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Songs of the Moon and the Flower
Via Giolitti 32C, Torino
14/05/2026 | H 20:30

Songs of the Moon and the Flower è una nuova serie di improvvisazioni per voce sola di Antonina Nowacka. L’artista prosegue così una ricerca di lungo corso sviluppata attraverso anni di sperimentazione vocale in contesti naturali e architetture risonanti, come grotte, chiese e paesaggi aperti, dove la relazione tra corpo, suono e spazio diventa centrale.

Nowacka concepisce la voce come materia viva, capace di generare spazi, immaginari e stati percettivi. Attraverso un approccio non verbale e atmosferico, la vocalità diventa un campo di frequenze in continua trasformazione, che si sviluppa in tempo reale in paesaggi sonori minimi, ipnotici e immersivi.

Il canto agisce come una trasmissione sensibile che modella direttamente percezione e immaginazione, aprendo stati liminali tra veglia e sogno e attivando una modalità di ascolto meditativa, quasi rituale.

Accesso e Tickets
È richiesta la tessera associativa 2026 di Cripta747 (Link in bio @cripta747)

Biglietti disponibili alla porta da 5€, 10€ o 15€
Le diverse fasce di prezzo non danno accesso a servizi diversi: l’evento è lo stesso per tuttə e la scelta del biglietto rappresenta un modo per sostenere concretamente le attività della rete The Listeners.

A cura di Cripta747, parte della rassegna The Listeners. Con il sostegno del Ministero della Cultura e di Regione Piemonte

Grafica @mishrafac

Songs of the Moon and the Flower
Via Giolitti 32C, Torino
14/05/2026 | H 20:30

Songs of the Moon and the Flower è una nuova serie di improvvisazioni per voce sola di Antonina Nowacka. L’artista prosegue così una ricerca di lungo corso sviluppata attraverso anni di sperimentazione vocale in contesti naturali e architetture risonanti, come grotte, chiese e paesaggi aperti, dove la relazione tra corpo, suono e spazio diventa centrale.

Nowacka concepisce la voce come materia viva, capace di generare spazi, immaginari e stati percettivi. Attraverso un approccio non verbale e atmosferico, la vocalità diventa un campo di frequenze in continua trasformazione, che si sviluppa in tempo reale in paesaggi sonori minimi, ipnotici e immersivi.

Il canto agisce come una trasmissione sensibile che modella direttamente percezione e immaginazione, aprendo stati liminali tra veglia e sogno e attivando una modalità di ascolto meditativa, quasi rituale.

Accesso e Tickets
È richiesta la tessera associativa 2026 di Cripta747 (Link in bio @cripta747)

Biglietti disponibili alla porta da 5€, 10€ o 15€
Le diverse fasce di prezzo non danno accesso a servizi diversi: l’evento è lo stesso per tuttə e la scelta del biglietto rappresenta un modo per sostenere concretamente le attività della rete The Listeners.

A cura di Cripta747, parte della rassegna The Listeners. Con il sostegno del Ministero della Cultura e di Regione Piemonte

Grafica @mishrafac

To[wards]ListenTo | LAPORTE - LAUDANTE: total improvisation for pneumatic instruments and feedback.

Giovedì 21 maggio, alle ore 19.00 prosegue la rassegna To[ward]ListenTo con il live di LAPORTE - LAUDANTE | total improvisation for pneumatic instruments and feedback negli spazi di Cripta747.

Dopo i concerti in Canada e nel Regno Unito, il compositore campano Andrea Laudante e l'inventore quebecchese Jean François Laporte e si incontrano per una sessione di improvvisazione radicale. La liuteria pneumatica di Laporte affronta i dispositivi elettronici e i feedback di Laudante in una performance ad altissimo tasso di energia cinetica. Vi aspetta uno scontro di muscolarità gestuale e di tessiture possenti, nato dalla pura compenetrazione artistica.

Apertura porte: 18.30
Inizio concerto: 19.00

Modalità di accesso: ingresso up2you con tessera associativa di Cripta747 disponibile al link in bio di @cripta747

L’evento è prodotto da SMET, in collaborazione con Cripta747.
Realizzato con il contributo di Regione Piemonte e Fondazione CRT.

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

REHEARSAL No.3 — Self-audition tape (Kisses)

Katya Kabalina with Pietro Agostoni

Open studio, via Catania 15F

Within the framework of her studio at Cripta747 in April, Katya Kabalina presented REHEARSAL No.3 — Self-audition tape (Kisses), part of an ongoing series of staged, semi-improvised situations that explore performance as a space for compulsive self-display and the renegotiation of female identity. 

Drawing on cinematic and fashion imagery, the project began as visual experiments for the camera and later shifted into a live format, where rehearsal functioned as both method and stage, engaging the audience as observer and participant.

Acoustic soundtrack @pietroagostoni
Costume design & creation @aalexaley
Photography by @recording.angel / @arpeggio______
Production assistance Gabriel Leano Martinez @gabriel.l.martinez and @50plus05
Special thanks to @mimoletnuy

Part of Cripta747 Studio 2026

REHEARSAL No.3 — Self-audition tape (Kisses)

Katya Kabalina with Pietro Agostoni

Open studio, via Catania 15F

Within the framework of her studio at Cripta747 in April, Katya Kabalina presented REHEARSAL No.3 — Self-audition tape (Kisses), part of an ongoing series of staged, semi-improvised situations that explore performance as a space for compulsive self-display and the renegotiation of female identity. 

Drawing on cinematic and fashion imagery, the project began as visual experiments for the camera and later shifted into a live format, where rehearsal functioned as both method and stage, engaging the audience as observer and participant.

Acoustic soundtrack @pietroagostoni
Costume design & creation @aalexaley
Photography by @recording.angel / @arpeggio______
Production assistance Gabriel Leano Martinez @gabriel.l.martinez and @50plus05
Special thanks to @mimoletnuy

Part of Cripta747 Studio 2026

REHEARSAL No.3 — Self-audition tape (Kisses)

Katya Kabalina with Pietro Agostoni

Open studio, via Catania 15F

Within the framework of her studio at Cripta747 in April, Katya Kabalina presented REHEARSAL No.3 — Self-audition tape (Kisses), part of an ongoing series of staged, semi-improvised situations that explore performance as a space for compulsive self-display and the renegotiation of female identity. 

Drawing on cinematic and fashion imagery, the project began as visual experiments for the camera and later shifted into a live format, where rehearsal functioned as both method and stage, engaging the audience as observer and participant.

Acoustic soundtrack @pietroagostoni
Costume design & creation @aalexaley
Photography by @recording.angel / @arpeggio______
Production assistance Gabriel Leano Martinez @gabriel.l.martinez and @50plus05
Special thanks to @mimoletnuy

Part of Cripta747 Studio 2026

REHEARSAL No.3 — Self-audition tape (Kisses)

Katya Kabalina with Pietro Agostoni

Open studio, via Catania 15F

Within the framework of her studio at Cripta747 in April, Katya Kabalina presented REHEARSAL No.3 — Self-audition tape (Kisses), part of an ongoing series of staged, semi-improvised situations that explore performance as a space for compulsive self-display and the renegotiation of female identity. 

Drawing on cinematic and fashion imagery, the project began as visual experiments for the camera and later shifted into a live format, where rehearsal functioned as both method and stage, engaging the audience as observer and participant.

Acoustic soundtrack @pietroagostoni
Costume design & creation @aalexaley
Photography by @recording.angel / @arpeggio______
Production assistance Gabriel Leano Martinez @gabriel.l.martinez and @50plus05
Special thanks to @mimoletnuy

Part of Cripta747 Studio 2026

REHEARSAL No.3 — Self-audition tape (Kisses)

Katya Kabalina with Pietro Agostoni

Open studio, via Catania 15F

Within the framework of her studio at Cripta747 in April, Katya Kabalina presented REHEARSAL No.3 — Self-audition tape (Kisses), part of an ongoing series of staged, semi-improvised situations that explore performance as a space for compulsive self-display and the renegotiation of female identity. 

Drawing on cinematic and fashion imagery, the project began as visual experiments for the camera and later shifted into a live format, where rehearsal functioned as both method and stage, engaging the audience as observer and participant.

Acoustic soundtrack @pietroagostoni
Costume design & creation @aalexaley
Photography by @recording.angel / @arpeggio______
Production assistance Gabriel Leano Martinez @gabriel.l.martinez and @50plus05
Special thanks to @mimoletnuy

Part of Cripta747 Studio 2026

REHEARSAL No.3 — Self-audition tape (Kisses)

Katya Kabalina with Pietro Agostoni

Open studio, via Catania 15F

Within the framework of her studio at Cripta747 in April, Katya Kabalina presented REHEARSAL No.3 — Self-audition tape (Kisses), part of an ongoing series of staged, semi-improvised situations that explore performance as a space for compulsive self-display and the renegotiation of female identity. 

Drawing on cinematic and fashion imagery, the project began as visual experiments for the camera and later shifted into a live format, where rehearsal functioned as both method and stage, engaging the audience as observer and participant.

Acoustic soundtrack @pietroagostoni
Costume design & creation @aalexaley
Photography by @recording.angel / @arpeggio______
Production assistance Gabriel Leano Martinez @gabriel.l.martinez and @50plus05
Special thanks to @mimoletnuy

Part of Cripta747 Studio 2026

REHEARSAL No.3 — Self-audition tape (Kisses)

Katya Kabalina with Pietro Agostoni

Open studio, via Catania 15F

Within the framework of her studio at Cripta747 in April, Katya Kabalina presented REHEARSAL No.3 — Self-audition tape (Kisses), part of an ongoing series of staged, semi-improvised situations that explore performance as a space for compulsive self-display and the renegotiation of female identity. 

Drawing on cinematic and fashion imagery, the project began as visual experiments for the camera and later shifted into a live format, where rehearsal functioned as both method and stage, engaging the audience as observer and participant.

Acoustic soundtrack @pietroagostoni
Costume design & creation @aalexaley
Photography by @recording.angel / @arpeggio______
Production assistance Gabriel Leano Martinez @gabriel.l.martinez and @50plus05
Special thanks to @mimoletnuy

Part of Cripta747 Studio 2026

REHEARSAL No.3 — Self-audition tape (Kisses)

Katya Kabalina with Pietro Agostoni

Open studio, via Catania 15F

Within the framework of her studio at Cripta747 in April, Katya Kabalina presented REHEARSAL No.3 — Self-audition tape (Kisses), part of an ongoing series of staged, semi-improvised situations that explore performance as a space for compulsive self-display and the renegotiation of female identity. 

Drawing on cinematic and fashion imagery, the project began as visual experiments for the camera and later shifted into a live format, where rehearsal functioned as both method and stage, engaging the audience as observer and participant.

Acoustic soundtrack @pietroagostoni
Costume design & creation @aalexaley
Photography by @recording.angel / @arpeggio______
Production assistance Gabriel Leano Martinez @gabriel.l.martinez and @50plus05
Special thanks to @mimoletnuy

Part of Cripta747 Studio 2026

REHEARSAL No.3 — Self-audition tape (Kisses)

Katya Kabalina with Pietro Agostoni

Open studio, via Catania 15F

Within the framework of her studio at Cripta747 in April, Katya Kabalina presented REHEARSAL No.3 — Self-audition tape (Kisses), part of an ongoing series of staged, semi-improvised situations that explore performance as a space for compulsive self-display and the renegotiation of female identity. 

Drawing on cinematic and fashion imagery, the project began as visual experiments for the camera and later shifted into a live format, where rehearsal functioned as both method and stage, engaging the audience as observer and participant.

Acoustic soundtrack @pietroagostoni
Costume design & creation @aalexaley
Photography by @recording.angel / @arpeggio______
Production assistance Gabriel Leano Martinez @gabriel.l.martinez and @50plus05
Special thanks to @mimoletnuy

Part of Cripta747 Studio 2026

REHEARSAL No.3 — Self-audition tape (Kisses)

Katya Kabalina with Pietro Agostoni

Open studio, via Catania 15F

Within the framework of her studio at Cripta747 in April, Katya Kabalina presented REHEARSAL No.3 — Self-audition tape (Kisses), part of an ongoing series of staged, semi-improvised situations that explore performance as a space for compulsive self-display and the renegotiation of female identity. 

Drawing on cinematic and fashion imagery, the project began as visual experiments for the camera and later shifted into a live format, where rehearsal functioned as both method and stage, engaging the audience as observer and participant.

Acoustic soundtrack @pietroagostoni
Costume design & creation @aalexaley
Photography by @recording.angel / @arpeggio______
Production assistance Gabriel Leano Martinez @gabriel.l.martinez and @50plus05
Special thanks to @mimoletnuy

Part of Cripta747 Studio 2026

REHEARSAL No.3 — Self-audition tape (Kisses)

Katya Kabalina with Pietro Agostoni

Open studio, via Catania 15F

Within the framework of her studio at Cripta747 in April, Katya Kabalina presented REHEARSAL No.3 — Self-audition tape (Kisses), part of an ongoing series of staged, semi-improvised situations that explore performance as a space for compulsive self-display and the renegotiation of female identity. 

Drawing on cinematic and fashion imagery, the project began as visual experiments for the camera and later shifted into a live format, where rehearsal functioned as both method and stage, engaging the audience as observer and participant.

Acoustic soundtrack @pietroagostoni
Costume design & creation @aalexaley
Photography by @recording.angel / @arpeggio______
Production assistance Gabriel Leano Martinez @gabriel.l.martinez and @50plus05
Special thanks to @mimoletnuy

Part of Cripta747 Studio 2026

One month left to descend into the underground GTT car park at Valdo Fusi and discover Mark Leckey’s commission.

What begins as an ordinary descent into infrastructure gradually shifts into a passage, from the apparent ordinariness of the urban environment toward deeper temporal layers, where archaic imaginaries and prophetic fragments begin to emerge. Be aware, some might not make it back!

Curated by Cripta747 and Caterina Avataneo
GTT Parking Valdo Fusi, level -2
until 02.06.2026

A project by Cripta747 and @torino.photo.festival, with the support of @regionepiemonte.official and @fondazionecrt. In collaboration with @gtt_gruppotorinesetrasporti, promoted by the City of Turin with the patronage of Circoscrizione 1 Centro - Crocetta

Photo: @_eugenioschirone_

Via Catania 15F, Turin
REHEARSAL No.3 — Self-audition tape (Kisses)
Katya Kabalina

Open Studio May 2 H 5PM
Performance May 3 H 7PM
Within the framework of her studio at Cripta747, @katiekabalina continues her ongoing REHEARSAL series, which examines performance as a space for compulsive self-representation and the negotiation of female identity. Originally developed for the camera, these experiments increasingly move into “live” situations: a series of so-called rehearsals in which the public becomes both subject and object, collapsing the distance between observation and participation.

REHEARSAL No.3 — Self-audition tape (Kisses) adopts the format of a solo performance while remaining informed by collaborative dynamics and processes.

Developed in collaboration with @aalexaley
Sound by @pietroagostoni
Poster photo: @nazar.stepin

The studio will be open from May 2 to May 4. Come to meet @katyakabalina and discover her research. We look forward to seeing you!

Graphic by @mishrafac
Studio 2026 is supported by @regionepiemonte.official and @fondazionecrt

Open studio views from Via Catania 15F, Torino.

Developed as a thesis project at the Accademia Albertina di Belle Arti di Torino SA9SSI L3ACH9 by Abdel Karim Ougri unfolds as a fragmentary archive of lived experience. Through bodies, gestures, and everyday traces, the work navigates memory and identity, drawing from both personal and collective histories.

Images, sound, and sculptural devices come together to reflect on street cultures, diasporic identities, and the tensions shaping marginalized communities.

Between intimacy and exposure, vulnerability and pride, the installation maps a field of relationships where personal narratives intersect with broader social conditions.

@ri_______ad_dm /// Poster Image
@giunnelli /// Sound Design
@d_ario_c /// Engineering
@marcocoori /// Photo Editing
@e__dantes /// Technical Support

Part of Cripta747 Studio 2026.
Installation views by @_eugenioschirone_

Open studio views from Via Catania 15F, Torino.

Developed as a thesis project at the Accademia Albertina di Belle Arti di Torino SA9SSI L3ACH9 by Abdel Karim Ougri unfolds as a fragmentary archive of lived experience. Through bodies, gestures, and everyday traces, the work navigates memory and identity, drawing from both personal and collective histories.

Images, sound, and sculptural devices come together to reflect on street cultures, diasporic identities, and the tensions shaping marginalized communities.

Between intimacy and exposure, vulnerability and pride, the installation maps a field of relationships where personal narratives intersect with broader social conditions.

@ri_______ad_dm /// Poster Image
@giunnelli /// Sound Design
@d_ario_c /// Engineering
@marcocoori /// Photo Editing
@e__dantes /// Technical Support

Part of Cripta747 Studio 2026.
Installation views by @_eugenioschirone_

Open studio views from Via Catania 15F, Torino.

Developed as a thesis project at the Accademia Albertina di Belle Arti di Torino SA9SSI L3ACH9 by Abdel Karim Ougri unfolds as a fragmentary archive of lived experience. Through bodies, gestures, and everyday traces, the work navigates memory and identity, drawing from both personal and collective histories.

Images, sound, and sculptural devices come together to reflect on street cultures, diasporic identities, and the tensions shaping marginalized communities.

Between intimacy and exposure, vulnerability and pride, the installation maps a field of relationships where personal narratives intersect with broader social conditions.

@ri_______ad_dm /// Poster Image
@giunnelli /// Sound Design
@d_ario_c /// Engineering
@marcocoori /// Photo Editing
@e__dantes /// Technical Support

Part of Cripta747 Studio 2026.
Installation views by @_eugenioschirone_

Open studio views from Via Catania 15F, Torino.

Developed as a thesis project at the Accademia Albertina di Belle Arti di Torino SA9SSI L3ACH9 by Abdel Karim Ougri unfolds as a fragmentary archive of lived experience. Through bodies, gestures, and everyday traces, the work navigates memory and identity, drawing from both personal and collective histories.

Images, sound, and sculptural devices come together to reflect on street cultures, diasporic identities, and the tensions shaping marginalized communities.

Between intimacy and exposure, vulnerability and pride, the installation maps a field of relationships where personal narratives intersect with broader social conditions.

@ri_______ad_dm /// Poster Image
@giunnelli /// Sound Design
@d_ario_c /// Engineering
@marcocoori /// Photo Editing
@e__dantes /// Technical Support

Part of Cripta747 Studio 2026.
Installation views by @_eugenioschirone_

Open studio views from Via Catania 15F, Torino.

Developed as a thesis project at the Accademia Albertina di Belle Arti di Torino SA9SSI L3ACH9 by Abdel Karim Ougri unfolds as a fragmentary archive of lived experience. Through bodies, gestures, and everyday traces, the work navigates memory and identity, drawing from both personal and collective histories.

Images, sound, and sculptural devices come together to reflect on street cultures, diasporic identities, and the tensions shaping marginalized communities.

Between intimacy and exposure, vulnerability and pride, the installation maps a field of relationships where personal narratives intersect with broader social conditions.

@ri_______ad_dm /// Poster Image
@giunnelli /// Sound Design
@d_ario_c /// Engineering
@marcocoori /// Photo Editing
@e__dantes /// Technical Support

Part of Cripta747 Studio 2026.
Installation views by @_eugenioschirone_

Open studio views from Via Catania 15F, Torino.

Developed as a thesis project at the Accademia Albertina di Belle Arti di Torino SA9SSI L3ACH9 by Abdel Karim Ougri unfolds as a fragmentary archive of lived experience. Through bodies, gestures, and everyday traces, the work navigates memory and identity, drawing from both personal and collective histories.

Images, sound, and sculptural devices come together to reflect on street cultures, diasporic identities, and the tensions shaping marginalized communities.

Between intimacy and exposure, vulnerability and pride, the installation maps a field of relationships where personal narratives intersect with broader social conditions.

@ri_______ad_dm /// Poster Image
@giunnelli /// Sound Design
@d_ario_c /// Engineering
@marcocoori /// Photo Editing
@e__dantes /// Technical Support

Part of Cripta747 Studio 2026.
Installation views by @_eugenioschirone_

Open studio views from Via Catania 15F, Torino.

Developed as a thesis project at the Accademia Albertina di Belle Arti di Torino SA9SSI L3ACH9 by Abdel Karim Ougri unfolds as a fragmentary archive of lived experience. Through bodies, gestures, and everyday traces, the work navigates memory and identity, drawing from both personal and collective histories.

Images, sound, and sculptural devices come together to reflect on street cultures, diasporic identities, and the tensions shaping marginalized communities.

Between intimacy and exposure, vulnerability and pride, the installation maps a field of relationships where personal narratives intersect with broader social conditions.

@ri_______ad_dm /// Poster Image
@giunnelli /// Sound Design
@d_ario_c /// Engineering
@marcocoori /// Photo Editing
@e__dantes /// Technical Support

Part of Cripta747 Studio 2026.
Installation views by @_eugenioschirone_

Open studio views from Via Catania 15F, Torino.

Developed as a thesis project at the Accademia Albertina di Belle Arti di Torino SA9SSI L3ACH9 by Abdel Karim Ougri unfolds as a fragmentary archive of lived experience. Through bodies, gestures, and everyday traces, the work navigates memory and identity, drawing from both personal and collective histories.

Images, sound, and sculptural devices come together to reflect on street cultures, diasporic identities, and the tensions shaping marginalized communities.

Between intimacy and exposure, vulnerability and pride, the installation maps a field of relationships where personal narratives intersect with broader social conditions.

@ri_______ad_dm /// Poster Image
@giunnelli /// Sound Design
@d_ario_c /// Engineering
@marcocoori /// Photo Editing
@e__dantes /// Technical Support

Part of Cripta747 Studio 2026.
Installation views by @_eugenioschirone_

Mark Leckey - @mark.leckey
Catabasis
Parcheggio GTT, piano -2, Piazza Valdo Fusi

Un progetto site-specific, a cura di Cripta747 e @cateavataneo che si radica in uno spazio di passaggio, trasformandolo in un ambiente percettivo inaspettato.

Al piano -2 del Parcheggio GTT di Piazza Valdo Fusi, Catabasis esplora il sottosuolo come luogo atemporale di espressione, sperimentazione e immaginario collettivo.

L’intervento si inserisce nella ricerca dell’artista, interessato alle dinamiche della cultura popolare, ai linguaggi mediali e alle forme di esperienza condivisa. Leckey ha sviluppato una pratica che attraversa video, installazione, suono e fotografia, indagando il rapporto tra memoria personale e collettiva, tra tecnologia e percezione.

Il parcheggio diventa così uno spazio di transizione e trasformazione, un luogo in cui l’immagine fotografica non si limita a documentare, ma attiva nuove possibilità di narrazione e immaginazione.

–

A site-specific project curated by Cripta747 and Caterina Avataneo that takes root in a transitional space, transforming it into an unexpected sensory environment.

On level -2 of the GTT parking garage in Piazza Valdo Fusi, Catabasis explores the underground as a timeless space for expression, experimentation, and the collective imagination.

The project is part of the artist’s research, which focuses on the dynamics of popular culture, media languages, and forms of shared experience. Leckey has developed a practice that spans video, installation, sound, and photography, investigating the relationship between personal and collective memory, and between technology and perception.

The parking garage thus becomes a space of transition and transformation, a place where the photographic image does not merely document, but activates new possibilities for narrative and imagination.

Mark Leckey
O Magic Power of Bleakness (film still), 2019
In This Lingering Twilight Sparkle (film still), 2019
O Magic Power of Bleakness (film still), 2019
Courtesy Mark Leckey
Foto di allestimento: @antoniojordanphotography e @phvalas
Video: @pepe_fotografia

Mark Leckey - @mark.leckey
Catabasis
Parcheggio GTT, piano -2, Piazza Valdo Fusi

Un progetto site-specific, a cura di Cripta747 e @cateavataneo che si radica in uno spazio di passaggio, trasformandolo in un ambiente percettivo inaspettato.

Al piano -2 del Parcheggio GTT di Piazza Valdo Fusi, Catabasis esplora il sottosuolo come luogo atemporale di espressione, sperimentazione e immaginario collettivo.

L’intervento si inserisce nella ricerca dell’artista, interessato alle dinamiche della cultura popolare, ai linguaggi mediali e alle forme di esperienza condivisa. Leckey ha sviluppato una pratica che attraversa video, installazione, suono e fotografia, indagando il rapporto tra memoria personale e collettiva, tra tecnologia e percezione.

Il parcheggio diventa così uno spazio di transizione e trasformazione, un luogo in cui l’immagine fotografica non si limita a documentare, ma attiva nuove possibilità di narrazione e immaginazione.

–

A site-specific project curated by Cripta747 and Caterina Avataneo that takes root in a transitional space, transforming it into an unexpected sensory environment.

On level -2 of the GTT parking garage in Piazza Valdo Fusi, Catabasis explores the underground as a timeless space for expression, experimentation, and the collective imagination.

The project is part of the artist’s research, which focuses on the dynamics of popular culture, media languages, and forms of shared experience. Leckey has developed a practice that spans video, installation, sound, and photography, investigating the relationship between personal and collective memory, and between technology and perception.

The parking garage thus becomes a space of transition and transformation, a place where the photographic image does not merely document, but activates new possibilities for narrative and imagination.

Mark Leckey
O Magic Power of Bleakness (film still), 2019
In This Lingering Twilight Sparkle (film still), 2019
O Magic Power of Bleakness (film still), 2019
Courtesy Mark Leckey
Foto di allestimento: @antoniojordanphotography e @phvalas
Video: @pepe_fotografia

Mark Leckey - @mark.leckey
Catabasis
Parcheggio GTT, piano -2, Piazza Valdo Fusi

Un progetto site-specific, a cura di Cripta747 e @cateavataneo che si radica in uno spazio di passaggio, trasformandolo in un ambiente percettivo inaspettato.

Al piano -2 del Parcheggio GTT di Piazza Valdo Fusi, Catabasis esplora il sottosuolo come luogo atemporale di espressione, sperimentazione e immaginario collettivo.

L’intervento si inserisce nella ricerca dell’artista, interessato alle dinamiche della cultura popolare, ai linguaggi mediali e alle forme di esperienza condivisa. Leckey ha sviluppato una pratica che attraversa video, installazione, suono e fotografia, indagando il rapporto tra memoria personale e collettiva, tra tecnologia e percezione.

Il parcheggio diventa così uno spazio di transizione e trasformazione, un luogo in cui l’immagine fotografica non si limita a documentare, ma attiva nuove possibilità di narrazione e immaginazione.

–

A site-specific project curated by Cripta747 and Caterina Avataneo that takes root in a transitional space, transforming it into an unexpected sensory environment.

On level -2 of the GTT parking garage in Piazza Valdo Fusi, Catabasis explores the underground as a timeless space for expression, experimentation, and the collective imagination.

The project is part of the artist’s research, which focuses on the dynamics of popular culture, media languages, and forms of shared experience. Leckey has developed a practice that spans video, installation, sound, and photography, investigating the relationship between personal and collective memory, and between technology and perception.

The parking garage thus becomes a space of transition and transformation, a place where the photographic image does not merely document, but activates new possibilities for narrative and imagination.

Mark Leckey
O Magic Power of Bleakness (film still), 2019
In This Lingering Twilight Sparkle (film still), 2019
O Magic Power of Bleakness (film still), 2019
Courtesy Mark Leckey
Foto di allestimento: @antoniojordanphotography e @phvalas
Video: @pepe_fotografia

Mark Leckey - @mark.leckey
Catabasis
Parcheggio GTT, piano -2, Piazza Valdo Fusi

Un progetto site-specific, a cura di Cripta747 e @cateavataneo che si radica in uno spazio di passaggio, trasformandolo in un ambiente percettivo inaspettato.

Al piano -2 del Parcheggio GTT di Piazza Valdo Fusi, Catabasis esplora il sottosuolo come luogo atemporale di espressione, sperimentazione e immaginario collettivo.

L’intervento si inserisce nella ricerca dell’artista, interessato alle dinamiche della cultura popolare, ai linguaggi mediali e alle forme di esperienza condivisa. Leckey ha sviluppato una pratica che attraversa video, installazione, suono e fotografia, indagando il rapporto tra memoria personale e collettiva, tra tecnologia e percezione.

Il parcheggio diventa così uno spazio di transizione e trasformazione, un luogo in cui l’immagine fotografica non si limita a documentare, ma attiva nuove possibilità di narrazione e immaginazione.

–

A site-specific project curated by Cripta747 and Caterina Avataneo that takes root in a transitional space, transforming it into an unexpected sensory environment.

On level -2 of the GTT parking garage in Piazza Valdo Fusi, Catabasis explores the underground as a timeless space for expression, experimentation, and the collective imagination.

The project is part of the artist’s research, which focuses on the dynamics of popular culture, media languages, and forms of shared experience. Leckey has developed a practice that spans video, installation, sound, and photography, investigating the relationship between personal and collective memory, and between technology and perception.

The parking garage thus becomes a space of transition and transformation, a place where the photographic image does not merely document, but activates new possibilities for narrative and imagination.

Mark Leckey
O Magic Power of Bleakness (film still), 2019
In This Lingering Twilight Sparkle (film still), 2019
O Magic Power of Bleakness (film still), 2019
Courtesy Mark Leckey
Foto di allestimento: @antoniojordanphotography e @phvalas
Video: @pepe_fotografia

Mark Leckey - @mark.leckey
Catabasis
Parcheggio GTT, piano -2, Piazza Valdo Fusi

Un progetto site-specific, a cura di Cripta747 e @cateavataneo che si radica in uno spazio di passaggio, trasformandolo in un ambiente percettivo inaspettato.

Al piano -2 del Parcheggio GTT di Piazza Valdo Fusi, Catabasis esplora il sottosuolo come luogo atemporale di espressione, sperimentazione e immaginario collettivo.

L’intervento si inserisce nella ricerca dell’artista, interessato alle dinamiche della cultura popolare, ai linguaggi mediali e alle forme di esperienza condivisa. Leckey ha sviluppato una pratica che attraversa video, installazione, suono e fotografia, indagando il rapporto tra memoria personale e collettiva, tra tecnologia e percezione.

Il parcheggio diventa così uno spazio di transizione e trasformazione, un luogo in cui l’immagine fotografica non si limita a documentare, ma attiva nuove possibilità di narrazione e immaginazione.

–

A site-specific project curated by Cripta747 and Caterina Avataneo that takes root in a transitional space, transforming it into an unexpected sensory environment.

On level -2 of the GTT parking garage in Piazza Valdo Fusi, Catabasis explores the underground as a timeless space for expression, experimentation, and the collective imagination.

The project is part of the artist’s research, which focuses on the dynamics of popular culture, media languages, and forms of shared experience. Leckey has developed a practice that spans video, installation, sound, and photography, investigating the relationship between personal and collective memory, and between technology and perception.

The parking garage thus becomes a space of transition and transformation, a place where the photographic image does not merely document, but activates new possibilities for narrative and imagination.

Mark Leckey
O Magic Power of Bleakness (film still), 2019
In This Lingering Twilight Sparkle (film still), 2019
O Magic Power of Bleakness (film still), 2019
Courtesy Mark Leckey
Foto di allestimento: @antoniojordanphotography e @phvalas
Video: @pepe_fotografia

Mark Leckey - @mark.leckey
Catabasis
Parcheggio GTT, piano -2, Piazza Valdo Fusi

Un progetto site-specific, a cura di Cripta747 e @cateavataneo che si radica in uno spazio di passaggio, trasformandolo in un ambiente percettivo inaspettato.

Al piano -2 del Parcheggio GTT di Piazza Valdo Fusi, Catabasis esplora il sottosuolo come luogo atemporale di espressione, sperimentazione e immaginario collettivo.

L’intervento si inserisce nella ricerca dell’artista, interessato alle dinamiche della cultura popolare, ai linguaggi mediali e alle forme di esperienza condivisa. Leckey ha sviluppato una pratica che attraversa video, installazione, suono e fotografia, indagando il rapporto tra memoria personale e collettiva, tra tecnologia e percezione.

Il parcheggio diventa così uno spazio di transizione e trasformazione, un luogo in cui l’immagine fotografica non si limita a documentare, ma attiva nuove possibilità di narrazione e immaginazione.

–

A site-specific project curated by Cripta747 and Caterina Avataneo that takes root in a transitional space, transforming it into an unexpected sensory environment.

On level -2 of the GTT parking garage in Piazza Valdo Fusi, Catabasis explores the underground as a timeless space for expression, experimentation, and the collective imagination.

The project is part of the artist’s research, which focuses on the dynamics of popular culture, media languages, and forms of shared experience. Leckey has developed a practice that spans video, installation, sound, and photography, investigating the relationship between personal and collective memory, and between technology and perception.

The parking garage thus becomes a space of transition and transformation, a place where the photographic image does not merely document, but activates new possibilities for narrative and imagination.

Mark Leckey
O Magic Power of Bleakness (film still), 2019
In This Lingering Twilight Sparkle (film still), 2019
O Magic Power of Bleakness (film still), 2019
Courtesy Mark Leckey
Foto di allestimento: @antoniojordanphotography e @phvalas
Video: @pepe_fotografia

Mark Leckey - @mark.leckey
Catabasis
Parcheggio GTT, piano -2, Piazza Valdo Fusi

Un progetto site-specific, a cura di Cripta747 e @cateavataneo che si radica in uno spazio di passaggio, trasformandolo in un ambiente percettivo inaspettato.

Al piano -2 del Parcheggio GTT di Piazza Valdo Fusi, Catabasis esplora il sottosuolo come luogo atemporale di espressione, sperimentazione e immaginario collettivo.

L’intervento si inserisce nella ricerca dell’artista, interessato alle dinamiche della cultura popolare, ai linguaggi mediali e alle forme di esperienza condivisa. Leckey ha sviluppato una pratica che attraversa video, installazione, suono e fotografia, indagando il rapporto tra memoria personale e collettiva, tra tecnologia e percezione.

Il parcheggio diventa così uno spazio di transizione e trasformazione, un luogo in cui l’immagine fotografica non si limita a documentare, ma attiva nuove possibilità di narrazione e immaginazione.

–

A site-specific project curated by Cripta747 and Caterina Avataneo that takes root in a transitional space, transforming it into an unexpected sensory environment.

On level -2 of the GTT parking garage in Piazza Valdo Fusi, Catabasis explores the underground as a timeless space for expression, experimentation, and the collective imagination.

The project is part of the artist’s research, which focuses on the dynamics of popular culture, media languages, and forms of shared experience. Leckey has developed a practice that spans video, installation, sound, and photography, investigating the relationship between personal and collective memory, and between technology and perception.

The parking garage thus becomes a space of transition and transformation, a place where the photographic image does not merely document, but activates new possibilities for narrative and imagination.

Mark Leckey
O Magic Power of Bleakness (film still), 2019
In This Lingering Twilight Sparkle (film still), 2019
O Magic Power of Bleakness (film still), 2019
Courtesy Mark Leckey
Foto di allestimento: @antoniojordanphotography e @phvalas
Video: @pepe_fotografia

Questo è di sicuro il luogo espositivo più inusuale e non convenzionale del festival.

Elisa Troiano di @cripta747e la curatrice @cateavataneoci portano nel sottosuolo della città per raccontarci “Catabasis”, il progetto site-specific di @mark.leckey allestito al piano -2 del Parcheggio GTT di Piazza Valdo Fusi.

Ascoltate questa discesa visionaria…

–

This is undoubtedly the festival’s most unusual and unconventional exhibition space.

Elisa Troiano of Cripta747 and curator Caterina Avataneo take us into the city’s underground to tell us about “Catabasis,” Mark Leckey’s site-specific project installed on level -2 of the GTT parking garage in Piazza Valdo Fusi.

Listen to this visionary descent…

Mark Leckey
Catabasis
📍Parcheggio GTT, Piazza Valdo Fusi, piano -2
📹: @pepe_fotografia

Hey there you, looking for a brighter season (moth)

For Esterno Notte 2026 - @torino.photo.festival at Cripta747, Davide Sgambaro activates a stroboscopic light installation transmitting “Fear of Missing Out” in Morse code, a looping signal visible from the street, yet not fully readable.

A coded light that turns the window into both invitation and threshold, evoking urgency, anxiety, and exclusion while suggesting an event that cannot be accessed.

Thanks to @davide.sgambaro for this work that transforms architecture into a fragile emotional broadcast.

And thanks to everyone who engaged with the signal.

Photo: @_eugenioschirone_

@torino.photo.festival

Hey there you, looking for a brighter season (moth)

For Esterno Notte 2026 - @torino.photo.festival at Cripta747, Davide Sgambaro activates a stroboscopic light installation transmitting “Fear of Missing Out” in Morse code, a looping signal visible from the street, yet not fully readable.

A coded light that turns the window into both invitation and threshold, evoking urgency, anxiety, and exclusion while suggesting an event that cannot be accessed.

Thanks to @davide.sgambaro for this work that transforms architecture into a fragile emotional broadcast.

And thanks to everyone who engaged with the signal.

Photo: @_eugenioschirone_

@torino.photo.festival

Hey there you, looking for a brighter season (moth)

For Esterno Notte 2026 - @torino.photo.festival at Cripta747, Davide Sgambaro activates a stroboscopic light installation transmitting “Fear of Missing Out” in Morse code, a looping signal visible from the street, yet not fully readable.

A coded light that turns the window into both invitation and threshold, evoking urgency, anxiety, and exclusion while suggesting an event that cannot be accessed.

Thanks to @davide.sgambaro for this work that transforms architecture into a fragile emotional broadcast.

And thanks to everyone who engaged with the signal.

Photo: @_eugenioschirone_

@torino.photo.festival

Hey there you, looking for a brighter season (moth)

For Esterno Notte 2026 - @torino.photo.festival at Cripta747, Davide Sgambaro activates a stroboscopic light installation transmitting “Fear of Missing Out” in Morse code, a looping signal visible from the street, yet not fully readable.

A coded light that turns the window into both invitation and threshold, evoking urgency, anxiety, and exclusion while suggesting an event that cannot be accessed.

Thanks to @davide.sgambaro for this work that transforms architecture into a fragile emotional broadcast.

And thanks to everyone who engaged with the signal.

Photo: @_eugenioschirone_

@torino.photo.festival

24.04.2026 — H 20:00
Hyperlento Showcase
Cripta747, Via Giolitti 32C — Torino

Hyperlento Solutions, hub di musica elettronica fondato da VIPRA SATIVA, arriva a Torino con un Lento Happening negli spazi di Cripta747.

Una serata che attraversa ascolto e visione per presentare l’etichetta nel panorama dello Slowstyle e della musica dance sperimentale.

Si inizia con VIPRA’s CINEMA JAO 2420, una sessione di ascolto immersiva tra sci-fi, suggestioni pasoliniane e ritmi destrutturati.
A seguire, la proiezione di Dancing Towards the Light, documentario di Ed Ou e Kitra Cahana, che racconta la danza come pratica di resilienza nelle comunità indigene del Nunavut.

La serata prosegue con Lento Violecture di VIBRISSE, un approfondimento audiovisivo sul Lento Violento, con presentazione della pubblicazione Lentomania.

Dalle 22:30 → music performances e djset di :
YYDJ
Nice Krtel
Nahshi
VIPRA
VIBRISSE

ingresso up2you con tessera associativa
🔗 link in bio

Artwork @kenshiro_caravaggio_carena
Grafica @mishrafac

24.04.2026 — H 20:00
Hyperlento Showcase
Cripta747, Via Giolitti 32C — Torino

Hyperlento Solutions, hub di musica elettronica fondato da VIPRA SATIVA, arriva a Torino con un Lento Happening negli spazi di Cripta747.

Una serata che attraversa ascolto e visione per presentare l’etichetta nel panorama dello Slowstyle e della musica dance sperimentale.

Si inizia con VIPRA’s CINEMA JAO 2420, una sessione di ascolto immersiva tra sci-fi, suggestioni pasoliniane e ritmi destrutturati.
A seguire, la proiezione di Dancing Towards the Light, documentario di Ed Ou e Kitra Cahana, che racconta la danza come pratica di resilienza nelle comunità indigene del Nunavut.

La serata prosegue con Lento Violecture di VIBRISSE, un approfondimento audiovisivo sul Lento Violento, con presentazione della pubblicazione Lentomania.

Dalle 22:30 → music performances e djset di :
YYDJ
Nice Krtel
Nahshi
VIPRA
VIBRISSE

ingresso up2you con tessera associativa
🔗 link in bio

Artwork @kenshiro_caravaggio_carena
Grafica @mishrafac

24.04.2026 — H 20:00
Hyperlento Showcase
Cripta747, Via Giolitti 32C — Torino

Hyperlento Solutions, hub di musica elettronica fondato da VIPRA SATIVA, arriva a Torino con un Lento Happening negli spazi di Cripta747.

Una serata che attraversa ascolto e visione per presentare l’etichetta nel panorama dello Slowstyle e della musica dance sperimentale.

Si inizia con VIPRA’s CINEMA JAO 2420, una sessione di ascolto immersiva tra sci-fi, suggestioni pasoliniane e ritmi destrutturati.
A seguire, la proiezione di Dancing Towards the Light, documentario di Ed Ou e Kitra Cahana, che racconta la danza come pratica di resilienza nelle comunità indigene del Nunavut.

La serata prosegue con Lento Violecture di VIBRISSE, un approfondimento audiovisivo sul Lento Violento, con presentazione della pubblicazione Lentomania.

Dalle 22:30 → music performances e djset di :
YYDJ
Nice Krtel
Nahshi
VIPRA
VIBRISSE

ingresso up2you con tessera associativa
🔗 link in bio

Artwork @kenshiro_caravaggio_carena
Grafica @mishrafac

24.04.2026 — H 20:00
Hyperlento Showcase
Cripta747, Via Giolitti 32C — Torino

Hyperlento Solutions, hub di musica elettronica fondato da VIPRA SATIVA, arriva a Torino con un Lento Happening negli spazi di Cripta747.

Una serata che attraversa ascolto e visione per presentare l’etichetta nel panorama dello Slowstyle e della musica dance sperimentale.

Si inizia con VIPRA’s CINEMA JAO 2420, una sessione di ascolto immersiva tra sci-fi, suggestioni pasoliniane e ritmi destrutturati.
A seguire, la proiezione di Dancing Towards the Light, documentario di Ed Ou e Kitra Cahana, che racconta la danza come pratica di resilienza nelle comunità indigene del Nunavut.

La serata prosegue con Lento Violecture di VIBRISSE, un approfondimento audiovisivo sul Lento Violento, con presentazione della pubblicazione Lentomania.

Dalle 22:30 → music performances e djset di :
YYDJ
Nice Krtel
Nahshi
VIPRA
VIBRISSE

ingresso up2you con tessera associativa
🔗 link in bio

Artwork @kenshiro_caravaggio_carena
Grafica @mishrafac

24.04.2026 — H 20:00
Hyperlento Showcase
Cripta747, Via Giolitti 32C — Torino

Hyperlento Solutions, hub di musica elettronica fondato da VIPRA SATIVA, arriva a Torino con un Lento Happening negli spazi di Cripta747.

Una serata che attraversa ascolto e visione per presentare l’etichetta nel panorama dello Slowstyle e della musica dance sperimentale.

Si inizia con VIPRA’s CINEMA JAO 2420, una sessione di ascolto immersiva tra sci-fi, suggestioni pasoliniane e ritmi destrutturati.
A seguire, la proiezione di Dancing Towards the Light, documentario di Ed Ou e Kitra Cahana, che racconta la danza come pratica di resilienza nelle comunità indigene del Nunavut.

La serata prosegue con Lento Violecture di VIBRISSE, un approfondimento audiovisivo sul Lento Violento, con presentazione della pubblicazione Lentomania.

Dalle 22:30 → music performances e djset di :
YYDJ
Nice Krtel
Nahshi
VIPRA
VIBRISSE

ingresso up2you con tessera associativa
🔗 link in bio

Artwork @kenshiro_caravaggio_carena
Grafica @mishrafac

24.04.2026 — H 20:00
Hyperlento Showcase
Cripta747, Via Giolitti 32C — Torino

Hyperlento Solutions, hub di musica elettronica fondato da VIPRA SATIVA, arriva a Torino con un Lento Happening negli spazi di Cripta747.

Una serata che attraversa ascolto e visione per presentare l’etichetta nel panorama dello Slowstyle e della musica dance sperimentale.

Si inizia con VIPRA’s CINEMA JAO 2420, una sessione di ascolto immersiva tra sci-fi, suggestioni pasoliniane e ritmi destrutturati.
A seguire, la proiezione di Dancing Towards the Light, documentario di Ed Ou e Kitra Cahana, che racconta la danza come pratica di resilienza nelle comunità indigene del Nunavut.

La serata prosegue con Lento Violecture di VIBRISSE, un approfondimento audiovisivo sul Lento Violento, con presentazione della pubblicazione Lentomania.

Dalle 22:30 → music performances e djset di :
YYDJ
Nice Krtel
Nahshi
VIPRA
VIBRISSE

ingresso up2you con tessera associativa
🔗 link in bio

Artwork @kenshiro_caravaggio_carena
Grafica @mishrafac

24.04.2026 — H 20:00
Hyperlento Showcase
Cripta747, Via Giolitti 32C — Torino

Hyperlento Solutions, hub di musica elettronica fondato da VIPRA SATIVA, arriva a Torino con un Lento Happening negli spazi di Cripta747.

Una serata che attraversa ascolto e visione per presentare l’etichetta nel panorama dello Slowstyle e della musica dance sperimentale.

Si inizia con VIPRA’s CINEMA JAO 2420, una sessione di ascolto immersiva tra sci-fi, suggestioni pasoliniane e ritmi destrutturati.
A seguire, la proiezione di Dancing Towards the Light, documentario di Ed Ou e Kitra Cahana, che racconta la danza come pratica di resilienza nelle comunità indigene del Nunavut.

La serata prosegue con Lento Violecture di VIBRISSE, un approfondimento audiovisivo sul Lento Violento, con presentazione della pubblicazione Lentomania.

Dalle 22:30 → music performances e djset di :
YYDJ
Nice Krtel
Nahshi
VIPRA
VIBRISSE

ingresso up2you con tessera associativa
🔗 link in bio

Artwork @kenshiro_caravaggio_carena
Grafica @mishrafac

STUDIO 2026
MARZO
via Catania 15F, Torino

Uno sguardo sull’open studio di Rada Koželj, prima artista ospite del programma 2026.

Durante la sua permanenza in studio dal 23 febbraio al 30 marzoRada Koželj ha trasformato lo spazio di via Catania 15F in un luogo di esplorazione condivisa attraverso il Club del Sogno. Tra disegno, scrittura automatica e interpretazione dei sogni, lo studio ha accolto pratiche collettive e processi di apprendimento non convenzionali.

Lo Studio ha segnato anche l’esordio della Società Lunare Nettuniana, istituzione fittizia fondata dall’artista, che ha aperto uno spazio di riflessione e partecipazione dedicata all’onirico.

Grazie a chi ha attraversato lo studio e contribuito a questo processo ✨

Il programma Studio 2026 è sostenuto da @regionepiemonte.official e @fondazionecrt

Foto: @_eugenioschirone_

STUDIO 2026
MARZO
via Catania 15F, Torino

Uno sguardo sull’open studio di Rada Koželj, prima artista ospite del programma 2026.

Durante la sua permanenza in studio dal 23 febbraio al 30 marzoRada Koželj ha trasformato lo spazio di via Catania 15F in un luogo di esplorazione condivisa attraverso il Club del Sogno. Tra disegno, scrittura automatica e interpretazione dei sogni, lo studio ha accolto pratiche collettive e processi di apprendimento non convenzionali.

Lo Studio ha segnato anche l’esordio della Società Lunare Nettuniana, istituzione fittizia fondata dall’artista, che ha aperto uno spazio di riflessione e partecipazione dedicata all’onirico.

Grazie a chi ha attraversato lo studio e contribuito a questo processo ✨

Il programma Studio 2026 è sostenuto da @regionepiemonte.official e @fondazionecrt

Foto: @_eugenioschirone_

STUDIO 2026
MARZO
via Catania 15F, Torino

Uno sguardo sull’open studio di Rada Koželj, prima artista ospite del programma 2026.

Durante la sua permanenza in studio dal 23 febbraio al 30 marzoRada Koželj ha trasformato lo spazio di via Catania 15F in un luogo di esplorazione condivisa attraverso il Club del Sogno. Tra disegno, scrittura automatica e interpretazione dei sogni, lo studio ha accolto pratiche collettive e processi di apprendimento non convenzionali.

Lo Studio ha segnato anche l’esordio della Società Lunare Nettuniana, istituzione fittizia fondata dall’artista, che ha aperto uno spazio di riflessione e partecipazione dedicata all’onirico.

Grazie a chi ha attraversato lo studio e contribuito a questo processo ✨

Il programma Studio 2026 è sostenuto da @regionepiemonte.official e @fondazionecrt

Foto: @_eugenioschirone_

STUDIO 2026
MARZO
via Catania 15F, Torino

Uno sguardo sull’open studio di Rada Koželj, prima artista ospite del programma 2026.

Durante la sua permanenza in studio dal 23 febbraio al 30 marzoRada Koželj ha trasformato lo spazio di via Catania 15F in un luogo di esplorazione condivisa attraverso il Club del Sogno. Tra disegno, scrittura automatica e interpretazione dei sogni, lo studio ha accolto pratiche collettive e processi di apprendimento non convenzionali.

Lo Studio ha segnato anche l’esordio della Società Lunare Nettuniana, istituzione fittizia fondata dall’artista, che ha aperto uno spazio di riflessione e partecipazione dedicata all’onirico.

Grazie a chi ha attraversato lo studio e contribuito a questo processo ✨

Il programma Studio 2026 è sostenuto da @regionepiemonte.official e @fondazionecrt

Foto: @_eugenioschirone_

STUDIO 2026
MARZO
via Catania 15F, Torino

Uno sguardo sull’open studio di Rada Koželj, prima artista ospite del programma 2026.

Durante la sua permanenza in studio dal 23 febbraio al 30 marzoRada Koželj ha trasformato lo spazio di via Catania 15F in un luogo di esplorazione condivisa attraverso il Club del Sogno. Tra disegno, scrittura automatica e interpretazione dei sogni, lo studio ha accolto pratiche collettive e processi di apprendimento non convenzionali.

Lo Studio ha segnato anche l’esordio della Società Lunare Nettuniana, istituzione fittizia fondata dall’artista, che ha aperto uno spazio di riflessione e partecipazione dedicata all’onirico.

Grazie a chi ha attraversato lo studio e contribuito a questo processo ✨

Il programma Studio 2026 è sostenuto da @regionepiemonte.official e @fondazionecrt

Foto: @_eugenioschirone_

STUDIO 2026
MARZO
via Catania 15F, Torino

Uno sguardo sull’open studio di Rada Koželj, prima artista ospite del programma 2026.

Durante la sua permanenza in studio dal 23 febbraio al 30 marzoRada Koželj ha trasformato lo spazio di via Catania 15F in un luogo di esplorazione condivisa attraverso il Club del Sogno. Tra disegno, scrittura automatica e interpretazione dei sogni, lo studio ha accolto pratiche collettive e processi di apprendimento non convenzionali.

Lo Studio ha segnato anche l’esordio della Società Lunare Nettuniana, istituzione fittizia fondata dall’artista, che ha aperto uno spazio di riflessione e partecipazione dedicata all’onirico.

Grazie a chi ha attraversato lo studio e contribuito a questo processo ✨

Il programma Studio 2026 è sostenuto da @regionepiemonte.official e @fondazionecrt

Foto: @_eugenioschirone_

STUDIO 2026
MARZO
via Catania 15F, Torino

Uno sguardo sull’open studio di Rada Koželj, prima artista ospite del programma 2026.

Durante la sua permanenza in studio dal 23 febbraio al 30 marzoRada Koželj ha trasformato lo spazio di via Catania 15F in un luogo di esplorazione condivisa attraverso il Club del Sogno. Tra disegno, scrittura automatica e interpretazione dei sogni, lo studio ha accolto pratiche collettive e processi di apprendimento non convenzionali.

Lo Studio ha segnato anche l’esordio della Società Lunare Nettuniana, istituzione fittizia fondata dall’artista, che ha aperto uno spazio di riflessione e partecipazione dedicata all’onirico.

Grazie a chi ha attraversato lo studio e contribuito a questo processo ✨

Il programma Studio 2026 è sostenuto da @regionepiemonte.official e @fondazionecrt

Foto: @_eugenioschirone_