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In 2024, I had the chance to work on a small batch of visuals for @zedd's TELOS Tour. The goal was to create a set of minimal, but 3D 'VJ Tools' to integrate into the arch-shaped LED wall at the center of his stage. These visuals were used to help the audience see depth in the LED wall, and to combine with the production in moments with heavy use of lasers and lights.

I've compiled some of my favourite photos and videos of the visuals as they were being toured across the USA, South America, and Asia. In 2014, Zedd was one of the first DJs I saw perform after I had started my daily GIF artworks, so it felt like a very full-circle moment to see these visuals a decade later on some massive stages including the Ultra Miami main stage.

I've also included a few breakdowns of the individual layers for each visual.

Huge thank you to @_sillygabe_ for bringing me on for this project!

Photo credits: @ai.visuals @kursza @leep_che @ps66sss @ryandaveyphoto @zedd @pislices

Video credits: guanhong1009 (YouTube, Slide 2+5), Pi-Slices (Slide 7, from when I saw the show in Seattle!)

Visuals made with @maxon.cinema.4d @otoy @rendertoken

Images / visuals compiled @cavalry.app

In 2024, I had the chance to work on a small batch of visuals for @zedd's TELOS Tour. The goal was to create a set of minimal, but 3D 'VJ Tools' to integrate into the arch-shaped LED wall at the center of his stage. These visuals were used to help the audience see depth in the LED wall, and to combine with the production in moments with heavy use of lasers and lights.

I've compiled some of my favourite photos and videos of the visuals as they were being toured across the USA, South America, and Asia. In 2014, Zedd was one of the first DJs I saw perform after I had started my daily GIF artworks, so it felt like a very full-circle moment to see these visuals a decade later on some massive stages including the Ultra Miami main stage.

I've also included a few breakdowns of the individual layers for each visual.

Huge thank you to @_sillygabe_ for bringing me on for this project!

Photo credits: @ai.visuals @kursza @leep_che @ps66sss @ryandaveyphoto @zedd @pislices

Video credits: guanhong1009 (YouTube, Slide 2+5), Pi-Slices (Slide 7, from when I saw the show in Seattle!)

Visuals made with @maxon.cinema.4d @otoy @rendertoken

Images / visuals compiled @cavalry.app

In 2024, I had the chance to work on a small batch of visuals for @zedd's TELOS Tour. The goal was to create a set of minimal, but 3D 'VJ Tools' to integrate into the arch-shaped LED wall at the center of his stage. These visuals were used to help the audience see depth in the LED wall, and to combine with the production in moments with heavy use of lasers and lights.

I've compiled some of my favourite photos and videos of the visuals as they were being toured across the USA, South America, and Asia. In 2014, Zedd was one of the first DJs I saw perform after I had started my daily GIF artworks, so it felt like a very full-circle moment to see these visuals a decade later on some massive stages including the Ultra Miami main stage.

I've also included a few breakdowns of the individual layers for each visual.

Huge thank you to @_sillygabe_ for bringing me on for this project!

Photo credits: @ai.visuals @kursza @leep_che @ps66sss @ryandaveyphoto @zedd @pislices

Video credits: guanhong1009 (YouTube, Slide 2+5), Pi-Slices (Slide 7, from when I saw the show in Seattle!)

Visuals made with @maxon.cinema.4d @otoy @rendertoken

Images / visuals compiled @cavalry.app

In 2024, I had the chance to work on a small batch of visuals for @zedd's TELOS Tour. The goal was to create a set of minimal, but 3D 'VJ Tools' to integrate into the arch-shaped LED wall at the center of his stage. These visuals were used to help the audience see depth in the LED wall, and to combine with the production in moments with heavy use of lasers and lights.

I've compiled some of my favourite photos and videos of the visuals as they were being toured across the USA, South America, and Asia. In 2014, Zedd was one of the first DJs I saw perform after I had started my daily GIF artworks, so it felt like a very full-circle moment to see these visuals a decade later on some massive stages including the Ultra Miami main stage.

I've also included a few breakdowns of the individual layers for each visual.

Huge thank you to @_sillygabe_ for bringing me on for this project!

Photo credits: @ai.visuals @kursza @leep_che @ps66sss @ryandaveyphoto @zedd @pislices

Video credits: guanhong1009 (YouTube, Slide 2+5), Pi-Slices (Slide 7, from when I saw the show in Seattle!)

Visuals made with @maxon.cinema.4d @otoy @rendertoken

Images / visuals compiled @cavalry.app

In 2024, I had the chance to work on a small batch of visuals for @zedd's TELOS Tour. The goal was to create a set of minimal, but 3D 'VJ Tools' to integrate into the arch-shaped LED wall at the center of his stage. These visuals were used to help the audience see depth in the LED wall, and to combine with the production in moments with heavy use of lasers and lights.

I've compiled some of my favourite photos and videos of the visuals as they were being toured across the USA, South America, and Asia. In 2014, Zedd was one of the first DJs I saw perform after I had started my daily GIF artworks, so it felt like a very full-circle moment to see these visuals a decade later on some massive stages including the Ultra Miami main stage.

I've also included a few breakdowns of the individual layers for each visual.

Huge thank you to @_sillygabe_ for bringing me on for this project!

Photo credits: @ai.visuals @kursza @leep_che @ps66sss @ryandaveyphoto @zedd @pislices

Video credits: guanhong1009 (YouTube, Slide 2+5), Pi-Slices (Slide 7, from when I saw the show in Seattle!)

Visuals made with @maxon.cinema.4d @otoy @rendertoken

Images / visuals compiled @cavalry.app

In 2024, I had the chance to work on a small batch of visuals for @zedd's TELOS Tour. The goal was to create a set of minimal, but 3D 'VJ Tools' to integrate into the arch-shaped LED wall at the center of his stage. These visuals were used to help the audience see depth in the LED wall, and to combine with the production in moments with heavy use of lasers and lights.

I've compiled some of my favourite photos and videos of the visuals as they were being toured across the USA, South America, and Asia. In 2014, Zedd was one of the first DJs I saw perform after I had started my daily GIF artworks, so it felt like a very full-circle moment to see these visuals a decade later on some massive stages including the Ultra Miami main stage.

I've also included a few breakdowns of the individual layers for each visual.

Huge thank you to @_sillygabe_ for bringing me on for this project!

Photo credits: @ai.visuals @kursza @leep_che @ps66sss @ryandaveyphoto @zedd @pislices

Video credits: guanhong1009 (YouTube, Slide 2+5), Pi-Slices (Slide 7, from when I saw the show in Seattle!)

Visuals made with @maxon.cinema.4d @otoy @rendertoken

Images / visuals compiled @cavalry.app

In 2024, I had the chance to work on a small batch of visuals for @zedd's TELOS Tour. The goal was to create a set of minimal, but 3D 'VJ Tools' to integrate into the arch-shaped LED wall at the center of his stage. These visuals were used to help the audience see depth in the LED wall, and to combine with the production in moments with heavy use of lasers and lights.

I've compiled some of my favourite photos and videos of the visuals as they were being toured across the USA, South America, and Asia. In 2014, Zedd was one of the first DJs I saw perform after I had started my daily GIF artworks, so it felt like a very full-circle moment to see these visuals a decade later on some massive stages including the Ultra Miami main stage.

I've also included a few breakdowns of the individual layers for each visual.

Huge thank you to @_sillygabe_ for bringing me on for this project!

Photo credits: @ai.visuals @kursza @leep_che @ps66sss @ryandaveyphoto @zedd @pislices

Video credits: guanhong1009 (YouTube, Slide 2+5), Pi-Slices (Slide 7, from when I saw the show in Seattle!)

Visuals made with @maxon.cinema.4d @otoy @rendertoken

Images / visuals compiled @cavalry.app

In 2024, I had the chance to work on a small batch of visuals for @zedd's TELOS Tour. The goal was to create a set of minimal, but 3D 'VJ Tools' to integrate into the arch-shaped LED wall at the center of his stage. These visuals were used to help the audience see depth in the LED wall, and to combine with the production in moments with heavy use of lasers and lights.

I've compiled some of my favourite photos and videos of the visuals as they were being toured across the USA, South America, and Asia. In 2014, Zedd was one of the first DJs I saw perform after I had started my daily GIF artworks, so it felt like a very full-circle moment to see these visuals a decade later on some massive stages including the Ultra Miami main stage.

I've also included a few breakdowns of the individual layers for each visual.

Huge thank you to @_sillygabe_ for bringing me on for this project!

Photo credits: @ai.visuals @kursza @leep_che @ps66sss @ryandaveyphoto @zedd @pislices

Video credits: guanhong1009 (YouTube, Slide 2+5), Pi-Slices (Slide 7, from when I saw the show in Seattle!)

Visuals made with @maxon.cinema.4d @otoy @rendertoken

Images / visuals compiled @cavalry.app

In 2024, I had the chance to work on a small batch of visuals for @zedd's TELOS Tour. The goal was to create a set of minimal, but 3D 'VJ Tools' to integrate into the arch-shaped LED wall at the center of his stage. These visuals were used to help the audience see depth in the LED wall, and to combine with the production in moments with heavy use of lasers and lights.

I've compiled some of my favourite photos and videos of the visuals as they were being toured across the USA, South America, and Asia. In 2014, Zedd was one of the first DJs I saw perform after I had started my daily GIF artworks, so it felt like a very full-circle moment to see these visuals a decade later on some massive stages including the Ultra Miami main stage.

I've also included a few breakdowns of the individual layers for each visual.

Huge thank you to @_sillygabe_ for bringing me on for this project!

Photo credits: @ai.visuals @kursza @leep_che @ps66sss @ryandaveyphoto @zedd @pislices

Video credits: guanhong1009 (YouTube, Slide 2+5), Pi-Slices (Slide 7, from when I saw the show in Seattle!)

Visuals made with @maxon.cinema.4d @otoy @rendertoken

Images / visuals compiled @cavalry.app

Justin Bieber’s (@lilbieber) set was one of the most talked-about shows at #Coachella2026. Some of the visuals accompanying the set were created by @certainhouse and rendered on the Render Network.
Their original post listed the full production credits - go show the team some love.

Studio/Creator: Certainhouse
Project: Background visuals for Justin Bieber’s Coachella performance
Render Credit: Rendered on the Render Network
Full Credits: Tagged at Certainhouse’s original post
@certainhouse @lilbieber @rendertoken

Justin Bieber’s (@lilbieber) set was one of the most talked-about shows at #Coachella2026. Some of the visuals accompanying the set were created by @certainhouse and rendered on the Render Network.
Their original post listed the full production credits - go show the team some love.

Studio/Creator: Certainhouse
Project: Background visuals for Justin Bieber’s Coachella performance
Render Credit: Rendered on the Render Network
Full Credits: Tagged at Certainhouse’s original post
@certainhouse @lilbieber @rendertoken

Justin Bieber’s (@lilbieber) set was one of the most talked-about shows at #Coachella2026. Some of the visuals accompanying the set were created by @certainhouse and rendered on the Render Network.
Their original post listed the full production credits - go show the team some love.

Studio/Creator: Certainhouse
Project: Background visuals for Justin Bieber’s Coachella performance
Render Credit: Rendered on the Render Network
Full Credits: Tagged at Certainhouse’s original post
@certainhouse @lilbieber @rendertoken

That’s a wrap on Render Network’s #RenderCon 🔥

From every speaker to every detail, it surpassed all expectations.

Grateful for everyone who made it special.
Recaps + highlights coming soon - stay tuned.

@paullitvak at Robyn Dawes Institute found a clear gap in science: no full end-to-end pipeline existed to turn scientific PDFs into structured data. So he built one on Dispersed.

PDFs go in, answers about whether the research is credible come out. LLMs read hypotheses and statistical tests. Gemini reads the tables. The goal: an ML model that predicts which studies will replicate and which won't.

They're currently processing 10,000 papers, with the aim of processing millions. This aims to solve a $20 billion/year problem. Full talk at RenderCon 2026 - linked in bio.

"The ocean is this place where the past and future meet" - Manuel Sainsily (@manu.vision) 🌊

🔮 SUBMERGE: Beyond the Render
📍ARTECHOUSE NYC
🎟️ Link in bio for tickets

Presented by #ARTECHOUSE, powered by @rendertoken

#nyc #newyork #newyorkcity

Between the promise of light and the call of darkness.

Threshold.

#lightsandshadows #cinema4d #octane #3d #surrealart

Between the promise of light and the call of darkness.

Threshold.

#lightsandshadows #cinema4d #octane #3d #surrealart

Between the promise of light and the call of darkness.

Threshold.

#lightsandshadows #cinema4d #octane #3d #surrealart

Between the promise of light and the call of darkness.

Threshold.

#lightsandshadows #cinema4d #octane #3d #surrealart

Between the promise of light and the call of darkness.

Threshold.

#lightsandshadows #cinema4d #octane #3d #surrealart

The April monthly report is now live!

This month features #RenderCon2026 recap, the passing of RNP-023 bringing Salad’s node operator rewards to RENDER, and an appearance on the @allincryptoofficial podcast.

Full report now available - link in bio.

Andrey Lebrov, Head of CG & VFX Production and Founder of LMI, walked through his Octane Assembly Pipeline at #RC2026.

What you're watching: a snippet of a 300GB animated forest and groomed creature walking through it. Built in Houdini, assembled in Octane Standalone, rendered entirely on Render Network.

No in-house machines. No crashes. Would not have been possible without these combined tools.
Full talk - link in bio.

@alexpearce3d, co-founder of Sim-Plates, built his virtual production company on Render Network, and still depends on it to deliver 12K driving plates on broadcast deadlines, even with a 16-GPU A6000 farm in-house.

He told the story at RenderCon 2026 - watch full talk (Link in bio).

@alexpearce3d, co-founder of Sim-Plates, built his virtual production company on Render Network, and still depends on it to deliver 12K driving plates on broadcast deadlines, even with a 16-GPU A6000 farm in-house.

He told the story at RenderCon 2026 - watch full talk (Link in bio).

Watch the exclusive talk of #sunnyosahn for free @sunnyosahn from @rendertoken by #motionplusdesign >>> (website link in the bio)

#motiondesign #motiongraphics #motiondesigners

B.R.R.D. UNIT DEPLOYED
#brrd #gundam #bass #animeedits #bird

Our custom SNW Bridge! Check out this first of a kind cross over story now! VOY Era meets SNW, all coming together logically.

Made by fans for fans. Share so more fans can enjoy

Rendered in @rendertoken & @otoy

https://www.youtube.com/watch?v=WzmJN_XQpEU

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