Instagram Hikaye Görüntüleyici

Visual identity for 24HOURS, a 24-hour event at @museion_bz

Developed for an uninterrupted program of performances, exhibitions, and encounters, the project reflects the idea of a museum that stays active across day and night — open, dynamic, and interconnected.

24HOURS – A celebration of art and time
@festivaltransart + @museion_bz
13–14 September 2025, 14:00 – 14:00
@museion_bz

Design @due_std w/ @asmir.mujic
Motion @cristopher8vega
Photo @luciarosebuffa

#2S #museion #visualidentity #poster #typography

Visual identity for 24HOURS, a 24-hour event at @museion_bz

Developed for an uninterrupted program of performances, exhibitions, and encounters, the project reflects the idea of a museum that stays active across day and night — open, dynamic, and interconnected.

24HOURS – A celebration of art and time
@festivaltransart + @museion_bz
13–14 September 2025, 14:00 – 14:00
@museion_bz

Design @due_std w/ @asmir.mujic
Motion @cristopher8vega
Photo @luciarosebuffa

#2S #museion #visualidentity #poster #typography

Visual identity for 24HOURS, a 24-hour event at @museion_bz

Developed for an uninterrupted program of performances, exhibitions, and encounters, the project reflects the idea of a museum that stays active across day and night — open, dynamic, and interconnected.

24HOURS – A celebration of art and time
@festivaltransart + @museion_bz
13–14 September 2025, 14:00 – 14:00
@museion_bz

Design @due_std w/ @asmir.mujic
Motion @cristopher8vega
Photo @luciarosebuffa

#2S #museion #visualidentity #poster #typography

Visual identity for 24HOURS, a 24-hour event at @museion_bz

Developed for an uninterrupted program of performances, exhibitions, and encounters, the project reflects the idea of a museum that stays active across day and night — open, dynamic, and interconnected.

24HOURS – A celebration of art and time
@festivaltransart + @museion_bz
13–14 September 2025, 14:00 – 14:00
@museion_bz

Design @due_std w/ @asmir.mujic
Motion @cristopher8vega
Photo @luciarosebuffa

#2S #museion #visualidentity #poster #typography

Visual identity for 24HOURS, a 24-hour event at @museion_bz

Developed for an uninterrupted program of performances, exhibitions, and encounters, the project reflects the idea of a museum that stays active across day and night — open, dynamic, and interconnected.

24HOURS – A celebration of art and time
@festivaltransart + @museion_bz
13–14 September 2025, 14:00 – 14:00
@museion_bz

Design @due_std w/ @asmir.mujic
Motion @cristopher8vega
Photo @luciarosebuffa

#2S #museion #visualidentity #poster #typography

Visual identity for 24HOURS, a 24-hour event at @museion_bz

Developed for an uninterrupted program of performances, exhibitions, and encounters, the project reflects the idea of a museum that stays active across day and night — open, dynamic, and interconnected.

24HOURS – A celebration of art and time
@festivaltransart + @museion_bz
13–14 September 2025, 14:00 – 14:00
@museion_bz

Design @due_std w/ @asmir.mujic
Motion @cristopher8vega
Photo @luciarosebuffa

#2S #museion #visualidentity #poster #typography

Visual identity for 24HOURS, a 24-hour event at @museion_bz

Developed for an uninterrupted program of performances, exhibitions, and encounters, the project reflects the idea of a museum that stays active across day and night — open, dynamic, and interconnected.

24HOURS – A celebration of art and time
@festivaltransart + @museion_bz
13–14 September 2025, 14:00 – 14:00
@museion_bz

Design @due_std w/ @asmir.mujic
Motion @cristopher8vega
Photo @luciarosebuffa

#2S #museion #visualidentity #poster #typography

Visual identity for 24HOURS, a 24-hour event at @museion_bz

Developed for an uninterrupted program of performances, exhibitions, and encounters, the project reflects the idea of a museum that stays active across day and night — open, dynamic, and interconnected.

24HOURS – A celebration of art and time
@festivaltransart + @museion_bz
13–14 September 2025, 14:00 – 14:00
@museion_bz

Design @due_std w/ @asmir.mujic
Motion @cristopher8vega
Photo @luciarosebuffa

#2S #museion #visualidentity #poster #typography

Visual identity for 24HOURS, a 24-hour event at @museion_bz

Developed for an uninterrupted program of performances, exhibitions, and encounters, the project reflects the idea of a museum that stays active across day and night — open, dynamic, and interconnected.

24HOURS – A celebration of art and time
@festivaltransart + @museion_bz
13–14 September 2025, 14:00 – 14:00
@museion_bz

Design @due_std w/ @asmir.mujic
Motion @cristopher8vega
Photo @luciarosebuffa

#2S #museion #visualidentity #poster #typography

Visual identity for 24HOURS, a 24-hour event at @museion_bz

Developed for an uninterrupted program of performances, exhibitions, and encounters, the project reflects the idea of a museum that stays active across day and night — open, dynamic, and interconnected.

24HOURS – A celebration of art and time
@festivaltransart + @museion_bz
13–14 September 2025, 14:00 – 14:00
@museion_bz

Design @due_std w/ @asmir.mujic
Motion @cristopher8vega
Photo @luciarosebuffa

#2S #museion #visualidentity #poster #typography

Visual identity for 24HOURS, a 24-hour event at @museion_bz

Developed for an uninterrupted program of performances, exhibitions, and encounters, the project reflects the idea of a museum that stays active across day and night — open, dynamic, and interconnected.

24HOURS – A celebration of art and time
@festivaltransart + @museion_bz
13–14 September 2025, 14:00 – 14:00
@museion_bz

Design @due_std w/ @asmir.mujic
Motion @cristopher8vega
Photo @luciarosebuffa

#2S #museion #visualidentity #poster #typography

Visual identity for 24HOURS, a 24-hour event at @museion_bz

Developed for an uninterrupted program of performances, exhibitions, and encounters, the project reflects the idea of a museum that stays active across day and night — open, dynamic, and interconnected.

24HOURS – A celebration of art and time
@festivaltransart + @museion_bz
13–14 September 2025, 14:00 – 14:00
@museion_bz

Design @due_std w/ @asmir.mujic
Motion @cristopher8vega
Photo @luciarosebuffa

#2S #museion #visualidentity #poster #typography

Visual identity for 24HOURS, a 24-hour event at @museion_bz

Developed for an uninterrupted program of performances, exhibitions, and encounters, the project reflects the idea of a museum that stays active across day and night — open, dynamic, and interconnected.

24HOURS – A celebration of art and time
@festivaltransart + @museion_bz
13–14 September 2025, 14:00 – 14:00
@museion_bz

Design @due_std w/ @asmir.mujic
Motion @cristopher8vega
Photo @luciarosebuffa

#2S #museion #visualidentity #poster #typography

Visual identity for 24HOURS, a 24-hour event at @museion_bz

Developed for an uninterrupted program of performances, exhibitions, and encounters, the project reflects the idea of a museum that stays active across day and night — open, dynamic, and interconnected.

24HOURS – A celebration of art and time
@festivaltransart + @museion_bz
13–14 September 2025, 14:00 – 14:00
@museion_bz

Design @due_std w/ @asmir.mujic
Motion @cristopher8vega
Photo @luciarosebuffa

#2S #museion #visualidentity #poster #typography

Visual identity for 24HOURS, a 24-hour event at @museion_bz

Developed for an uninterrupted program of performances, exhibitions, and encounters, the project reflects the idea of a museum that stays active across day and night — open, dynamic, and interconnected.

24HOURS – A celebration of art and time
@festivaltransart + @museion_bz
13–14 September 2025, 14:00 – 14:00
@museion_bz

Design @due_std w/ @asmir.mujic
Motion @cristopher8vega
Photo @luciarosebuffa

#2S #museion #visualidentity #poster #typography

Visual identity for 24HOURS, a 24-hour event at @museion_bz

Developed for an uninterrupted program of performances, exhibitions, and encounters, the project reflects the idea of a museum that stays active across day and night — open, dynamic, and interconnected.

24HOURS – A celebration of art and time
@festivaltransart + @museion_bz
13–14 September 2025, 14:00 – 14:00
@museion_bz

Design @due_std w/ @asmir.mujic
Motion @cristopher8vega
Photo @luciarosebuffa

#2S #museion #visualidentity #poster #typography

Visual identity for 24HOURS, a 24-hour event at @museion_bz

Developed for an uninterrupted program of performances, exhibitions, and encounters, the project reflects the idea of a museum that stays active across day and night — open, dynamic, and interconnected.

24HOURS – A celebration of art and time
@festivaltransart + @museion_bz
13–14 September 2025, 14:00 – 14:00
@museion_bz

Design @due_std w/ @asmir.mujic
Motion @cristopher8vega
Photo @luciarosebuffa

#2S #museion #visualidentity #poster #typography

Visual identity for 24HOURS, a 24-hour event at @museion_bz

Developed for an uninterrupted program of performances, exhibitions, and encounters, the project reflects the idea of a museum that stays active across day and night — open, dynamic, and interconnected.

24HOURS – A celebration of art and time
@festivaltransart + @museion_bz
13–14 September 2025, 14:00 – 14:00
@museion_bz

Design @due_std w/ @asmir.mujic
Motion @cristopher8vega
Photo @luciarosebuffa

#2S #museion #visualidentity #poster #typography

Visual identity and campaign for @teatrostabiledellumbria 2025-2026 season
w/ @asmir.mujic
theatre photo by @piernicolabruno

#poster #typography #visualidentity #book #artdirection

Visual identity and campaign for @teatrostabiledellumbria 2025-2026 season
w/ @asmir.mujic
theatre photo by @piernicolabruno

#poster #typography #visualidentity #book #artdirection

Visual identity and campaign for @teatrostabiledellumbria 2025-2026 season
w/ @asmir.mujic
theatre photo by @piernicolabruno

#poster #typography #visualidentity #book #artdirection

Visual identity and campaign for @teatrostabiledellumbria 2025-2026 season
w/ @asmir.mujic
theatre photo by @piernicolabruno

#poster #typography #visualidentity #book #artdirection

Visual identity and campaign for @teatrostabiledellumbria 2025-2026 season
w/ @asmir.mujic
theatre photo by @piernicolabruno

#poster #typography #visualidentity #book #artdirection

Visual identity and campaign for @teatrostabiledellumbria 2025-2026 season
w/ @asmir.mujic
theatre photo by @piernicolabruno

#poster #typography #visualidentity #book #artdirection

Visual identity and campaign for @teatrostabiledellumbria 2025-2026 season
w/ @asmir.mujic
theatre photo by @piernicolabruno

#poster #typography #visualidentity #book #artdirection

Visual identity and campaign for @teatrostabiledellumbria 2025-2026 season
w/ @asmir.mujic
theatre photo by @piernicolabruno

#poster #typography #visualidentity #book #artdirection

Visual identity and campaign for @teatrostabiledellumbria 2025-2026 season
w/ @asmir.mujic
theatre photo by @piernicolabruno

#poster #typography #visualidentity #book #artdirection

Visual identity and campaign for @teatrostabiledellumbria 2025-2026 season
w/ @asmir.mujic
theatre photo by @piernicolabruno

#poster #typography #visualidentity #book #artdirection

Visual identity and campaign for @teatrostabiledellumbria 2025-2026 season
w/ @asmir.mujic
theatre photo by @piernicolabruno

#poster #typography #visualidentity #book #artdirection

Visual identity and campaign for @teatrostabiledellumbria 2025-2026 season
w/ @asmir.mujic
theatre photo by @piernicolabruno

#poster #typography #visualidentity #book #artdirection

Visual identity and campaign for @teatrostabiledellumbria 2025-2026 season
w/ @asmir.mujic
theatre photo by @piernicolabruno

#poster #typography #visualidentity #book #artdirection

Visual identity and campaign for @teatrostabiledellumbria 2025-2026 season
w/ @asmir.mujic
theatre photo by @piernicolabruno

#poster #typography #visualidentity #book #artdirection

Visual identity and campaign for @teatrostabiledellumbria 2025-2026 season
w/ @asmir.mujic
theatre photo by @piernicolabruno

#poster #typography #visualidentity #book #artdirection

Visual identity and campaign for @teatrostabiledellumbria 2025-2026 season
w/ @asmir.mujic
theatre photo by @piernicolabruno

#poster #typography #visualidentity #book #artdirection

Visual identity and campaign for @teatrostabiledellumbria 2025-2026 season
w/ @asmir.mujic
theatre photo by @piernicolabruno

#poster #typography #visualidentity #book #artdirection

Visual identity and campaign for @teatrostabiledellumbria 2025-2026 season
w/ @asmir.mujic
theatre photo by @piernicolabruno

#poster #typography #visualidentity #book #artdirection

Visual identity and campaign for @teatrostabiledellumbria 2025-2026 season
w/ @asmir.mujic
theatre photo by @piernicolabruno

#poster #typography #visualidentity #book #artdirection

Visual identity and campaign for @teatrostabiledellumbria 2025-2026 season
w/ @asmir.mujic
theatre photo by @piernicolabruno

#poster #typography #visualidentity #book #artdirection

In March we’re opening the doors to a major exhibition dedicated to Franco Vaccari (Modena, 1936–2025), a key voice of postwar and conceptual Italian art. Bringing together photographs, videos, artist’s books, and archival materials, the exhibition explores Vaccari’s environments as the core of his practice. Conceived for what would have been his 90th birthday, it marks his first major institutional exhibition in Italy in over a decade.

Feedback. The Environments of Franco Vaccari
28.03–13.09.2026
Opening: 27.03.2026, 19:00

Curated by Frida Carazzato and Luca Panaro
Exhibition Design by Fosbury Architecture

Design: Due Studio
Motion: Cristopher Vega

Due Studio, Mutaforma, January 2025
Published in the “Esercizi di Stile” column across the two central pages of Grafica Magazine No. 3.

Our Esercizi di Stile piece speaks about graphic design and about us—our way of conceiving design, the boundless territory we explore every day, double readings, and the fluidity of an open message waiting to be discovered. Two opposites, black and white; two scorpions that seem to clash but perhaps instead meet. Are they scorpions, or lines branching out into space? They are connections held in balance: a mirrored composition made of equals and opposites that together generate third meanings.
Rhythm, repetition, solids and voids alternate within a composition that, although apparently silent—and therefore devoid of any textual element—shouts our manifesto. A sense of wonder emerges from a deliberately slow, contradictory, yet also disruptive and disorienting reading.

Thanks to @_stefanocipolla_ for involving us in the project.

#2S #graficamagazine #graphicdesign#grafik #poster

Due Studio, Mutaforma, January 2025
Published in the “Esercizi di Stile” column across the two central pages of Grafica Magazine No. 3.

Our Esercizi di Stile piece speaks about graphic design and about us—our way of conceiving design, the boundless territory we explore every day, double readings, and the fluidity of an open message waiting to be discovered. Two opposites, black and white; two scorpions that seem to clash but perhaps instead meet. Are they scorpions, or lines branching out into space? They are connections held in balance: a mirrored composition made of equals and opposites that together generate third meanings.
Rhythm, repetition, solids and voids alternate within a composition that, although apparently silent—and therefore devoid of any textual element—shouts our manifesto. A sense of wonder emerges from a deliberately slow, contradictory, yet also disruptive and disorienting reading.

Thanks to @_stefanocipolla_ for involving us in the project.

#2S #graficamagazine #graphicdesign#grafik #poster

Due Studio, Mutaforma, January 2025
Published in the “Esercizi di Stile” column across the two central pages of Grafica Magazine No. 3.

Our Esercizi di Stile piece speaks about graphic design and about us—our way of conceiving design, the boundless territory we explore every day, double readings, and the fluidity of an open message waiting to be discovered. Two opposites, black and white; two scorpions that seem to clash but perhaps instead meet. Are they scorpions, or lines branching out into space? They are connections held in balance: a mirrored composition made of equals and opposites that together generate third meanings.
Rhythm, repetition, solids and voids alternate within a composition that, although apparently silent—and therefore devoid of any textual element—shouts our manifesto. A sense of wonder emerges from a deliberately slow, contradictory, yet also disruptive and disorienting reading.

Thanks to @_stefanocipolla_ for involving us in the project.

#2S #graficamagazine #graphicdesign#grafik #poster

Due Studio, Mutaforma, January 2025
Published in the “Esercizi di Stile” column across the two central pages of Grafica Magazine No. 3.

Our Esercizi di Stile piece speaks about graphic design and about us—our way of conceiving design, the boundless territory we explore every day, double readings, and the fluidity of an open message waiting to be discovered. Two opposites, black and white; two scorpions that seem to clash but perhaps instead meet. Are they scorpions, or lines branching out into space? They are connections held in balance: a mirrored composition made of equals and opposites that together generate third meanings.
Rhythm, repetition, solids and voids alternate within a composition that, although apparently silent—and therefore devoid of any textual element—shouts our manifesto. A sense of wonder emerges from a deliberately slow, contradictory, yet also disruptive and disorienting reading.

Thanks to @_stefanocipolla_ for involving us in the project.

#2S #graficamagazine #graphicdesign#grafik #poster

Due Studio, Mutaforma, January 2025
Published in the “Esercizi di Stile” column across the two central pages of Grafica Magazine No. 3.

Our Esercizi di Stile piece speaks about graphic design and about us—our way of conceiving design, the boundless territory we explore every day, double readings, and the fluidity of an open message waiting to be discovered. Two opposites, black and white; two scorpions that seem to clash but perhaps instead meet. Are they scorpions, or lines branching out into space? They are connections held in balance: a mirrored composition made of equals and opposites that together generate third meanings.
Rhythm, repetition, solids and voids alternate within a composition that, although apparently silent—and therefore devoid of any textual element—shouts our manifesto. A sense of wonder emerges from a deliberately slow, contradictory, yet also disruptive and disorienting reading.

Thanks to @_stefanocipolla_ for involving us in the project.

#2S #graficamagazine #graphicdesign#grafik #poster

Due Studio, Mutaforma, January 2025
Published in the “Esercizi di Stile” column across the two central pages of Grafica Magazine No. 3.

Our Esercizi di Stile piece speaks about graphic design and about us—our way of conceiving design, the boundless territory we explore every day, double readings, and the fluidity of an open message waiting to be discovered. Two opposites, black and white; two scorpions that seem to clash but perhaps instead meet. Are they scorpions, or lines branching out into space? They are connections held in balance: a mirrored composition made of equals and opposites that together generate third meanings.
Rhythm, repetition, solids and voids alternate within a composition that, although apparently silent—and therefore devoid of any textual element—shouts our manifesto. A sense of wonder emerges from a deliberately slow, contradictory, yet also disruptive and disorienting reading.

Thanks to @_stefanocipolla_ for involving us in the project.

#2S #graficamagazine #graphicdesign#grafik #poster

From 20. to 22.11.2025, the international symposium Culture as a Commons turns Museion into a space for dialogue, imagination, and collective care.

Twelve cultural initiatives from the Netherlands and Italy will come together to explore how culture can be a common good, a resource we all share and nurture.

Join us for three days of open discussions, creative workshops, and shared experiences that look beyond institutional walls toward more participatory, sustainable forms of culture.

Come listen, contribute, and dance with us. We can’t wait to host you!

Free access upon registration
Info & full program via link in bio

In collaboration and with the gentle support of the Embassy and Consulate General of the Kingdom of the Netherlands.

Cultural partners

@artsinhealth.nl @whereiscasco @dansopreceptnl e20danza @kunstinstituutmelly @larivoluzionedelleseppie @lecompagniemalviste @movingartsproject @orienteoccidente @post.disaster.rooftops @quasi___quasi @scapinoballetrotterdam

Design @due_std
Motion @cristopher8vega

Museion wird 40 und wir feiern 24 Stunden lang!
Von 13. September, 14 Uhr bis 14. September, 14 Uhr: 24HOURS – A celebration of art and time, in Zusammenarbeit mit Transart Festival.
Ein Tag und eine Nacht, in denen wir gemeinsam entdecken, wie ein Museum heute gedacht, gefühlt und gelebt wird.

Museion compie 40 anni e la festa durerà per 24 ore!
Dalle 14:00 del 13 settembre alle 14:00 del 14 settembre: 24HOURS – A celebration of art and time, in collaborazione con Transart Festival.
Un giorno e una notte per esplorare insieme come immaginiamo, percepiamo e viviamo oggi il museo.

Museion turns 40 and we’re celebrating for 24 hours!
From September 13th, 2 PM to September 14th, 2 PM: 24HOURS – A celebration of art and time, in collaboration with Transart Festival.
One day and one night to explore together how a museum is perceived, felt, and experienced today.

24HOURS – A celebration of art and time
13–14 September 2025, 14:00 – 14:00
Location: Museion

Design: Due Studio @due_std
Motion: Cristopher Vega @cristopher8vega

Uccidi la lettera
ISIA U x Due Studio
03–05.12.24
Workshop on typographic destruction as a generative act for new abstract forms of writing

A more experimental and less conventional approach to teaching can stimulate curiosity toward “unknown territories”, spaces where one can become a protagonist, define new rules, and discover unexpected results. This type of knowledge arises from direct action and trial-and-error processes, where there are neither mistakes nor definitive solutions.
It’s about destroying in order to rebuild, about exploring typographic anatomy through de-construction.
What can an A become if it’s cut up and reassembled into a new form? Is this new form still recognizable as an A?
What may seem like a playful activity of destruction and recomposition is, in fact, a method of analyzing typographic anatomy and a form of free experimentation. The amount of black, the broken lines, the curves, the filled and empty spaces are all overturned, acquiring new visual meanings.

Students:
Teresa Tonelotto
Alessandro Soli
Nina Pambianco
Yulia Dudina
Riccardo Toniolo
Chiara Francisetti
Dario Rabatti
Giulia Nanu
Federica Iulli
Daniel Fasulo
Marta Favaretto
Prisca Gavin
Irene Casetta
Lorenzo Battistelli
Letizia Clemente
Alessia Candioli
Margot Nocci
Lavinia Camoletti
Maria Magnoni
Daria Louise Mainetti
Alessandra Gervasio
Matteo Borghese
Samuele De March
Sabrina Rigodanza
Chiara Naldi
Pietro Carmignani
Giulia Descovich
Lorenzo Livorsi
Ginevra Croci
Robert Daniel Irimia
Elia Miodini
Cristopher Vega
David Obexer
Olmo Calligaro
Lucia Marasca
Francesco Aiudi

Typeface: Lay Grotesk, Due Studio
Format: 28x40 cm
Pages: 78
Printing: Digital
Binding: Spiral
Cover paper: Transparent PVC 100 μm
Inner paper: Favini Shiro Echo 100 gsm
Limited edition: 4 copies
Copyright: Due Studio + @isiaurbino December 2024

📸 @cristopher8vega @chiarafrancisetti

#2S #workshop #isiaurbino #type #typography #analog #blackandwhite #poster #book #design #graphicdesign #grafik #lettering #collage #thedesignblacklist #itsnicethat #typedesign #glyphs #typecollect #typematters #thetypist #collectgraphics #grafikgalerie #icographica #365typefaces #lavendrtype #tomorrowtype

Uccidi la lettera
ISIA U x Due Studio
03–05.12.24
Workshop on typographic destruction as a generative act for new abstract forms of writing

A more experimental and less conventional approach to teaching can stimulate curiosity toward “unknown territories”, spaces where one can become a protagonist, define new rules, and discover unexpected results. This type of knowledge arises from direct action and trial-and-error processes, where there are neither mistakes nor definitive solutions.
It’s about destroying in order to rebuild, about exploring typographic anatomy through de-construction.
What can an A become if it’s cut up and reassembled into a new form? Is this new form still recognizable as an A?
What may seem like a playful activity of destruction and recomposition is, in fact, a method of analyzing typographic anatomy and a form of free experimentation. The amount of black, the broken lines, the curves, the filled and empty spaces are all overturned, acquiring new visual meanings.

Students:
Teresa Tonelotto
Alessandro Soli
Nina Pambianco
Yulia Dudina
Riccardo Toniolo
Chiara Francisetti
Dario Rabatti
Giulia Nanu
Federica Iulli
Daniel Fasulo
Marta Favaretto
Prisca Gavin
Irene Casetta
Lorenzo Battistelli
Letizia Clemente
Alessia Candioli
Margot Nocci
Lavinia Camoletti
Maria Magnoni
Daria Louise Mainetti
Alessandra Gervasio
Matteo Borghese
Samuele De March
Sabrina Rigodanza
Chiara Naldi
Pietro Carmignani
Giulia Descovich
Lorenzo Livorsi
Ginevra Croci
Robert Daniel Irimia
Elia Miodini
Cristopher Vega
David Obexer
Olmo Calligaro
Lucia Marasca
Francesco Aiudi

Typeface: Lay Grotesk, Due Studio
Format: 28x40 cm
Pages: 78
Printing: Digital
Binding: Spiral
Cover paper: Transparent PVC 100 μm
Inner paper: Favini Shiro Echo 100 gsm
Limited edition: 4 copies
Copyright: Due Studio + @isiaurbino December 2024

📸 @cristopher8vega @chiarafrancisetti

#2S #workshop #isiaurbino #type #typography #analog #blackandwhite #poster #book #design #graphicdesign #grafik #lettering #collage #thedesignblacklist #itsnicethat #typedesign #glyphs #typecollect #typematters #thetypist #collectgraphics #grafikgalerie #icographica #365typefaces #lavendrtype #tomorrowtype

Uccidi la lettera
ISIA U x Due Studio
03–05.12.24
Workshop on typographic destruction as a generative act for new abstract forms of writing

A more experimental and less conventional approach to teaching can stimulate curiosity toward “unknown territories”, spaces where one can become a protagonist, define new rules, and discover unexpected results. This type of knowledge arises from direct action and trial-and-error processes, where there are neither mistakes nor definitive solutions.
It’s about destroying in order to rebuild, about exploring typographic anatomy through de-construction.
What can an A become if it’s cut up and reassembled into a new form? Is this new form still recognizable as an A?
What may seem like a playful activity of destruction and recomposition is, in fact, a method of analyzing typographic anatomy and a form of free experimentation. The amount of black, the broken lines, the curves, the filled and empty spaces are all overturned, acquiring new visual meanings.

Students:
Teresa Tonelotto
Alessandro Soli
Nina Pambianco
Yulia Dudina
Riccardo Toniolo
Chiara Francisetti
Dario Rabatti
Giulia Nanu
Federica Iulli
Daniel Fasulo
Marta Favaretto
Prisca Gavin
Irene Casetta
Lorenzo Battistelli
Letizia Clemente
Alessia Candioli
Margot Nocci
Lavinia Camoletti
Maria Magnoni
Daria Louise Mainetti
Alessandra Gervasio
Matteo Borghese
Samuele De March
Sabrina Rigodanza
Chiara Naldi
Pietro Carmignani
Giulia Descovich
Lorenzo Livorsi
Ginevra Croci
Robert Daniel Irimia
Elia Miodini
Cristopher Vega
David Obexer
Olmo Calligaro
Lucia Marasca
Francesco Aiudi

Typeface: Lay Grotesk, Due Studio
Format: 28x40 cm
Pages: 78
Printing: Digital
Binding: Spiral
Cover paper: Transparent PVC 100 μm
Inner paper: Favini Shiro Echo 100 gsm
Limited edition: 4 copies
Copyright: Due Studio + @isiaurbino December 2024

📸 @cristopher8vega @chiarafrancisetti

#2S #workshop #isiaurbino #type #typography #analog #blackandwhite #poster #book #design #graphicdesign #grafik #lettering #collage #thedesignblacklist #itsnicethat #typedesign #glyphs #typecollect #typematters #thetypist #collectgraphics #grafikgalerie #icographica #365typefaces #lavendrtype #tomorrowtype

Uccidi la lettera
ISIA U x Due Studio
03–05.12.24
Workshop on typographic destruction as a generative act for new abstract forms of writing

A more experimental and less conventional approach to teaching can stimulate curiosity toward “unknown territories”, spaces where one can become a protagonist, define new rules, and discover unexpected results. This type of knowledge arises from direct action and trial-and-error processes, where there are neither mistakes nor definitive solutions.
It’s about destroying in order to rebuild, about exploring typographic anatomy through de-construction.
What can an A become if it’s cut up and reassembled into a new form? Is this new form still recognizable as an A?
What may seem like a playful activity of destruction and recomposition is, in fact, a method of analyzing typographic anatomy and a form of free experimentation. The amount of black, the broken lines, the curves, the filled and empty spaces are all overturned, acquiring new visual meanings.

Students:
Teresa Tonelotto
Alessandro Soli
Nina Pambianco
Yulia Dudina
Riccardo Toniolo
Chiara Francisetti
Dario Rabatti
Giulia Nanu
Federica Iulli
Daniel Fasulo
Marta Favaretto
Prisca Gavin
Irene Casetta
Lorenzo Battistelli
Letizia Clemente
Alessia Candioli
Margot Nocci
Lavinia Camoletti
Maria Magnoni
Daria Louise Mainetti
Alessandra Gervasio
Matteo Borghese
Samuele De March
Sabrina Rigodanza
Chiara Naldi
Pietro Carmignani
Giulia Descovich
Lorenzo Livorsi
Ginevra Croci
Robert Daniel Irimia
Elia Miodini
Cristopher Vega
David Obexer
Olmo Calligaro
Lucia Marasca
Francesco Aiudi

Typeface: Lay Grotesk, Due Studio
Format: 28x40 cm
Pages: 78
Printing: Digital
Binding: Spiral
Cover paper: Transparent PVC 100 μm
Inner paper: Favini Shiro Echo 100 gsm
Limited edition: 4 copies
Copyright: Due Studio + @isiaurbino December 2024

📸 @cristopher8vega @chiarafrancisetti

#2S #workshop #isiaurbino #type #typography #analog #blackandwhite #poster #book #design #graphicdesign #grafik #lettering #collage #thedesignblacklist #itsnicethat #typedesign #glyphs #typecollect #typematters #thetypist #collectgraphics #grafikgalerie #icographica #365typefaces #lavendrtype #tomorrowtype

Uccidi la lettera
ISIA U x Due Studio
03–05.12.24
Workshop on typographic destruction as a generative act for new abstract forms of writing

A more experimental and less conventional approach to teaching can stimulate curiosity toward “unknown territories”, spaces where one can become a protagonist, define new rules, and discover unexpected results. This type of knowledge arises from direct action and trial-and-error processes, where there are neither mistakes nor definitive solutions.
It’s about destroying in order to rebuild, about exploring typographic anatomy through de-construction.
What can an A become if it’s cut up and reassembled into a new form? Is this new form still recognizable as an A?
What may seem like a playful activity of destruction and recomposition is, in fact, a method of analyzing typographic anatomy and a form of free experimentation. The amount of black, the broken lines, the curves, the filled and empty spaces are all overturned, acquiring new visual meanings.

Students:
Teresa Tonelotto
Alessandro Soli
Nina Pambianco
Yulia Dudina
Riccardo Toniolo
Chiara Francisetti
Dario Rabatti
Giulia Nanu
Federica Iulli
Daniel Fasulo
Marta Favaretto
Prisca Gavin
Irene Casetta
Lorenzo Battistelli
Letizia Clemente
Alessia Candioli
Margot Nocci
Lavinia Camoletti
Maria Magnoni
Daria Louise Mainetti
Alessandra Gervasio
Matteo Borghese
Samuele De March
Sabrina Rigodanza
Chiara Naldi
Pietro Carmignani
Giulia Descovich
Lorenzo Livorsi
Ginevra Croci
Robert Daniel Irimia
Elia Miodini
Cristopher Vega
David Obexer
Olmo Calligaro
Lucia Marasca
Francesco Aiudi

Typeface: Lay Grotesk, Due Studio
Format: 28x40 cm
Pages: 78
Printing: Digital
Binding: Spiral
Cover paper: Transparent PVC 100 μm
Inner paper: Favini Shiro Echo 100 gsm
Limited edition: 4 copies
Copyright: Due Studio + @isiaurbino December 2024

📸 @cristopher8vega @chiarafrancisetti

#2S #workshop #isiaurbino #type #typography #analog #blackandwhite #poster #book #design #graphicdesign #grafik #lettering #collage #thedesignblacklist #itsnicethat #typedesign #glyphs #typecollect #typematters #thetypist #collectgraphics #grafikgalerie #icographica #365typefaces #lavendrtype #tomorrowtype

Uccidi la lettera
ISIA U x Due Studio
03–05.12.24
Workshop on typographic destruction as a generative act for new abstract forms of writing

A more experimental and less conventional approach to teaching can stimulate curiosity toward “unknown territories”, spaces where one can become a protagonist, define new rules, and discover unexpected results. This type of knowledge arises from direct action and trial-and-error processes, where there are neither mistakes nor definitive solutions.
It’s about destroying in order to rebuild, about exploring typographic anatomy through de-construction.
What can an A become if it’s cut up and reassembled into a new form? Is this new form still recognizable as an A?
What may seem like a playful activity of destruction and recomposition is, in fact, a method of analyzing typographic anatomy and a form of free experimentation. The amount of black, the broken lines, the curves, the filled and empty spaces are all overturned, acquiring new visual meanings.

Students:
Teresa Tonelotto
Alessandro Soli
Nina Pambianco
Yulia Dudina
Riccardo Toniolo
Chiara Francisetti
Dario Rabatti
Giulia Nanu
Federica Iulli
Daniel Fasulo
Marta Favaretto
Prisca Gavin
Irene Casetta
Lorenzo Battistelli
Letizia Clemente
Alessia Candioli
Margot Nocci
Lavinia Camoletti
Maria Magnoni
Daria Louise Mainetti
Alessandra Gervasio
Matteo Borghese
Samuele De March
Sabrina Rigodanza
Chiara Naldi
Pietro Carmignani
Giulia Descovich
Lorenzo Livorsi
Ginevra Croci
Robert Daniel Irimia
Elia Miodini
Cristopher Vega
David Obexer
Olmo Calligaro
Lucia Marasca
Francesco Aiudi

Typeface: Lay Grotesk, Due Studio
Format: 28x40 cm
Pages: 78
Printing: Digital
Binding: Spiral
Cover paper: Transparent PVC 100 μm
Inner paper: Favini Shiro Echo 100 gsm
Limited edition: 4 copies
Copyright: Due Studio + @isiaurbino December 2024

📸 @cristopher8vega @chiarafrancisetti

#2S #workshop #isiaurbino #type #typography #analog #blackandwhite #poster #book #design #graphicdesign #grafik #lettering #collage #thedesignblacklist #itsnicethat #typedesign #glyphs #typecollect #typematters #thetypist #collectgraphics #grafikgalerie #icographica #365typefaces #lavendrtype #tomorrowtype

Uccidi la lettera
ISIA U x Due Studio
03–05.12.24
Workshop on typographic destruction as a generative act for new abstract forms of writing

A more experimental and less conventional approach to teaching can stimulate curiosity toward “unknown territories”, spaces where one can become a protagonist, define new rules, and discover unexpected results. This type of knowledge arises from direct action and trial-and-error processes, where there are neither mistakes nor definitive solutions.
It’s about destroying in order to rebuild, about exploring typographic anatomy through de-construction.
What can an A become if it’s cut up and reassembled into a new form? Is this new form still recognizable as an A?
What may seem like a playful activity of destruction and recomposition is, in fact, a method of analyzing typographic anatomy and a form of free experimentation. The amount of black, the broken lines, the curves, the filled and empty spaces are all overturned, acquiring new visual meanings.

Students:
Teresa Tonelotto
Alessandro Soli
Nina Pambianco
Yulia Dudina
Riccardo Toniolo
Chiara Francisetti
Dario Rabatti
Giulia Nanu
Federica Iulli
Daniel Fasulo
Marta Favaretto
Prisca Gavin
Irene Casetta
Lorenzo Battistelli
Letizia Clemente
Alessia Candioli
Margot Nocci
Lavinia Camoletti
Maria Magnoni
Daria Louise Mainetti
Alessandra Gervasio
Matteo Borghese
Samuele De March
Sabrina Rigodanza
Chiara Naldi
Pietro Carmignani
Giulia Descovich
Lorenzo Livorsi
Ginevra Croci
Robert Daniel Irimia
Elia Miodini
Cristopher Vega
David Obexer
Olmo Calligaro
Lucia Marasca
Francesco Aiudi

Typeface: Lay Grotesk, Due Studio
Format: 28x40 cm
Pages: 78
Printing: Digital
Binding: Spiral
Cover paper: Transparent PVC 100 μm
Inner paper: Favini Shiro Echo 100 gsm
Limited edition: 4 copies
Copyright: Due Studio + @isiaurbino December 2024

📸 @cristopher8vega @chiarafrancisetti

#2S #workshop #isiaurbino #type #typography #analog #blackandwhite #poster #book #design #graphicdesign #grafik #lettering #collage #thedesignblacklist #itsnicethat #typedesign #glyphs #typecollect #typematters #thetypist #collectgraphics #grafikgalerie #icographica #365typefaces #lavendrtype #tomorrowtype

Uccidi la lettera
ISIA U x Due Studio
03–05.12.24
Workshop on typographic destruction as a generative act for new abstract forms of writing

A more experimental and less conventional approach to teaching can stimulate curiosity toward “unknown territories”, spaces where one can become a protagonist, define new rules, and discover unexpected results. This type of knowledge arises from direct action and trial-and-error processes, where there are neither mistakes nor definitive solutions.
It’s about destroying in order to rebuild, about exploring typographic anatomy through de-construction.
What can an A become if it’s cut up and reassembled into a new form? Is this new form still recognizable as an A?
What may seem like a playful activity of destruction and recomposition is, in fact, a method of analyzing typographic anatomy and a form of free experimentation. The amount of black, the broken lines, the curves, the filled and empty spaces are all overturned, acquiring new visual meanings.

Students:
Teresa Tonelotto
Alessandro Soli
Nina Pambianco
Yulia Dudina
Riccardo Toniolo
Chiara Francisetti
Dario Rabatti
Giulia Nanu
Federica Iulli
Daniel Fasulo
Marta Favaretto
Prisca Gavin
Irene Casetta
Lorenzo Battistelli
Letizia Clemente
Alessia Candioli
Margot Nocci
Lavinia Camoletti
Maria Magnoni
Daria Louise Mainetti
Alessandra Gervasio
Matteo Borghese
Samuele De March
Sabrina Rigodanza
Chiara Naldi
Pietro Carmignani
Giulia Descovich
Lorenzo Livorsi
Ginevra Croci
Robert Daniel Irimia
Elia Miodini
Cristopher Vega
David Obexer
Olmo Calligaro
Lucia Marasca
Francesco Aiudi

Typeface: Lay Grotesk, Due Studio
Format: 28x40 cm
Pages: 78
Printing: Digital
Binding: Spiral
Cover paper: Transparent PVC 100 μm
Inner paper: Favini Shiro Echo 100 gsm
Limited edition: 4 copies
Copyright: Due Studio + @isiaurbino December 2024

📸 @cristopher8vega @chiarafrancisetti

#2S #workshop #isiaurbino #type #typography #analog #blackandwhite #poster #book #design #graphicdesign #grafik #lettering #collage #thedesignblacklist #itsnicethat #typedesign #glyphs #typecollect #typematters #thetypist #collectgraphics #grafikgalerie #icographica #365typefaces #lavendrtype #tomorrowtype

Uccidi la lettera
ISIA U x Due Studio
03–05.12.24
Workshop on typographic destruction as a generative act for new abstract forms of writing

A more experimental and less conventional approach to teaching can stimulate curiosity toward “unknown territories”, spaces where one can become a protagonist, define new rules, and discover unexpected results. This type of knowledge arises from direct action and trial-and-error processes, where there are neither mistakes nor definitive solutions.
It’s about destroying in order to rebuild, about exploring typographic anatomy through de-construction.
What can an A become if it’s cut up and reassembled into a new form? Is this new form still recognizable as an A?
What may seem like a playful activity of destruction and recomposition is, in fact, a method of analyzing typographic anatomy and a form of free experimentation. The amount of black, the broken lines, the curves, the filled and empty spaces are all overturned, acquiring new visual meanings.

Students:
Teresa Tonelotto
Alessandro Soli
Nina Pambianco
Yulia Dudina
Riccardo Toniolo
Chiara Francisetti
Dario Rabatti
Giulia Nanu
Federica Iulli
Daniel Fasulo
Marta Favaretto
Prisca Gavin
Irene Casetta
Lorenzo Battistelli
Letizia Clemente
Alessia Candioli
Margot Nocci
Lavinia Camoletti
Maria Magnoni
Daria Louise Mainetti
Alessandra Gervasio
Matteo Borghese
Samuele De March
Sabrina Rigodanza
Chiara Naldi
Pietro Carmignani
Giulia Descovich
Lorenzo Livorsi
Ginevra Croci
Robert Daniel Irimia
Elia Miodini
Cristopher Vega
David Obexer
Olmo Calligaro
Lucia Marasca
Francesco Aiudi

Typeface: Lay Grotesk, Due Studio
Format: 28x40 cm
Pages: 78
Printing: Digital
Binding: Spiral
Cover paper: Transparent PVC 100 μm
Inner paper: Favini Shiro Echo 100 gsm
Limited edition: 4 copies
Copyright: Due Studio + @isiaurbino December 2024

📸 @cristopher8vega @chiarafrancisetti

#2S #workshop #isiaurbino #type #typography #analog #blackandwhite #poster #book #design #graphicdesign #grafik #lettering #collage #thedesignblacklist #itsnicethat #typedesign #glyphs #typecollect #typematters #thetypist #collectgraphics #grafikgalerie #icographica #365typefaces #lavendrtype #tomorrowtype

Uccidi la lettera
ISIA U x Due Studio
03–05.12.24
Workshop on typographic destruction as a generative act for new abstract forms of writing

A more experimental and less conventional approach to teaching can stimulate curiosity toward “unknown territories”, spaces where one can become a protagonist, define new rules, and discover unexpected results. This type of knowledge arises from direct action and trial-and-error processes, where there are neither mistakes nor definitive solutions.
It’s about destroying in order to rebuild, about exploring typographic anatomy through de-construction.
What can an A become if it’s cut up and reassembled into a new form? Is this new form still recognizable as an A?
What may seem like a playful activity of destruction and recomposition is, in fact, a method of analyzing typographic anatomy and a form of free experimentation. The amount of black, the broken lines, the curves, the filled and empty spaces are all overturned, acquiring new visual meanings.

Students:
Teresa Tonelotto
Alessandro Soli
Nina Pambianco
Yulia Dudina
Riccardo Toniolo
Chiara Francisetti
Dario Rabatti
Giulia Nanu
Federica Iulli
Daniel Fasulo
Marta Favaretto
Prisca Gavin
Irene Casetta
Lorenzo Battistelli
Letizia Clemente
Alessia Candioli
Margot Nocci
Lavinia Camoletti
Maria Magnoni
Daria Louise Mainetti
Alessandra Gervasio
Matteo Borghese
Samuele De March
Sabrina Rigodanza
Chiara Naldi
Pietro Carmignani
Giulia Descovich
Lorenzo Livorsi
Ginevra Croci
Robert Daniel Irimia
Elia Miodini
Cristopher Vega
David Obexer
Olmo Calligaro
Lucia Marasca
Francesco Aiudi

Typeface: Lay Grotesk, Due Studio
Format: 28x40 cm
Pages: 78
Printing: Digital
Binding: Spiral
Cover paper: Transparent PVC 100 μm
Inner paper: Favini Shiro Echo 100 gsm
Limited edition: 4 copies
Copyright: Due Studio + @isiaurbino December 2024

📸 @cristopher8vega @chiarafrancisetti

#2S #workshop #isiaurbino #type #typography #analog #blackandwhite #poster #book #design #graphicdesign #grafik #lettering #collage #thedesignblacklist #itsnicethat #typedesign #glyphs #typecollect #typematters #thetypist #collectgraphics #grafikgalerie #icographica #365typefaces #lavendrtype #tomorrowtype

Uccidi la lettera
ISIA U x Due Studio
03–05.12.24
Workshop on typographic destruction as a generative act for new abstract forms of writing

A more experimental and less conventional approach to teaching can stimulate curiosity toward “unknown territories”, spaces where one can become a protagonist, define new rules, and discover unexpected results. This type of knowledge arises from direct action and trial-and-error processes, where there are neither mistakes nor definitive solutions.
It’s about destroying in order to rebuild, about exploring typographic anatomy through de-construction.
What can an A become if it’s cut up and reassembled into a new form? Is this new form still recognizable as an A?
What may seem like a playful activity of destruction and recomposition is, in fact, a method of analyzing typographic anatomy and a form of free experimentation. The amount of black, the broken lines, the curves, the filled and empty spaces are all overturned, acquiring new visual meanings.

Students:
Teresa Tonelotto
Alessandro Soli
Nina Pambianco
Yulia Dudina
Riccardo Toniolo
Chiara Francisetti
Dario Rabatti
Giulia Nanu
Federica Iulli
Daniel Fasulo
Marta Favaretto
Prisca Gavin
Irene Casetta
Lorenzo Battistelli
Letizia Clemente
Alessia Candioli
Margot Nocci
Lavinia Camoletti
Maria Magnoni
Daria Louise Mainetti
Alessandra Gervasio
Matteo Borghese
Samuele De March
Sabrina Rigodanza
Chiara Naldi
Pietro Carmignani
Giulia Descovich
Lorenzo Livorsi
Ginevra Croci
Robert Daniel Irimia
Elia Miodini
Cristopher Vega
David Obexer
Olmo Calligaro
Lucia Marasca
Francesco Aiudi

Typeface: Lay Grotesk, Due Studio
Format: 28x40 cm
Pages: 78
Printing: Digital
Binding: Spiral
Cover paper: Transparent PVC 100 μm
Inner paper: Favini Shiro Echo 100 gsm
Limited edition: 4 copies
Copyright: Due Studio + @isiaurbino December 2024

📸 @cristopher8vega @chiarafrancisetti

#2S #workshop #isiaurbino #type #typography #analog #blackandwhite #poster #book #design #graphicdesign #grafik #lettering #collage #thedesignblacklist #itsnicethat #typedesign #glyphs #typecollect #typematters #thetypist #collectgraphics #grafikgalerie #icographica #365typefaces #lavendrtype #tomorrowtype

Uccidi la lettera
ISIA U x Due Studio
03–05.12.24
Workshop on typographic destruction as a generative act for new abstract forms of writing

A more experimental and less conventional approach to teaching can stimulate curiosity toward “unknown territories”, spaces where one can become a protagonist, define new rules, and discover unexpected results. This type of knowledge arises from direct action and trial-and-error processes, where there are neither mistakes nor definitive solutions.
It’s about destroying in order to rebuild, about exploring typographic anatomy through de-construction.
What can an A become if it’s cut up and reassembled into a new form? Is this new form still recognizable as an A?
What may seem like a playful activity of destruction and recomposition is, in fact, a method of analyzing typographic anatomy and a form of free experimentation. The amount of black, the broken lines, the curves, the filled and empty spaces are all overturned, acquiring new visual meanings.

Students:
Teresa Tonelotto
Alessandro Soli
Nina Pambianco
Yulia Dudina
Riccardo Toniolo
Chiara Francisetti
Dario Rabatti
Giulia Nanu
Federica Iulli
Daniel Fasulo
Marta Favaretto
Prisca Gavin
Irene Casetta
Lorenzo Battistelli
Letizia Clemente
Alessia Candioli
Margot Nocci
Lavinia Camoletti
Maria Magnoni
Daria Louise Mainetti
Alessandra Gervasio
Matteo Borghese
Samuele De March
Sabrina Rigodanza
Chiara Naldi
Pietro Carmignani
Giulia Descovich
Lorenzo Livorsi
Ginevra Croci
Robert Daniel Irimia
Elia Miodini
Cristopher Vega
David Obexer
Olmo Calligaro
Lucia Marasca
Francesco Aiudi

Typeface: Lay Grotesk, Due Studio
Format: 28x40 cm
Pages: 78
Printing: Digital
Binding: Spiral
Cover paper: Transparent PVC 100 μm
Inner paper: Favini Shiro Echo 100 gsm
Limited edition: 4 copies
Copyright: Due Studio + @isiaurbino December 2024

📸 @cristopher8vega @chiarafrancisetti

#2S #workshop #isiaurbino #type #typography #analog #blackandwhite #poster #book #design #graphicdesign #grafik #lettering #collage #thedesignblacklist #itsnicethat #typedesign #glyphs #typecollect #typematters #thetypist #collectgraphics #grafikgalerie #icographica #365typefaces #lavendrtype #tomorrowtype

Uccidi la lettera
ISIA U x Due Studio
03–05.12.24
Workshop on typographic destruction as a generative act for new abstract forms of writing

A more experimental and less conventional approach to teaching can stimulate curiosity toward “unknown territories”, spaces where one can become a protagonist, define new rules, and discover unexpected results. This type of knowledge arises from direct action and trial-and-error processes, where there are neither mistakes nor definitive solutions.
It’s about destroying in order to rebuild, about exploring typographic anatomy through de-construction.
What can an A become if it’s cut up and reassembled into a new form? Is this new form still recognizable as an A?
What may seem like a playful activity of destruction and recomposition is, in fact, a method of analyzing typographic anatomy and a form of free experimentation. The amount of black, the broken lines, the curves, the filled and empty spaces are all overturned, acquiring new visual meanings.

Students:
Teresa Tonelotto
Alessandro Soli
Nina Pambianco
Yulia Dudina
Riccardo Toniolo
Chiara Francisetti
Dario Rabatti
Giulia Nanu
Federica Iulli
Daniel Fasulo
Marta Favaretto
Prisca Gavin
Irene Casetta
Lorenzo Battistelli
Letizia Clemente
Alessia Candioli
Margot Nocci
Lavinia Camoletti
Maria Magnoni
Daria Louise Mainetti
Alessandra Gervasio
Matteo Borghese
Samuele De March
Sabrina Rigodanza
Chiara Naldi
Pietro Carmignani
Giulia Descovich
Lorenzo Livorsi
Ginevra Croci
Robert Daniel Irimia
Elia Miodini
Cristopher Vega
David Obexer
Olmo Calligaro
Lucia Marasca
Francesco Aiudi

Typeface: Lay Grotesk, Due Studio
Format: 28x40 cm
Pages: 78
Printing: Digital
Binding: Spiral
Cover paper: Transparent PVC 100 μm
Inner paper: Favini Shiro Echo 100 gsm
Limited edition: 4 copies
Copyright: Due Studio + @isiaurbino December 2024

📸 @cristopher8vega @chiarafrancisetti

#2S #workshop #isiaurbino #type #typography #analog #blackandwhite #poster #book #design #graphicdesign #grafik #lettering #collage #thedesignblacklist #itsnicethat #typedesign #glyphs #typecollect #typematters #thetypist #collectgraphics #grafikgalerie #icographica #365typefaces #lavendrtype #tomorrowtype

Uccidi la lettera
ISIA U x Due Studio
03–05.12.24
Workshop on typographic destruction as a generative act for new abstract forms of writing

A more experimental and less conventional approach to teaching can stimulate curiosity toward “unknown territories”, spaces where one can become a protagonist, define new rules, and discover unexpected results. This type of knowledge arises from direct action and trial-and-error processes, where there are neither mistakes nor definitive solutions.
It’s about destroying in order to rebuild, about exploring typographic anatomy through de-construction.
What can an A become if it’s cut up and reassembled into a new form? Is this new form still recognizable as an A?
What may seem like a playful activity of destruction and recomposition is, in fact, a method of analyzing typographic anatomy and a form of free experimentation. The amount of black, the broken lines, the curves, the filled and empty spaces are all overturned, acquiring new visual meanings.

Students:
Teresa Tonelotto
Alessandro Soli
Nina Pambianco
Yulia Dudina
Riccardo Toniolo
Chiara Francisetti
Dario Rabatti
Giulia Nanu
Federica Iulli
Daniel Fasulo
Marta Favaretto
Prisca Gavin
Irene Casetta
Lorenzo Battistelli
Letizia Clemente
Alessia Candioli
Margot Nocci
Lavinia Camoletti
Maria Magnoni
Daria Louise Mainetti
Alessandra Gervasio
Matteo Borghese
Samuele De March
Sabrina Rigodanza
Chiara Naldi
Pietro Carmignani
Giulia Descovich
Lorenzo Livorsi
Ginevra Croci
Robert Daniel Irimia
Elia Miodini
Cristopher Vega
David Obexer
Olmo Calligaro
Lucia Marasca
Francesco Aiudi

Typeface: Lay Grotesk, Due Studio
Format: 28x40 cm
Pages: 78
Printing: Digital
Binding: Spiral
Cover paper: Transparent PVC 100 μm
Inner paper: Favini Shiro Echo 100 gsm
Limited edition: 4 copies
Copyright: Due Studio + @isiaurbino December 2024

📸 @cristopher8vega @chiarafrancisetti

#2S #workshop #isiaurbino #type #typography #analog #blackandwhite #poster #book #design #graphicdesign #grafik #lettering #collage #thedesignblacklist #itsnicethat #typedesign #glyphs #typecollect #typematters #thetypist #collectgraphics #grafikgalerie #icographica #365typefaces #lavendrtype #tomorrowtype

Uccidi la lettera
ISIA U x Due Studio
03–05.12.24
Workshop on typographic destruction as a generative act for new abstract forms of writing

A more experimental and less conventional approach to teaching can stimulate curiosity toward “unknown territories”, spaces where one can become a protagonist, define new rules, and discover unexpected results. This type of knowledge arises from direct action and trial-and-error processes, where there are neither mistakes nor definitive solutions.
It’s about destroying in order to rebuild, about exploring typographic anatomy through de-construction.
What can an A become if it’s cut up and reassembled into a new form? Is this new form still recognizable as an A?
What may seem like a playful activity of destruction and recomposition is, in fact, a method of analyzing typographic anatomy and a form of free experimentation. The amount of black, the broken lines, the curves, the filled and empty spaces are all overturned, acquiring new visual meanings.

Students:
Teresa Tonelotto
Alessandro Soli
Nina Pambianco
Yulia Dudina
Riccardo Toniolo
Chiara Francisetti
Dario Rabatti
Giulia Nanu
Federica Iulli
Daniel Fasulo
Marta Favaretto
Prisca Gavin
Irene Casetta
Lorenzo Battistelli
Letizia Clemente
Alessia Candioli
Margot Nocci
Lavinia Camoletti
Maria Magnoni
Daria Louise Mainetti
Alessandra Gervasio
Matteo Borghese
Samuele De March
Sabrina Rigodanza
Chiara Naldi
Pietro Carmignani
Giulia Descovich
Lorenzo Livorsi
Ginevra Croci
Robert Daniel Irimia
Elia Miodini
Cristopher Vega
David Obexer
Olmo Calligaro
Lucia Marasca
Francesco Aiudi

Typeface: Lay Grotesk, Due Studio
Format: 28x40 cm
Pages: 78
Printing: Digital
Binding: Spiral
Cover paper: Transparent PVC 100 μm
Inner paper: Favini Shiro Echo 100 gsm
Limited edition: 4 copies
Copyright: Due Studio + @isiaurbino December 2024

📸 @cristopher8vega @chiarafrancisetti

#2S #workshop #isiaurbino #type #typography #analog #blackandwhite #poster #book #design #graphicdesign #grafik #lettering #collage #thedesignblacklist #itsnicethat #typedesign #glyphs #typecollect #typematters #thetypist #collectgraphics #grafikgalerie #icographica #365typefaces #lavendrtype #tomorrowtype

Uccidi la lettera
ISIA U x Due Studio
03–05.12.24
Workshop on typographic destruction as a generative act for new abstract forms of writing

A more experimental and less conventional approach to teaching can stimulate curiosity toward “unknown territories”, spaces where one can become a protagonist, define new rules, and discover unexpected results. This type of knowledge arises from direct action and trial-and-error processes, where there are neither mistakes nor definitive solutions.
It’s about destroying in order to rebuild, about exploring typographic anatomy through de-construction.
What can an A become if it’s cut up and reassembled into a new form? Is this new form still recognizable as an A?
What may seem like a playful activity of destruction and recomposition is, in fact, a method of analyzing typographic anatomy and a form of free experimentation. The amount of black, the broken lines, the curves, the filled and empty spaces are all overturned, acquiring new visual meanings.

Students:
Teresa Tonelotto
Alessandro Soli
Nina Pambianco
Yulia Dudina
Riccardo Toniolo
Chiara Francisetti
Dario Rabatti
Giulia Nanu
Federica Iulli
Daniel Fasulo
Marta Favaretto
Prisca Gavin
Irene Casetta
Lorenzo Battistelli
Letizia Clemente
Alessia Candioli
Margot Nocci
Lavinia Camoletti
Maria Magnoni
Daria Louise Mainetti
Alessandra Gervasio
Matteo Borghese
Samuele De March
Sabrina Rigodanza
Chiara Naldi
Pietro Carmignani
Giulia Descovich
Lorenzo Livorsi
Ginevra Croci
Robert Daniel Irimia
Elia Miodini
Cristopher Vega
David Obexer
Olmo Calligaro
Lucia Marasca
Francesco Aiudi

Typeface: Lay Grotesk, Due Studio
Format: 28x40 cm
Pages: 78
Printing: Digital
Binding: Spiral
Cover paper: Transparent PVC 100 μm
Inner paper: Favini Shiro Echo 100 gsm
Limited edition: 4 copies
Copyright: Due Studio + @isiaurbino December 2024

📸 @cristopher8vega @chiarafrancisetti

#2S #workshop #isiaurbino #type #typography #analog #blackandwhite #poster #book #design #graphicdesign #grafik #lettering #collage #thedesignblacklist #itsnicethat #typedesign #glyphs #typecollect #typematters #thetypist #collectgraphics #grafikgalerie #icographica #365typefaces #lavendrtype #tomorrowtype

Uccidi la lettera
ISIA U x Due Studio
03–05.12.24
Workshop on typographic destruction as a generative act for new abstract forms of writing

A more experimental and less conventional approach to teaching can stimulate curiosity toward “unknown territories”, spaces where one can become a protagonist, define new rules, and discover unexpected results. This type of knowledge arises from direct action and trial-and-error processes, where there are neither mistakes nor definitive solutions.
It’s about destroying in order to rebuild, about exploring typographic anatomy through de-construction.
What can an A become if it’s cut up and reassembled into a new form? Is this new form still recognizable as an A?
What may seem like a playful activity of destruction and recomposition is, in fact, a method of analyzing typographic anatomy and a form of free experimentation. The amount of black, the broken lines, the curves, the filled and empty spaces are all overturned, acquiring new visual meanings.

Students:
Teresa Tonelotto
Alessandro Soli
Nina Pambianco
Yulia Dudina
Riccardo Toniolo
Chiara Francisetti
Dario Rabatti
Giulia Nanu
Federica Iulli
Daniel Fasulo
Marta Favaretto
Prisca Gavin
Irene Casetta
Lorenzo Battistelli
Letizia Clemente
Alessia Candioli
Margot Nocci
Lavinia Camoletti
Maria Magnoni
Daria Louise Mainetti
Alessandra Gervasio
Matteo Borghese
Samuele De March
Sabrina Rigodanza
Chiara Naldi
Pietro Carmignani
Giulia Descovich
Lorenzo Livorsi
Ginevra Croci
Robert Daniel Irimia
Elia Miodini
Cristopher Vega
David Obexer
Olmo Calligaro
Lucia Marasca
Francesco Aiudi

Typeface: Lay Grotesk, Due Studio
Format: 28x40 cm
Pages: 78
Printing: Digital
Binding: Spiral
Cover paper: Transparent PVC 100 μm
Inner paper: Favini Shiro Echo 100 gsm
Limited edition: 4 copies
Copyright: Due Studio + @isiaurbino December 2024

📸 @cristopher8vega @chiarafrancisetti

#2S #workshop #isiaurbino #type #typography #analog #blackandwhite #poster #book #design #graphicdesign #grafik #lettering #collage #thedesignblacklist #itsnicethat #typedesign #glyphs #typecollect #typematters #thetypist #collectgraphics #grafikgalerie #icographica #365typefaces #lavendrtype #tomorrowtype

Uccidi la lettera
ISIA U x Due Studio
03–05.12.24
Workshop on typographic destruction as a generative act for new abstract forms of writing

A more experimental and less conventional approach to teaching can stimulate curiosity toward “unknown territories”, spaces where one can become a protagonist, define new rules, and discover unexpected results. This type of knowledge arises from direct action and trial-and-error processes, where there are neither mistakes nor definitive solutions.
It’s about destroying in order to rebuild, about exploring typographic anatomy through de-construction.
What can an A become if it’s cut up and reassembled into a new form? Is this new form still recognizable as an A?
What may seem like a playful activity of destruction and recomposition is, in fact, a method of analyzing typographic anatomy and a form of free experimentation. The amount of black, the broken lines, the curves, the filled and empty spaces are all overturned, acquiring new visual meanings.

Students:
Teresa Tonelotto
Alessandro Soli
Nina Pambianco
Yulia Dudina
Riccardo Toniolo
Chiara Francisetti
Dario Rabatti
Giulia Nanu
Federica Iulli
Daniel Fasulo
Marta Favaretto
Prisca Gavin
Irene Casetta
Lorenzo Battistelli
Letizia Clemente
Alessia Candioli
Margot Nocci
Lavinia Camoletti
Maria Magnoni
Daria Louise Mainetti
Alessandra Gervasio
Matteo Borghese
Samuele De March
Sabrina Rigodanza
Chiara Naldi
Pietro Carmignani
Giulia Descovich
Lorenzo Livorsi
Ginevra Croci
Robert Daniel Irimia
Elia Miodini
Cristopher Vega
David Obexer
Olmo Calligaro
Lucia Marasca
Francesco Aiudi

Typeface: Lay Grotesk, Due Studio
Format: 28x40 cm
Pages: 78
Printing: Digital
Binding: Spiral
Cover paper: Transparent PVC 100 μm
Inner paper: Favini Shiro Echo 100 gsm
Limited edition: 4 copies
Copyright: Due Studio + @isiaurbino December 2024

📸 @cristopher8vega @chiarafrancisetti

#2S #workshop #isiaurbino #type #typography #analog #blackandwhite #poster #book #design #graphicdesign #grafik #lettering #collage #thedesignblacklist #itsnicethat #typedesign #glyphs #typecollect #typematters #thetypist #collectgraphics #grafikgalerie #icographica #365typefaces #lavendrtype #tomorrowtype

Uccidi la lettera
ISIA U x Due Studio
03–05.12.24
Workshop on typographic destruction as a generative act for new abstract forms of writing

A more experimental and less conventional approach to teaching can stimulate curiosity toward “unknown territories”, spaces where one can become a protagonist, define new rules, and discover unexpected results. This type of knowledge arises from direct action and trial-and-error processes, where there are neither mistakes nor definitive solutions.
It’s about destroying in order to rebuild, about exploring typographic anatomy through de-construction.
What can an A become if it’s cut up and reassembled into a new form? Is this new form still recognizable as an A?
What may seem like a playful activity of destruction and recomposition is, in fact, a method of analyzing typographic anatomy and a form of free experimentation. The amount of black, the broken lines, the curves, the filled and empty spaces are all overturned, acquiring new visual meanings.

Students:
Teresa Tonelotto
Alessandro Soli
Nina Pambianco
Yulia Dudina
Riccardo Toniolo
Chiara Francisetti
Dario Rabatti
Giulia Nanu
Federica Iulli
Daniel Fasulo
Marta Favaretto
Prisca Gavin
Irene Casetta
Lorenzo Battistelli
Letizia Clemente
Alessia Candioli
Margot Nocci
Lavinia Camoletti
Maria Magnoni
Daria Louise Mainetti
Alessandra Gervasio
Matteo Borghese
Samuele De March
Sabrina Rigodanza
Chiara Naldi
Pietro Carmignani
Giulia Descovich
Lorenzo Livorsi
Ginevra Croci
Robert Daniel Irimia
Elia Miodini
Cristopher Vega
David Obexer
Olmo Calligaro
Lucia Marasca
Francesco Aiudi

Typeface: Lay Grotesk, Due Studio
Format: 28x40 cm
Pages: 78
Printing: Digital
Binding: Spiral
Cover paper: Transparent PVC 100 μm
Inner paper: Favini Shiro Echo 100 gsm
Limited edition: 4 copies
Copyright: Due Studio + @isiaurbino December 2024

📸 @cristopher8vega @chiarafrancisetti

#2S #workshop #isiaurbino #type #typography #analog #blackandwhite #poster #book #design #graphicdesign #grafik #lettering #collage #thedesignblacklist #itsnicethat #typedesign #glyphs #typecollect #typematters #thetypist #collectgraphics #grafikgalerie #icographica #365typefaces #lavendrtype #tomorrowtype

Uccidi la lettera
ISIA U x Due Studio
03–05.12.24
Workshop on typographic destruction as a generative act for new abstract forms of writing

A more experimental and less conventional approach to teaching can stimulate curiosity toward “unknown territories”, spaces where one can become a protagonist, define new rules, and discover unexpected results. This type of knowledge arises from direct action and trial-and-error processes, where there are neither mistakes nor definitive solutions.
It’s about destroying in order to rebuild, about exploring typographic anatomy through de-construction.
What can an A become if it’s cut up and reassembled into a new form? Is this new form still recognizable as an A?
What may seem like a playful activity of destruction and recomposition is, in fact, a method of analyzing typographic anatomy and a form of free experimentation. The amount of black, the broken lines, the curves, the filled and empty spaces are all overturned, acquiring new visual meanings.

Students:
Teresa Tonelotto
Alessandro Soli
Nina Pambianco
Yulia Dudina
Riccardo Toniolo
Chiara Francisetti
Dario Rabatti
Giulia Nanu
Federica Iulli
Daniel Fasulo
Marta Favaretto
Prisca Gavin
Irene Casetta
Lorenzo Battistelli
Letizia Clemente
Alessia Candioli
Margot Nocci
Lavinia Camoletti
Maria Magnoni
Daria Louise Mainetti
Alessandra Gervasio
Matteo Borghese
Samuele De March
Sabrina Rigodanza
Chiara Naldi
Pietro Carmignani
Giulia Descovich
Lorenzo Livorsi
Ginevra Croci
Robert Daniel Irimia
Elia Miodini
Cristopher Vega
David Obexer
Olmo Calligaro
Lucia Marasca
Francesco Aiudi

Typeface: Lay Grotesk, Due Studio
Format: 28x40 cm
Pages: 78
Printing: Digital
Binding: Spiral
Cover paper: Transparent PVC 100 μm
Inner paper: Favini Shiro Echo 100 gsm
Limited edition: 4 copies
Copyright: Due Studio + @isiaurbino December 2024

📸 @cristopher8vega @chiarafrancisetti

#2S #workshop #isiaurbino #type #typography #analog #blackandwhite #poster #book #design #graphicdesign #grafik #lettering #collage #thedesignblacklist #itsnicethat #typedesign #glyphs #typecollect #typematters #thetypist #collectgraphics #grafikgalerie #icographica #365typefaces #lavendrtype #tomorrowtype

We're excited to share the visual identity project we designed for Graffiti, the first international exhibition opening this year at @museion_bz
A big thanks to the Museion team for their trust and support throughout this great collaboration. Thanks also to @fucsi_oopsie for taking part in this project.

Graffiti
29 Mar 14 Sep 2025
Opening 28 Mar 2025, 19.00

Curated by @leonieradine and Ned Vena
Design @due_std
Motion @cristopher8vega
Photo (Graffiti Opening) @tiberio_sorvillo

#2S #museion #bolzano #graffiti #international #exhibition #graphicdesign #graphic #grafik #design #visualidentity #poster #plakat #affiche #thedesignblacklist #icographica #itsnicethat #type #typography #spray #blackandwhite #typedesign #letteringl

We're excited to share the visual identity project we designed for Graffiti, the first international exhibition opening this year at @museion_bz
A big thanks to the Museion team for their trust and support throughout this great collaboration. Thanks also to @fucsi_oopsie for taking part in this project.

Graffiti
29 Mar 14 Sep 2025
Opening 28 Mar 2025, 19.00

Curated by @leonieradine and Ned Vena
Design @due_std
Motion @cristopher8vega
Photo (Graffiti Opening) @tiberio_sorvillo

#2S #museion #bolzano #graffiti #international #exhibition #graphicdesign #graphic #grafik #design #visualidentity #poster #plakat #affiche #thedesignblacklist #icographica #itsnicethat #type #typography #spray #blackandwhite #typedesign #letteringl

We're excited to share the visual identity project we designed for Graffiti, the first international exhibition opening this year at @museion_bz
A big thanks to the Museion team for their trust and support throughout this great collaboration. Thanks also to @fucsi_oopsie for taking part in this project.

Graffiti
29 Mar 14 Sep 2025
Opening 28 Mar 2025, 19.00

Curated by @leonieradine and Ned Vena
Design @due_std
Motion @cristopher8vega
Photo (Graffiti Opening) @tiberio_sorvillo

#2S #museion #bolzano #graffiti #international #exhibition #graphicdesign #graphic #grafik #design #visualidentity #poster #plakat #affiche #thedesignblacklist #icographica #itsnicethat #type #typography #spray #blackandwhite #typedesign #letteringl

We're excited to share the visual identity project we designed for Graffiti, the first international exhibition opening this year at @museion_bz
A big thanks to the Museion team for their trust and support throughout this great collaboration. Thanks also to @fucsi_oopsie for taking part in this project.

Graffiti
29 Mar 14 Sep 2025
Opening 28 Mar 2025, 19.00

Curated by @leonieradine and Ned Vena
Design @due_std
Motion @cristopher8vega
Photo (Graffiti Opening) @tiberio_sorvillo

#2S #museion #bolzano #graffiti #international #exhibition #graphicdesign #graphic #grafik #design #visualidentity #poster #plakat #affiche #thedesignblacklist #icographica #itsnicethat #type #typography #spray #blackandwhite #typedesign #letteringl

We're excited to share the visual identity project we designed for Graffiti, the first international exhibition opening this year at @museion_bz
A big thanks to the Museion team for their trust and support throughout this great collaboration. Thanks also to @fucsi_oopsie for taking part in this project.

Graffiti
29 Mar 14 Sep 2025
Opening 28 Mar 2025, 19.00

Curated by @leonieradine and Ned Vena
Design @due_std
Motion @cristopher8vega
Photo (Graffiti Opening) @tiberio_sorvillo

#2S #museion #bolzano #graffiti #international #exhibition #graphicdesign #graphic #grafik #design #visualidentity #poster #plakat #affiche #thedesignblacklist #icographica #itsnicethat #type #typography #spray #blackandwhite #typedesign #letteringl

We're excited to share the visual identity project we designed for Graffiti, the first international exhibition opening this year at @museion_bz
A big thanks to the Museion team for their trust and support throughout this great collaboration. Thanks also to @fucsi_oopsie for taking part in this project.

Graffiti
29 Mar 14 Sep 2025
Opening 28 Mar 2025, 19.00

Curated by @leonieradine and Ned Vena
Design @due_std
Motion @cristopher8vega
Photo (Graffiti Opening) @tiberio_sorvillo

#2S #museion #bolzano #graffiti #international #exhibition #graphicdesign #graphic #grafik #design #visualidentity #poster #plakat #affiche #thedesignblacklist #icographica #itsnicethat #type #typography #spray #blackandwhite #typedesign #letteringl

We're excited to share the visual identity project we designed for Graffiti, the first international exhibition opening this year at @museion_bz
A big thanks to the Museion team for their trust and support throughout this great collaboration. Thanks also to @fucsi_oopsie for taking part in this project.

Graffiti
29 Mar 14 Sep 2025
Opening 28 Mar 2025, 19.00

Curated by @leonieradine and Ned Vena
Design @due_std
Motion @cristopher8vega
Photo (Graffiti Opening) @tiberio_sorvillo

#2S #museion #bolzano #graffiti #international #exhibition #graphicdesign #graphic #grafik #design #visualidentity #poster #plakat #affiche #thedesignblacklist #icographica #itsnicethat #type #typography #spray #blackandwhite #typedesign #letteringl

We're excited to share the visual identity project we designed for Graffiti, the first international exhibition opening this year at @museion_bz
A big thanks to the Museion team for their trust and support throughout this great collaboration. Thanks also to @fucsi_oopsie for taking part in this project.

Graffiti
29 Mar 14 Sep 2025
Opening 28 Mar 2025, 19.00

Curated by @leonieradine and Ned Vena
Design @due_std
Motion @cristopher8vega
Photo (Graffiti Opening) @tiberio_sorvillo

#2S #museion #bolzano #graffiti #international #exhibition #graphicdesign #graphic #grafik #design #visualidentity #poster #plakat #affiche #thedesignblacklist #icographica #itsnicethat #type #typography #spray #blackandwhite #typedesign #letteringl

We're excited to share the visual identity project we designed for Graffiti, the first international exhibition opening this year at @museion_bz
A big thanks to the Museion team for their trust and support throughout this great collaboration. Thanks also to @fucsi_oopsie for taking part in this project.

Graffiti
29 Mar 14 Sep 2025
Opening 28 Mar 2025, 19.00

Curated by @leonieradine and Ned Vena
Design @due_std
Motion @cristopher8vega
Photo (Graffiti Opening) @tiberio_sorvillo

#2S #museion #bolzano #graffiti #international #exhibition #graphicdesign #graphic #grafik #design #visualidentity #poster #plakat #affiche #thedesignblacklist #icographica #itsnicethat #type #typography #spray #blackandwhite #typedesign #letteringl

We're excited to share the visual identity project we designed for Graffiti, the first international exhibition opening this year at @museion_bz
A big thanks to the Museion team for their trust and support throughout this great collaboration. Thanks also to @fucsi_oopsie for taking part in this project.

Graffiti
29 Mar 14 Sep 2025
Opening 28 Mar 2025, 19.00

Curated by @leonieradine and Ned Vena
Design @due_std
Motion @cristopher8vega
Photo (Graffiti Opening) @tiberio_sorvillo

#2S #museion #bolzano #graffiti #international #exhibition #graphicdesign #graphic #grafik #design #visualidentity #poster #plakat #affiche #thedesignblacklist #icographica #itsnicethat #type #typography #spray #blackandwhite #typedesign #letteringl

We're excited to share the visual identity project we designed for Graffiti, the first international exhibition opening this year at @museion_bz
A big thanks to the Museion team for their trust and support throughout this great collaboration. Thanks also to @fucsi_oopsie for taking part in this project.

Graffiti
29 Mar 14 Sep 2025
Opening 28 Mar 2025, 19.00

Curated by @leonieradine and Ned Vena
Design @due_std
Motion @cristopher8vega
Photo (Graffiti Opening) @tiberio_sorvillo

#2S #museion #bolzano #graffiti #international #exhibition #graphicdesign #graphic #grafik #design #visualidentity #poster #plakat #affiche #thedesignblacklist #icographica #itsnicethat #type #typography #spray #blackandwhite #typedesign #letteringl

We're excited to share the visual identity project we designed for Graffiti, the first international exhibition opening this year at @museion_bz
A big thanks to the Museion team for their trust and support throughout this great collaboration. Thanks also to @fucsi_oopsie for taking part in this project.

Graffiti
29 Mar 14 Sep 2025
Opening 28 Mar 2025, 19.00

Curated by @leonieradine and Ned Vena
Design @due_std
Motion @cristopher8vega
Photo (Graffiti Opening) @tiberio_sorvillo

#2S #museion #bolzano #graffiti #international #exhibition #graphicdesign #graphic #grafik #design #visualidentity #poster #plakat #affiche #thedesignblacklist #icographica #itsnicethat #type #typography #spray #blackandwhite #typedesign #letteringl

We're excited to share the visual identity project we designed for Graffiti, the first international exhibition opening this year at @museion_bz
A big thanks to the Museion team for their trust and support throughout this great collaboration. Thanks also to @fucsi_oopsie for taking part in this project.

Graffiti
29 Mar 14 Sep 2025
Opening 28 Mar 2025, 19.00

Curated by @leonieradine and Ned Vena
Design @due_std
Motion @cristopher8vega
Photo (Graffiti Opening) @tiberio_sorvillo

#2S #museion #bolzano #graffiti #international #exhibition #graphicdesign #graphic #grafik #design #visualidentity #poster #plakat #affiche #thedesignblacklist #icographica #itsnicethat #type #typography #spray #blackandwhite #typedesign #letteringl

We're excited to share the visual identity project we designed for Graffiti, the first international exhibition opening this year at @museion_bz
A big thanks to the Museion team for their trust and support throughout this great collaboration. Thanks also to @fucsi_oopsie for taking part in this project.

Graffiti
29 Mar 14 Sep 2025
Opening 28 Mar 2025, 19.00

Curated by @leonieradine and Ned Vena
Design @due_std
Motion @cristopher8vega
Photo (Graffiti Opening) @tiberio_sorvillo

#2S #museion #bolzano #graffiti #international #exhibition #graphicdesign #graphic #grafik #design #visualidentity #poster #plakat #affiche #thedesignblacklist #icographica #itsnicethat #type #typography #spray #blackandwhite #typedesign #letteringl

We're excited to share the visual identity project we designed for Graffiti, the first international exhibition opening this year at @museion_bz
A big thanks to the Museion team for their trust and support throughout this great collaboration. Thanks also to @fucsi_oopsie for taking part in this project.

Graffiti
29 Mar 14 Sep 2025
Opening 28 Mar 2025, 19.00

Curated by @leonieradine and Ned Vena
Design @due_std
Motion @cristopher8vega
Photo (Graffiti Opening) @tiberio_sorvillo

#2S #museion #bolzano #graffiti #international #exhibition #graphicdesign #graphic #grafik #design #visualidentity #poster #plakat #affiche #thedesignblacklist #icographica #itsnicethat #type #typography #spray #blackandwhite #typedesign #letteringl

We're excited to share the visual identity project we designed for Graffiti, the first international exhibition opening this year at @museion_bz
A big thanks to the Museion team for their trust and support throughout this great collaboration. Thanks also to @fucsi_oopsie for taking part in this project.

Graffiti
29 Mar 14 Sep 2025
Opening 28 Mar 2025, 19.00

Curated by @leonieradine and Ned Vena
Design @due_std
Motion @cristopher8vega
Photo (Graffiti Opening) @tiberio_sorvillo

#2S #museion #bolzano #graffiti #international #exhibition #graphicdesign #graphic #grafik #design #visualidentity #poster #plakat #affiche #thedesignblacklist #icographica #itsnicethat #type #typography #spray #blackandwhite #typedesign #letteringl

We're excited to share the visual identity project we designed for Graffiti, the first international exhibition opening this year at @museion_bz
A big thanks to the Museion team for their trust and support throughout this great collaboration. Thanks also to @fucsi_oopsie for taking part in this project.

Graffiti
29 Mar 14 Sep 2025
Opening 28 Mar 2025, 19.00

Curated by @leonieradine and Ned Vena
Design @due_std
Motion @cristopher8vega
Photo (Graffiti Opening) @tiberio_sorvillo

#2S #museion #bolzano #graffiti #international #exhibition #graphicdesign #graphic #grafik #design #visualidentity #poster #plakat #affiche #thedesignblacklist #icographica #itsnicethat #type #typography #spray #blackandwhite #typedesign #letteringl

We're excited to share the visual identity project we designed for Graffiti, the first international exhibition opening this year at @museion_bz
A big thanks to the Museion team for their trust and support throughout this great collaboration. Thanks also to @fucsi_oopsie for taking part in this project.

Graffiti
29 Mar 14 Sep 2025
Opening 28 Mar 2025, 19.00

Curated by @leonieradine and Ned Vena
Design @due_std
Motion @cristopher8vega
Photo (Graffiti Opening) @tiberio_sorvillo

#2S #museion #bolzano #graffiti #international #exhibition #graphicdesign #graphic #grafik #design #visualidentity #poster #plakat #affiche #thedesignblacklist #icographica #itsnicethat #type #typography #spray #blackandwhite #typedesign #letteringl

We're excited to share the visual identity project we designed for Graffiti, the first international exhibition opening this year at @museion_bz
A big thanks to the Museion team for their trust and support throughout this great collaboration. Thanks also to @fucsi_oopsie for taking part in this project.

Graffiti
29 Mar 14 Sep 2025
Opening 28 Mar 2025, 19.00

Curated by @leonieradine and Ned Vena
Design @due_std
Motion @cristopher8vega
Photo (Graffiti Opening) @tiberio_sorvillo

#2S #museion #bolzano #graffiti #international #exhibition #graphicdesign #graphic #grafik #design #visualidentity #poster #plakat #affiche #thedesignblacklist #icographica #itsnicethat #type #typography #spray #blackandwhite #typedesign #letteringl

We're excited to share the visual identity project we designed for Graffiti, the first international exhibition opening this year at @museion_bz
A big thanks to the Museion team for their trust and support throughout this great collaboration. Thanks also to @fucsi_oopsie for taking part in this project.

Graffiti
29 Mar 14 Sep 2025
Opening 28 Mar 2025, 19.00

Curated by @leonieradine and Ned Vena
Design @due_std
Motion @cristopher8vega
Photo (Graffiti Opening) @tiberio_sorvillo

#2S #museion #bolzano #graffiti #international #exhibition #graphicdesign #graphic #grafik #design #visualidentity #poster #plakat #affiche #thedesignblacklist #icographica #itsnicethat #type #typography #spray #blackandwhite #typedesign #letteringl

2S 1st Secret Party
Here some shots of the party we had at our studio last November 30th. Thanks to everyone who joined and made it special!
🦇🦇

Pics by @pimpi6000
#2S #secretparty #graphicdesign #typography #studio #office #party #openingstudio

2S 1st Secret Party
Here some shots of the party we had at our studio last November 30th. Thanks to everyone who joined and made it special!
🦇🦇

Pics by @pimpi6000
#2S #secretparty #graphicdesign #typography #studio #office #party #openingstudio

2S 1st Secret Party
Here some shots of the party we had at our studio last November 30th. Thanks to everyone who joined and made it special!
🦇🦇

Pics by @pimpi6000
#2S #secretparty #graphicdesign #typography #studio #office #party #openingstudio

2S 1st Secret Party
Here some shots of the party we had at our studio last November 30th. Thanks to everyone who joined and made it special!
🦇🦇

Pics by @pimpi6000
#2S #secretparty #graphicdesign #typography #studio #office #party #openingstudio

2S 1st Secret Party
Here some shots of the party we had at our studio last November 30th. Thanks to everyone who joined and made it special!
🦇🦇

Pics by @pimpi6000
#2S #secretparty #graphicdesign #typography #studio #office #party #openingstudio

2S 1st Secret Party
Here some shots of the party we had at our studio last November 30th. Thanks to everyone who joined and made it special!
🦇🦇

Pics by @pimpi6000
#2S #secretparty #graphicdesign #typography #studio #office #party #openingstudio

2S 1st Secret Party
Here some shots of the party we had at our studio last November 30th. Thanks to everyone who joined and made it special!
🦇🦇

Pics by @pimpi6000
#2S #secretparty #graphicdesign #typography #studio #office #party #openingstudio

2S 1st Secret Party
Here some shots of the party we had at our studio last November 30th. Thanks to everyone who joined and made it special!
🦇🦇

Pics by @pimpi6000
#2S #secretparty #graphicdesign #typography #studio #office #party #openingstudio

2S 1st Secret Party
Here some shots of the party we had at our studio last November 30th. Thanks to everyone who joined and made it special!
🦇🦇

Pics by @pimpi6000
#2S #secretparty #graphicdesign #typography #studio #office #party #openingstudio

2S 1st Secret Party
Here some shots of the party we had at our studio last November 30th. Thanks to everyone who joined and made it special!
🦇🦇

Pics by @pimpi6000
#2S #secretparty #graphicdesign #typography #studio #office #party #openingstudio

2S 1st Secret Party
Here some shots of the party we had at our studio last November 30th. Thanks to everyone who joined and made it special!
🦇🦇

Pics by @pimpi6000
#2S #secretparty #graphicdesign #typography #studio #office #party #openingstudio

2S 1st Secret Party
Here some shots of the party we had at our studio last November 30th. Thanks to everyone who joined and made it special!
🦇🦇

Pics by @pimpi6000
#2S #secretparty #graphicdesign #typography #studio #office #party #openingstudio

2S 1st Secret Party
Here some shots of the party we had at our studio last November 30th. Thanks to everyone who joined and made it special!
🦇🦇

Pics by @pimpi6000
#2S #secretparty #graphicdesign #typography #studio #office #party #openingstudio

2S 1st Secret Party
Here some shots of the party we had at our studio last November 30th. Thanks to everyone who joined and made it special!
🦇🦇

Pics by @pimpi6000
#2S #secretparty #graphicdesign #typography #studio #office #party #openingstudio

•• New work by @due_std ••

💥School agenda 2023/2024 🥏🏒

Last year we were asked to redesign the brand identity and the new collection of @beyouitalia

A very large and challenging project that involved us in many design activities like typography, graphic design, illustration and product design.

Creative Direction and Design: Due Studio, Alessio Pompadura, Massimiliano Vitti
Typeface: BY Sans designed by Due Studio💥

🎖️ use #helveticaposter to get featured!🎖️

Promote and Collaborations @kunstudio.gr

✅ Submit & Inspo www.helveticaposter.com

•• New work by @due_std ••

💥School agenda 2023/2024 🥏🏒

Last year we were asked to redesign the brand identity and the new collection of @beyouitalia

A very large and challenging project that involved us in many design activities like typography, graphic design, illustration and product design.

Creative Direction and Design: Due Studio, Alessio Pompadura, Massimiliano Vitti
Typeface: BY Sans designed by Due Studio💥

🎖️ use #helveticaposter to get featured!🎖️

Promote and Collaborations @kunstudio.gr

✅ Submit & Inspo www.helveticaposter.com

•• New work by @due_std ••

💥School agenda 2023/2024 🥏🏒

Last year we were asked to redesign the brand identity and the new collection of @beyouitalia

A very large and challenging project that involved us in many design activities like typography, graphic design, illustration and product design.

Creative Direction and Design: Due Studio, Alessio Pompadura, Massimiliano Vitti
Typeface: BY Sans designed by Due Studio💥

🎖️ use #helveticaposter to get featured!🎖️

Promote and Collaborations @kunstudio.gr

✅ Submit & Inspo www.helveticaposter.com

#SenzaSegnale is a participatory journalism project that aims to reconnect the territories that have been forgotten by the media industry. This project tells about four territories, and four resistant communities, and does so by involving the communities themselves in the construction of the story, starting from the territories.
#SenzaSegnale is a project by IrpiMedia in collaboration with Dotz Media, set up to amplify the voices of information professionals from marginalised groups, Il Centro di Giornalismo Permanente, a collective set up by former students of the Lelio Basso school of journalism, Fada, a collective of journalists experienced in reporting and working with local communities, and Indip, an independent periodical of enquiry in Sardinia.
#SenzaSegnale tells its story with these grains of sand, reconstructing and reconnecting with words, photographs, illustrations, audio and video. Four stories to be read, watched, and listened to.

Senza Segnale
Ricconnettere i territori con inchieste sociali
@irpimedia @dotz.media @indip.it @centrodigiornalismopermanente @fadacollective @resta_vallodidiano @journalismfund

AD/GD: Due Studio, Massimiliano Vitti, Alessio Pompadura
Print: Graphic Master srl
Paper: @fedrigoni.paper Splendorlux versus black, Fedrigoni Arena smooth white, Fedrigoni Gsk extra white
Typesetting: Kovskij Display (Due Studio), Times New Roman (Monotype)
Pages: 192 + 1 map insert, 2 Gsk inserts
Copies: 500
© April 2024 - First Edition

#2S #irpimedia #book #bookdesign #fedrigoni #fedrigonipaper #editorialdesign #thedesignblacklist #itsnicethat #artdirection #graphicdesign #typography #typeface #type #typecollect #journalism #italy

#SenzaSegnale is a participatory journalism project that aims to reconnect the territories that have been forgotten by the media industry. This project tells about four territories, and four resistant communities, and does so by involving the communities themselves in the construction of the story, starting from the territories.
#SenzaSegnale is a project by IrpiMedia in collaboration with Dotz Media, set up to amplify the voices of information professionals from marginalised groups, Il Centro di Giornalismo Permanente, a collective set up by former students of the Lelio Basso school of journalism, Fada, a collective of journalists experienced in reporting and working with local communities, and Indip, an independent periodical of enquiry in Sardinia.
#SenzaSegnale tells its story with these grains of sand, reconstructing and reconnecting with words, photographs, illustrations, audio and video. Four stories to be read, watched, and listened to.

Senza Segnale
Ricconnettere i territori con inchieste sociali
@irpimedia @dotz.media @indip.it @centrodigiornalismopermanente @fadacollective @resta_vallodidiano @journalismfund

AD/GD: Due Studio, Massimiliano Vitti, Alessio Pompadura
Print: Graphic Master srl
Paper: @fedrigoni.paper Splendorlux versus black, Fedrigoni Arena smooth white, Fedrigoni Gsk extra white
Typesetting: Kovskij Display (Due Studio), Times New Roman (Monotype)
Pages: 192 + 1 map insert, 2 Gsk inserts
Copies: 500
© April 2024 - First Edition

#2S #irpimedia #book #bookdesign #fedrigoni #fedrigonipaper #editorialdesign #thedesignblacklist #itsnicethat #artdirection #graphicdesign #typography #typeface #type #typecollect #journalism #italy

#SenzaSegnale is a participatory journalism project that aims to reconnect the territories that have been forgotten by the media industry. This project tells about four territories, and four resistant communities, and does so by involving the communities themselves in the construction of the story, starting from the territories.
#SenzaSegnale is a project by IrpiMedia in collaboration with Dotz Media, set up to amplify the voices of information professionals from marginalised groups, Il Centro di Giornalismo Permanente, a collective set up by former students of the Lelio Basso school of journalism, Fada, a collective of journalists experienced in reporting and working with local communities, and Indip, an independent periodical of enquiry in Sardinia.
#SenzaSegnale tells its story with these grains of sand, reconstructing and reconnecting with words, photographs, illustrations, audio and video. Four stories to be read, watched, and listened to.

Senza Segnale
Ricconnettere i territori con inchieste sociali
@irpimedia @dotz.media @indip.it @centrodigiornalismopermanente @fadacollective @resta_vallodidiano @journalismfund

AD/GD: Due Studio, Massimiliano Vitti, Alessio Pompadura
Print: Graphic Master srl
Paper: @fedrigoni.paper Splendorlux versus black, Fedrigoni Arena smooth white, Fedrigoni Gsk extra white
Typesetting: Kovskij Display (Due Studio), Times New Roman (Monotype)
Pages: 192 + 1 map insert, 2 Gsk inserts
Copies: 500
© April 2024 - First Edition

#2S #irpimedia #book #bookdesign #fedrigoni #fedrigonipaper #editorialdesign #thedesignblacklist #itsnicethat #artdirection #graphicdesign #typography #typeface #type #typecollect #journalism #italy

#SenzaSegnale is a participatory journalism project that aims to reconnect the territories that have been forgotten by the media industry. This project tells about four territories, and four resistant communities, and does so by involving the communities themselves in the construction of the story, starting from the territories.
#SenzaSegnale is a project by IrpiMedia in collaboration with Dotz Media, set up to amplify the voices of information professionals from marginalised groups, Il Centro di Giornalismo Permanente, a collective set up by former students of the Lelio Basso school of journalism, Fada, a collective of journalists experienced in reporting and working with local communities, and Indip, an independent periodical of enquiry in Sardinia.
#SenzaSegnale tells its story with these grains of sand, reconstructing and reconnecting with words, photographs, illustrations, audio and video. Four stories to be read, watched, and listened to.

Senza Segnale
Ricconnettere i territori con inchieste sociali
@irpimedia @dotz.media @indip.it @centrodigiornalismopermanente @fadacollective @resta_vallodidiano @journalismfund

AD/GD: Due Studio, Massimiliano Vitti, Alessio Pompadura
Print: Graphic Master srl
Paper: @fedrigoni.paper Splendorlux versus black, Fedrigoni Arena smooth white, Fedrigoni Gsk extra white
Typesetting: Kovskij Display (Due Studio), Times New Roman (Monotype)
Pages: 192 + 1 map insert, 2 Gsk inserts
Copies: 500
© April 2024 - First Edition

#2S #irpimedia #book #bookdesign #fedrigoni #fedrigonipaper #editorialdesign #thedesignblacklist #itsnicethat #artdirection #graphicdesign #typography #typeface #type #typecollect #journalism #italy

#SenzaSegnale is a participatory journalism project that aims to reconnect the territories that have been forgotten by the media industry. This project tells about four territories, and four resistant communities, and does so by involving the communities themselves in the construction of the story, starting from the territories.
#SenzaSegnale is a project by IrpiMedia in collaboration with Dotz Media, set up to amplify the voices of information professionals from marginalised groups, Il Centro di Giornalismo Permanente, a collective set up by former students of the Lelio Basso school of journalism, Fada, a collective of journalists experienced in reporting and working with local communities, and Indip, an independent periodical of enquiry in Sardinia.
#SenzaSegnale tells its story with these grains of sand, reconstructing and reconnecting with words, photographs, illustrations, audio and video. Four stories to be read, watched, and listened to.

Senza Segnale
Ricconnettere i territori con inchieste sociali
@irpimedia @dotz.media @indip.it @centrodigiornalismopermanente @fadacollective @resta_vallodidiano @journalismfund

AD/GD: Due Studio, Massimiliano Vitti, Alessio Pompadura
Print: Graphic Master srl
Paper: @fedrigoni.paper Splendorlux versus black, Fedrigoni Arena smooth white, Fedrigoni Gsk extra white
Typesetting: Kovskij Display (Due Studio), Times New Roman (Monotype)
Pages: 192 + 1 map insert, 2 Gsk inserts
Copies: 500
© April 2024 - First Edition

#2S #irpimedia #book #bookdesign #fedrigoni #fedrigonipaper #editorialdesign #thedesignblacklist #itsnicethat #artdirection #graphicdesign #typography #typeface #type #typecollect #journalism #italy

#SenzaSegnale is a participatory journalism project that aims to reconnect the territories that have been forgotten by the media industry. This project tells about four territories, and four resistant communities, and does so by involving the communities themselves in the construction of the story, starting from the territories.
#SenzaSegnale is a project by IrpiMedia in collaboration with Dotz Media, set up to amplify the voices of information professionals from marginalised groups, Il Centro di Giornalismo Permanente, a collective set up by former students of the Lelio Basso school of journalism, Fada, a collective of journalists experienced in reporting and working with local communities, and Indip, an independent periodical of enquiry in Sardinia.
#SenzaSegnale tells its story with these grains of sand, reconstructing and reconnecting with words, photographs, illustrations, audio and video. Four stories to be read, watched, and listened to.

Senza Segnale
Ricconnettere i territori con inchieste sociali
@irpimedia @dotz.media @indip.it @centrodigiornalismopermanente @fadacollective @resta_vallodidiano @journalismfund

AD/GD: Due Studio, Massimiliano Vitti, Alessio Pompadura
Print: Graphic Master srl
Paper: @fedrigoni.paper Splendorlux versus black, Fedrigoni Arena smooth white, Fedrigoni Gsk extra white
Typesetting: Kovskij Display (Due Studio), Times New Roman (Monotype)
Pages: 192 + 1 map insert, 2 Gsk inserts
Copies: 500
© April 2024 - First Edition

#2S #irpimedia #book #bookdesign #fedrigoni #fedrigonipaper #editorialdesign #thedesignblacklist #itsnicethat #artdirection #graphicdesign #typography #typeface #type #typecollect #journalism #italy

#SenzaSegnale is a participatory journalism project that aims to reconnect the territories that have been forgotten by the media industry. This project tells about four territories, and four resistant communities, and does so by involving the communities themselves in the construction of the story, starting from the territories.
#SenzaSegnale is a project by IrpiMedia in collaboration with Dotz Media, set up to amplify the voices of information professionals from marginalised groups, Il Centro di Giornalismo Permanente, a collective set up by former students of the Lelio Basso school of journalism, Fada, a collective of journalists experienced in reporting and working with local communities, and Indip, an independent periodical of enquiry in Sardinia.
#SenzaSegnale tells its story with these grains of sand, reconstructing and reconnecting with words, photographs, illustrations, audio and video. Four stories to be read, watched, and listened to.

Senza Segnale
Ricconnettere i territori con inchieste sociali
@irpimedia @dotz.media @indip.it @centrodigiornalismopermanente @fadacollective @resta_vallodidiano @journalismfund

AD/GD: Due Studio, Massimiliano Vitti, Alessio Pompadura
Print: Graphic Master srl
Paper: @fedrigoni.paper Splendorlux versus black, Fedrigoni Arena smooth white, Fedrigoni Gsk extra white
Typesetting: Kovskij Display (Due Studio), Times New Roman (Monotype)
Pages: 192 + 1 map insert, 2 Gsk inserts
Copies: 500
© April 2024 - First Edition

#2S #irpimedia #book #bookdesign #fedrigoni #fedrigonipaper #editorialdesign #thedesignblacklist #itsnicethat #artdirection #graphicdesign #typography #typeface #type #typecollect #journalism #italy

#SenzaSegnale is a participatory journalism project that aims to reconnect the territories that have been forgotten by the media industry. This project tells about four territories, and four resistant communities, and does so by involving the communities themselves in the construction of the story, starting from the territories.
#SenzaSegnale is a project by IrpiMedia in collaboration with Dotz Media, set up to amplify the voices of information professionals from marginalised groups, Il Centro di Giornalismo Permanente, a collective set up by former students of the Lelio Basso school of journalism, Fada, a collective of journalists experienced in reporting and working with local communities, and Indip, an independent periodical of enquiry in Sardinia.
#SenzaSegnale tells its story with these grains of sand, reconstructing and reconnecting with words, photographs, illustrations, audio and video. Four stories to be read, watched, and listened to.

Senza Segnale
Ricconnettere i territori con inchieste sociali
@irpimedia @dotz.media @indip.it @centrodigiornalismopermanente @fadacollective @resta_vallodidiano @journalismfund

AD/GD: Due Studio, Massimiliano Vitti, Alessio Pompadura
Print: Graphic Master srl
Paper: @fedrigoni.paper Splendorlux versus black, Fedrigoni Arena smooth white, Fedrigoni Gsk extra white
Typesetting: Kovskij Display (Due Studio), Times New Roman (Monotype)
Pages: 192 + 1 map insert, 2 Gsk inserts
Copies: 500
© April 2024 - First Edition

#2S #irpimedia #book #bookdesign #fedrigoni #fedrigonipaper #editorialdesign #thedesignblacklist #itsnicethat #artdirection #graphicdesign #typography #typeface #type #typecollect #journalism #italy

#SenzaSegnale is a participatory journalism project that aims to reconnect the territories that have been forgotten by the media industry. This project tells about four territories, and four resistant communities, and does so by involving the communities themselves in the construction of the story, starting from the territories.
#SenzaSegnale is a project by IrpiMedia in collaboration with Dotz Media, set up to amplify the voices of information professionals from marginalised groups, Il Centro di Giornalismo Permanente, a collective set up by former students of the Lelio Basso school of journalism, Fada, a collective of journalists experienced in reporting and working with local communities, and Indip, an independent periodical of enquiry in Sardinia.
#SenzaSegnale tells its story with these grains of sand, reconstructing and reconnecting with words, photographs, illustrations, audio and video. Four stories to be read, watched, and listened to.

Senza Segnale
Ricconnettere i territori con inchieste sociali
@irpimedia @dotz.media @indip.it @centrodigiornalismopermanente @fadacollective @resta_vallodidiano @journalismfund

AD/GD: Due Studio, Massimiliano Vitti, Alessio Pompadura
Print: Graphic Master srl
Paper: @fedrigoni.paper Splendorlux versus black, Fedrigoni Arena smooth white, Fedrigoni Gsk extra white
Typesetting: Kovskij Display (Due Studio), Times New Roman (Monotype)
Pages: 192 + 1 map insert, 2 Gsk inserts
Copies: 500
© April 2024 - First Edition

#2S #irpimedia #book #bookdesign #fedrigoni #fedrigonipaper #editorialdesign #thedesignblacklist #itsnicethat #artdirection #graphicdesign #typography #typeface #type #typecollect #journalism #italy

#SenzaSegnale is a participatory journalism project that aims to reconnect the territories that have been forgotten by the media industry. This project tells about four territories, and four resistant communities, and does so by involving the communities themselves in the construction of the story, starting from the territories.
#SenzaSegnale is a project by IrpiMedia in collaboration with Dotz Media, set up to amplify the voices of information professionals from marginalised groups, Il Centro di Giornalismo Permanente, a collective set up by former students of the Lelio Basso school of journalism, Fada, a collective of journalists experienced in reporting and working with local communities, and Indip, an independent periodical of enquiry in Sardinia.
#SenzaSegnale tells its story with these grains of sand, reconstructing and reconnecting with words, photographs, illustrations, audio and video. Four stories to be read, watched, and listened to.

Senza Segnale
Ricconnettere i territori con inchieste sociali
@irpimedia @dotz.media @indip.it @centrodigiornalismopermanente @fadacollective @resta_vallodidiano @journalismfund

AD/GD: Due Studio, Massimiliano Vitti, Alessio Pompadura
Print: Graphic Master srl
Paper: @fedrigoni.paper Splendorlux versus black, Fedrigoni Arena smooth white, Fedrigoni Gsk extra white
Typesetting: Kovskij Display (Due Studio), Times New Roman (Monotype)
Pages: 192 + 1 map insert, 2 Gsk inserts
Copies: 500
© April 2024 - First Edition

#2S #irpimedia #book #bookdesign #fedrigoni #fedrigonipaper #editorialdesign #thedesignblacklist #itsnicethat #artdirection #graphicdesign #typography #typeface #type #typecollect #journalism #italy

#SenzaSegnale is a participatory journalism project that aims to reconnect the territories that have been forgotten by the media industry. This project tells about four territories, and four resistant communities, and does so by involving the communities themselves in the construction of the story, starting from the territories.
#SenzaSegnale is a project by IrpiMedia in collaboration with Dotz Media, set up to amplify the voices of information professionals from marginalised groups, Il Centro di Giornalismo Permanente, a collective set up by former students of the Lelio Basso school of journalism, Fada, a collective of journalists experienced in reporting and working with local communities, and Indip, an independent periodical of enquiry in Sardinia.
#SenzaSegnale tells its story with these grains of sand, reconstructing and reconnecting with words, photographs, illustrations, audio and video. Four stories to be read, watched, and listened to.

Senza Segnale
Ricconnettere i territori con inchieste sociali
@irpimedia @dotz.media @indip.it @centrodigiornalismopermanente @fadacollective @resta_vallodidiano @journalismfund

AD/GD: Due Studio, Massimiliano Vitti, Alessio Pompadura
Print: Graphic Master srl
Paper: @fedrigoni.paper Splendorlux versus black, Fedrigoni Arena smooth white, Fedrigoni Gsk extra white
Typesetting: Kovskij Display (Due Studio), Times New Roman (Monotype)
Pages: 192 + 1 map insert, 2 Gsk inserts
Copies: 500
© April 2024 - First Edition

#2S #irpimedia #book #bookdesign #fedrigoni #fedrigonipaper #editorialdesign #thedesignblacklist #itsnicethat #artdirection #graphicdesign #typography #typeface #type #typecollect #journalism #italy

#SenzaSegnale is a participatory journalism project that aims to reconnect the territories that have been forgotten by the media industry. This project tells about four territories, and four resistant communities, and does so by involving the communities themselves in the construction of the story, starting from the territories.
#SenzaSegnale is a project by IrpiMedia in collaboration with Dotz Media, set up to amplify the voices of information professionals from marginalised groups, Il Centro di Giornalismo Permanente, a collective set up by former students of the Lelio Basso school of journalism, Fada, a collective of journalists experienced in reporting and working with local communities, and Indip, an independent periodical of enquiry in Sardinia.
#SenzaSegnale tells its story with these grains of sand, reconstructing and reconnecting with words, photographs, illustrations, audio and video. Four stories to be read, watched, and listened to.

Senza Segnale
Ricconnettere i territori con inchieste sociali
@irpimedia @dotz.media @indip.it @centrodigiornalismopermanente @fadacollective @resta_vallodidiano @journalismfund

AD/GD: Due Studio, Massimiliano Vitti, Alessio Pompadura
Print: Graphic Master srl
Paper: @fedrigoni.paper Splendorlux versus black, Fedrigoni Arena smooth white, Fedrigoni Gsk extra white
Typesetting: Kovskij Display (Due Studio), Times New Roman (Monotype)
Pages: 192 + 1 map insert, 2 Gsk inserts
Copies: 500
© April 2024 - First Edition

#2S #irpimedia #book #bookdesign #fedrigoni #fedrigonipaper #editorialdesign #thedesignblacklist #itsnicethat #artdirection #graphicdesign #typography #typeface #type #typecollect #journalism #italy

#SenzaSegnale is a participatory journalism project that aims to reconnect the territories that have been forgotten by the media industry. This project tells about four territories, and four resistant communities, and does so by involving the communities themselves in the construction of the story, starting from the territories.
#SenzaSegnale is a project by IrpiMedia in collaboration with Dotz Media, set up to amplify the voices of information professionals from marginalised groups, Il Centro di Giornalismo Permanente, a collective set up by former students of the Lelio Basso school of journalism, Fada, a collective of journalists experienced in reporting and working with local communities, and Indip, an independent periodical of enquiry in Sardinia.
#SenzaSegnale tells its story with these grains of sand, reconstructing and reconnecting with words, photographs, illustrations, audio and video. Four stories to be read, watched, and listened to.

Senza Segnale
Ricconnettere i territori con inchieste sociali
@irpimedia @dotz.media @indip.it @centrodigiornalismopermanente @fadacollective @resta_vallodidiano @journalismfund

AD/GD: Due Studio, Massimiliano Vitti, Alessio Pompadura
Print: Graphic Master srl
Paper: @fedrigoni.paper Splendorlux versus black, Fedrigoni Arena smooth white, Fedrigoni Gsk extra white
Typesetting: Kovskij Display (Due Studio), Times New Roman (Monotype)
Pages: 192 + 1 map insert, 2 Gsk inserts
Copies: 500
© April 2024 - First Edition

#2S #irpimedia #book #bookdesign #fedrigoni #fedrigonipaper #editorialdesign #thedesignblacklist #itsnicethat #artdirection #graphicdesign #typography #typeface #type #typecollect #journalism #italy

#SenzaSegnale is a participatory journalism project that aims to reconnect the territories that have been forgotten by the media industry. This project tells about four territories, and four resistant communities, and does so by involving the communities themselves in the construction of the story, starting from the territories.
#SenzaSegnale is a project by IrpiMedia in collaboration with Dotz Media, set up to amplify the voices of information professionals from marginalised groups, Il Centro di Giornalismo Permanente, a collective set up by former students of the Lelio Basso school of journalism, Fada, a collective of journalists experienced in reporting and working with local communities, and Indip, an independent periodical of enquiry in Sardinia.
#SenzaSegnale tells its story with these grains of sand, reconstructing and reconnecting with words, photographs, illustrations, audio and video. Four stories to be read, watched, and listened to.

Senza Segnale
Ricconnettere i territori con inchieste sociali
@irpimedia @dotz.media @indip.it @centrodigiornalismopermanente @fadacollective @resta_vallodidiano @journalismfund

AD/GD: Due Studio, Massimiliano Vitti, Alessio Pompadura
Print: Graphic Master srl
Paper: @fedrigoni.paper Splendorlux versus black, Fedrigoni Arena smooth white, Fedrigoni Gsk extra white
Typesetting: Kovskij Display (Due Studio), Times New Roman (Monotype)
Pages: 192 + 1 map insert, 2 Gsk inserts
Copies: 500
© April 2024 - First Edition

#2S #irpimedia #book #bookdesign #fedrigoni #fedrigonipaper #editorialdesign #thedesignblacklist #itsnicethat #artdirection #graphicdesign #typography #typeface #type #typecollect #journalism #italy

#SenzaSegnale is a participatory journalism project that aims to reconnect the territories that have been forgotten by the media industry. This project tells about four territories, and four resistant communities, and does so by involving the communities themselves in the construction of the story, starting from the territories.
#SenzaSegnale is a project by IrpiMedia in collaboration with Dotz Media, set up to amplify the voices of information professionals from marginalised groups, Il Centro di Giornalismo Permanente, a collective set up by former students of the Lelio Basso school of journalism, Fada, a collective of journalists experienced in reporting and working with local communities, and Indip, an independent periodical of enquiry in Sardinia.
#SenzaSegnale tells its story with these grains of sand, reconstructing and reconnecting with words, photographs, illustrations, audio and video. Four stories to be read, watched, and listened to.

Senza Segnale
Ricconnettere i territori con inchieste sociali
@irpimedia @dotz.media @indip.it @centrodigiornalismopermanente @fadacollective @resta_vallodidiano @journalismfund

AD/GD: Due Studio, Massimiliano Vitti, Alessio Pompadura
Print: Graphic Master srl
Paper: @fedrigoni.paper Splendorlux versus black, Fedrigoni Arena smooth white, Fedrigoni Gsk extra white
Typesetting: Kovskij Display (Due Studio), Times New Roman (Monotype)
Pages: 192 + 1 map insert, 2 Gsk inserts
Copies: 500
© April 2024 - First Edition

#2S #irpimedia #book #bookdesign #fedrigoni #fedrigonipaper #editorialdesign #thedesignblacklist #itsnicethat #artdirection #graphicdesign #typography #typeface #type #typecollect #journalism #italy

#SenzaSegnale is a participatory journalism project that aims to reconnect the territories that have been forgotten by the media industry. This project tells about four territories, and four resistant communities, and does so by involving the communities themselves in the construction of the story, starting from the territories.
#SenzaSegnale is a project by IrpiMedia in collaboration with Dotz Media, set up to amplify the voices of information professionals from marginalised groups, Il Centro di Giornalismo Permanente, a collective set up by former students of the Lelio Basso school of journalism, Fada, a collective of journalists experienced in reporting and working with local communities, and Indip, an independent periodical of enquiry in Sardinia.
#SenzaSegnale tells its story with these grains of sand, reconstructing and reconnecting with words, photographs, illustrations, audio and video. Four stories to be read, watched, and listened to.

Senza Segnale
Ricconnettere i territori con inchieste sociali
@irpimedia @dotz.media @indip.it @centrodigiornalismopermanente @fadacollective @resta_vallodidiano @journalismfund

AD/GD: Due Studio, Massimiliano Vitti, Alessio Pompadura
Print: Graphic Master srl
Paper: @fedrigoni.paper Splendorlux versus black, Fedrigoni Arena smooth white, Fedrigoni Gsk extra white
Typesetting: Kovskij Display (Due Studio), Times New Roman (Monotype)
Pages: 192 + 1 map insert, 2 Gsk inserts
Copies: 500
© April 2024 - First Edition

#2S #irpimedia #book #bookdesign #fedrigoni #fedrigonipaper #editorialdesign #thedesignblacklist #itsnicethat #artdirection #graphicdesign #typography #typeface #type #typecollect #journalism #italy

#SenzaSegnale is a participatory journalism project that aims to reconnect the territories that have been forgotten by the media industry. This project tells about four territories, and four resistant communities, and does so by involving the communities themselves in the construction of the story, starting from the territories.
#SenzaSegnale is a project by IrpiMedia in collaboration with Dotz Media, set up to amplify the voices of information professionals from marginalised groups, Il Centro di Giornalismo Permanente, a collective set up by former students of the Lelio Basso school of journalism, Fada, a collective of journalists experienced in reporting and working with local communities, and Indip, an independent periodical of enquiry in Sardinia.
#SenzaSegnale tells its story with these grains of sand, reconstructing and reconnecting with words, photographs, illustrations, audio and video. Four stories to be read, watched, and listened to.

Senza Segnale
Ricconnettere i territori con inchieste sociali
@irpimedia @dotz.media @indip.it @centrodigiornalismopermanente @fadacollective @resta_vallodidiano @journalismfund

AD/GD: Due Studio, Massimiliano Vitti, Alessio Pompadura
Print: Graphic Master srl
Paper: @fedrigoni.paper Splendorlux versus black, Fedrigoni Arena smooth white, Fedrigoni Gsk extra white
Typesetting: Kovskij Display (Due Studio), Times New Roman (Monotype)
Pages: 192 + 1 map insert, 2 Gsk inserts
Copies: 500
© April 2024 - First Edition

#2S #irpimedia #book #bookdesign #fedrigoni #fedrigonipaper #editorialdesign #thedesignblacklist #itsnicethat #artdirection #graphicdesign #typography #typeface #type #typecollect #journalism #italy

#SenzaSegnale is a participatory journalism project that aims to reconnect the territories that have been forgotten by the media industry. This project tells about four territories, and four resistant communities, and does so by involving the communities themselves in the construction of the story, starting from the territories.
#SenzaSegnale is a project by IrpiMedia in collaboration with Dotz Media, set up to amplify the voices of information professionals from marginalised groups, Il Centro di Giornalismo Permanente, a collective set up by former students of the Lelio Basso school of journalism, Fada, a collective of journalists experienced in reporting and working with local communities, and Indip, an independent periodical of enquiry in Sardinia.
#SenzaSegnale tells its story with these grains of sand, reconstructing and reconnecting with words, photographs, illustrations, audio and video. Four stories to be read, watched, and listened to.

Senza Segnale
Ricconnettere i territori con inchieste sociali
@irpimedia @dotz.media @indip.it @centrodigiornalismopermanente @fadacollective @resta_vallodidiano @journalismfund

AD/GD: Due Studio, Massimiliano Vitti, Alessio Pompadura
Print: Graphic Master srl
Paper: @fedrigoni.paper Splendorlux versus black, Fedrigoni Arena smooth white, Fedrigoni Gsk extra white
Typesetting: Kovskij Display (Due Studio), Times New Roman (Monotype)
Pages: 192 + 1 map insert, 2 Gsk inserts
Copies: 500
© April 2024 - First Edition

#2S #irpimedia #book #bookdesign #fedrigoni #fedrigonipaper #editorialdesign #thedesignblacklist #itsnicethat #artdirection #graphicdesign #typography #typeface #type #typecollect #journalism #italy

#SenzaSegnale is a participatory journalism project that aims to reconnect the territories that have been forgotten by the media industry. This project tells about four territories, and four resistant communities, and does so by involving the communities themselves in the construction of the story, starting from the territories.
#SenzaSegnale is a project by IrpiMedia in collaboration with Dotz Media, set up to amplify the voices of information professionals from marginalised groups, Il Centro di Giornalismo Permanente, a collective set up by former students of the Lelio Basso school of journalism, Fada, a collective of journalists experienced in reporting and working with local communities, and Indip, an independent periodical of enquiry in Sardinia.
#SenzaSegnale tells its story with these grains of sand, reconstructing and reconnecting with words, photographs, illustrations, audio and video. Four stories to be read, watched, and listened to.

Senza Segnale
Ricconnettere i territori con inchieste sociali
@irpimedia @dotz.media @indip.it @centrodigiornalismopermanente @fadacollective @resta_vallodidiano @journalismfund

AD/GD: Due Studio, Massimiliano Vitti, Alessio Pompadura
Print: Graphic Master srl
Paper: @fedrigoni.paper Splendorlux versus black, Fedrigoni Arena smooth white, Fedrigoni Gsk extra white
Typesetting: Kovskij Display (Due Studio), Times New Roman (Monotype)
Pages: 192 + 1 map insert, 2 Gsk inserts
Copies: 500
© April 2024 - First Edition

#2S #irpimedia #book #bookdesign #fedrigoni #fedrigonipaper #editorialdesign #thedesignblacklist #itsnicethat #artdirection #graphicdesign #typography #typeface #type #typecollect #journalism #italy

#SenzaSegnale is a participatory journalism project that aims to reconnect the territories that have been forgotten by the media industry. This project tells about four territories, and four resistant communities, and does so by involving the communities themselves in the construction of the story, starting from the territories.
#SenzaSegnale is a project by IrpiMedia in collaboration with Dotz Media, set up to amplify the voices of information professionals from marginalised groups, Il Centro di Giornalismo Permanente, a collective set up by former students of the Lelio Basso school of journalism, Fada, a collective of journalists experienced in reporting and working with local communities, and Indip, an independent periodical of enquiry in Sardinia.
#SenzaSegnale tells its story with these grains of sand, reconstructing and reconnecting with words, photographs, illustrations, audio and video. Four stories to be read, watched, and listened to.

Senza Segnale
Ricconnettere i territori con inchieste sociali
@irpimedia @dotz.media @indip.it @centrodigiornalismopermanente @fadacollective @resta_vallodidiano @journalismfund

AD/GD: Due Studio, Massimiliano Vitti, Alessio Pompadura
Print: Graphic Master srl
Paper: @fedrigoni.paper Splendorlux versus black, Fedrigoni Arena smooth white, Fedrigoni Gsk extra white
Typesetting: Kovskij Display (Due Studio), Times New Roman (Monotype)
Pages: 192 + 1 map insert, 2 Gsk inserts
Copies: 500
© April 2024 - First Edition

#2S #irpimedia #book #bookdesign #fedrigoni #fedrigonipaper #editorialdesign #thedesignblacklist #itsnicethat #artdirection #graphicdesign #typography #typeface #type #typecollect #journalism #italy

#2SType
Grotta (2.0) has landed! 💥

Our long-loved irreverent neo-grotesk typeface just got heavier and slanted! We added 2 more weights (Black and Heavy) to the family and designed the italic. Plus we did some fine-tuning on the existing glyphs and added new ligatures like rt and gj, extra monetary units, the ə and the asterisk on x-height and uppercase! Grotta Italic with its 16° slant is the perfect blend of usability and funkiness. Bored with the usual? Mix it up with stylistic sets—slant the W, switch the R, straighten the Y, and more!

Developed with our lovely @pimpi6000 🧚🏻‍♂️

Licensing, pricing and testing via https://www.due-studio.com

#grottatypeface #grotesk #sansserif #typeface #typography #type #typedesign #font #glyphs #graphicdesign #grafik #design #lettering #swisstype #suisse #typecollect #typematters #lebenliebegrafik #certainmagazine #thedesignblacklist #fkndesign #thetypist #collectgraphics #grafikgalerie #icographica #365typefaces #hypenosytype #lavendrtype

#2SType
Grotta (2.0) has landed! 💥

Our long-loved irreverent neo-grotesk typeface just got heavier and slanted! We added 2 more weights (Black and Heavy) to the family and designed the italic. Plus we did some fine-tuning on the existing glyphs and added new ligatures like rt and gj, extra monetary units, the ə and the asterisk on x-height and uppercase! Grotta Italic with its 16° slant is the perfect blend of usability and funkiness. Bored with the usual? Mix it up with stylistic sets—slant the W, switch the R, straighten the Y, and more!

Developed with our lovely @pimpi6000 🧚🏻‍♂️

Licensing, pricing and testing via https://www.due-studio.com

#grottatypeface #grotesk #sansserif #typeface #typography #type #typedesign #font #glyphs #graphicdesign #grafik #design #lettering #swisstype #suisse #typecollect #typematters #lebenliebegrafik #certainmagazine #thedesignblacklist #fkndesign #thetypist #collectgraphics #grafikgalerie #icographica #365typefaces #hypenosytype #lavendrtype

#2SType
Grotta (2.0) has landed! 💥

Our long-loved irreverent neo-grotesk typeface just got heavier and slanted! We added 2 more weights (Black and Heavy) to the family and designed the italic. Plus we did some fine-tuning on the existing glyphs and added new ligatures like rt and gj, extra monetary units, the ə and the asterisk on x-height and uppercase! Grotta Italic with its 16° slant is the perfect blend of usability and funkiness. Bored with the usual? Mix it up with stylistic sets—slant the W, switch the R, straighten the Y, and more!

Developed with our lovely @pimpi6000 🧚🏻‍♂️

Licensing, pricing and testing via https://www.due-studio.com

#grottatypeface #grotesk #sansserif #typeface #typography #type #typedesign #font #glyphs #graphicdesign #grafik #design #lettering #swisstype #suisse #typecollect #typematters #lebenliebegrafik #certainmagazine #thedesignblacklist #fkndesign #thetypist #collectgraphics #grafikgalerie #icographica #365typefaces #hypenosytype #lavendrtype

#2SType
Grotta (2.0) has landed! 💥

Our long-loved irreverent neo-grotesk typeface just got heavier and slanted! We added 2 more weights (Black and Heavy) to the family and designed the italic. Plus we did some fine-tuning on the existing glyphs and added new ligatures like rt and gj, extra monetary units, the ə and the asterisk on x-height and uppercase! Grotta Italic with its 16° slant is the perfect blend of usability and funkiness. Bored with the usual? Mix it up with stylistic sets—slant the W, switch the R, straighten the Y, and more!

Developed with our lovely @pimpi6000 🧚🏻‍♂️

Licensing, pricing and testing via https://www.due-studio.com

#grottatypeface #grotesk #sansserif #typeface #typography #type #typedesign #font #glyphs #graphicdesign #grafik #design #lettering #swisstype #suisse #typecollect #typematters #lebenliebegrafik #certainmagazine #thedesignblacklist #fkndesign #thetypist #collectgraphics #grafikgalerie #icographica #365typefaces #hypenosytype #lavendrtype

#2SType
Grotta (2.0) has landed! 💥

Our long-loved irreverent neo-grotesk typeface just got heavier and slanted! We added 2 more weights (Black and Heavy) to the family and designed the italic. Plus we did some fine-tuning on the existing glyphs and added new ligatures like rt and gj, extra monetary units, the ə and the asterisk on x-height and uppercase! Grotta Italic with its 16° slant is the perfect blend of usability and funkiness. Bored with the usual? Mix it up with stylistic sets—slant the W, switch the R, straighten the Y, and more!

Developed with our lovely @pimpi6000 🧚🏻‍♂️

Licensing, pricing and testing via https://www.due-studio.com

#grottatypeface #grotesk #sansserif #typeface #typography #type #typedesign #font #glyphs #graphicdesign #grafik #design #lettering #swisstype #suisse #typecollect #typematters #lebenliebegrafik #certainmagazine #thedesignblacklist #fkndesign #thetypist #collectgraphics #grafikgalerie #icographica #365typefaces #hypenosytype #lavendrtype

#2SType
Grotta (2.0) has landed! 💥

Our long-loved irreverent neo-grotesk typeface just got heavier and slanted! We added 2 more weights (Black and Heavy) to the family and designed the italic. Plus we did some fine-tuning on the existing glyphs and added new ligatures like rt and gj, extra monetary units, the ə and the asterisk on x-height and uppercase! Grotta Italic with its 16° slant is the perfect blend of usability and funkiness. Bored with the usual? Mix it up with stylistic sets—slant the W, switch the R, straighten the Y, and more!

Developed with our lovely @pimpi6000 🧚🏻‍♂️

Licensing, pricing and testing via https://www.due-studio.com

#grottatypeface #grotesk #sansserif #typeface #typography #type #typedesign #font #glyphs #graphicdesign #grafik #design #lettering #swisstype #suisse #typecollect #typematters #lebenliebegrafik #certainmagazine #thedesignblacklist #fkndesign #thetypist #collectgraphics #grafikgalerie #icographica #365typefaces #hypenosytype #lavendrtype

#2SType
Grotta (2.0) has landed! 💥

Our long-loved irreverent neo-grotesk typeface just got heavier and slanted! We added 2 more weights (Black and Heavy) to the family and designed the italic. Plus we did some fine-tuning on the existing glyphs and added new ligatures like rt and gj, extra monetary units, the ə and the asterisk on x-height and uppercase! Grotta Italic with its 16° slant is the perfect blend of usability and funkiness. Bored with the usual? Mix it up with stylistic sets—slant the W, switch the R, straighten the Y, and more!

Developed with our lovely @pimpi6000 🧚🏻‍♂️

Licensing, pricing and testing via https://www.due-studio.com

#grottatypeface #grotesk #sansserif #typeface #typography #type #typedesign #font #glyphs #graphicdesign #grafik #design #lettering #swisstype #suisse #typecollect #typematters #lebenliebegrafik #certainmagazine #thedesignblacklist #fkndesign #thetypist #collectgraphics #grafikgalerie #icographica #365typefaces #hypenosytype #lavendrtype

#2SType
Grotta (2.0) has landed! 💥

Our long-loved irreverent neo-grotesk typeface just got heavier and slanted! We added 2 more weights (Black and Heavy) to the family and designed the italic. Plus we did some fine-tuning on the existing glyphs and added new ligatures like rt and gj, extra monetary units, the ə and the asterisk on x-height and uppercase! Grotta Italic with its 16° slant is the perfect blend of usability and funkiness. Bored with the usual? Mix it up with stylistic sets—slant the W, switch the R, straighten the Y, and more!

Developed with our lovely @pimpi6000 🧚🏻‍♂️

Licensing, pricing and testing via https://www.due-studio.com

#grottatypeface #grotesk #sansserif #typeface #typography #type #typedesign #font #glyphs #graphicdesign #grafik #design #lettering #swisstype #suisse #typecollect #typematters #lebenliebegrafik #certainmagazine #thedesignblacklist #fkndesign #thetypist #collectgraphics #grafikgalerie #icographica #365typefaces #hypenosytype #lavendrtype

#2SType
Grotta (2.0) has landed! 💥

Our long-loved irreverent neo-grotesk typeface just got heavier and slanted! We added 2 more weights (Black and Heavy) to the family and designed the italic. Plus we did some fine-tuning on the existing glyphs and added new ligatures like rt and gj, extra monetary units, the ə and the asterisk on x-height and uppercase! Grotta Italic with its 16° slant is the perfect blend of usability and funkiness. Bored with the usual? Mix it up with stylistic sets—slant the W, switch the R, straighten the Y, and more!

Developed with our lovely @pimpi6000 🧚🏻‍♂️

Licensing, pricing and testing via https://www.due-studio.com

#grottatypeface #grotesk #sansserif #typeface #typography #type #typedesign #font #glyphs #graphicdesign #grafik #design #lettering #swisstype #suisse #typecollect #typematters #lebenliebegrafik #certainmagazine #thedesignblacklist #fkndesign #thetypist #collectgraphics #grafikgalerie #icographica #365typefaces #hypenosytype #lavendrtype

#2SType
Grotta (2.0) has landed! 💥

Our long-loved irreverent neo-grotesk typeface just got heavier and slanted! We added 2 more weights (Black and Heavy) to the family and designed the italic. Plus we did some fine-tuning on the existing glyphs and added new ligatures like rt and gj, extra monetary units, the ə and the asterisk on x-height and uppercase! Grotta Italic with its 16° slant is the perfect blend of usability and funkiness. Bored with the usual? Mix it up with stylistic sets—slant the W, switch the R, straighten the Y, and more!

Developed with our lovely @pimpi6000 🧚🏻‍♂️

Licensing, pricing and testing via https://www.due-studio.com

#grottatypeface #grotesk #sansserif #typeface #typography #type #typedesign #font #glyphs #graphicdesign #grafik #design #lettering #swisstype #suisse #typecollect #typematters #lebenliebegrafik #certainmagazine #thedesignblacklist #fkndesign #thetypist #collectgraphics #grafikgalerie #icographica #365typefaces #hypenosytype #lavendrtype