a refined study in adaptability, balancing sculptural presence with everyday use.

Originally designed in 1971 by Alessandro Becchi, the Anfibio was selected for exhibition at Museum of Modern Art in New York and now resides in MoMA’s permanent collection, alongside those of 12 other major modern art museums worldwide, cementing its status as a landmark of radical Italian design.

Condition: The lounge was made recently and has seen very little use.

Please visit our website via the product link for all details and delivery quote request.

'Anfibio’ lounge in tan leather, 3 seater, in the style of Alessandro Becchi, first designed 1971. Named Anfibio, Italian for amphibian, the design draws inspiration from fold-out life rafts, expressed through its fluid form and transformative functionality. Capable of four distinct configurations, it is a refined study in adaptability, balancing sculptural presence with everyday use.

Originally designed in 1971 by Alessandro Becchi, the Anfibio was selected for exhibition at Museum of Modern Art in New York and now resides in MoMA’s permanent collection, alongside those of 12 other major modern art museums worldwide, cementing its status as a landmark of radical Italian design.

Condition: The lounge was made recently and has seen very little use.

Please visit our website via the product link for all details and delivery quote request.

'Anfibio’ lounge in tan leather, 3 seater, in the style of Alessandro Becchi, first designed 1971. Named Anfibio, Italian for amphibian, the design draws inspiration from fold-out life rafts, expressed through its fluid form and transformative functionality. Capable of four distinct configurations, it is a refined study in adaptability, balancing sculptural presence with everyday use.

Originally designed in 1971 by Alessandro Becchi, the Anfibio was selected for exhibition at Museum of Modern Art in New York and now resides in MoMA’s permanent collection, alongside those of 12 other major modern art museums worldwide, cementing its status as a landmark of radical Italian design.

Condition: The lounge was made recently and has seen very little use.

Please visit our website via the product link for all details and delivery quote request.

'Anfibio’ lounge in tan leather, 3 seater, in the style of Alessandro Becchi, first designed 1971. Named Anfibio, Italian for amphibian, the design draws inspiration from fold-out life rafts, expressed through its fluid form and transformative functionality. Capable of four distinct configurations, it is a refined study in adaptability, balancing sculptural presence with everyday use.

Originally designed in 1971 by Alessandro Becchi, the Anfibio was selected for exhibition at Museum of Modern Art in New York and now resides in MoMA’s permanent collection, alongside those of 12 other major modern art museums worldwide, cementing its status as a landmark of radical Italian design.

Condition: The lounge was made recently and has seen very little use.

Please visit our website via the product link for all details and delivery quote request.

'Anfibio’ lounge in tan leather, 3 seater, in the style of Alessandro Becchi, first designed 1971. Named Anfibio, Italian for amphibian, the design draws inspiration from fold-out life rafts, expressed through its fluid form and transformative functionality. Capable of four distinct configurations, it is a refined study in adaptability, balancing sculptural presence with everyday use.

Originally designed in 1971 by Alessandro Becchi, the Anfibio was selected for exhibition at Museum of Modern Art in New York and now resides in MoMA’s permanent collection, alongside those of 12 other major modern art museums worldwide, cementing its status as a landmark of radical Italian design.

Condition: The lounge was made recently and has seen very little use.

Please visit our website via the product link for all details and delivery quote request.

'Anfibio’ lounge in tan leather, 3 seater, in the style of Alessandro Becchi, first designed 1971. Named Anfibio, Italian for amphibian, the design draws inspiration from fold-out life rafts, expressed through its fluid form and transformative functionality. Capable of four distinct configurations, it is a refined study in adaptability, balancing sculptural presence with everyday use.

Originally designed in 1971 by Alessandro Becchi, the Anfibio was selected for exhibition at Museum of Modern Art in New York and now resides in MoMA’s permanent collection, alongside those of 12 other major modern art museums worldwide, cementing its status as a landmark of radical Italian design.

Condition: The lounge was made recently and has seen very little use.

Please visit our website via the product link for all details and delivery quote request.

CAMPUS — 22.02.26

Introducing a series of educational driven talks and presentations ☆

1:00pm
How exhibitions structure attention, narrative, and spatial experience by @drefuzz.tes

2:00pm
@every_where_adl: adelaide design week - open meeting about eoi’s
With @samiagostino , @lara_merrington and @drefuzz.tes

4:00pm
How a retail incubator shapes taste, value and everyday design with Sam McLaren of @sodaobjects and @sabrinasterk

6:00pm
Influence Through Disruption: Analysis of Hood By Air’s FW15 DADDY by @raedhanifie

-
248 Flinders Street, Kaurna Yarta

Surface 004 Side-Table by Claire Markwick-Smith. Made with sanded aluminium, stainless steel fittings and found granite. Manufactured 2024 with some minor signs of use.

625L x 310D x 490H

Claire Markwick-Smith is a designer and maker from Tarntanya/Adelaide. For the past decade, Claire has worked across spatial, installation and object design in Australia and Los Angeles. Making and presenting work at the intersection of design and sculpture, Claire explores the relationship between composition, construction processes and materiality. Trained in interior architecture, Markwick-Smith undertook a year-long residency in 2021 at Adelaide’s George Street Studios, where she developed skills in metal fabrication. Her work has appeared at JamFactory, Adelaide in 2022, at Melbourne Design Week in 2024 and the National Gallery of Victoria in 2025 as a Rigg Design Prize nominee.

For quantities more than one or bespoke options, please DM or email hello@sodaobjects.com

@clairmar

Surface 004 Side-Table by Claire Markwick-Smith. Made with sanded aluminium, stainless steel fittings and found granite. Manufactured 2024 with some minor signs of use.

625L x 310D x 490H

Claire Markwick-Smith is a designer and maker from Tarntanya/Adelaide. For the past decade, Claire has worked across spatial, installation and object design in Australia and Los Angeles. Making and presenting work at the intersection of design and sculpture, Claire explores the relationship between composition, construction processes and materiality. Trained in interior architecture, Markwick-Smith undertook a year-long residency in 2021 at Adelaide’s George Street Studios, where she developed skills in metal fabrication. Her work has appeared at JamFactory, Adelaide in 2022, at Melbourne Design Week in 2024 and the National Gallery of Victoria in 2025 as a Rigg Design Prize nominee.

For quantities more than one or bespoke options, please DM or email hello@sodaobjects.com

@clairmar

Surface 004 Side-Table by Claire Markwick-Smith. Made with sanded aluminium, stainless steel fittings and found granite. Manufactured 2024 with some minor signs of use.

625L x 310D x 490H

Claire Markwick-Smith is a designer and maker from Tarntanya/Adelaide. For the past decade, Claire has worked across spatial, installation and object design in Australia and Los Angeles. Making and presenting work at the intersection of design and sculpture, Claire explores the relationship between composition, construction processes and materiality. Trained in interior architecture, Markwick-Smith undertook a year-long residency in 2021 at Adelaide’s George Street Studios, where she developed skills in metal fabrication. Her work has appeared at JamFactory, Adelaide in 2022, at Melbourne Design Week in 2024 and the National Gallery of Victoria in 2025 as a Rigg Design Prize nominee.

For quantities more than one or bespoke options, please DM or email hello@sodaobjects.com

@clairmar

Surface 004 Side-Table by Claire Markwick-Smith. Made with sanded aluminium, stainless steel fittings and found granite. Manufactured 2024 with some minor signs of use.

625L x 310D x 490H

Claire Markwick-Smith is a designer and maker from Tarntanya/Adelaide. For the past decade, Claire has worked across spatial, installation and object design in Australia and Los Angeles. Making and presenting work at the intersection of design and sculpture, Claire explores the relationship between composition, construction processes and materiality. Trained in interior architecture, Markwick-Smith undertook a year-long residency in 2021 at Adelaide’s George Street Studios, where she developed skills in metal fabrication. Her work has appeared at JamFactory, Adelaide in 2022, at Melbourne Design Week in 2024 and the National Gallery of Victoria in 2025 as a Rigg Design Prize nominee.

For quantities more than one or bespoke options, please DM or email hello@sodaobjects.com

@clairmar

Surface 004 Side-Table by Claire Markwick-Smith. Made with sanded aluminium, stainless steel fittings and found granite. Manufactured 2024 with some minor signs of use.

625L x 310D x 490H

Claire Markwick-Smith is a designer and maker from Tarntanya/Adelaide. For the past decade, Claire has worked across spatial, installation and object design in Australia and Los Angeles. Making and presenting work at the intersection of design and sculpture, Claire explores the relationship between composition, construction processes and materiality. Trained in interior architecture, Markwick-Smith undertook a year-long residency in 2021 at Adelaide’s George Street Studios, where she developed skills in metal fabrication. Her work has appeared at JamFactory, Adelaide in 2022, at Melbourne Design Week in 2024 and the National Gallery of Victoria in 2025 as a Rigg Design Prize nominee.

For quantities more than one or bespoke options, please DM or email hello@sodaobjects.com

@clairmar

Surface 004 Side-Table by Claire Markwick-Smith. Made with sanded aluminium, stainless steel fittings and found granite. Manufactured 2024 with some minor signs of use.

625L x 310D x 490H

Claire Markwick-Smith is a designer and maker from Tarntanya/Adelaide. For the past decade, Claire has worked across spatial, installation and object design in Australia and Los Angeles. Making and presenting work at the intersection of design and sculpture, Claire explores the relationship between composition, construction processes and materiality. Trained in interior architecture, Markwick-Smith undertook a year-long residency in 2021 at Adelaide’s George Street Studios, where she developed skills in metal fabrication. Her work has appeared at JamFactory, Adelaide in 2022, at Melbourne Design Week in 2024 and the National Gallery of Victoria in 2025 as a Rigg Design Prize nominee.

For quantities more than one or bespoke options, please DM or email hello@sodaobjects.com

@clairmar

Surface 004 Side-Table by Claire Markwick-Smith. Made with sanded aluminium, stainless steel fittings and found granite. Manufactured 2024 with some minor signs of use.

625L x 310D x 490H

Claire Markwick-Smith is a designer and maker from Tarntanya/Adelaide. For the past decade, Claire has worked across spatial, installation and object design in Australia and Los Angeles. Making and presenting work at the intersection of design and sculpture, Claire explores the relationship between composition, construction processes and materiality. Trained in interior architecture, Markwick-Smith undertook a year-long residency in 2021 at Adelaide’s George Street Studios, where she developed skills in metal fabrication. Her work has appeared at JamFactory, Adelaide in 2022, at Melbourne Design Week in 2024 and the National Gallery of Victoria in 2025 as a Rigg Design Prize nominee.

For quantities more than one or bespoke options, please DM or email hello@sodaobjects.com

@clairmar

Set of 4, ‘Chair 66’ by Alvar Aalto for Artek, in Natural Birch. First designed 1935, Made in Finland. Originally purchased from Anibou Sydney.

Condition: Very Good, some minor signs of use – minor wear and marking. One chair has a small minimal loss at the top of the back rest. Retains manufacturers tags.

For delivery options and more details, please visit our website, DM or email.

Set of 4, ‘Chair 66’ by Alvar Aalto for Artek, in Natural Birch. First designed 1935, Made in Finland. Originally purchased from Anibou Sydney.

Condition: Very Good, some minor signs of use – minor wear and marking. One chair has a small minimal loss at the top of the back rest. Retains manufacturers tags.

For delivery options and more details, please visit our website, DM or email.

Set of 4, ‘Chair 66’ by Alvar Aalto for Artek, in Natural Birch. First designed 1935, Made in Finland. Originally purchased from Anibou Sydney.

Condition: Very Good, some minor signs of use – minor wear and marking. One chair has a small minimal loss at the top of the back rest. Retains manufacturers tags.

For delivery options and more details, please visit our website, DM or email.

Set of 4, ‘Chair 66’ by Alvar Aalto for Artek, in Natural Birch. First designed 1935, Made in Finland. Originally purchased from Anibou Sydney.

Condition: Very Good, some minor signs of use – minor wear and marking. One chair has a small minimal loss at the top of the back rest. Retains manufacturers tags.

For delivery options and more details, please visit our website, DM or email.

Set of 4, ‘Chair 66’ by Alvar Aalto for Artek, in Natural Birch. First designed 1935, Made in Finland. Originally purchased from Anibou Sydney.

Condition: Very Good, some minor signs of use – minor wear and marking. One chair has a small minimal loss at the top of the back rest. Retains manufacturers tags.

For delivery options and more details, please visit our website, DM or email.

A wonderfully kept pair of 1980's era 'Wassily' chairs in heavy black leather over chrome frames. Chairs of this age are becoming very rare to find in such original "lived in" condition. Reproduction yes, but in our opinion, a very well considered option next to Gavina or Knoll productions.

Condition: Very good with the detailed age and wear.
Leather is firm in the right placed with a small amount of slouch, also in the right places. Chrome very good.

Note: Price for the pair, currently not separating.

Please DM, email or visit sodaobjects.com for purchase and delivery options.

A wonderfully kept pair of 1980's era 'Wassily' chairs in heavy black leather over chrome frames. Chairs of this age are becoming very rare to find in such original "lived in" condition. Reproduction yes, but in our opinion, a very well considered option next to Gavina or Knoll productions.

Condition: Very good with the detailed age and wear.
Leather is firm in the right placed with a small amount of slouch, also in the right places. Chrome very good.

Note: Price for the pair, currently not separating.

Please DM, email or visit sodaobjects.com for purchase and delivery options.

A wonderfully kept pair of 1980's era 'Wassily' chairs in heavy black leather over chrome frames. Chairs of this age are becoming very rare to find in such original "lived in" condition. Reproduction yes, but in our opinion, a very well considered option next to Gavina or Knoll productions.

Condition: Very good with the detailed age and wear.
Leather is firm in the right placed with a small amount of slouch, also in the right places. Chrome very good.

Note: Price for the pair, currently not separating.

Please DM, email or visit sodaobjects.com for purchase and delivery options.

A wonderfully kept pair of 1980's era 'Wassily' chairs in heavy black leather over chrome frames. Chairs of this age are becoming very rare to find in such original "lived in" condition. Reproduction yes, but in our opinion, a very well considered option next to Gavina or Knoll productions.

Condition: Very good with the detailed age and wear.
Leather is firm in the right placed with a small amount of slouch, also in the right places. Chrome very good.

Note: Price for the pair, currently not separating.

Please DM, email or visit sodaobjects.com for purchase and delivery options.

A wonderfully kept pair of 1980's era 'Wassily' chairs in heavy black leather over chrome frames. Chairs of this age are becoming very rare to find in such original "lived in" condition. Reproduction yes, but in our opinion, a very well considered option next to Gavina or Knoll productions.

Condition: Very good with the detailed age and wear.
Leather is firm in the right placed with a small amount of slouch, also in the right places. Chrome very good.

Note: Price for the pair, currently not separating.

Please DM, email or visit sodaobjects.com for purchase and delivery options.

A wonderfully kept pair of 1980's era 'Wassily' chairs in heavy black leather over chrome frames. Chairs of this age are becoming very rare to find in such original "lived in" condition. Reproduction yes, but in our opinion, a very well considered option next to Gavina or Knoll productions.

Condition: Very good with the detailed age and wear.
Leather is firm in the right placed with a small amount of slouch, also in the right places. Chrome very good.

Note: Price for the pair, currently not separating.

Please DM, email or visit sodaobjects.com for purchase and delivery options.

A wonderfully kept pair of 1980's era 'Wassily' chairs in heavy black leather over chrome frames. Chairs of this age are becoming very rare to find in such original "lived in" condition. Reproduction yes, but in our opinion, a very well considered option next to Gavina or Knoll productions.

Condition: Very good with the detailed age and wear.
Leather is firm in the right placed with a small amount of slouch, also in the right places. Chrome very good.

Note: Price for the pair, currently not separating.

Please DM, email or visit sodaobjects.com for purchase and delivery options.

A wonderfully kept pair of 1980's era 'Wassily' chairs in heavy black leather over chrome frames. Chairs of this age are becoming very rare to find in such original "lived in" condition. Reproduction yes, but in our opinion, a very well considered option next to Gavina or Knoll productions.

Condition: Very good with the detailed age and wear.
Leather is firm in the right placed with a small amount of slouch, also in the right places. Chrome very good.

Note: Price for the pair, currently not separating.

Please DM, email or visit sodaobjects.com for purchase and delivery options.

A wonderfully kept pair of 1980's era 'Wassily' chairs in heavy black leather over chrome frames. Chairs of this age are becoming very rare to find in such original "lived in" condition. Reproduction yes, but in our opinion, a very well considered option next to Gavina or Knoll productions.

Condition: Very good with the detailed age and wear.
Leather is firm in the right placed with a small amount of slouch, also in the right places. Chrome very good.

Note: Price for the pair, currently not separating.

Please DM, email or visit sodaobjects.com for purchase and delivery options.

Nelson pedestal table by George Nelson for Herman Miller 1954, made in USA early 2000's. An iconic aluminium based design with bevelled black, compact laminate top and veneered edge.

Table retains original Herman Miller sticker.

72cm W x 55cm H

Condition: Good, consistent with age and use. Some marking to the top laminate. Small loss on veneer edge.

For availability and delivery, please visit sodaobjects.com

Nelson pedestal table by George Nelson for Herman Miller 1954, made in USA early 2000's. An iconic aluminium based design with bevelled black, compact laminate top and veneered edge.

Table retains original Herman Miller sticker.

72cm W x 55cm H

Condition: Good, consistent with age and use. Some marking to the top laminate. Small loss on veneer edge.

For availability and delivery, please visit sodaobjects.com

Nelson pedestal table by George Nelson for Herman Miller 1954, made in USA early 2000's. An iconic aluminium based design with bevelled black, compact laminate top and veneered edge.

Table retains original Herman Miller sticker.

72cm W x 55cm H

Condition: Good, consistent with age and use. Some marking to the top laminate. Small loss on veneer edge.

For availability and delivery, please visit sodaobjects.com

Nelson pedestal table by George Nelson for Herman Miller 1954, made in USA early 2000's. An iconic aluminium based design with bevelled black, compact laminate top and veneered edge.

Table retains original Herman Miller sticker.

72cm W x 55cm H

Condition: Good, consistent with age and use. Some marking to the top laminate. Small loss on veneer edge.

For availability and delivery, please visit sodaobjects.com

Nelson pedestal table by George Nelson for Herman Miller 1954, made in USA early 2000's. An iconic aluminium based design with bevelled black, compact laminate top and veneered edge.

Table retains original Herman Miller sticker.

72cm W x 55cm H

Condition: Good, consistent with age and use. Some marking to the top laminate. Small loss on veneer edge.

For availability and delivery, please visit sodaobjects.com