Folch
Beyond Branding® & Speculative Design
Inspiring foresight through creativity
✉️ contact@folchstudio.com

Concept, wayfinding and signage design for @bershka stores together with @castel_estudio.
FFF Tool, an upcoming typeface, is shown as part of the identity applied to the store. Designed by @fontsfromfolch.
Photos by @aramisleon_
#graphicdesign #graphic #typography #bershka #folch #folchstudio #branding #identity #typeface #typefacedesign #FFF #fontsfromfolch #fonts #typedesign #type

Concept, wayfinding and signage design for @bershka stores together with @castel_estudio.
FFF Tool, an upcoming typeface, is shown as part of the identity applied to the store. Designed by @fontsfromfolch.
Photos by @aramisleon_
#graphicdesign #graphic #typography #bershka #folch #folchstudio #branding #identity #typeface #typefacedesign #FFF #fontsfromfolch #fonts #typedesign #type

Concept, wayfinding and signage design for @bershka stores together with @castel_estudio.
FFF Tool, an upcoming typeface, is shown as part of the identity applied to the store. Designed by @fontsfromfolch.
Photos by @aramisleon_
#graphicdesign #graphic #typography #bershka #folch #folchstudio #branding #identity #typeface #typefacedesign #FFF #fontsfromfolch #fonts #typedesign #type

Concept, wayfinding and signage design for @bershka stores together with @castel_estudio.
FFF Tool, an upcoming typeface, is shown as part of the identity applied to the store. Designed by @fontsfromfolch.
Photos by @aramisleon_
#graphicdesign #graphic #typography #bershka #folch #folchstudio #branding #identity #typeface #typefacedesign #FFF #fontsfromfolch #fonts #typedesign #type

Concept, wayfinding and signage design for @bershka stores together with @castel_estudio.
FFF Tool, an upcoming typeface, is shown as part of the identity applied to the store. Designed by @fontsfromfolch.
Photos by @aramisleon_
#graphicdesign #graphic #typography #bershka #folch #folchstudio #branding #identity #typeface #typefacedesign #FFF #fontsfromfolch #fonts #typedesign #type

Concept, wayfinding and signage design for @bershka stores together with @castel_estudio.
FFF Tool, an upcoming typeface, is shown as part of the identity applied to the store. Designed by @fontsfromfolch.
Photos by @aramisleon_
#graphicdesign #graphic #typography #bershka #folch #folchstudio #branding #identity #typeface #typefacedesign #FFF #fontsfromfolch #fonts #typedesign #type

Concept, wayfinding and signage design for @bershka stores together with @castel_estudio.
FFF Tool, an upcoming typeface, is shown as part of the identity applied to the store. Designed by @fontsfromfolch.
Photos by @aramisleon_
#graphicdesign #graphic #typography #bershka #folch #folchstudio #branding #identity #typeface #typefacedesign #FFF #fontsfromfolch #fonts #typedesign #type

Concept, wayfinding and signage design for @bershka stores together with @castel_estudio.
FFF Tool, an upcoming typeface, is shown as part of the identity applied to the store. Designed by @fontsfromfolch.
Photos by @aramisleon_
#graphicdesign #graphic #typography #bershka #folch #folchstudio #branding #identity #typeface #typefacedesign #FFF #fontsfromfolch #fonts #typedesign #type
For your go to chef, your noisy neighbour, your trusty postman or your favourite human. A gift for everyone (literally), the latest campaign for @tousjewelry
Creative Idea & Campaign @folchstudio
Creative Director @joseppuy & @nicolascevallos
Project Management @helenqreshi & @annevtongeren
Produced by @wht.hrs
Executive Producers @r_f_m_r_t_n_z, @albertfolchrubio & @polgonzaleznovel
Producer @nataliatrivino0
AD @martacastella
Production Assistant Anna Codó
PHOTO UNIT
Photographer @danieljordanpompa
Light Assistants Juan Patino & Mateusz Nasierowski
Digital Operator Diego Sierralta
VIDEO UNIT
Director @albaricart
DOP @alex.dsala
Camera Assist @marc.villafranca
Gaffer @alexgarlhop_gafferspain
Spark Álvaro García
Art Director @hakoindustries
Art Assistants @paulah5 / Paula Gimeno / María Emilia Brega & @_holapaloma
Poldo /Teckel @animalesarodarsl
Stylist @gooroo.gooroo
Stylist Assistant Claudia Catroux & Carolina Ruiz
Key Makeup @manuelapane
Makeup Assistant @brensarki
Nail Artist - @pannkks
BTS - @polgonzaleznovell
Hand Model @laiablanch_modelodemanos
Brit Van Den Herik - @michamodels
Domink Datko - @viewmanagement
Clara Fossar - @mirrsmodels
Edit - @ctrl.teta
Color Gradient @lucashopedotcom
Sound Design @jordirica_
Photo Retouch @madem.studio
The experiential and speculative dimension of brands is as important as the branding exercise itself.
—
Traditional cooking is mainly performed using the arms and hands, overlooking the potential of other body parts to play a role in the preparation of food, with greater strength, wider range of movement, or different expressive capacities.
Through a range of bodily movements, the cooking wall interprets how each ingredient should be transformed. Dough is kneaded with the hips, baked with the fist, and sliced with the legs. Chocolate is thrown against the wall, temperature rising through hand movements. Pa amb xocolata is set.
Students participated in the early stages of this research project during our Physical Motion workshop. We tested how various cooking methods could be translated into different movements by alternative parts of the body. Among the questions we posed was: How would you slice bread with your head? How would you knead dough using your chest? For every method, we tested different body parts and movements. We kneaded, mixed, melted, baked, and sliced with the head, chest, knees, and feet, until we decided on matches that made the most sense.
Through physical movement, ordinary spaces and the way we interact with them are reimagined. The body speaks a language; data turns to dish.
CGI & VFX Artist: Cornel Doornebosch @c.o.r.n.e.l
Creative & Movement Direction: Paula López-Nuño @paulalopeznuno
Art Direction: @c.o.r.n.e.l & @paulalopeznuno
Movement: Alex Bullón @alexbullon23 & Sarah Coral @sarahcoralmolina
Sound Design: Carlos Vasconcelos
Movement Explorations: Class of 2025
Lecturer: Candela Capitán @candelacapitan
Motion Capture Technician: Daniel Quesada

The experiential and speculative dimension of brands is as important as the branding exercise itself.
—
Traditional cooking is mainly performed using the arms and hands, overlooking the potential of other body parts to play a role in the preparation of food, with greater strength, wider range of movement, or different expressive capacities.
Through a range of bodily movements, the cooking wall interprets how each ingredient should be transformed. Dough is kneaded with the hips, baked with the fist, and sliced with the legs. Chocolate is thrown against the wall, temperature rising through hand movements. Pa amb xocolata is set.
Students participated in the early stages of this research project during our Physical Motion workshop. We tested how various cooking methods could be translated into different movements by alternative parts of the body. Among the questions we posed was: How would you slice bread with your head? How would you knead dough using your chest? For every method, we tested different body parts and movements. We kneaded, mixed, melted, baked, and sliced with the head, chest, knees, and feet, until we decided on matches that made the most sense.
Through physical movement, ordinary spaces and the way we interact with them are reimagined. The body speaks a language; data turns to dish.
CGI & VFX Artist: Cornel Doornebosch @c.o.r.n.e.l
Creative & Movement Direction: Paula López-Nuño @paulalopeznuno
Art Direction: @c.o.r.n.e.l & @paulalopeznuno
Movement: Alex Bullón @alexbullon23 & Sarah Coral @sarahcoralmolina
Sound Design: Carlos Vasconcelos
Movement Explorations: Class of 2025
Lecturer: Candela Capitán @candelacapitan
Motion Capture Technician: Daniel Quesada
The experiential and speculative dimension of brands is as important as the branding exercise itself.
—
Traditional cooking is mainly performed using the arms and hands, overlooking the potential of other body parts to play a role in the preparation of food, with greater strength, wider range of movement, or different expressive capacities.
Through a range of bodily movements, the cooking wall interprets how each ingredient should be transformed. Dough is kneaded with the hips, baked with the fist, and sliced with the legs. Chocolate is thrown against the wall, temperature rising through hand movements. Pa amb xocolata is set.
Students participated in the early stages of this research project during our Physical Motion workshop. We tested how various cooking methods could be translated into different movements by alternative parts of the body. Among the questions we posed was: How would you slice bread with your head? How would you knead dough using your chest? For every method, we tested different body parts and movements. We kneaded, mixed, melted, baked, and sliced with the head, chest, knees, and feet, until we decided on matches that made the most sense.
Through physical movement, ordinary spaces and the way we interact with them are reimagined. The body speaks a language; data turns to dish.
CGI & VFX Artist: Cornel Doornebosch @c.o.r.n.e.l
Creative & Movement Direction: Paula López-Nuño @paulalopeznuno
Art Direction: @c.o.r.n.e.l & @paulalopeznuno
Movement: Alex Bullón @alexbullon23 & Sarah Coral @sarahcoralmolina
Sound Design: Carlos Vasconcelos
Movement Explorations: Class of 2025
Lecturer: Candela Capitán @candelacapitan
Motion Capture Technician: Daniel Quesada
The experiential and speculative dimension of brands is as important as the branding exercise itself.
—
Traditional cooking is mainly performed using the arms and hands, overlooking the potential of other body parts to play a role in the preparation of food, with greater strength, wider range of movement, or different expressive capacities.
Through a range of bodily movements, the cooking wall interprets how each ingredient should be transformed. Dough is kneaded with the hips, baked with the fist, and sliced with the legs. Chocolate is thrown against the wall, temperature rising through hand movements. Pa amb xocolata is set.
Students participated in the early stages of this research project during our Physical Motion workshop. We tested how various cooking methods could be translated into different movements by alternative parts of the body. Among the questions we posed was: How would you slice bread with your head? How would you knead dough using your chest? For every method, we tested different body parts and movements. We kneaded, mixed, melted, baked, and sliced with the head, chest, knees, and feet, until we decided on matches that made the most sense.
Through physical movement, ordinary spaces and the way we interact with them are reimagined. The body speaks a language; data turns to dish.
CGI & VFX Artist: Cornel Doornebosch @c.o.r.n.e.l
Creative & Movement Direction: Paula López-Nuño @paulalopeznuno
Art Direction: @c.o.r.n.e.l & @paulalopeznuno
Movement: Alex Bullón @alexbullon23 & Sarah Coral @sarahcoralmolina
Sound Design: Carlos Vasconcelos
Movement Explorations: Class of 2025
Lecturer: Candela Capitán @candelacapitan
Motion Capture Technician: Daniel Quesada
The experiential and speculative dimension of brands is as important as the branding exercise itself.
—
Traditional cooking is mainly performed using the arms and hands, overlooking the potential of other body parts to play a role in the preparation of food, with greater strength, wider range of movement, or different expressive capacities.
Through a range of bodily movements, the cooking wall interprets how each ingredient should be transformed. Dough is kneaded with the hips, baked with the fist, and sliced with the legs. Chocolate is thrown against the wall, temperature rising through hand movements. Pa amb xocolata is set.
Students participated in the early stages of this research project during our Physical Motion workshop. We tested how various cooking methods could be translated into different movements by alternative parts of the body. Among the questions we posed was: How would you slice bread with your head? How would you knead dough using your chest? For every method, we tested different body parts and movements. We kneaded, mixed, melted, baked, and sliced with the head, chest, knees, and feet, until we decided on matches that made the most sense.
Through physical movement, ordinary spaces and the way we interact with them are reimagined. The body speaks a language; data turns to dish.
CGI & VFX Artist: Cornel Doornebosch @c.o.r.n.e.l
Creative & Movement Direction: Paula López-Nuño @paulalopeznuno
Art Direction: @c.o.r.n.e.l & @paulalopeznuno
Movement: Alex Bullón @alexbullon23 & Sarah Coral @sarahcoralmolina
Sound Design: Carlos Vasconcelos
Movement Explorations: Class of 2025
Lecturer: Candela Capitán @candelacapitan
Motion Capture Technician: Daniel Quesada
The experiential and speculative dimension of brands is as important as the branding exercise itself.
—
Traditional cooking is mainly performed using the arms and hands, overlooking the potential of other body parts to play a role in the preparation of food, with greater strength, wider range of movement, or different expressive capacities.
Through a range of bodily movements, the cooking wall interprets how each ingredient should be transformed. Dough is kneaded with the hips, baked with the fist, and sliced with the legs. Chocolate is thrown against the wall, temperature rising through hand movements. Pa amb xocolata is set.
Students participated in the early stages of this research project during our Physical Motion workshop. We tested how various cooking methods could be translated into different movements by alternative parts of the body. Among the questions we posed was: How would you slice bread with your head? How would you knead dough using your chest? For every method, we tested different body parts and movements. We kneaded, mixed, melted, baked, and sliced with the head, chest, knees, and feet, until we decided on matches that made the most sense.
Through physical movement, ordinary spaces and the way we interact with them are reimagined. The body speaks a language; data turns to dish.
CGI & VFX Artist: Cornel Doornebosch @c.o.r.n.e.l
Creative & Movement Direction: Paula López-Nuño @paulalopeznuno
Art Direction: @c.o.r.n.e.l & @paulalopeznuno
Movement: Alex Bullón @alexbullon23 & Sarah Coral @sarahcoralmolina
Sound Design: Carlos Vasconcelos
Movement Explorations: Class of 2025
Lecturer: Candela Capitán @candelacapitan
Motion Capture Technician: Daniel Quesada
The experiential and speculative dimension of brands is as important as the branding exercise itself.
—
Traditional cooking is mainly performed using the arms and hands, overlooking the potential of other body parts to play a role in the preparation of food, with greater strength, wider range of movement, or different expressive capacities.
Through a range of bodily movements, the cooking wall interprets how each ingredient should be transformed. Dough is kneaded with the hips, baked with the fist, and sliced with the legs. Chocolate is thrown against the wall, temperature rising through hand movements. Pa amb xocolata is set.
Students participated in the early stages of this research project during our Physical Motion workshop. We tested how various cooking methods could be translated into different movements by alternative parts of the body. Among the questions we posed was: How would you slice bread with your head? How would you knead dough using your chest? For every method, we tested different body parts and movements. We kneaded, mixed, melted, baked, and sliced with the head, chest, knees, and feet, until we decided on matches that made the most sense.
Through physical movement, ordinary spaces and the way we interact with them are reimagined. The body speaks a language; data turns to dish.
CGI & VFX Artist: Cornel Doornebosch @c.o.r.n.e.l
Creative & Movement Direction: Paula López-Nuño @paulalopeznuno
Art Direction: @c.o.r.n.e.l & @paulalopeznuno
Movement: Alex Bullón @alexbullon23 & Sarah Coral @sarahcoralmolina
Sound Design: Carlos Vasconcelos
Movement Explorations: Class of 2025
Lecturer: Candela Capitán @candelacapitan
Motion Capture Technician: Daniel Quesada
The experiential and speculative dimension of brands is as important as the branding exercise itself.
—
Traditional cooking is mainly performed using the arms and hands, overlooking the potential of other body parts to play a role in the preparation of food, with greater strength, wider range of movement, or different expressive capacities.
Through a range of bodily movements, the cooking wall interprets how each ingredient should be transformed. Dough is kneaded with the hips, baked with the fist, and sliced with the legs. Chocolate is thrown against the wall, temperature rising through hand movements. Pa amb xocolata is set.
Students participated in the early stages of this research project during our Physical Motion workshop. We tested how various cooking methods could be translated into different movements by alternative parts of the body. Among the questions we posed was: How would you slice bread with your head? How would you knead dough using your chest? For every method, we tested different body parts and movements. We kneaded, mixed, melted, baked, and sliced with the head, chest, knees, and feet, until we decided on matches that made the most sense.
Through physical movement, ordinary spaces and the way we interact with them are reimagined. The body speaks a language; data turns to dish.
CGI & VFX Artist: Cornel Doornebosch @c.o.r.n.e.l
Creative & Movement Direction: Paula López-Nuño @paulalopeznuno
Art Direction: @c.o.r.n.e.l & @paulalopeznuno
Movement: Alex Bullón @alexbullon23 & Sarah Coral @sarahcoralmolina
Sound Design: Carlos Vasconcelos
Movement Explorations: Class of 2025
Lecturer: Candela Capitán @candelacapitan
Motion Capture Technician: Daniel Quesada
The experiential and speculative dimension of brands is as important as the branding exercise itself.
—
Traditional cooking is mainly performed using the arms and hands, overlooking the potential of other body parts to play a role in the preparation of food, with greater strength, wider range of movement, or different expressive capacities.
Through a range of bodily movements, the cooking wall interprets how each ingredient should be transformed. Dough is kneaded with the hips, baked with the fist, and sliced with the legs. Chocolate is thrown against the wall, temperature rising through hand movements. Pa amb xocolata is set.
Students participated in the early stages of this research project during our Physical Motion workshop. We tested how various cooking methods could be translated into different movements by alternative parts of the body. Among the questions we posed was: How would you slice bread with your head? How would you knead dough using your chest? For every method, we tested different body parts and movements. We kneaded, mixed, melted, baked, and sliced with the head, chest, knees, and feet, until we decided on matches that made the most sense.
Through physical movement, ordinary spaces and the way we interact with them are reimagined. The body speaks a language; data turns to dish.
CGI & VFX Artist: Cornel Doornebosch @c.o.r.n.e.l
Creative & Movement Direction: Paula López-Nuño @paulalopeznuno
Art Direction: @c.o.r.n.e.l & @paulalopeznuno
Movement: Alex Bullón @alexbullon23 & Sarah Coral @sarahcoralmolina
Sound Design: Carlos Vasconcelos
Movement Explorations: Class of 2025
Lecturer: Candela Capitán @candelacapitan
Motion Capture Technician: Daniel Quesada
Brands are communities and culture. For the past year, we’ve been collaborating with Xplore Studio Barcelona, an Open Innovation space by Ingka Group, the largest retailer of the IKEA franchisee, to drive communication strategy and build a thriving community around retail innovation. From content creation to organizing in-person events for carefully curated audiences, our work amplifies the studio’s impact and highlights key innovations shaping the future of retail.
Brands are communities and culture. For the past year, we’ve been collaborating with Xplore Studio Barcelona, an Open Innovation space by Ingka Group, the largest retailer of the IKEA franchisee, to drive communication strategy and build a thriving community around retail innovation. From content creation to organizing in-person events for carefully curated audiences, our work amplifies the studio’s impact and highlights key innovations shaping the future of retail.
Brands are communities and culture. For the past year, we’ve been collaborating with Xplore Studio Barcelona, an Open Innovation space by Ingka Group, the largest retailer of the IKEA franchisee, to drive communication strategy and build a thriving community around retail innovation. From content creation to organizing in-person events for carefully curated audiences, our work amplifies the studio’s impact and highlights key innovations shaping the future of retail.

Brands are communities and culture. For the past year, we’ve been collaborating with Xplore Studio Barcelona, an Open Innovation space by Ingka Group, the largest retailer of the IKEA franchisee, to drive communication strategy and build a thriving community around retail innovation. From content creation to organizing in-person events for carefully curated audiences, our work amplifies the studio’s impact and highlights key innovations shaping the future of retail.
Brands are communities and culture. For the past year, we’ve been collaborating with Xplore Studio Barcelona, an Open Innovation space by Ingka Group, the largest retailer of the IKEA franchisee, to drive communication strategy and build a thriving community around retail innovation. From content creation to organizing in-person events for carefully curated audiences, our work amplifies the studio’s impact and highlights key innovations shaping the future of retail.
Brands are communities and culture. For the past year, we’ve been collaborating with Xplore Studio Barcelona, an Open Innovation space by Ingka Group, the largest retailer of the IKEA franchisee, to drive communication strategy and build a thriving community around retail innovation. From content creation to organizing in-person events for carefully curated audiences, our work amplifies the studio’s impact and highlights key innovations shaping the future of retail.
Join us for an Instagram Live next Wednesday, May 13 at 2 PM CEST at @thisisbeyondbranding, where the students of this year’s edition will be explaining their experience and answering live questions.
The group will simultaneously be connected from the two sites where the master's takes place. Barcelona’s conversation will happen in English and Madrid’s in Spanish.
Barcelona @mmvillaseca @paupuntola @joaovteruya
Madrid @candebelluschi @sofianieto.ig
See you there!
Master Beyond Branding
By @folchstudio and @elisava.school
For centuries, hundreds of women travelled to San Paolo di Galatina in search of healing, giving rise to a ritual imaginary linked to the Pizzica Taranta and tarantism in Southern Italy🕷️. Drawing from this story of music, voice, movement and transformation, we developed the visual direction and design for “San Paolo di Galatina”, a project by @raulrefree and @mariamazzotta .
Team: @joseppuy @_lavandera @helenqureshi @cristin.ax @lidia.juna

For centuries, hundreds of women travelled to San Paolo di Galatina in search of healing, giving rise to a ritual imaginary linked to the Pizzica Taranta and tarantism in Southern Italy🕷️. Drawing from this story of music, voice, movement and transformation, we developed the visual direction and design for “San Paolo di Galatina”, a project by @raulrefree and @mariamazzotta .
Team: @joseppuy @_lavandera @helenqureshi @cristin.ax @lidia.juna
For centuries, hundreds of women travelled to San Paolo di Galatina in search of healing, giving rise to a ritual imaginary linked to the Pizzica Taranta and tarantism in Southern Italy🕷️. Drawing from this story of music, voice, movement and transformation, we developed the visual direction and design for “San Paolo di Galatina”, a project by @raulrefree and @mariamazzotta .
Team: @joseppuy @_lavandera @helenqureshi @cristin.ax @lidia.juna

For centuries, hundreds of women travelled to San Paolo di Galatina in search of healing, giving rise to a ritual imaginary linked to the Pizzica Taranta and tarantism in Southern Italy🕷️. Drawing from this story of music, voice, movement and transformation, we developed the visual direction and design for “San Paolo di Galatina”, a project by @raulrefree and @mariamazzotta .
Team: @joseppuy @_lavandera @helenqureshi @cristin.ax @lidia.juna

For centuries, hundreds of women travelled to San Paolo di Galatina in search of healing, giving rise to a ritual imaginary linked to the Pizzica Taranta and tarantism in Southern Italy🕷️. Drawing from this story of music, voice, movement and transformation, we developed the visual direction and design for “San Paolo di Galatina”, a project by @raulrefree and @mariamazzotta .
Team: @joseppuy @_lavandera @helenqureshi @cristin.ax @lidia.juna

For centuries, hundreds of women travelled to San Paolo di Galatina in search of healing, giving rise to a ritual imaginary linked to the Pizzica Taranta and tarantism in Southern Italy🕷️. Drawing from this story of music, voice, movement and transformation, we developed the visual direction and design for “San Paolo di Galatina”, a project by @raulrefree and @mariamazzotta .
Team: @joseppuy @_lavandera @helenqureshi @cristin.ax @lidia.juna
Taking a closer look at the OpenType features included in the custom typeface we designed for @lafabra.centredart, including Fit to Caps and High Contrast alternates 🔎
Taking a closer look at the OpenType features included in the custom typeface we designed for @lafabra.centredart, including Fit to Caps and High Contrast alternates 🔎

Taking a closer look at the OpenType features included in the custom typeface we designed for @lafabra.centredart, including Fit to Caps and High Contrast alternates 🔎
Taking a closer look at the OpenType features included in the custom typeface we designed for @lafabra.centredart, including Fit to Caps and High Contrast alternates 🔎
Taking a closer look at the OpenType features included in the custom typeface we designed for @lafabra.centredart, including Fit to Caps and High Contrast alternates 🔎

Taking a closer look at the OpenType features included in the custom typeface we designed for @lafabra.centredart, including Fit to Caps and High Contrast alternates 🔎

Conversation with @leoportooo from @porto_rocha 🍬
Moderators @paulalopeznuno @lorenamanhaes
Photos @nicolasventurelli

Conversation with @leoportooo from @porto_rocha 🍬
Moderators @paulalopeznuno @lorenamanhaes
Photos @nicolasventurelli
Conversation with @leoportooo from @porto_rocha 🍬
Moderators @paulalopeznuno @lorenamanhaes
Photos @nicolasventurelli

Conversation with @leoportooo from @porto_rocha 🍬
Moderators @paulalopeznuno @lorenamanhaes
Photos @nicolasventurelli

Conversation with @leoportooo from @porto_rocha 🍬
Moderators @paulalopeznuno @lorenamanhaes
Photos @nicolasventurelli

Conversation with @leoportooo from @porto_rocha 🍬
Moderators @paulalopeznuno @lorenamanhaes
Photos @nicolasventurelli

Conversation with @leoportooo from @porto_rocha 🍬
Moderators @paulalopeznuno @lorenamanhaes
Photos @nicolasventurelli

Graphics for Soulost, @alicewonder new album ⟡
Team
@joseppuy @_lavandera @nicolasventurelli @annevtongeren
Cover credits
Creative Direction @josepxq and @alicewonder
Photo @inigoapestegui
Edit @ericiocco and @hadren

Graphics for Soulost, @alicewonder new album ⟡
Team
@joseppuy @_lavandera @nicolasventurelli @annevtongeren
Cover credits
Creative Direction @josepxq and @alicewonder
Photo @inigoapestegui
Edit @ericiocco and @hadren

Graphics for Soulost, @alicewonder new album ⟡
Team
@joseppuy @_lavandera @nicolasventurelli @annevtongeren
Cover credits
Creative Direction @josepxq and @alicewonder
Photo @inigoapestegui
Edit @ericiocco and @hadren
Graphics for Soulost, @alicewonder new album ⟡
Team
@joseppuy @_lavandera @nicolasventurelli @annevtongeren
Cover credits
Creative Direction @josepxq and @alicewonder
Photo @inigoapestegui
Edit @ericiocco and @hadren

Graphics for Soulost, @alicewonder new album ⟡
Team
@joseppuy @_lavandera @nicolasventurelli @annevtongeren
Cover credits
Creative Direction @josepxq and @alicewonder
Photo @inigoapestegui
Edit @ericiocco and @hadren
We’re joining Us By Night @usbynightfest (September 24–26, Antwerp) and POV Budapest @pov.budapest (September 16-20) to examine design and creativity beyond problem-solving—working between innovation and speculative practice to use narrative as a tool for prototyping possible futures, where brands operate as evolving cultural systems.
Featured on @thebrandidentity
Hazel
@jean.wojciechowski
Foreigh Roots
@eduardopasoviola
@hammoud_3000
@tomcatan.work
Ideation.Network
@byronnnnnnrob
In Search of a Haven
@mrnsolis
@hammoud_3000
Emotion in Motion
@mrnsolis
@siobhanvassallo
@eduardopasoviola
@vranyana
@no.sh.s
@aebylula
@tamar_chen
@shynaar.m
Professors
@camilo__roa
@paulalopeznuno
Collaborators
@franc_studio
@sarahcoralmolina
@cristin.ax
@lakis_sobyra
Master Beyond Branding
@folchstudio
@elisava.school
Featured on @thebrandidentity
Hazel
@jean.wojciechowski
Foreigh Roots
@eduardopasoviola
@hammoud_3000
@tomcatan.work
Ideation.Network
@byronnnnnnrob
In Search of a Haven
@mrnsolis
@hammoud_3000
Emotion in Motion
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Ideation.Network
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@hammoud_3000
Emotion in Motion
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@siobhanvassallo
@eduardopasoviola
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@aebylula
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Professors
@camilo__roa
@paulalopeznuno
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@lakis_sobyra
Master Beyond Branding
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@elisava.school

Featured on @thebrandidentity
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@hammoud_3000
@tomcatan.work
Ideation.Network
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In Search of a Haven
@mrnsolis
@hammoud_3000
Emotion in Motion
@mrnsolis
@siobhanvassallo
@eduardopasoviola
@vranyana
@no.sh.s
@aebylula
@tamar_chen
@shynaar.m
Professors
@camilo__roa
@paulalopeznuno
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@franc_studio
@sarahcoralmolina
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@lakis_sobyra
Master Beyond Branding
@folchstudio
@elisava.school
Featured on @thebrandidentity
Hazel
@jean.wojciechowski
Foreigh Roots
@eduardopasoviola
@hammoud_3000
@tomcatan.work
Ideation.Network
@byronnnnnnrob
In Search of a Haven
@mrnsolis
@hammoud_3000
Emotion in Motion
@mrnsolis
@siobhanvassallo
@eduardopasoviola
@vranyana
@no.sh.s
@aebylula
@tamar_chen
@shynaar.m
Professors
@camilo__roa
@paulalopeznuno
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@franc_studio
@sarahcoralmolina
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@lakis_sobyra
Master Beyond Branding
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Featured on @thebrandidentity
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@hammoud_3000
@tomcatan.work
Ideation.Network
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In Search of a Haven
@mrnsolis
@hammoud_3000
Emotion in Motion
@mrnsolis
@siobhanvassallo
@eduardopasoviola
@vranyana
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@aebylula
@tamar_chen
@shynaar.m
Professors
@camilo__roa
@paulalopeznuno
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@franc_studio
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@lakis_sobyra
Master Beyond Branding
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@elisava.school
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@jean.wojciechowski
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@eduardopasoviola
@hammoud_3000
@tomcatan.work
Ideation.Network
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In Search of a Haven
@mrnsolis
@hammoud_3000
Emotion in Motion
@mrnsolis
@siobhanvassallo
@eduardopasoviola
@vranyana
@no.sh.s
@aebylula
@tamar_chen
@shynaar.m
Professors
@camilo__roa
@paulalopeznuno
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@lakis_sobyra
Master Beyond Branding
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Featured on @thebrandidentity
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In Search of a Haven
@mrnsolis
@hammoud_3000
Emotion in Motion
@mrnsolis
@siobhanvassallo
@eduardopasoviola
@vranyana
@no.sh.s
@aebylula
@tamar_chen
@shynaar.m
Professors
@camilo__roa
@paulalopeznuno
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@franc_studio
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Foreigh Roots
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In Search of a Haven
@mrnsolis
@hammoud_3000
Emotion in Motion
@mrnsolis
@siobhanvassallo
@eduardopasoviola
@vranyana
@no.sh.s
@aebylula
@tamar_chen
@shynaar.m
Professors
@camilo__roa
@paulalopeznuno
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In Search of a Haven
@mrnsolis
@hammoud_3000
Emotion in Motion
@mrnsolis
@siobhanvassallo
@eduardopasoviola
@vranyana
@no.sh.s
@aebylula
@tamar_chen
@shynaar.m
Professors
@camilo__roa
@paulalopeznuno
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@franc_studio
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@lakis_sobyra
Master Beyond Branding
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@mrnsolis
@hammoud_3000
Emotion in Motion
@mrnsolis
@siobhanvassallo
@eduardopasoviola
@vranyana
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@aebylula
@tamar_chen
@shynaar.m
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@paulalopeznuno
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Instagram Hikaye Görüntüleyici, Instagram hikayelerini, videoları, fotoğrafları veya IGTV'yi gizlice izleyip kaydetmenizi sağlayan basit bir araçtır. Bu hizmetle, içerikleri indirip istediğiniz zaman çevrimdışı olarak keyfini çıkarabilirsiniz. Instagram'da daha sonra görmek istediğiniz bir şey bulduysanız veya anonim kalmak isterseniz, bizim Görüntüleyicimiz sizin için mükemmeldir. Anonstories, kimliğinizi gizli tutmak için mükemmel bir çözüm sunar. Instagram, Hikaye özelliğini Ağustos 2023'te başlatmış ve bu format, etkileşimi yüksek ve zaman sınırlı olduğu için hızla diğer platformlar tarafından benimsenmiştir. Hikayeler, kullanıcıların hızlı güncellemeler paylaşmasını sağlar; fotoğraflar, videolar veya selfie'ler, metin, emojiler veya filtrelerle zenginleştirilmiş ve sadece 24 saat görünür. Bu sınırlı süre, normal gönderilere göre yüksek etkileşim yaratır. Bugünlerde, Hikayeler sosyal medyada bağlantı kurmanın ve iletişim kurmanın en popüler yollarından biridir. Ancak, bir Hikaye görüntülediğinizde, yaratıcısı adınızı görüntüleyici listesinde görebilir ki bu da gizlilik endişesi yaratabilir. Peki ya Hikayeleri fark edilmeden görüntülemek isterseniz? İşte burada Anonstories devreye girer. Kimliğinizi ifşa etmeden, kamuya açık Instagram içeriğini izlemenizi sağlar. Sadece merak ettiğiniz profilin kullanıcı adını girin, araç size en son Hikayelerini gösterecektir. Anonstories Görüntüleyicisinin Özellikleri: - Anonim Tarama: Hikayeleri görüntüleyici listesine düşmeden izleyin. - Hesap Gerekmez: Instagram hesabı oluşturmadan kamuya açık içeriği görüntüleyin. - İçerik İndirme: Hikaye içeriklerini cihazınıza indirip çevrimdışı olarak kullanabilirsiniz. - Öne Çıkanlar Görüntüleme: Instagram Öne Çıkanlarına erişin, 24 saatlik süreyi aşarak da. - Yeniden Paylaşım Takibi: Kişisel profillerin Hikayeleri üzerindeki paylaşımları veya etkileşim seviyelerini takip edin. Kısıtlamalar: - Bu araç yalnızca açık hesaplarla çalışır; özel hesaplar erişilemez. Yararları: - Gizlilik Dostu: Herhangi bir Instagram içeriğini fark edilmeden izleyin. - Basit ve Kolay: Uygulama yükleme veya kayıt gerekmez. - Özel Araçlar: Instagram’ın sunmadığı şekilde içerik indirme ve yönetme.
Instagram güncellemelerini gizlice takip edin, gizliliğinizi koruyun ve anonim kalın.
Özel Profil Görüntüleyicisi ile profilleri ve fotoğrafları anonim olarak kolayca görüntüleyin.
Bu ücretsiz araç, hikaye yükleyicisine görünmeden Instagram Hikayelerini anonim olarak görüntülemenizi sağlar.
Anonstories, kullanıcıların Instagram hikayelerini yaratıcıyı uyarmadan görüntülemelerini sağlar.
iOS, Android, Windows, macOS ve Chrome ile Safari gibi modern tarayıcılarda sorunsuz çalışır.
Giriş bilgisi gerektirmeden güvenli, anonim taramayı ön planda tutar.
Kullanıcılar, sadece bir kullanıcı adı girerek halka açık hikayeleri görüntüleyebilir—hesap gerekmez.
Fotoğrafları (JPEG) ve videoları (MP4) kolayca indirir.
Hizmet ücretsizdir.
Özel hesaplardan içerikler yalnızca takipçiler tarafından erişilebilir.
Dosyalar yalnızca kişisel veya eğitimsel kullanım içindir ve telif hakkı kurallarına uymalıdır.
Bir kamu kullanıcı adı girin, hikayeleri görüntüleyin veya indirin. Hizmet, içeriği yerel olarak kaydetmek için doğrudan bağlantılar oluşturur.