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The sun isn’t just about brightness.⁠
It’s about where it’s coming from… and how it feels.⁠
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Greig Fraser ASC ACS on recreating sunlight with LEDs—controlling direction, quality, and consistency so it behaves like the real thing ☀️⁠
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Full interview on YouTube. Link in bio⁠
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Director of Photography: @greigfraser_dp ⁠
Gaffer: @the_millsy⁠
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Images courtesy of Greig Fraser and Warner Bros.⁠
Special Thanks: Origin Point, Ronnie Prince⁠
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#creamsource #cinematographer #gafferlighting #ledlighting #tungsten #dunetwo #vortex8⁠

In our latest conversation with Greig Fraser, the Oscar-winning DP behind Dune: Part Two talks about the growing role of LED fixtures on set and the practical advantages they bring to modern productions.⁠
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With another Oscars night behind us and some incredible work recognised, it’s a good moment to reflect on how the tools and techniques behind the craft continue to evolve.⁠
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Watch the complete conversation with Greig Fraser ACS, ASC #Dune2⁠
Link in bio⁠
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⁠Images courtesy of Greig Fraser and Warner Bros.
Special Thanks: Origin Point, Ronnie Prince
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#dunetwo #cinematographers #behindthescenes #lightingsetup #filmcrew #creamsource⁠
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The Oscars are a chance to recognise the craft of cinematography.⁠
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From light and shadow to colour and contrast, it’s the work of cinematographers that defines the visual language of a film.⁠
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Ahead of this weekend’s ceremony, we’re revisiting our conversation with Oscar-winning cinematographer Greig Fraser ACS, ASC from Dune: Part Two. In this clip, Greig talks about the role of colour on set and how those subtle choices help build the world of Arrakis.⁠
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Best of luck to all of this year’s nominees on Saturday ⁠
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Watch the full conversation on our YouTube channel - link in bio⁠.
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⁠Images courtesy of Greig Fraser and Warner Bros.
Special Thanks: Origin Point, Ronnie Prince

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#oscars2026 #creamsource #cinematographers #filmmakers #filmcrew #colouronse

Step Inside ➡️⁠
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Four rooms. One day. The day after Cinegear.⁠
⁠
That Creamsource Thing⁠
Swipe to see what's waiting.⁠
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More soon. 🎙️🧈⁠
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Register - link in bio⁠
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#creamsource #thatcreamsourcething #filmcrew #filmcommunity #cinematographers #gaffers #clt

Step Inside ➡️⁠
⁠
Four rooms. One day. The day after Cinegear.⁠
⁠
That Creamsource Thing⁠
Swipe to see what's waiting.⁠
⁠
More soon. 🎙️🧈⁠
⁠
Register - link in bio⁠
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#creamsource #thatcreamsourcething #filmcrew #filmcommunity #cinematographers #gaffers #clt

Step Inside ➡️⁠
⁠
Four rooms. One day. The day after Cinegear.⁠
⁠
That Creamsource Thing⁠
Swipe to see what's waiting.⁠
⁠
More soon. 🎙️🧈⁠
⁠
Register - link in bio⁠
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#creamsource #thatcreamsourcething #filmcrew #filmcommunity #cinematographers #gaffers #clt

Step Inside ➡️⁠
⁠
Four rooms. One day. The day after Cinegear.⁠
⁠
That Creamsource Thing⁠
Swipe to see what's waiting.⁠
⁠
More soon. 🎙️🧈⁠
⁠
Register - link in bio⁠
⁠
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#creamsource #thatcreamsourcething #filmcrew #filmcommunity #cinematographers #gaffers #clt

Step Inside ➡️⁠
⁠
Four rooms. One day. The day after Cinegear.⁠
⁠
That Creamsource Thing⁠
Swipe to see what's waiting.⁠
⁠
More soon. 🎙️🧈⁠
⁠
Register - link in bio⁠
⁠
⁠
#creamsource #thatcreamsourcething #filmcrew #filmcommunity #cinematographers #gaffers #clt

Lighting Setup for the karaoke scene of THE PITT Episode 215 with Vortex8 and Vortex4 working alongside some lighting faves.⁠
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Directed by John Wells⁠
Written by Scott R Gemmill⁠
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Shot at Warner Brothers Studios⁠
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The incredible Grip and Lighting Team :⁠
Tag yourself in the comments below ⁠
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Director of Photography @johanna_coelho ⁠
Production Design by @ninaruscio ⁠
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Electrics⁠
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CLT — Keelan Carothers @k.carothers⁠
* ACLT — Albee Winbush⁠
* WB ACLT — Brad Budde⁠
* Console Programmer — Brian Wallace⁠
* SLT — Buddy Thomas⁠
* SLT — Daniel Phelps⁠
* SLT — Jazmin Acuistapace⁠
* Add’l SLT — Noah Cruz⁠
* Add’l SLT — Mike Viera⁠
* Add’l SLT — Robert Quinn⁠
* Add’l SLT — Esteban Esquivel⁠
* Add’l SLT — Mitch Ebert⁠
* Add’l SLT — Joe Petkwiz⁠
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Rigging Electrics⁠
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* Rigging Gaffer — Wes Bell⁠
* Rigging Best Boy — Cole Deperna⁠
* Fixtures Foreman — Andrew McIntosh⁠
* Rigging Programmer — Zack Isaac⁠
* Fixture Tech — Fernando Montes⁠
* Rigging SLT — Jerry Wilson⁠
* Rigging SLT — Clay Deperna⁠
* Rigging Tech — Stephanie Choi⁠
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Grips⁠
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* Key Grip — Maxwell Thorpe @mthorpe000 ⁠
* Best Boy Grip — Noah Behar⁠
* Best Boy Grip (WB) — John Koth⁠
* Company Grip — Chris Cotterman⁠
* Company Grip — Kevin Hites⁠
* Company Grip — Dan Preiser⁠
* Add’l Company Grip — Chris Updegrave⁠
* Add’l Company Grip — Pat Heffernan⁠
* Add’l Company Grip — Dana Harlow⁠
* Add’l Company Grip — Josh Markvan⁠
* Add’l Company Grip — Don Jones⁠
* Add’l Company Grip — Paul Lambiase⁠
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Rigging Grip⁠
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* Rigging Key Grip — Josh Ponek⁠
* Rigging BB Grip — Brently Dunivant⁠
* Rigging Grip — Martin Watts⁠
* Rigging Grip — Steve Prior⁠
* Rigging Grip — Guy Pedersen⁠
* Rigging Grip — Dylan Galvan⁠
* Rigging Grip — Jeremy Record⁠
* Rigging Grip — Rick Diaz⁠
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#creamsource #fiilexled #litegear ⁠
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@hbomax @warnerbrostv @johnwellsproductions ⁠
Camera support by @rarebreedswest ⁠
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#lighting #hbomax #warnerbros #cinematography #thepitt #vortex8⁠
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📷 @johanna_coelho

Jealous? You should be. 😏⁠
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A ceiling full of Creamsource SpaceX fixtures has a way of making every set feel just a little more cinematic.⁠
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Soft, powerful, RGBAW, IP65-rated, no heavy external ballast, and just as happy working as a space light, top light, ambient wash, or giant soft key — the SpaceX is basically the lighting equivalent of turning up to set with superpowers.⁠
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Hero move: adding one to your inventory.⁠
Villain move: pretending you don’t want one.⁠
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Discover more: Link in bio⁠
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📷 @allfilmequipment⁠
@rubbbhungdawala ⁠
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#Creamsource #SpaceX #FilmLighting #Cinematography #Gaffer #OnSet #LightingCrew #BehindTheScenes⁠

BTS OF A POOR MAN’S PROCESS 911 ⁠
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No tow rig. No fancy process trailer. Just a last-minute driving shot and a pair of trusty Creamsource Vortex8 fixtures getting the job done. 🚑⚡️⁠
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Sometimes the best setups are the resourceful ones.⁠
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Also… who’s in the ambulance?! 👀⁠
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📷 @deadmegapixel⁠
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#bts #911onabc #film #tv #losangeles #creamsource #vortex8

Gaffer - Sajid 🔥
HIGHEST RECORD OF USING 800 💥 panel lights...
MAJORITY CREAM SOURCE VORTEX 8...

Thanks - BOSS 🎥 SAURABH MONGA...

Rubb Raka 👆🏻☝️
ALL film Equipment
https://allfilmequipments.com/

@sajid_gaffer @rubbbhungdawala @_rohitpushkar_ @farhan_light_@hiteshnakve @yashrajput2524@ujjal.halder9026 @manoj_bamaniya1979 @hanif7921 @yashrajput2524 @_mohitej_ @mr.aatishkhaire
@centrall.zee @shusingh7333 @creamsource
@spencer.newbury @arri @arri_india @filmgearchi @filmrgear @filmgearusa @nanlux_global @nanlux_risa
@pheonlux @yasukacorporation @dmglighting
@maxlight2022 @filmlights @filmmakersworld @filmcrewmagazine @britishcinematographer @cinematography @cinematographyd @cinematographysalon @cinematic_lighting @blackoutlightingconsole @lumenradio @avolitestd @isc.official_ @americanfilminstitute @the__asc @whistling_woods @tiiofficial @cinematography @cinematographydb @cinematogr @bscine @britishcinematographer @american_cinematographer @femalecinematographer #light #lightroom #lights #lightworkersofinstagram #lightscameraaction

We love innovation 💙😆⁠
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Hands free Vortex8⁠
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Thanks @5kruby for the video⁠
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#Cinematography #filmproduction #filmmaking #cameraop #onset #creamsource #vortex8

Where workflows, creativity, and live music collide.

That Creamsource Thing returns. June 7 · Burbank. Full schedule soon.

Registration’s open. Link in bio.

Jesse from Slyyd talks through all the incredible quality-of-life updates in 1.6 and explains how they are going to get you patching, tagging, and bulk editing your lighting setups on set faster than ever.

Watch the full breakdown, then try it yourself with a 2-week Pro trial. Link in bio.

#Slyyd #LightingControl #Cinematography #Filmmaking #DMX

Slyyd 1.6 is here.

A new round of updates focused on making everyday workflows faster and easier on set. Stay tuned for quick tips and tutorials.

Start your 2-week Pro trial. Link in bio.


#slyyd #lightingcontrol #gafferlighting #setlighting #videographers