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Presenting our Mavericks of Sports and spring issue cover star, @FernandoMendoza.

He won the Heisman Trophy, a national championship at Indiana University, and everyone knows he’s going first in the NFL draft this month. He might look like a Peyton Manning or a Tom Brady or an Eli Manning, but Mendoza also has something to say. He doesn’t just want to explain things—he needs to.

At the link in our bio, the 22-year-old phenom opens up about his faith, his NFL plans, and how he holds it all together.

Story by Ryan D’Agostino @rhdagostino
Photographed by Chantal Anderson @chantalaanderson
Styled by Alfonso Fernandez Navas @alfonsofn
Grooming by Dillon Peña at The Only Agency @dillonpena @theonly.agency
Esquire Executive Design Director: Martin Hoops @mhoopsdesign
Esquire Visual Director: James Morris @james_alexander_photo
Esquire Entertainment Director: Andrea Cuttler @angcutt
Esquire Editor-in-chief: Michael Sebastian @michaeljsebastian

Presenting our Mavericks of Sports and spring issue cover star, @FernandoMendoza.

He won the Heisman Trophy, a national championship at Indiana University, and everyone knows he’s going first in the NFL draft this month. He might look like a Peyton Manning or a Tom Brady or an Eli Manning, but Mendoza also has something to say. He doesn’t just want to explain things—he needs to.

At the link in our bio, the 22-year-old phenom opens up about his faith, his NFL plans, and how he holds it all together.

Story by Ryan D’Agostino @rhdagostino
Photographed by Chantal Anderson @chantalaanderson
Styled by Alfonso Fernandez Navas @alfonsofn
Grooming by Dillon Peña at The Only Agency @dillonpena @theonly.agency
Esquire Executive Design Director: Martin Hoops @mhoopsdesign
Esquire Visual Director: James Morris @james_alexander_photo
Esquire Entertainment Director: Andrea Cuttler @angcutt
Esquire Editor-in-chief: Michael Sebastian @michaeljsebastian

@ArynaSabalenka has won four Grand Slam titles and currently stands as the top-ranked female tennis player in the world. Along the way, she’s argued with line judges, yelled at coaches, mocked opponents, and smashed countless rackets to smithereens.

She’s owned up to her mistakes, but never at the expense of her game. Now, she’s learning to channel her rage into her game and peace into everything else. Read the full story from our Mavericks of Sports issue at the link in our bio.

Story by Michael Sebastian @michaeljsebastian
Photographed by Emily Soto @emilysoto
Styled by Alfonso Fernandez Navas @alfonsofn
Hair by Takuya Yamaguchi, at The Wall Group @tak8133 @thewallgroup
Makeup by Vincent Oquendo, at The Wall Group @vincentoquendo @thewallgroup
Tailoring by Olga Dudnik @olgatailornyc
Esquire Executive Design Director: Martin Hoops @mhoopsdesign
Esquire Visual Director: James Morris @james_alexander_photo
Esquire Entertainment Director: Andrea Cuttler @angcutt
Esquire Editor-in-chief: Michael Sebastian @michaeljsebastian

@ArynaSabalenka has won four Grand Slam titles and currently stands as the top-ranked female tennis player in the world. Along the way, she’s argued with line judges, yelled at coaches, mocked opponents, and smashed countless rackets to smithereens.

She’s owned up to her mistakes, but never at the expense of her game. Now, she’s learning to channel her rage into her game and peace into everything else. Read the full story from our Mavericks of Sports issue at the link in our bio.

Story by Michael Sebastian @michaeljsebastian
Photographed by Emily Soto @emilysoto
Styled by Alfonso Fernandez Navas @alfonsofn
Hair by Takuya Yamaguchi, at The Wall Group @tak8133 @thewallgroup
Makeup by Vincent Oquendo, at The Wall Group @vincentoquendo @thewallgroup
Tailoring by Olga Dudnik @olgatailornyc
Esquire Executive Design Director: Martin Hoops @mhoopsdesign
Esquire Visual Director: James Morris @james_alexander_photo
Esquire Entertainment Director: Andrea Cuttler @angcutt
Esquire Editor-in-chief: Michael Sebastian @michaeljsebastian

#JonBernthal has built a life and a career in Hollywood—but he still has the appetite of a man trying to prove himself.

He’s a study in contrasts: an actor who studied acting in Russia and at Harvard; the family man known for playing some of the most dysfunctional characters on TV.

He’s also restless, always on the hunt for bigger and bigger challenges—like, say, doing live theater in a role immortalized by Al Pacino or battling his way through Christopher Nolan’s “The Odyssey.” Wait ‘til you hear what he does when he’s off the clock. Read the full story at the link in bio.

Story by Michael Sebastian @michaeljsebastian
Photographed by Billy Kidd @billykiddstudio
Styled by Alfonso Fernandez Navas @alfonsofn
Grooming by Melissa DeZarate using Chris McMillan Hair @melissa.dezarate @chrismcmillanhair
Esquire Executive Design Director: Martin Hoops @mhoopsdesign
Esquire Visual Director: James Morris @j_alexander_​photo
Esquire Entertainment Director: Andrea Cuttler @angcutt

#JonBernthal has built a life and a career in Hollywood—but he still has the appetite of a man trying to prove himself.

He’s a study in contrasts: an actor who studied acting in Russia and at Harvard; the family man known for playing some of the most dysfunctional characters on TV.

He’s also restless, always on the hunt for bigger and bigger challenges—like, say, doing live theater in a role immortalized by Al Pacino or battling his way through Christopher Nolan’s “The Odyssey.” Wait ‘til you hear what he does when he’s off the clock. Read the full story at the link in bio.

Story by Michael Sebastian @michaeljsebastian
Photographed by Billy Kidd @billykiddstudio
Styled by Alfonso Fernandez Navas @alfonsofn
Grooming by Melissa DeZarate using Chris McMillan Hair @melissa.dezarate @chrismcmillanhair
Esquire Executive Design Director: Martin Hoops @mhoopsdesign
Esquire Visual Director: James Morris @j_alexander_​photo
Esquire Entertainment Director: Andrea Cuttler @angcutt

#JonBernthal has built a life and a career in Hollywood—but he still has the appetite of a man trying to prove himself.

He’s a study in contrasts: an actor who studied acting in Russia and at Harvard; the family man known for playing some of the most dysfunctional characters on TV.

He’s also restless, always on the hunt for bigger and bigger challenges—like, say, doing live theater in a role immortalized by Al Pacino or battling his way through Christopher Nolan’s “The Odyssey.” Wait ‘til you hear what he does when he’s off the clock. Read the full story at the link in bio.

Story by Michael Sebastian @michaeljsebastian
Photographed by Billy Kidd @billykiddstudio
Styled by Alfonso Fernandez Navas @alfonsofn
Grooming by Melissa DeZarate using Chris McMillan Hair @melissa.dezarate @chrismcmillanhair
Esquire Executive Design Director: Martin Hoops @mhoopsdesign
Esquire Visual Director: James Morris @j_alexander_​photo
Esquire Entertainment Director: Andrea Cuttler @angcutt

#JonBernthal has built a life and a career in Hollywood—but he still has the appetite of a man trying to prove himself.

He’s a study in contrasts: an actor who studied acting in Russia and at Harvard; the family man known for playing some of the most dysfunctional characters on TV.

He’s also restless, always on the hunt for bigger and bigger challenges—like, say, doing live theater in a role immortalized by Al Pacino or battling his way through Christopher Nolan’s “The Odyssey.” Wait ‘til you hear what he does when he’s off the clock. Read the full story at the link in bio.

Story by Michael Sebastian @michaeljsebastian
Photographed by Billy Kidd @billykiddstudio
Styled by Alfonso Fernandez Navas @alfonsofn
Grooming by Melissa DeZarate using Chris McMillan Hair @melissa.dezarate @chrismcmillanhair
Esquire Executive Design Director: Martin Hoops @mhoopsdesign
Esquire Visual Director: James Morris @j_alexander_​photo
Esquire Entertainment Director: Andrea Cuttler @angcutt

#JonBernthal has built a life and a career in Hollywood—but he still has the appetite of a man trying to prove himself.

He’s a study in contrasts: an actor who studied acting in Russia and at Harvard; the family man known for playing some of the most dysfunctional characters on TV.

He’s also restless, always on the hunt for bigger and bigger challenges—like, say, doing live theater in a role immortalized by Al Pacino or battling his way through Christopher Nolan’s “The Odyssey.” Wait ‘til you hear what he does when he’s off the clock. Read the full story at the link in bio.

Story by Michael Sebastian @michaeljsebastian
Photographed by Billy Kidd @billykiddstudio
Styled by Alfonso Fernandez Navas @alfonsofn
Grooming by Melissa DeZarate using Chris McMillan Hair @melissa.dezarate @chrismcmillanhair
Esquire Executive Design Director: Martin Hoops @mhoopsdesign
Esquire Visual Director: James Morris @j_alexander_​photo
Esquire Entertainment Director: Andrea Cuttler @angcutt

@PaulWDowns’s shirt is something we can all agree on.

#PaulDowns #MegStalter #Hacks

Director of Video: @amandakabbabe
Supervising Producer: @bmurrayreal
Director/Producer: @aarrbb
Supervising Cinematographer: @dwoodyard
DP: @alvahcholmes
Associate Cinematographer: @stupid_jokes
Editor: Greg Promani

Paul W. Downs has dedicated more than a decade to #Hacks, from development to filming to promotion. But sticking the landing was never a guarantee.

One of the show’s key final sequences, filmed inside the Louvre, was almost axed thanks to the October 2025 heist. Then the museum went on strike. There were many reasons for people to freak out—and only a few reasons why they didn’t. Chief among them is Downs.

At the link in our bio, he details the nail-biting, behind-the-scenes ride to the finale and the catharsis that followed. Swipe to see more.

Story by Caira Conner @cairaconner
Photographs by Florence Sullivan @florencolive
Styling by Alfonso Fernandez Navas @alfonsofn
Grooming by Jessica Ortiz @jessica_o_using Westman Atelier
Esquire Executive Design Director: Martin Hoops @mhoopsdesign
Esquire Visual Director: James Morris @j_alexander_photo
Esquire Entertainment Director: Andrea Cuttler @angcutt
Esquire Editor-in-chief: Michael Sebastian @michaeljsebastian

Paul W. Downs has dedicated more than a decade to #Hacks, from development to filming to promotion. But sticking the landing was never a guarantee.

One of the show’s key final sequences, filmed inside the Louvre, was almost axed thanks to the October 2025 heist. Then the museum went on strike. There were many reasons for people to freak out—and only a few reasons why they didn’t. Chief among them is Downs.

At the link in our bio, he details the nail-biting, behind-the-scenes ride to the finale and the catharsis that followed. Swipe to see more.

Story by Caira Conner @cairaconner
Photographs by Florence Sullivan @florencolive
Styling by Alfonso Fernandez Navas @alfonsofn
Grooming by Jessica Ortiz @jessica_o_using Westman Atelier
Esquire Executive Design Director: Martin Hoops @mhoopsdesign
Esquire Visual Director: James Morris @j_alexander_photo
Esquire Entertainment Director: Andrea Cuttler @angcutt
Esquire Editor-in-chief: Michael Sebastian @michaeljsebastian

Paul W. Downs has dedicated more than a decade to #Hacks, from development to filming to promotion. But sticking the landing was never a guarantee.

One of the show’s key final sequences, filmed inside the Louvre, was almost axed thanks to the October 2025 heist. Then the museum went on strike. There were many reasons for people to freak out—and only a few reasons why they didn’t. Chief among them is Downs.

At the link in our bio, he details the nail-biting, behind-the-scenes ride to the finale and the catharsis that followed. Swipe to see more.

Story by Caira Conner @cairaconner
Photographs by Florence Sullivan @florencolive
Styling by Alfonso Fernandez Navas @alfonsofn
Grooming by Jessica Ortiz @jessica_o_using Westman Atelier
Esquire Executive Design Director: Martin Hoops @mhoopsdesign
Esquire Visual Director: James Morris @j_alexander_photo
Esquire Entertainment Director: Andrea Cuttler @angcutt
Esquire Editor-in-chief: Michael Sebastian @michaeljsebastian

Paul W. Downs has dedicated more than a decade to #Hacks, from development to filming to promotion. But sticking the landing was never a guarantee.

One of the show’s key final sequences, filmed inside the Louvre, was almost axed thanks to the October 2025 heist. Then the museum went on strike. There were many reasons for people to freak out—and only a few reasons why they didn’t. Chief among them is Downs.

At the link in our bio, he details the nail-biting, behind-the-scenes ride to the finale and the catharsis that followed. Swipe to see more.

Story by Caira Conner @cairaconner
Photographs by Florence Sullivan @florencolive
Styling by Alfonso Fernandez Navas @alfonsofn
Grooming by Jessica Ortiz @jessica_o_using Westman Atelier
Esquire Executive Design Director: Martin Hoops @mhoopsdesign
Esquire Visual Director: James Morris @j_alexander_photo
Esquire Entertainment Director: Andrea Cuttler @angcutt
Esquire Editor-in-chief: Michael Sebastian @michaeljsebastian

Paul W. Downs has dedicated more than a decade to #Hacks, from development to filming to promotion. But sticking the landing was never a guarantee.

One of the show’s key final sequences, filmed inside the Louvre, was almost axed thanks to the October 2025 heist. Then the museum went on strike. There were many reasons for people to freak out—and only a few reasons why they didn’t. Chief among them is Downs.

At the link in our bio, he details the nail-biting, behind-the-scenes ride to the finale and the catharsis that followed. Swipe to see more.

Story by Caira Conner @cairaconner
Photographs by Florence Sullivan @florencolive
Styling by Alfonso Fernandez Navas @alfonsofn
Grooming by Jessica Ortiz @jessica_o_using Westman Atelier
Esquire Executive Design Director: Martin Hoops @mhoopsdesign
Esquire Visual Director: James Morris @j_alexander_photo
Esquire Entertainment Director: Andrea Cuttler @angcutt
Esquire Editor-in-chief: Michael Sebastian @michaeljsebastian

Paul W. Downs has dedicated more than a decade to #Hacks, from development to filming to promotion. But sticking the landing was never a guarantee.

One of the show’s key final sequences, filmed inside the Louvre, was almost axed thanks to the October 2025 heist. Then the museum went on strike. There were many reasons for people to freak out—and only a few reasons why they didn’t. Chief among them is Downs.

At the link in our bio, he details the nail-biting, behind-the-scenes ride to the finale and the catharsis that followed. Swipe to see more.

Story by Caira Conner @cairaconner
Photographs by Florence Sullivan @florencolive
Styling by Alfonso Fernandez Navas @alfonsofn
Grooming by Jessica Ortiz @jessica_o_using Westman Atelier
Esquire Executive Design Director: Martin Hoops @mhoopsdesign
Esquire Visual Director: James Morris @j_alexander_photo
Esquire Entertainment Director: Andrea Cuttler @angcutt
Esquire Editor-in-chief: Michael Sebastian @michaeljsebastian

As a writer, director, actor, and showrunner, Paul W. Downs has established himself as a bonafide Hollywood Renaissance man. The fact that he’s also one of the nicest guys in town doesn’t hurt.

Given the hypothetical choice between his many roles, Downs knows immediately: acting. “If I could only do one, it would be to perform,” he says. But thanks to his multiyear deal with Warner Bros., signed alongside his wife and creative partner Lucia Aniello, he hopefully won’t have to pick just one.

Swipe to see more and read the complete profile at the link in our bio.

Story by Caira Conner @cairaconner
Photographs by Florence Sullivan @florencolive
Styling by Alfonso Fernandez Navas @alfonsofn
Grooming by Jessica Ortiz @jessica_o_using Westman Atelier
Esquire Executive Design Director: Martin Hoops @mhoopsdesign
Esquire Visual Director: James Morris @j_alexander_photo
Esquire Entertainment Director: Andrea Cuttler @angcutt
Esquire Editor-in-chief: Michael Sebastian @michaeljsebastian

As a writer, director, actor, and showrunner, Paul W. Downs has established himself as a bonafide Hollywood Renaissance man. The fact that he’s also one of the nicest guys in town doesn’t hurt.

Given the hypothetical choice between his many roles, Downs knows immediately: acting. “If I could only do one, it would be to perform,” he says. But thanks to his multiyear deal with Warner Bros., signed alongside his wife and creative partner Lucia Aniello, he hopefully won’t have to pick just one.

Swipe to see more and read the complete profile at the link in our bio.

Story by Caira Conner @cairaconner
Photographs by Florence Sullivan @florencolive
Styling by Alfonso Fernandez Navas @alfonsofn
Grooming by Jessica Ortiz @jessica_o_using Westman Atelier
Esquire Executive Design Director: Martin Hoops @mhoopsdesign
Esquire Visual Director: James Morris @j_alexander_photo
Esquire Entertainment Director: Andrea Cuttler @angcutt
Esquire Editor-in-chief: Michael Sebastian @michaeljsebastian

As a writer, director, actor, and showrunner, Paul W. Downs has established himself as a bonafide Hollywood Renaissance man. The fact that he’s also one of the nicest guys in town doesn’t hurt.

Given the hypothetical choice between his many roles, Downs knows immediately: acting. “If I could only do one, it would be to perform,” he says. But thanks to his multiyear deal with Warner Bros., signed alongside his wife and creative partner Lucia Aniello, he hopefully won’t have to pick just one.

Swipe to see more and read the complete profile at the link in our bio.

Story by Caira Conner @cairaconner
Photographs by Florence Sullivan @florencolive
Styling by Alfonso Fernandez Navas @alfonsofn
Grooming by Jessica Ortiz @jessica_o_using Westman Atelier
Esquire Executive Design Director: Martin Hoops @mhoopsdesign
Esquire Visual Director: James Morris @j_alexander_photo
Esquire Entertainment Director: Andrea Cuttler @angcutt
Esquire Editor-in-chief: Michael Sebastian @michaeljsebastian

Paul W. Downs always knew how #Hacks would end.

Five years, five seasons, and 12 Emmys later, the HBO comedy leaves the airwaves a critical and commercial darling. But the series itself was never written in stone. That only came into focus once Downs and his cocreators, multi-hyphenates Lucia Aniello and Jen Statsky, got to work.

On the heels of the series finale, Downs spoke with @cairaconner about how—by the skin of their teeth—they reached their long-promised final episode. Swipe to see more and read the full story (spoilers included) at the link in our bio.

Photographed by Florence Sullivan @florencolive
Styled by Alfonso Fernandez Navas @alfonsofn
Grooming by Jessica Ortiz @jessica_o_using Westman Atelier
Esquire Executive Design Director: Martin Hoops @mhoopsdesign
Esquire Visual Director: James Morris @j_alexander_photo
Esquire Entertainment Director: Andrea Cuttler @angcutt
Esquire Editor-in-chief: Michael Sebastian @michaeljsebastian

Paul W. Downs always knew how #Hacks would end.

Five years, five seasons, and 12 Emmys later, the HBO comedy leaves the airwaves a critical and commercial darling. But the series itself was never written in stone. That only came into focus once Downs and his cocreators, multi-hyphenates Lucia Aniello and Jen Statsky, got to work.

On the heels of the series finale, Downs spoke with @cairaconner about how—by the skin of their teeth—they reached their long-promised final episode. Swipe to see more and read the full story (spoilers included) at the link in our bio.

Photographed by Florence Sullivan @florencolive
Styled by Alfonso Fernandez Navas @alfonsofn
Grooming by Jessica Ortiz @jessica_o_using Westman Atelier
Esquire Executive Design Director: Martin Hoops @mhoopsdesign
Esquire Visual Director: James Morris @j_alexander_photo
Esquire Entertainment Director: Andrea Cuttler @angcutt
Esquire Editor-in-chief: Michael Sebastian @michaeljsebastian

Paul W. Downs always knew how #Hacks would end.

Five years, five seasons, and 12 Emmys later, the HBO comedy leaves the airwaves a critical and commercial darling. But the series itself was never written in stone. That only came into focus once Downs and his cocreators, multi-hyphenates Lucia Aniello and Jen Statsky, got to work.

On the heels of the series finale, Downs spoke with @cairaconner about how—by the skin of their teeth—they reached their long-promised final episode. Swipe to see more and read the full story (spoilers included) at the link in our bio.

Photographed by Florence Sullivan @florencolive
Styled by Alfonso Fernandez Navas @alfonsofn
Grooming by Jessica Ortiz @jessica_o_using Westman Atelier
Esquire Executive Design Director: Martin Hoops @mhoopsdesign
Esquire Visual Director: James Morris @j_alexander_photo
Esquire Entertainment Director: Andrea Cuttler @angcutt
Esquire Editor-in-chief: Michael Sebastian @michaeljsebastian

#NicholasGalitzine has the power. The actor traded the He-Man harness and leather for a @YSL suit at the London premiere of “Masters of the Universe.”

#NicholasGalitzine has the power. The actor traded the He-Man harness and leather for a @YSL suit at the London premiere of “Masters of the Universe.”

#NicholasGalitzine has the power. The actor traded the He-Man harness and leather for a @YSL suit at the London premiere of “Masters of the Universe.”

#NicholasGalitzine has the power. The actor traded the He-Man harness and leather for a @YSL suit at the London premiere of “Masters of the Universe.”

#NicholasGalitzine has the power. The actor traded the He-Man harness and leather for a @YSL suit at the London premiere of “Masters of the Universe.”

#JacobElordi’s Bleu de Chanel l’Exclusif campaign has arrived. To mark the occasion, he opened up about going full action-star with Alfonso Cuarón, teased his next big project, and shared a special message of appreciation. Swipe to see more and read the full story at the link in bio.

#JacobElordi’s Bleu de Chanel l’Exclusif campaign has arrived. To mark the occasion, he opened up about going full action-star with Alfonso Cuarón, teased his next big project, and shared a special message of appreciation. Swipe to see more and read the full story at the link in bio.

#JacobElordi’s Bleu de Chanel l’Exclusif campaign has arrived. To mark the occasion, he opened up about going full action-star with Alfonso Cuarón, teased his next big project, and shared a special message of appreciation. Swipe to see more and read the full story at the link in bio.

#JacobElordi’s Bleu de Chanel l’Exclusif campaign has arrived. To mark the occasion, he opened up about going full action-star with Alfonso Cuarón, teased his next big project, and shared a special message of appreciation. Swipe to see more and read the full story at the link in bio.

#JacobElordi’s Bleu de Chanel l’Exclusif campaign has arrived. To mark the occasion, he opened up about going full action-star with Alfonso Cuarón, teased his next big project, and shared a special message of appreciation. Swipe to see more and read the full story at the link in bio.

#JacobElordi’s Bleu de Chanel l’Exclusif campaign has arrived. To mark the occasion, he opened up about going full action-star with Alfonso Cuarón, teased his next big project, and shared a special message of appreciation. Swipe to see more and read the full story at the link in bio.

#JacobElordi’s Bleu de Chanel l’Exclusif campaign has arrived. To mark the occasion, he opened up about going full action-star with Alfonso Cuarón, teased his next big project, and shared a special message of appreciation. Swipe to see more and read the full story at the link in bio.

#JacobElordi’s Bleu de Chanel l’Exclusif campaign has arrived. To mark the occasion, he opened up about going full action-star with Alfonso Cuarón, teased his next big project, and shared a special message of appreciation. Swipe to see more and read the full story at the link in bio.

There’s one line in “Hacks” that truly broke @PaulWDowns and @MegsStalter.

#PaulDowns #MegStalter #Hacks

Director of Video: @amandakabbabe
Supervising Producer: @bmurrayreal
Director/Producer: @aarrbb
Supervising Cinematographer: @dwoodyard
DP: @alvahcholmes
Associate Cinematographer: @stupid_jokes
Editor: Greg Promani

@PaulWDowns is your favorite songwriter’s favorite songwriter.

#PaulDowns #MegStalter #Hacks

Director of Video: @amandakabbabe
Supervising Producer: @bmurrayreal
Director/Producer: @aarrbb
Supervising Cinematographer: @dwoodyard
DP: @alvahcholmes
Associate Cinematographer: @stupid_jokes
Editor: Greg Promani

There’s already Oscar buzz for the @MegsStalter-@PaulWDowns biopic.

#PaulDowns #MegStalter #Hacks

Director of Video: @amandakabbabe
Supervising Producer: @bmurrayreal
Director/Producer: @aarrbb
Supervising Cinematographer: @dwoodyard
DP: @alvahcholmes
Associate Cinematographer: @stupid_jokes
Editor: Greg Promani