Instagram Hikaye Görüntüleyici
Instagram Hikayelerini Anonim Olarak Görüntüleyin
buffmonster
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Working a new set of heads, which I’ve wanted to do for quite a while now. Starting with various silhouettes from over the years and sketching them all new. This one of the first steps in the process. Consistent balanced shapes, tons of variations, tons of possibilities 💥💥💥
I’m also releasing a brand new set of posters!
Last summer, my friends at SEEN wheat-pasted these designs around Brooklyn and Manhattan, and I even got in on the action. Seeing them out in the streets was incredibly fun, and a bunch of people asked if I could make them available online — so now’s your chance.
There are four designs to choose from:
Smile Today
Melt With Me
Bright Days Ahead
Keep the Streets Sweet
These were printed with a beautiful satin varnish that gives them a super smooth finish and makes the colors pop in a really nice way. They came out even better than I hoped.
4-color offset print on 100 lb. text paper with satin varnish
18 x 24” (45.7 x 61cm)
Available individually or as a set 💥💥💥
I’m also releasing a brand new set of posters!
Last summer, my friends at SEEN wheat-pasted these designs around Brooklyn and Manhattan, and I even got in on the action. Seeing them out in the streets was incredibly fun, and a bunch of people asked if I could make them available online — so now’s your chance.
There are four designs to choose from:
Smile Today
Melt With Me
Bright Days Ahead
Keep the Streets Sweet
These were printed with a beautiful satin varnish that gives them a super smooth finish and makes the colors pop in a really nice way. They came out even better than I hoped.
4-color offset print on 100 lb. text paper with satin varnish
18 x 24” (45.7 x 61cm)
Available individually or as a set 💥💥💥
I’m also releasing a brand new set of posters!
Last summer, my friends at SEEN wheat-pasted these designs around Brooklyn and Manhattan, and I even got in on the action. Seeing them out in the streets was incredibly fun, and a bunch of people asked if I could make them available online — so now’s your chance.
There are four designs to choose from:
Smile Today
Melt With Me
Bright Days Ahead
Keep the Streets Sweet
These were printed with a beautiful satin varnish that gives them a super smooth finish and makes the colors pop in a really nice way. They came out even better than I hoped.
4-color offset print on 100 lb. text paper with satin varnish
18 x 24” (45.7 x 61cm)
Available individually or as a set 💥💥💥
I’m also releasing a brand new set of posters!
Last summer, my friends at SEEN wheat-pasted these designs around Brooklyn and Manhattan, and I even got in on the action. Seeing them out in the streets was incredibly fun, and a bunch of people asked if I could make them available online — so now’s your chance.
There are four designs to choose from:
Smile Today
Melt With Me
Bright Days Ahead
Keep the Streets Sweet
These were printed with a beautiful satin varnish that gives them a super smooth finish and makes the colors pop in a really nice way. They came out even better than I hoped.
4-color offset print on 100 lb. text paper with satin varnish
18 x 24” (45.7 x 61cm)
Available individually or as a set 💥💥💥
I’m also releasing a brand new set of posters!
Last summer, my friends at SEEN wheat-pasted these designs around Brooklyn and Manhattan, and I even got in on the action. Seeing them out in the streets was incredibly fun, and a bunch of people asked if I could make them available online — so now’s your chance.
There are four designs to choose from:
Smile Today
Melt With Me
Bright Days Ahead
Keep the Streets Sweet
These were printed with a beautiful satin varnish that gives them a super smooth finish and makes the colors pop in a really nice way. They came out even better than I hoped.
4-color offset print on 100 lb. text paper with satin varnish
18 x 24” (45.7 x 61cm)
Available individually or as a set 💥💥💥
I’m also releasing a brand new set of posters!
Last summer, my friends at SEEN wheat-pasted these designs around Brooklyn and Manhattan, and I even got in on the action. Seeing them out in the streets was incredibly fun, and a bunch of people asked if I could make them available online — so now’s your chance.
There are four designs to choose from:
Smile Today
Melt With Me
Bright Days Ahead
Keep the Streets Sweet
These were printed with a beautiful satin varnish that gives them a super smooth finish and makes the colors pop in a really nice way. They came out even better than I hoped.
4-color offset print on 100 lb. text paper with satin varnish
18 x 24” (45.7 x 61cm)
Available individually or as a set 💥💥💥
I’m also releasing a brand new set of posters!
Last summer, my friends at SEEN wheat-pasted these designs around Brooklyn and Manhattan, and I even got in on the action. Seeing them out in the streets was incredibly fun, and a bunch of people asked if I could make them available online — so now’s your chance.
There are four designs to choose from:
Smile Today
Melt With Me
Bright Days Ahead
Keep the Streets Sweet
These were printed with a beautiful satin varnish that gives them a super smooth finish and makes the colors pop in a really nice way. They came out even better than I hoped.
4-color offset print on 100 lb. text paper with satin varnish
18 x 24” (45.7 x 61cm)
Available individually or as a set 💥💥💥
I’m also releasing a brand new set of posters!
Last summer, my friends at SEEN wheat-pasted these designs around Brooklyn and Manhattan, and I even got in on the action. Seeing them out in the streets was incredibly fun, and a bunch of people asked if I could make them available online — so now’s your chance.
There are four designs to choose from:
Smile Today
Melt With Me
Bright Days Ahead
Keep the Streets Sweet
These were printed with a beautiful satin varnish that gives them a super smooth finish and makes the colors pop in a really nice way. They came out even better than I hoped.
4-color offset print on 100 lb. text paper with satin varnish
18 x 24” (45.7 x 61cm)
Available individually or as a set 💥💥💥
I’m also releasing a brand new set of posters!
Last summer, my friends at SEEN wheat-pasted these designs around Brooklyn and Manhattan, and I even got in on the action. Seeing them out in the streets was incredibly fun, and a bunch of people asked if I could make them available online — so now’s your chance.
There are four designs to choose from:
Smile Today
Melt With Me
Bright Days Ahead
Keep the Streets Sweet
These were printed with a beautiful satin varnish that gives them a super smooth finish and makes the colors pop in a really nice way. They came out even better than I hoped.
4-color offset print on 100 lb. text paper with satin varnish
18 x 24” (45.7 x 61cm)
Available individually or as a set 💥💥💥
I’m also releasing a brand new set of posters!
Last summer, my friends at SEEN wheat-pasted these designs around Brooklyn and Manhattan, and I even got in on the action. Seeing them out in the streets was incredibly fun, and a bunch of people asked if I could make them available online — so now’s your chance.
There are four designs to choose from:
Smile Today
Melt With Me
Bright Days Ahead
Keep the Streets Sweet
These were printed with a beautiful satin varnish that gives them a super smooth finish and makes the colors pop in a really nice way. They came out even better than I hoped.
4-color offset print on 100 lb. text paper with satin varnish
18 x 24” (45.7 x 61cm)
Available individually or as a set 💥💥💥
I’m also releasing a brand new set of posters!
Last summer, my friends at SEEN wheat-pasted these designs around Brooklyn and Manhattan, and I even got in on the action. Seeing them out in the streets was incredibly fun, and a bunch of people asked if I could make them available online — so now’s your chance.
There are four designs to choose from:
Smile Today
Melt With Me
Bright Days Ahead
Keep the Streets Sweet
These were printed with a beautiful satin varnish that gives them a super smooth finish and makes the colors pop in a really nice way. They came out even better than I hoped.
4-color offset print on 100 lb. text paper with satin varnish
18 x 24” (45.7 x 61cm)
Available individually or as a set 💥💥💥
I’m also releasing a brand new set of posters!
Last summer, my friends at SEEN wheat-pasted these designs around Brooklyn and Manhattan, and I even got in on the action. Seeing them out in the streets was incredibly fun, and a bunch of people asked if I could make them available online — so now’s your chance.
There are four designs to choose from:
Smile Today
Melt With Me
Bright Days Ahead
Keep the Streets Sweet
These were printed with a beautiful satin varnish that gives them a super smooth finish and makes the colors pop in a really nice way. They came out even better than I hoped.
4-color offset print on 100 lb. text paper with satin varnish
18 x 24” (45.7 x 61cm)
Available individually or as a set 💥💥💥
I’m also releasing a brand new set of posters!
Last summer, my friends at SEEN wheat-pasted these designs around Brooklyn and Manhattan, and I even got in on the action. Seeing them out in the streets was incredibly fun, and a bunch of people asked if I could make them available online — so now’s your chance.
There are four designs to choose from:
Smile Today
Melt With Me
Bright Days Ahead
Keep the Streets Sweet
These were printed with a beautiful satin varnish that gives them a super smooth finish and makes the colors pop in a really nice way. They came out even better than I hoped.
4-color offset print on 100 lb. text paper with satin varnish
18 x 24” (45.7 x 61cm)
Available individually or as a set 💥💥💥
I’m also releasing a brand new set of posters!
Last summer, my friends at SEEN wheat-pasted these designs around Brooklyn and Manhattan, and I even got in on the action. Seeing them out in the streets was incredibly fun, and a bunch of people asked if I could make them available online — so now’s your chance.
There are four designs to choose from:
Smile Today
Melt With Me
Bright Days Ahead
Keep the Streets Sweet
These were printed with a beautiful satin varnish that gives them a super smooth finish and makes the colors pop in a really nice way. They came out even better than I hoped.
4-color offset print on 100 lb. text paper with satin varnish
18 x 24” (45.7 x 61cm)
Available individually or as a set 💥💥💥
I’m also releasing a brand new set of posters!
Last summer, my friends at SEEN wheat-pasted these designs around Brooklyn and Manhattan, and I even got in on the action. Seeing them out in the streets was incredibly fun, and a bunch of people asked if I could make them available online — so now’s your chance.
There are four designs to choose from:
Smile Today
Melt With Me
Bright Days Ahead
Keep the Streets Sweet
These were printed with a beautiful satin varnish that gives them a super smooth finish and makes the colors pop in a really nice way. They came out even better than I hoped.
4-color offset print on 100 lb. text paper with satin varnish
18 x 24” (45.7 x 61cm)
Available individually or as a set 💥💥💥
I’m excited to kick off my first print release of the year with two new releases that grew out of projects I started last year.
First up: a brand new tattoo flash print!
While I was in Vienna last fall for my residency, I spent a lot of time drawing tattoo flash inspired by classic American traditional tattoo designs — skulls, daggers, roses, melting scoops, and all the good stuff. I didn’t get through nearly as many drawings as I wanted while I was there, so once I got home I kept going and built out a much larger collection. This print features a selection of my favorites.
Compared to my original flash print from 2014, this one has an added layer of pink details that really brings everything to life and makes the whole piece feel louder, sweeter, and more playful. It was printed by my longtime friends at Bushwick Print Lab in Brooklyn on Coventry Rag paper, which is hands-down my favorite paper stock. The cotton rag texture holds the ink beautifully and gives the print such a rich, velvety feel in person.
Scoops and Skulls
Edition of 80
2-color silkscreen print on Coventry Rag 290gsm paper
18 x 24” (45.7 x 61cm)
Numbered, signed, and dated
I’m excited to kick off my first print release of the year with two new releases that grew out of projects I started last year.
First up: a brand new tattoo flash print!
While I was in Vienna last fall for my residency, I spent a lot of time drawing tattoo flash inspired by classic American traditional tattoo designs — skulls, daggers, roses, melting scoops, and all the good stuff. I didn’t get through nearly as many drawings as I wanted while I was there, so once I got home I kept going and built out a much larger collection. This print features a selection of my favorites.
Compared to my original flash print from 2014, this one has an added layer of pink details that really brings everything to life and makes the whole piece feel louder, sweeter, and more playful. It was printed by my longtime friends at Bushwick Print Lab in Brooklyn on Coventry Rag paper, which is hands-down my favorite paper stock. The cotton rag texture holds the ink beautifully and gives the print such a rich, velvety feel in person.
Scoops and Skulls
Edition of 80
2-color silkscreen print on Coventry Rag 290gsm paper
18 x 24” (45.7 x 61cm)
Numbered, signed, and dated
I’m excited to kick off my first print release of the year with two new releases that grew out of projects I started last year.
First up: a brand new tattoo flash print!
While I was in Vienna last fall for my residency, I spent a lot of time drawing tattoo flash inspired by classic American traditional tattoo designs — skulls, daggers, roses, melting scoops, and all the good stuff. I didn’t get through nearly as many drawings as I wanted while I was there, so once I got home I kept going and built out a much larger collection. This print features a selection of my favorites.
Compared to my original flash print from 2014, this one has an added layer of pink details that really brings everything to life and makes the whole piece feel louder, sweeter, and more playful. It was printed by my longtime friends at Bushwick Print Lab in Brooklyn on Coventry Rag paper, which is hands-down my favorite paper stock. The cotton rag texture holds the ink beautifully and gives the print such a rich, velvety feel in person.
Scoops and Skulls
Edition of 80
2-color silkscreen print on Coventry Rag 290gsm paper
18 x 24” (45.7 x 61cm)
Numbered, signed, and dated
I’m excited to kick off my first print release of the year with two new releases that grew out of projects I started last year.
First up: a brand new tattoo flash print!
While I was in Vienna last fall for my residency, I spent a lot of time drawing tattoo flash inspired by classic American traditional tattoo designs — skulls, daggers, roses, melting scoops, and all the good stuff. I didn’t get through nearly as many drawings as I wanted while I was there, so once I got home I kept going and built out a much larger collection. This print features a selection of my favorites.
Compared to my original flash print from 2014, this one has an added layer of pink details that really brings everything to life and makes the whole piece feel louder, sweeter, and more playful. It was printed by my longtime friends at Bushwick Print Lab in Brooklyn on Coventry Rag paper, which is hands-down my favorite paper stock. The cotton rag texture holds the ink beautifully and gives the print such a rich, velvety feel in person.
Scoops and Skulls
Edition of 80
2-color silkscreen print on Coventry Rag 290gsm paper
18 x 24” (45.7 x 61cm)
Numbered, signed, and dated
I’m excited to kick off my first print release of the year with two new releases that grew out of projects I started last year.
First up: a brand new tattoo flash print!
While I was in Vienna last fall for my residency, I spent a lot of time drawing tattoo flash inspired by classic American traditional tattoo designs — skulls, daggers, roses, melting scoops, and all the good stuff. I didn’t get through nearly as many drawings as I wanted while I was there, so once I got home I kept going and built out a much larger collection. This print features a selection of my favorites.
Compared to my original flash print from 2014, this one has an added layer of pink details that really brings everything to life and makes the whole piece feel louder, sweeter, and more playful. It was printed by my longtime friends at Bushwick Print Lab in Brooklyn on Coventry Rag paper, which is hands-down my favorite paper stock. The cotton rag texture holds the ink beautifully and gives the print such a rich, velvety feel in person.
Scoops and Skulls
Edition of 80
2-color silkscreen print on Coventry Rag 290gsm paper
18 x 24” (45.7 x 61cm)
Numbered, signed, and dated
I’m excited to kick off my first print release of the year with two new releases that grew out of projects I started last year.
First up: a brand new tattoo flash print!
While I was in Vienna last fall for my residency, I spent a lot of time drawing tattoo flash inspired by classic American traditional tattoo designs — skulls, daggers, roses, melting scoops, and all the good stuff. I didn’t get through nearly as many drawings as I wanted while I was there, so once I got home I kept going and built out a much larger collection. This print features a selection of my favorites.
Compared to my original flash print from 2014, this one has an added layer of pink details that really brings everything to life and makes the whole piece feel louder, sweeter, and more playful. It was printed by my longtime friends at Bushwick Print Lab in Brooklyn on Coventry Rag paper, which is hands-down my favorite paper stock. The cotton rag texture holds the ink beautifully and gives the print such a rich, velvety feel in person.
Scoops and Skulls
Edition of 80
2-color silkscreen print on Coventry Rag 290gsm paper
18 x 24” (45.7 x 61cm)
Numbered, signed, and dated
After nearly a month in Hawaii, I’ve been carving out time to work on some new drawings. After all, it can’t all be a nearly endless feast of Malasadas, shave ice, Li Hing Mui, Haupia pancakes, passion pear pie, mochi, chichi dango, ice cream, Inari, poke, Huli huli chicken, meat jun, Portuguese bean soup, Kalua pig, manapua and all the other local foods that I grew up on 🌴🌴🌴
Today is my birthday! I wasn’t planning on being in Hawaii for this one, but I got lucky! 🌴🏄♂️🌺🦎🌈⭐️🍙🍨🏖️😎
Happy to see that this dude is still here roughly six years later. An earlier photo, before he got so beat up, was used on the cover of the Street Sweets zine last year 🌴🌴🌴
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
Instagram Hikayelerini Gizli Görüntüleyin
Instagram Hikaye Görüntüleyici, Instagram hikayelerini, videoları, fotoğrafları veya IGTV'yi gizlice izleyip kaydetmenizi sağlayan basit bir araçtır. Bu hizmetle, içerikleri indirip istediğiniz zaman çevrimdışı olarak keyfini çıkarabilirsiniz. Instagram'da daha sonra görmek istediğiniz bir şey bulduysanız veya anonim kalmak isterseniz, bizim Görüntüleyicimiz sizin için mükemmeldir. Anonstories, kimliğinizi gizli tutmak için mükemmel bir çözüm sunar. Instagram, Hikaye özelliğini Ağustos 2023'te başlatmış ve bu format, etkileşimi yüksek ve zaman sınırlı olduğu için hızla diğer platformlar tarafından benimsenmiştir. Hikayeler, kullanıcıların hızlı güncellemeler paylaşmasını sağlar; fotoğraflar, videolar veya selfie'ler, metin, emojiler veya filtrelerle zenginleştirilmiş ve sadece 24 saat görünür. Bu sınırlı süre, normal gönderilere göre yüksek etkileşim yaratır. Bugünlerde, Hikayeler sosyal medyada bağlantı kurmanın ve iletişim kurmanın en popüler yollarından biridir. Ancak, bir Hikaye görüntülediğinizde, yaratıcısı adınızı görüntüleyici listesinde görebilir ki bu da gizlilik endişesi yaratabilir. Peki ya Hikayeleri fark edilmeden görüntülemek isterseniz? İşte burada Anonstories devreye girer. Kimliğinizi ifşa etmeden, kamuya açık Instagram içeriğini izlemenizi sağlar. Sadece merak ettiğiniz profilin kullanıcı adını girin, araç size en son Hikayelerini gösterecektir. Anonstories Görüntüleyicisinin Özellikleri: - Anonim Tarama: Hikayeleri görüntüleyici listesine düşmeden izleyin. - Hesap Gerekmez: Instagram hesabı oluşturmadan kamuya açık içeriği görüntüleyin. - İçerik İndirme: Hikaye içeriklerini cihazınıza indirip çevrimdışı olarak kullanabilirsiniz. - Öne Çıkanlar Görüntüleme: Instagram Öne Çıkanlarına erişin, 24 saatlik süreyi aşarak da. - Yeniden Paylaşım Takibi: Kişisel profillerin Hikayeleri üzerindeki paylaşımları veya etkileşim seviyelerini takip edin. Kısıtlamalar: - Bu araç yalnızca açık hesaplarla çalışır; özel hesaplar erişilemez. Yararları: - Gizlilik Dostu: Herhangi bir Instagram içeriğini fark edilmeden izleyin. - Basit ve Kolay: Uygulama yükleme veya kayıt gerekmez. - Özel Araçlar: Instagram’ın sunmadığı şekilde içerik indirme ve yönetme.
Anonstories'in Avantajları
IG Hikayelerini Gizli İzleyin
Instagram güncellemelerini gizlice takip edin, gizliliğinizi koruyun ve anonim kalın.
Özel Instagram Görüntüleyicisi
Özel Profil Görüntüleyicisi ile profilleri ve fotoğrafları anonim olarak kolayca görüntüleyin.
Ücretsiz Hikaye Görüntüleyici
Bu ücretsiz araç, hikaye yükleyicisine görünmeden Instagram Hikayelerini anonim olarak görüntülemenizi sağlar.
Sıkça Sorulan Sorular
Anonimlik
Anonstories, kullanıcıların Instagram hikayelerini yaratıcıyı uyarmadan görüntülemelerini sağlar.
Cihaz Uyumluluğu
iOS, Android, Windows, macOS ve Chrome ile Safari gibi modern tarayıcılarda sorunsuz çalışır.
Güvenlik ve Gizlilik
Giriş bilgisi gerektirmeden güvenli, anonim taramayı ön planda tutar.
Kayıt Gerektirmez
Kullanıcılar, sadece bir kullanıcı adı girerek halka açık hikayeleri görüntüleyebilir—hesap gerekmez.
Desteklenen Formatlar
Fotoğrafları (JPEG) ve videoları (MP4) kolayca indirir.
Ücret
Hizmet ücretsizdir.
Özel Hesaplar
Özel hesaplardan içerikler yalnızca takipçiler tarafından erişilebilir.
Dosya Kullanımı
Dosyalar yalnızca kişisel veya eğitimsel kullanım içindir ve telif hakkı kurallarına uymalıdır.
Nasıl Çalışır
Bir kamu kullanıcı adı girin, hikayeleri görüntüleyin veya indirin. Hizmet, içeriği yerel olarak kaydetmek için doğrudan bağlantılar oluşturur.