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I got asked to photograph Ryan Gosling, Sandra Hüller, and some of the team behind @projecthailmary at the @griffithobservatory.

I was inspired by cinematographer @greigfraser_dp’s work so I used real optical glass filters to match the look of the film.

I’ll have a full breakdown on how I captured these very soon!

@amazonmgmstudios #ad #AmazonMGMStudiosPartner #projecthailmary

Production Assistant: @stephenseanford
📷 @sonyalpha

I got asked to photograph Ryan Gosling, Sandra Hüller, and some of the team behind @projecthailmary at the @griffithobservatory.

I was inspired by cinematographer @greigfraser_dp’s work so I used real optical glass filters to match the look of the film.

I’ll have a full breakdown on how I captured these very soon!

@amazonmgmstudios #ad #AmazonMGMStudiosPartner #projecthailmary

Production Assistant: @stephenseanford
📷 @sonyalpha

I got asked to photograph Ryan Gosling, Sandra Hüller, and some of the team behind @projecthailmary at the @griffithobservatory.

I was inspired by cinematographer @greigfraser_dp’s work so I used real optical glass filters to match the look of the film.

I’ll have a full breakdown on how I captured these very soon!

@amazonmgmstudios #ad #AmazonMGMStudiosPartner #projecthailmary

Production Assistant: @stephenseanford
📷 @sonyalpha

I got asked to photograph Ryan Gosling, Sandra Hüller, and some of the team behind @projecthailmary at the @griffithobservatory.

I was inspired by cinematographer @greigfraser_dp’s work so I used real optical glass filters to match the look of the film.

I’ll have a full breakdown on how I captured these very soon!

@amazonmgmstudios #ad #AmazonMGMStudiosPartner #projecthailmary

Production Assistant: @stephenseanford
📷 @sonyalpha

I got asked to photograph Ryan Gosling, Sandra Hüller, and some of the team behind @projecthailmary at the @griffithobservatory.

I was inspired by cinematographer @greigfraser_dp’s work so I used real optical glass filters to match the look of the film.

I’ll have a full breakdown on how I captured these very soon!

@amazonmgmstudios #ad #AmazonMGMStudiosPartner #projecthailmary

Production Assistant: @stephenseanford
📷 @sonyalpha

I got asked to photograph Ryan Gosling, Sandra Hüller, and some of the team behind @projecthailmary at the @griffithobservatory.

I was inspired by cinematographer @greigfraser_dp’s work so I used real optical glass filters to match the look of the film.

I’ll have a full breakdown on how I captured these very soon!

@amazonmgmstudios #ad #AmazonMGMStudiosPartner #projecthailmary

Production Assistant: @stephenseanford
📷 @sonyalpha

I got asked to photograph Ryan Gosling, Sandra Hüller, and some of the team behind @projecthailmary at the @griffithobservatory.

I was inspired by cinematographer @greigfraser_dp’s work so I used real optical glass filters to match the look of the film.

I’ll have a full breakdown on how I captured these very soon!

@amazonmgmstudios #ad #AmazonMGMStudiosPartner #projecthailmary

Production Assistant: @stephenseanford
📷 @sonyalpha

I got asked to photograph Ryan Gosling, Sandra Hüller, and some of the team behind @projecthailmary at the @griffithobservatory.

I was inspired by cinematographer @greigfraser_dp’s work so I used real optical glass filters to match the look of the film.

I’ll have a full breakdown on how I captured these very soon!

@amazonmgmstudios #ad #AmazonMGMStudiosPartner #projecthailmary

Production Assistant: @stephenseanford
📷 @sonyalpha

I got asked to photograph Ryan Gosling, Sandra Hüller, and some of the team behind @projecthailmary at the @griffithobservatory.

I was inspired by cinematographer @greigfraser_dp’s work so I used real optical glass filters to match the look of the film.

I’ll have a full breakdown on how I captured these very soon!

@amazonmgmstudios #ad #AmazonMGMStudiosPartner #projecthailmary

Production Assistant: @stephenseanford
📷 @sonyalpha

I got asked to photograph Ryan Gosling, Sandra Hüller, and some of the team behind @projecthailmary at the @griffithobservatory.

I was inspired by cinematographer @greigfraser_dp’s work so I used real optical glass filters to match the look of the film.

I’ll have a full breakdown on how I captured these very soon!

@amazonmgmstudios #ad #AmazonMGMStudiosPartner #projecthailmary

Production Assistant: @stephenseanford
📷 @sonyalpha

I got asked to photograph Ryan Gosling, Sandra Hüller, and some of the team behind @projecthailmary at the @griffithobservatory.

I was inspired by cinematographer @greigfraser_dp’s work so I used real optical glass filters to match the look of the film.

I’ll have a full breakdown on how I captured these very soon!

@amazonmgmstudios #ad #AmazonMGMStudiosPartner #projecthailmary

Production Assistant: @stephenseanford
📷 @sonyalpha

Cinematographer Jeff Cronenweth, ASC breaks down the @reddigitalcinema camera test he shot with David Fincher and @leonardodicaprio while filming THE SOCIAL NETWORK (2010)

We also chat about the progression of camera technology since then, and the new possibilities for storytelling now.

Ft. @cronenweth @impatrickt @reddigitalcinema

#movies #cinematography #filmmaking

Jack is all my friends and family when I try to explain film formats to them 😂

#movies #28yearslater #cinematography

hosting with @kanepixels for @backroomsmovie Canadian premiere.

huge love to @elevation_pics as always for being such a great supporter of filmmakers and creators.

I’ll have a big making-of video with @kanepixels and more very soon.

@a24 @backroomsmovie #movies #backrooms

pic creds: @tope_babalola @jessbaumung @livnasner @kthnx.lucas

hosting with @kanepixels for @backroomsmovie Canadian premiere.

huge love to @elevation_pics as always for being such a great supporter of filmmakers and creators.

I’ll have a big making-of video with @kanepixels and more very soon.

@a24 @backroomsmovie #movies #backrooms

pic creds: @tope_babalola @jessbaumung @livnasner @kthnx.lucas

hosting with @kanepixels for @backroomsmovie Canadian premiere.

huge love to @elevation_pics as always for being such a great supporter of filmmakers and creators.

I’ll have a big making-of video with @kanepixels and more very soon.

@a24 @backroomsmovie #movies #backrooms

pic creds: @tope_babalola @jessbaumung @livnasner @kthnx.lucas

hosting with @kanepixels for @backroomsmovie Canadian premiere.

huge love to @elevation_pics as always for being such a great supporter of filmmakers and creators.

I’ll have a big making-of video with @kanepixels and more very soon.

@a24 @backroomsmovie #movies #backrooms

pic creds: @tope_babalola @jessbaumung @livnasner @kthnx.lucas

hosting with @kanepixels for @backroomsmovie Canadian premiere.

huge love to @elevation_pics as always for being such a great supporter of filmmakers and creators.

I’ll have a big making-of video with @kanepixels and more very soon.

@a24 @backroomsmovie #movies #backrooms

pic creds: @tope_babalola @jessbaumung @livnasner @kthnx.lucas

hosting with @kanepixels for @backroomsmovie Canadian premiere.

huge love to @elevation_pics as always for being such a great supporter of filmmakers and creators.

I’ll have a big making-of video with @kanepixels and more very soon.

@a24 @backroomsmovie #movies #backrooms

pic creds: @tope_babalola @jessbaumung @livnasner @kthnx.lucas

hosting with @kanepixels for @backroomsmovie Canadian premiere.

huge love to @elevation_pics as always for being such a great supporter of filmmakers and creators.

I’ll have a big making-of video with @kanepixels and more very soon.

@a24 @backroomsmovie #movies #backrooms

pic creds: @tope_babalola @jessbaumung @livnasner @kthnx.lucas

hosting with @kanepixels for @backroomsmovie Canadian premiere.

huge love to @elevation_pics as always for being such a great supporter of filmmakers and creators.

I’ll have a big making-of video with @kanepixels and more very soon.

@a24 @backroomsmovie #movies #backrooms

pic creds: @tope_babalola @jessbaumung @livnasner @kthnx.lucas

hosting with @kanepixels for @backroomsmovie Canadian premiere.

huge love to @elevation_pics as always for being such a great supporter of filmmakers and creators.

I’ll have a big making-of video with @kanepixels and more very soon.

@a24 @backroomsmovie #movies #backrooms

pic creds: @tope_babalola @jessbaumung @livnasner @kthnx.lucas

hosting with @kanepixels for @backroomsmovie Canadian premiere.

huge love to @elevation_pics as always for being such a great supporter of filmmakers and creators.

I’ll have a big making-of video with @kanepixels and more very soon.

@a24 @backroomsmovie #movies #backrooms

pic creds: @tope_babalola @jessbaumung @livnasner @kthnx.lucas

Fans of “the good stuff” are eating well this year.

We need more crazy looking movies like this. Prime Time is a film by Lance Oppenheim for A24 about Chris Hansen and the show To Catch A Predator. This is hands down one of the best cut teasers of the year, but what really stood out to me was the look. I have been a huge fan of Lance Oppenheim’s work for a very long time. I think Some Kind of Heaven and Sperm World are two of the most beautifully made documentaries ever. Lance and his cinematographer, David Bolen, they just have this uncanny ability to capture life in such a hyper-stylized way, often only using natural light and practicals, like lamps and screens. For Sperm World, they used vintage anamorphic lenses that bloomed highlights with insane distortion, and in Some Kind of Heaven, they leaned into a 4:3 aspect ratio, treating all these moments like beautiful portrait photography. Now, with Prime Time, they seem to be taking that same sensibility from their docs. It’s that crunchy, dirty, saturated image where it feels hyper-real but still grounded. It’s just honestly so refreshing to see a strong visual swing like this, where it’s not just cool for the sake of being cool. You actually feel a voice behind the lens. Look, this movie had me at security camera footage and Rob Pattinson but I really do think it’ll be one of the best films of the year, and at the very least, it’s gonna look like nothing else on the big screen.

@lanceopp @davidbolendp @a24 @primetimemovie

#movies #cinematography

100 people > 100m views.

I had the pleasure of hosting the Canadian premiere of the Backrooms movie with director Kane Parsons, and it got me reflecting quite a bit on the path of a YouTuber to traditional filmmaker. I was standing backstage with Kane as the credits started to run, and you hear the applause, and then we came out to do a Q&A, and I could feel his energy. I could feel the energy in the room, and that is something you will never feel on YouTube. Do not get me wrong, it is incredible the amount of people that we can reach with our platforms now. I know what it’s like to get millions and millions of views, and it’s amazing. I’m so grateful to all of you and the audiences that I have online. But truthfully, I would probably give all of that away for 100 people, 50 people, 20 people in an actual cinema watching something that I made. That, to me, is where film really comes alive. It’s a community experience. I wanna be able to use those audiences and create little micro-moments in person with real people experiencing art together in actual cinemas. The feedback that you’ll get from an audience, the feeling that you’ll have, everything in that actual moment in a real theater with real people is just unmatched. So to any filmmaker out there that’s making stuff for the internet, you’re doing the right thing. Keep posting on YouTube, keep using these platforms. But also think about how you can create in-person experiences. Maybe it’s just a one-night screening of your short film. Diving into the imagination in a cinema with a group of strangers is one of the best experiences we have as human beings. I promise you, you’re gonna have an incredible time at the cinema seeing Backrooms.

thnx @elevation_pics @kanepixels

photo credits: @tope_babalola @jessbaumung

#movies #cinema

when you love what you make you make lovely things.

Going to the movies shouldn’t be confusing. 📽️

We teamed up with @impatrickt to break down our Premium Experiences. First up, we’re talking all about Cineplex’s own in-house upgrade, UltraAVX.

In the coming weeks, he’ll be explaining the benefits of all the different ways you can see a movie at Cineplex. And THAT’S movie magic ✨

Check it out and learn more about our Premium Experiences at our link in bio!

photos I took of @bootsriley for @iloveboostersmovie

@elevation_pics | @neon

📷 @sonyalpha RX1rII
#movies #cinema
assist: @kthnx.lucas

photos I took of @bootsriley for @iloveboostersmovie

@elevation_pics | @neon

📷 @sonyalpha RX1rII
#movies #cinema
assist: @kthnx.lucas

photos I took of @bootsriley for @iloveboostersmovie

@elevation_pics | @neon

📷 @sonyalpha RX1rII
#movies #cinema
assist: @kthnx.lucas

photos I took of @bootsriley for @iloveboostersmovie

@elevation_pics | @neon

📷 @sonyalpha RX1rII
#movies #cinema
assist: @kthnx.lucas

photos I took of @bootsriley for @iloveboostersmovie

@elevation_pics | @neon

📷 @sonyalpha RX1rII
#movies #cinema
assist: @kthnx.lucas

photos I took of @bootsriley for @iloveboostersmovie

@elevation_pics | @neon

📷 @sonyalpha RX1rII
#movies #cinema
assist: @kthnx.lucas

photos I took of @bootsriley for @iloveboostersmovie

@elevation_pics | @neon

📷 @sonyalpha RX1rII
#movies #cinema
assist: @kthnx.lucas

photos I took of @bootsriley for @iloveboostersmovie

@elevation_pics | @neon

📷 @sonyalpha RX1rII
#movies #cinema
assist: @kthnx.lucas

photos I took of @bootsriley for @iloveboostersmovie

@elevation_pics | @neon

📷 @sonyalpha RX1rII
#movies #cinema
assist: @kthnx.lucas

Only Christopher Nolan would still do this. When you shoot on film, you have to use something called a digital intermediate, which is essentially a scan of the 35 millimeter film, or in this case, IMAX film, so you can put it into a computer and edit it like you would your TikToks or your videos for YouTube. But that’s not good enough for Christopher Nolan. So after they edit the movie in the computer, what he does is he takes all the information of the cuts and splices and everything they did in the computer, and then he has a team of actual physical film editors splice the film together. I really don’t know of any other filmmakers that are actually still cutting film on film physically. It’s really a wonderful way to retain the original image. What makes this truly incredible, though, is if you see The Odyssey in 70MM millimeter IMAX, you’re gonna watch an image that never touched a computer. You will be seeing a film that was captured on film, edited physically on film, and assembled, and then projected on film. Christopher Nolan, never change.

@imax @theodysseymovie @universalpictures

#movies #imax

Hollywood is doing something that actually makes me very happy. A fun little behind-the-scenes featurette just came out for the new Spider-Man movie, and you can see Spider-Man actually out on location in the streets of Manhattan being Spider-Man. Call me crazy, but I prefer movies that shoot on location, and it is only recently that shooting on location has even become a novel concept. It’s just so bloody expensive to shoot in a real space these days. But I think there’s another layer here that’s really interesting. Shooting on location also creates an incredible marketing opportunity for your movie. Right now, John Krasinski is shooting a new Quiet Place movie, also in New York, and obviously we live in a world where everyone has to share every experience that they’re having, and so when you see an actual movie being made, you take pictures, you take videos, you share it with everybody, and it is free publicity for that movie. Add in the layer that there is a strong, growing, loud population of people that are revolting against artificial intelligence and fake images, and you have a recipe for success. But if it ends up becoming a trend just so we can get this free publicity, I’m all for it. I think shooting on locations just makes movies better.

@destindaniel @tomholland2013 @spidermanmovie

#movies #spiderman

🧢 @tiff_net

Cinematography breakdown of one of the most beautiful scenes in @projecthailmary with @greigfraser_dp.

Dir. @chrizmillr @phillordy

@amazonmgmstudios #movies #cinematography