Instagram Hikaye Görüntüleyici

Athena Calderone (@eyeswoon) and our founder, David Alhadeff (@davidalhadeff), reflect on the ideas, atmosphere, and inspirations that informed @studioathenacalderone’s debut collection, Assembler I, available exclusively at The Future Perfect.

Now on view in The Future Perfect’s West Village townhouse.

Film by @rodrigorize

A special moment captured within the studio space of @floris_wubben 🤎

A glimpse of the clay extrusion process that creates the artist’s signature style of ceramic works.

It’s the last week to see @gaetano.pesce Dear Future on view in our LA Gallery. Book your appointment today link in bio. 📸 @rvstapleton styled by @colinking

Evocative of a dancing peacock, the striking Golden Peacock Console from Vikram Goyal (@vikramgoyalstudio) employs the studio’s distinct technique of hollowed joinery, in which brass sheets are hammered and joined together to create a seamless exterior, and pulls the eye toward the inlaid semi-precious stones.

Discover all the work currently on view in our Miami gallery by making an appointment through the link in our bio.

Captured by @joeinstakramm

Evocative of a dancing peacock, the striking Golden Peacock Console from Vikram Goyal (@vikramgoyalstudio) employs the studio’s distinct technique of hollowed joinery, in which brass sheets are hammered and joined together to create a seamless exterior, and pulls the eye toward the inlaid semi-precious stones.

Discover all the work currently on view in our Miami gallery by making an appointment through the link in our bio.

Captured by @joeinstakramm

Karl Zahn’s (@karlzahn) Stratus Midnight ST.21.01M is a monumental suspended lighting work that balances scale with ethereal lightness; evoking drifting cloud formations while introducing a refined architectural presence.

“Made of powder coated aluminum, each piece is carefully cut and bent by hand. Beginning with an ink sketch on raw material, and ending with precise balance and composition. The integrated LEDs shine little pinpoints of star light which are surrounded by perforations in the material to simulate an expansive galaxy.

Shown here in polished nickel, steel, and ultra matte black paint. The final finish is so matte that the pieces seem to blend together to form a galactic void of ever changing shape.

Come stare it and get lost.” - Karl Zahn

Now on view in our New York gallery.

Captured by @joeinstakramm

Karl Zahn’s (@karlzahn) Stratus Midnight ST.21.01M is a monumental suspended lighting work that balances scale with ethereal lightness; evoking drifting cloud formations while introducing a refined architectural presence.

“Made of powder coated aluminum, each piece is carefully cut and bent by hand. Beginning with an ink sketch on raw material, and ending with precise balance and composition. The integrated LEDs shine little pinpoints of star light which are surrounded by perforations in the material to simulate an expansive galaxy.

Shown here in polished nickel, steel, and ultra matte black paint. The final finish is so matte that the pieces seem to blend together to form a galactic void of ever changing shape.

Come stare it and get lost.” - Karl Zahn

Now on view in our New York gallery.

Captured by @joeinstakramm

Join our Managing Director Laura Young (@lauraannyoung) as she walks through DUDD LITE, a group exhibition of more than 140 artist-designed nightlights installed throughout our West Village townhouse.

Presented by DUDD HAUS (@duddhaus) and The Future Perfect.

D’Haene Studio (@dhaene_studio) debuts its first furniture collection at The Future Perfect, a deeply personal body of work conceived by the late Francis D’Haene (@dapostrophedesign) in collaboration with his wife, artist Jane Yang-D’Haene (@janeyangdhaene). While each maintained distinct creative practices for much of their careers, this collection marks a rare and meaningful convergence of their perspectives, inspired by a historic Korean jogakbo textile encountered together at The Metropolitan Museum of Art in New York.

Presented following Francis D’Haene’s passing last year, the collection stands as both a reflection of their shared creative dialogue and a continuation of the vision they established together, with Jane Yang-D’Haene carrying the work forward through D’Haene Studio.

Visit us in our New York gallery to experience the collection in person, along with a new body of work from Jason Koharik (@jasonjkoharik).

Captured by @joeinstakramm

D’Haene Studio (@dhaene_studio) debuts its first furniture collection at The Future Perfect, a deeply personal body of work conceived by the late Francis D’Haene (@dapostrophedesign) in collaboration with his wife, artist Jane Yang-D’Haene (@janeyangdhaene). While each maintained distinct creative practices for much of their careers, this collection marks a rare and meaningful convergence of their perspectives, inspired by a historic Korean jogakbo textile encountered together at The Metropolitan Museum of Art in New York.

Presented following Francis D’Haene’s passing last year, the collection stands as both a reflection of their shared creative dialogue and a continuation of the vision they established together, with Jane Yang-D’Haene carrying the work forward through D’Haene Studio.

Visit us in our New York gallery to experience the collection in person, along with a new body of work from Jason Koharik (@jasonjkoharik).

Captured by @joeinstakramm

D’Haene Studio (@dhaene_studio) debuts its first furniture collection at The Future Perfect, a deeply personal body of work conceived by the late Francis D’Haene (@dapostrophedesign) in collaboration with his wife, artist Jane Yang-D’Haene (@janeyangdhaene). While each maintained distinct creative practices for much of their careers, this collection marks a rare and meaningful convergence of their perspectives, inspired by a historic Korean jogakbo textile encountered together at The Metropolitan Museum of Art in New York.

Presented following Francis D’Haene’s passing last year, the collection stands as both a reflection of their shared creative dialogue and a continuation of the vision they established together, with Jane Yang-D’Haene carrying the work forward through D’Haene Studio.

Visit us in our New York gallery to experience the collection in person, along with a new body of work from Jason Koharik (@jasonjkoharik).

Captured by @joeinstakramm

Long associated with comfort and domestic routine, the nightlight is reimagined in DUDD LITE as a site of experimentation. From reimagined everyday objects to narrative-driven works, this exhibition embraces a wide spectrum of approaches, elevating the humble night light into something poetic and unexpectedly expressive.

Across the exhibition, the nightlight becomes less a tool than a prompt, an invitation to consider how light shapes perception, how objects carry memory, and how even the most modest forms can be reimagined through artistic intent.

DUDD LITE is presented by DUDD HAUS (@duddhaus) and The Future Perfect.

Now on view in our New York gallery

DUDD LITE, a group exhibition of more than 140 artist-designed nightlights is now on view throughout our West Village townhouse.

Presented by DUDD HAUS (@duddhaus) and The Future Perfect, DUDD LITE drew from an open call that received nearly 400 submissions, the final selection reflects a broad cross-section of contemporary practice. Spanning emerging voices alongside established artists, each participant contributes a single nightlight, distilling their sensibility into an object that exists somewhere between function and sculpture.

The DUDD LITE exhibition was made possible by Bocci’s (@bocci) 22 System, a suite of electrical devices that integrate with any architectural finish. Each work was installed using the 22 System, allowing the nightlights to be securely and seamlessly embedded throughout the townhouse.

DUDD LITE is on view at The Future Perfect’s New York gallery until June 26.

Captured by @davidsierra_

DUDD LITE, a group exhibition of more than 140 artist-designed nightlights is now on view throughout our West Village townhouse.

Presented by DUDD HAUS (@duddhaus) and The Future Perfect, DUDD LITE drew from an open call that received nearly 400 submissions, the final selection reflects a broad cross-section of contemporary practice. Spanning emerging voices alongside established artists, each participant contributes a single nightlight, distilling their sensibility into an object that exists somewhere between function and sculpture.

The DUDD LITE exhibition was made possible by Bocci’s (@bocci) 22 System, a suite of electrical devices that integrate with any architectural finish. Each work was installed using the 22 System, allowing the nightlights to be securely and seamlessly embedded throughout the townhouse.

DUDD LITE is on view at The Future Perfect’s New York gallery until June 26.

Captured by @davidsierra_

DUDD LITE, a group exhibition of more than 140 artist-designed nightlights is now on view throughout our West Village townhouse.

Presented by DUDD HAUS (@duddhaus) and The Future Perfect, DUDD LITE drew from an open call that received nearly 400 submissions, the final selection reflects a broad cross-section of contemporary practice. Spanning emerging voices alongside established artists, each participant contributes a single nightlight, distilling their sensibility into an object that exists somewhere between function and sculpture.

The DUDD LITE exhibition was made possible by Bocci’s (@bocci) 22 System, a suite of electrical devices that integrate with any architectural finish. Each work was installed using the 22 System, allowing the nightlights to be securely and seamlessly embedded throughout the townhouse.

DUDD LITE is on view at The Future Perfect’s New York gallery until June 26.

Captured by @davidsierra_

DUDD LITE, a group exhibition of more than 140 artist-designed nightlights is now on view throughout our West Village townhouse.

Presented by DUDD HAUS (@duddhaus) and The Future Perfect, DUDD LITE drew from an open call that received nearly 400 submissions, the final selection reflects a broad cross-section of contemporary practice. Spanning emerging voices alongside established artists, each participant contributes a single nightlight, distilling their sensibility into an object that exists somewhere between function and sculpture.

The DUDD LITE exhibition was made possible by Bocci’s (@bocci) 22 System, a suite of electrical devices that integrate with any architectural finish. Each work was installed using the 22 System, allowing the nightlights to be securely and seamlessly embedded throughout the townhouse.

DUDD LITE is on view at The Future Perfect’s New York gallery until June 26.

Captured by @davidsierra_

DUDD LITE, a group exhibition of more than 140 artist-designed nightlights is now on view throughout our West Village townhouse.

Presented by DUDD HAUS (@duddhaus) and The Future Perfect, DUDD LITE drew from an open call that received nearly 400 submissions, the final selection reflects a broad cross-section of contemporary practice. Spanning emerging voices alongside established artists, each participant contributes a single nightlight, distilling their sensibility into an object that exists somewhere between function and sculpture.

The DUDD LITE exhibition was made possible by Bocci’s (@bocci) 22 System, a suite of electrical devices that integrate with any architectural finish. Each work was installed using the 22 System, allowing the nightlights to be securely and seamlessly embedded throughout the townhouse.

DUDD LITE is on view at The Future Perfect’s New York gallery until June 26.

Captured by @davidsierra_

DUDD LITE, a group exhibition of more than 140 artist-designed nightlights is now on view throughout our West Village townhouse.

Presented by DUDD HAUS (@duddhaus) and The Future Perfect, DUDD LITE drew from an open call that received nearly 400 submissions, the final selection reflects a broad cross-section of contemporary practice. Spanning emerging voices alongside established artists, each participant contributes a single nightlight, distilling their sensibility into an object that exists somewhere between function and sculpture.

The DUDD LITE exhibition was made possible by Bocci’s (@bocci) 22 System, a suite of electrical devices that integrate with any architectural finish. Each work was installed using the 22 System, allowing the nightlights to be securely and seamlessly embedded throughout the townhouse.

DUDD LITE is on view at The Future Perfect’s New York gallery until June 26.

Captured by @davidsierra_

DUDD LITE, a group exhibition of more than 140 artist-designed nightlights is now on view throughout our West Village townhouse.

Presented by DUDD HAUS (@duddhaus) and The Future Perfect, DUDD LITE drew from an open call that received nearly 400 submissions, the final selection reflects a broad cross-section of contemporary practice. Spanning emerging voices alongside established artists, each participant contributes a single nightlight, distilling their sensibility into an object that exists somewhere between function and sculpture.

The DUDD LITE exhibition was made possible by Bocci’s (@bocci) 22 System, a suite of electrical devices that integrate with any architectural finish. Each work was installed using the 22 System, allowing the nightlights to be securely and seamlessly embedded throughout the townhouse.

DUDD LITE is on view at The Future Perfect’s New York gallery until June 26.

Captured by @davidsierra_

DUDD LITE, a group exhibition of more than 140 artist-designed nightlights is now on view throughout our West Village townhouse.

Presented by DUDD HAUS (@duddhaus) and The Future Perfect, DUDD LITE drew from an open call that received nearly 400 submissions, the final selection reflects a broad cross-section of contemporary practice. Spanning emerging voices alongside established artists, each participant contributes a single nightlight, distilling their sensibility into an object that exists somewhere between function and sculpture.

The DUDD LITE exhibition was made possible by Bocci’s (@bocci) 22 System, a suite of electrical devices that integrate with any architectural finish. Each work was installed using the 22 System, allowing the nightlights to be securely and seamlessly embedded throughout the townhouse.

DUDD LITE is on view at The Future Perfect’s New York gallery until June 26.

Captured by @davidsierra_

DUDD LITE, a group exhibition of more than 140 artist-designed nightlights is now on view throughout our West Village townhouse.

Presented by DUDD HAUS (@duddhaus) and The Future Perfect, DUDD LITE drew from an open call that received nearly 400 submissions, the final selection reflects a broad cross-section of contemporary practice. Spanning emerging voices alongside established artists, each participant contributes a single nightlight, distilling their sensibility into an object that exists somewhere between function and sculpture.

The DUDD LITE exhibition was made possible by Bocci’s (@bocci) 22 System, a suite of electrical devices that integrate with any architectural finish. Each work was installed using the 22 System, allowing the nightlights to be securely and seamlessly embedded throughout the townhouse.

DUDD LITE is on view at The Future Perfect’s New York gallery until June 26.

Captured by @davidsierra_

Experienced in an entirely new context, Assembler I, the debut collection from @studioathenacalderone, takes on a new life within The Future Perfect’s West Village townhouse.

Athena Calderone (@eyeswoon) and our founder, David Alhadeff (@davidalhadeff), reflect on the experience of presenting the collection within a more contemporary environment and the shift in perspective it brings to the work.

Film by @rodrigorize

Materiality plays a central role in shaping the identity of Assembler I, the debut collection from Studio Athena Calderone (@studioathenacalderone).

High-gloss wood and lacquer define surfaces that are both luminous and tactile. These finishes draw from traditional techniques while embracing the needs of contemporary life, resulting in work that honors the imprint of the hand.

Assembler I is now on view in our New York gallery.

Captured by @billaltaright

Materiality plays a central role in shaping the identity of Assembler I, the debut collection from Studio Athena Calderone (@studioathenacalderone).

High-gloss wood and lacquer define surfaces that are both luminous and tactile. These finishes draw from traditional techniques while embracing the needs of contemporary life, resulting in work that honors the imprint of the hand.

Assembler I is now on view in our New York gallery.

Captured by @billaltaright

Materiality plays a central role in shaping the identity of Assembler I, the debut collection from Studio Athena Calderone (@studioathenacalderone).

High-gloss wood and lacquer define surfaces that are both luminous and tactile. These finishes draw from traditional techniques while embracing the needs of contemporary life, resulting in work that honors the imprint of the hand.

Assembler I is now on view in our New York gallery.

Captured by @billaltaright

Materiality plays a central role in shaping the identity of Assembler I, the debut collection from Studio Athena Calderone (@studioathenacalderone).

High-gloss wood and lacquer define surfaces that are both luminous and tactile. These finishes draw from traditional techniques while embracing the needs of contemporary life, resulting in work that honors the imprint of the hand.

Assembler I is now on view in our New York gallery.

Captured by @billaltaright

Materiality plays a central role in shaping the identity of Assembler I, the debut collection from Studio Athena Calderone (@studioathenacalderone).

High-gloss wood and lacquer define surfaces that are both luminous and tactile. These finishes draw from traditional techniques while embracing the needs of contemporary life, resulting in work that honors the imprint of the hand.

Assembler I is now on view in our New York gallery.

Captured by @billaltaright

The L’attache Pendant, Assembler I by @studioathenacalderone.

On view now at @thefutureperfect

The L’attache Pendant, Assembler I by @studioathenacalderone.

On view now at @thefutureperfect