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✦ objkt introduces @origen.prints ✦

curated art prints, ready to hang「」

artist-made works
including unique generative pieces

museum-grade
framed in wood

(april 1, still real)

☆ 20% off with HELLOORIGEN
until Sunday, 11:30 PM

discover origen ⤵︎
Link @objktcom bio

And YOU!

✦ Don’t miss current and upcoming blind mints by artists on @dropdotart!

⇢ @kyle_flemmer • @vjentter • @revolue • @sabatobox • @loved_orleer • @shaun____keenan • LEGIO_X • @riniifishw • nohygiene

✦ SYNESTHESIA ✦ A Collaborative Drop
Created by @newtroarts

15 pairs of Sound + Visual Artists
♫ & ⊙
now live!

pictutred:
Synthesis, by @bosquegracias + @notangra

Coccinella Vibes, by @lofiandino + @lapepitaritual

Navegante, by @tanofranzoni + @paula_herrera_vivas

Perception expands beyond a single channel.
Look & Listen to the full creative collaborative drop on objkt.com

✦ SYNESTHESIA ✦ A Collaborative Drop
Created by @newtroarts

15 pairs of Sound + Visual Artists
♫ & ⊙
now live!

pictutred:
Synthesis, by @bosquegracias + @notangra

Coccinella Vibes, by @lofiandino + @lapepitaritual

Navegante, by @tanofranzoni + @paula_herrera_vivas

Perception expands beyond a single channel.
Look & Listen to the full creative collaborative drop on objkt.com

✦ SYNESTHESIA ✦ A Collaborative Drop
Created by @newtroarts

15 pairs of Sound + Visual Artists
♫ & ⊙
now live!

pictutred:
Synthesis, by @bosquegracias + @notangra

Coccinella Vibes, by @lofiandino + @lapepitaritual

Navegante, by @tanofranzoni + @paula_herrera_vivas

Perception expands beyond a single channel.
Look & Listen to the full creative collaborative drop on objkt.com

✦”Cache of a Deleted Girl”✦ 𝘈𝘙 𝘱𝘪𝘦𝘤𝘦 𝘢𝘱𝘱𝘦𝘢𝘳𝘪𝘯𝘨 𝘪𝘯 𝘝𝘦𝘯𝘪𝘤𝘦 by @francis_ost
where female identity persists through collective memory, care, and shared presence in digital space.

→ part of As If It Were There, curated by @thesecondguess × @made.by.oona

Pictured:
Ceria B. Teramore collected by Louis M
I Move Objects With Your Hands
I Keep Space in My Body

Through poem, AI imagery, cloned voice, and AR presence, the work reframes haunting as hosting.

✦”Cache of a Deleted Girl”✦ 𝘈𝘙 𝘱𝘪𝘦𝘤𝘦 𝘢𝘱𝘱𝘦𝘢𝘳𝘪𝘯𝘨 𝘪𝘯 𝘝𝘦𝘯𝘪𝘤𝘦 by @francis_ost
where female identity persists through collective memory, care, and shared presence in digital space.

→ part of As If It Were There, curated by @thesecondguess × @made.by.oona

Pictured:
Ceria B. Teramore collected by Louis M
I Move Objects With Your Hands
I Keep Space in My Body

Through poem, AI imagery, cloned voice, and AR presence, the work reframes haunting as hosting.

✦”Cache of a Deleted Girl”✦ 𝘈𝘙 𝘱𝘪𝘦𝘤𝘦 𝘢𝘱𝘱𝘦𝘢𝘳𝘪𝘯𝘨 𝘪𝘯 𝘝𝘦𝘯𝘪𝘤𝘦 by @francis_ost
where female identity persists through collective memory, care, and shared presence in digital space.

→ part of As If It Were There, curated by @thesecondguess × @made.by.oona

Pictured:
Ceria B. Teramore collected by Louis M
I Move Objects With Your Hands
I Keep Space in My Body

Through poem, AI imagery, cloned voice, and AR presence, the work reframes haunting as hosting.

AR fragments from “As If It Were There” ✦
The new exhibition curated by @thesecondguess × @made.by.oona during the @venice.art.biennale 2026

Works shown through augmented reality across Venice.

AR fragments from “As If It Were There” ✦
The new exhibition curated by @thesecondguess × @made.by.oona during the @venice.art.biennale 2026

Works shown through augmented reality across Venice.

AR fragments from “As If It Were There” ✦
The new exhibition curated by @thesecondguess × @made.by.oona during the @venice.art.biennale 2026

Works shown through augmented reality across Venice.

AR fragments from “As If It Were There” ✦
The new exhibition curated by @thesecondguess × @made.by.oona during the @venice.art.biennale 2026

Works shown through augmented reality across Venice.

✦ 𝙣𝙚𝙬 𝙤𝙣 𝙤𝙗𝙟𝙠𝙩𝙤𝙧 ✦ Transiciones Latentes: About Curiosity And Play / written by Raquel Gaudard

in conversation with @tamamoyre

“How the machine interprets it… sometimes you are thoroughly surprised.”
Transiciones Latentes was released via boatloads.art through a special partnership between @processingorg and @artontezos

“Every technology carries an aesthetic.” @tamamoyre

read the full interview on objktor

✦ 𝙣𝙚𝙬 𝙤𝙣 𝙤𝙗𝙟𝙠𝙩𝙤𝙧 ✦ Transiciones Latentes: About Curiosity And Play / written by Raquel Gaudard

in conversation with @tamamoyre

“How the machine interprets it… sometimes you are thoroughly surprised.”
Transiciones Latentes was released via boatloads.art through a special partnership between @processingorg and @artontezos

“Every technology carries an aesthetic.” @tamamoyre

read the full interview on objktor

✦ 𝙣𝙚𝙬 𝙤𝙣 𝙤𝙗𝙟𝙠𝙩𝙤𝙧 ✦ Transiciones Latentes: About Curiosity And Play / written by Raquel Gaudard

in conversation with @tamamoyre

“How the machine interprets it… sometimes you are thoroughly surprised.”
Transiciones Latentes was released via boatloads.art through a special partnership between @processingorg and @artontezos

“Every technology carries an aesthetic.” @tamamoyre

read the full interview on objktor

✦ 𝙣𝙚𝙬 𝙤𝙣 𝙤𝙗𝙟𝙠𝙩𝙤𝙧 ✦ Transiciones Latentes: About Curiosity And Play / written by Raquel Gaudard

in conversation with @tamamoyre

“How the machine interprets it… sometimes you are thoroughly surprised.”
Transiciones Latentes was released via boatloads.art through a special partnership between @processingorg and @artontezos

“Every technology carries an aesthetic.” @tamamoyre

read the full interview on objktor

art is constantly evolving through the people who sustain it. ✦ fragile art in motion ✦
presented during the @venice.art.biennale 2026.

@accomparts 1/1 auctions presented with @cityxfoundation

Pictured:
- Report, by @kristwood
- A good girl never asks for help, by @asalkhni
- fragile, by num1crush

curated by YNKAdigital · @stenzilb
in collaboration with @artontezos × @objktcom

fragility is not failure;
it’s part of how contemporary digital culture exists.

view the exhibition at objkt.com

art is constantly evolving through the people who sustain it. ✦ fragile art in motion ✦
presented during the @venice.art.biennale 2026.

@accomparts 1/1 auctions presented with @cityxfoundation

Pictured:
- Report, by @kristwood
- A good girl never asks for help, by @asalkhni
- fragile, by num1crush

curated by YNKAdigital · @stenzilb
in collaboration with @artontezos × @objktcom

fragility is not failure;
it’s part of how contemporary digital culture exists.

view the exhibition at objkt.com

art is constantly evolving through the people who sustain it. ✦ fragile art in motion ✦
presented during the @venice.art.biennale 2026.

@accomparts 1/1 auctions presented with @cityxfoundation

Pictured:
- Report, by @kristwood
- A good girl never asks for help, by @asalkhni
- fragile, by num1crush

curated by YNKAdigital · @stenzilb
in collaboration with @artontezos × @objktcom

fragility is not failure;
it’s part of how contemporary digital culture exists.

view the exhibition at objkt.com

**new on objktor** Goldcat: Pixels, Charcoal And Bronze
written by @forgetdali

from engineering to full-time art, @originalgoldcat’s practice moves between digital and physical. The work is anchored in charcoal, expressed through a painting.

Working from greyscale into deliberate color, her figures stretch, dissolve, and resist clarity; holding emotion over narrative.

Built in photoshop, yet insistently physical, her work breaks pixels to create its own material language.

read the full article 🔗 @objktcom

**new on objktor** Goldcat: Pixels, Charcoal And Bronze
written by @forgetdali

from engineering to full-time art, @originalgoldcat’s practice moves between digital and physical. The work is anchored in charcoal, expressed through a painting.

Working from greyscale into deliberate color, her figures stretch, dissolve, and resist clarity; holding emotion over narrative.

Built in photoshop, yet insistently physical, her work breaks pixels to create its own material language.

read the full article 🔗 @objktcom

**new on objktor** Goldcat: Pixels, Charcoal And Bronze
written by @forgetdali

from engineering to full-time art, @originalgoldcat’s practice moves between digital and physical. The work is anchored in charcoal, expressed through a painting.

Working from greyscale into deliberate color, her figures stretch, dissolve, and resist clarity; holding emotion over narrative.

Built in photoshop, yet insistently physical, her work breaks pixels to create its own material language.

read the full article 🔗 @objktcom

**new on objktor** Goldcat: Pixels, Charcoal And Bronze
written by @forgetdali

from engineering to full-time art, @originalgoldcat’s practice moves between digital and physical. The work is anchored in charcoal, expressed through a painting.

Working from greyscale into deliberate color, her figures stretch, dissolve, and resist clarity; holding emotion over narrative.

Built in photoshop, yet insistently physical, her work breaks pixels to create its own material language.

read the full article 🔗 @objktcom

- new article on objktor -
You Can’t Automate The Artist
written by @anika

in conversation with @quasimondo, this piece explores authorship, autonomy, and the limits of automation in artistic practice.
How systems can generate, but not fully replace the evolving human behind them.
As klingemann reflects, the question is no longer how images are made, but why.

Read the full article 🔗 @objktcom

- new article on objktor -
You Can’t Automate The Artist
written by @anika

in conversation with @quasimondo, this piece explores authorship, autonomy, and the limits of automation in artistic practice.
How systems can generate, but not fully replace the evolving human behind them.
As klingemann reflects, the question is no longer how images are made, but why.

Read the full article 🔗 @objktcom

- new article on objktor -
You Can’t Automate The Artist
written by @anika

in conversation with @quasimondo, this piece explores authorship, autonomy, and the limits of automation in artistic practice.
How systems can generate, but not fully replace the evolving human behind them.
As klingemann reflects, the question is no longer how images are made, but why.

Read the full article 🔗 @objktcom

- new article on objktor -
You Can’t Automate The Artist
written by @anika

in conversation with @quasimondo, this piece explores authorship, autonomy, and the limits of automation in artistic practice.
How systems can generate, but not fully replace the evolving human behind them.
As klingemann reflects, the question is no longer how images are made, but why.

Read the full article 🔗 @objktcom

✦ venice biennale 2026 ✦

@accomparts 1/1 auctions presented with @cityxfoundation
“fragile art in motion”

curated by YNKAdigital · @stenzilb
in collaboration with @artontezos × @objktcom

Pictured:
receiving end, by @hannah.polza
PROTAGORAS, by @simonlazarus84
Flicker: Electric Moss, by @daria_rastunina_digital
the processing, by @blanqspacer
Creative chaos, by @stenzilb

✦ venice biennale 2026 ✦

@accomparts 1/1 auctions presented with @cityxfoundation
“fragile art in motion”

curated by YNKAdigital · @stenzilb
in collaboration with @artontezos × @objktcom

Pictured:
receiving end, by @hannah.polza
PROTAGORAS, by @simonlazarus84
Flicker: Electric Moss, by @daria_rastunina_digital
the processing, by @blanqspacer
Creative chaos, by @stenzilb

✦ venice biennale 2026 ✦

@accomparts 1/1 auctions presented with @cityxfoundation
“fragile art in motion”

curated by YNKAdigital · @stenzilb
in collaboration with @artontezos × @objktcom

Pictured:
receiving end, by @hannah.polza
PROTAGORAS, by @simonlazarus84
Flicker: Electric Moss, by @daria_rastunina_digital
the processing, by @blanqspacer
Creative chaos, by @stenzilb

✦ venice biennale 2026 ✦

@accomparts 1/1 auctions presented with @cityxfoundation
“fragile art in motion”

curated by YNKAdigital · @stenzilb
in collaboration with @artontezos × @objktcom

Pictured:
receiving end, by @hannah.polza
PROTAGORAS, by @simonlazarus84
Flicker: Electric Moss, by @daria_rastunina_digital
the processing, by @blanqspacer
Creative chaos, by @stenzilb

✦ venice biennale 2026 ✦

@accomparts 1/1 auctions presented with @cityxfoundation
“fragile art in motion”

curated by YNKAdigital · @stenzilb
in collaboration with @artontezos × @objktcom

Pictured:
receiving end, by @hannah.polza
PROTAGORAS, by @simonlazarus84
Flicker: Electric Moss, by @daria_rastunina_digital
the processing, by @blanqspacer
Creative chaos, by @stenzilb

✦ world art day ✦ open call results ✦

the selected artists:
Zizzyza
@sumeyrayucee
aethersovereign
@bubaviedma
0009ine

thank you to everyone who shared work with us ♡
we received an incredible range of submissions.

these works will be released as tees on the objkt merch shop

✦ world art day ✦ open call results ✦

the selected artists:
Zizzyza
@sumeyrayucee
aethersovereign
@bubaviedma
0009ine

thank you to everyone who shared work with us ♡
we received an incredible range of submissions.

these works will be released as tees on the objkt merch shop

✦ world art day ✦ open call results ✦

the selected artists:
Zizzyza
@sumeyrayucee
aethersovereign
@bubaviedma
0009ine

thank you to everyone who shared work with us ♡
we received an incredible range of submissions.

these works will be released as tees on the objkt merch shop

✦ world art day ✦ open call results ✦

the selected artists:
Zizzyza
@sumeyrayucee
aethersovereign
@bubaviedma
0009ine

thank you to everyone who shared work with us ♡
we received an incredible range of submissions.

these works will be released as tees on the objkt merch shop

✦ world art day ✦ open call results ✦

the selected artists:
Zizzyza
@sumeyrayucee
aethersovereign
@bubaviedma
0009ine

thank you to everyone who shared work with us ♡
we received an incredible range of submissions.

these works will be released as tees on the objkt merch shop

⊹ ˖ highlights from the latest on @dropdotart Ი𐑼

FRAGMENT #32, by GLCH404
EMPATHS - wonder, by @1000Landz
IN TRANSIT #327, by relaxertex
What you see #68, by @svosughian

trust the mint.

⊹ ˖ highlights from the latest on @dropdotart Ი𐑼

FRAGMENT #32, by GLCH404
EMPATHS - wonder, by @1000Landz
IN TRANSIT #327, by relaxertex
What you see #68, by @svosughian

trust the mint.

⊹ ˖ highlights from the latest on @dropdotart Ი𐑼

FRAGMENT #32, by GLCH404
EMPATHS - wonder, by @1000Landz
IN TRANSIT #327, by relaxertex
What you see #68, by @svosughian

trust the mint.

⊹ ˖ highlights from the latest on @dropdotart Ი𐑼

FRAGMENT #32, by GLCH404
EMPATHS - wonder, by @1000Landz
IN TRANSIT #327, by relaxertex
What you see #68, by @svosughian

trust the mint.