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Introducing ALPES by @imageformat ⛰️⛷️🧗‍♀️ Alpes is a condensed grotesque superfamily offered in sans and mono styles in six weights. The second joint venture between Sharp Type and Image Format, Alpes arose on the bedrock principles of contrasted grotesques, but its final form is an adventurous departure: a pristine, all-terrain typeface sculpted by and for designers that ultimately extends the tradition of its genre forebears into liminal space, opting for distinction without sacrificing readability or quality.

#typefaces #graphicdesign #fontrelease #fonts

Introducing ALPES by @imageformat ⛰️⛷️🧗‍♀️ Alpes is a condensed grotesque superfamily offered in sans and mono styles in six weights. The second joint venture between Sharp Type and Image Format, Alpes arose on the bedrock principles of contrasted grotesques, but its final form is an adventurous departure: a pristine, all-terrain typeface sculpted by and for designers that ultimately extends the tradition of its genre forebears into liminal space, opting for distinction without sacrificing readability or quality.

#typefaces #graphicdesign #fontrelease #fonts

Introducing ALPES by @imageformat ⛰️⛷️🧗‍♀️ Alpes is a condensed grotesque superfamily offered in sans and mono styles in six weights. The second joint venture between Sharp Type and Image Format, Alpes arose on the bedrock principles of contrasted grotesques, but its final form is an adventurous departure: a pristine, all-terrain typeface sculpted by and for designers that ultimately extends the tradition of its genre forebears into liminal space, opting for distinction without sacrificing readability or quality.

#typefaces #graphicdesign #fontrelease #fonts

Introducing ALPES by @imageformat ⛰️⛷️🧗‍♀️ Alpes is a condensed grotesque superfamily offered in sans and mono styles in six weights. The second joint venture between Sharp Type and Image Format, Alpes arose on the bedrock principles of contrasted grotesques, but its final form is an adventurous departure: a pristine, all-terrain typeface sculpted by and for designers that ultimately extends the tradition of its genre forebears into liminal space, opting for distinction without sacrificing readability or quality.

#typefaces #graphicdesign #fontrelease #fonts

Introducing ALPES by @imageformat ⛰️⛷️🧗‍♀️ Alpes is a condensed grotesque superfamily offered in sans and mono styles in six weights. The second joint venture between Sharp Type and Image Format, Alpes arose on the bedrock principles of contrasted grotesques, but its final form is an adventurous departure: a pristine, all-terrain typeface sculpted by and for designers that ultimately extends the tradition of its genre forebears into liminal space, opting for distinction without sacrificing readability or quality.

#typefaces #graphicdesign #fontrelease #fonts

Introducing ALPES by @imageformat ⛰️⛷️🧗‍♀️ Alpes is a condensed grotesque superfamily offered in sans and mono styles in six weights. The second joint venture between Sharp Type and Image Format, Alpes arose on the bedrock principles of contrasted grotesques, but its final form is an adventurous departure: a pristine, all-terrain typeface sculpted by and for designers that ultimately extends the tradition of its genre forebears into liminal space, opting for distinction without sacrificing readability or quality.

#typefaces #graphicdesign #fontrelease #fonts

Introducing ALPES by @imageformat ⛰️⛷️🧗‍♀️ Alpes is a condensed grotesque superfamily offered in sans and mono styles in six weights. The second joint venture between Sharp Type and Image Format, Alpes arose on the bedrock principles of contrasted grotesques, but its final form is an adventurous departure: a pristine, all-terrain typeface sculpted by and for designers that ultimately extends the tradition of its genre forebears into liminal space, opting for distinction without sacrificing readability or quality.

#typefaces #graphicdesign #fontrelease #fonts

Introducing ALPES by @imageformat ⛰️⛷️🧗‍♀️ Alpes is a condensed grotesque superfamily offered in sans and mono styles in six weights. The second joint venture between Sharp Type and Image Format, Alpes arose on the bedrock principles of contrasted grotesques, but its final form is an adventurous departure: a pristine, all-terrain typeface sculpted by and for designers that ultimately extends the tradition of its genre forebears into liminal space, opting for distinction without sacrificing readability or quality.

#typefaces #graphicdesign #fontrelease #fonts

Introducing ALPES by @imageformat ⛰️⛷️🧗‍♀️ Alpes is a condensed grotesque superfamily offered in sans and mono styles in six weights. The second joint venture between Sharp Type and Image Format, Alpes arose on the bedrock principles of contrasted grotesques, but its final form is an adventurous departure: a pristine, all-terrain typeface sculpted by and for designers that ultimately extends the tradition of its genre forebears into liminal space, opting for distinction without sacrificing readability or quality.

#typefaces #graphicdesign #fontrelease #fonts

Introducing ALPES by @imageformat ⛰️⛷️🧗‍♀️ Alpes is a condensed grotesque superfamily offered in sans and mono styles in six weights. The second joint venture between Sharp Type and Image Format, Alpes arose on the bedrock principles of contrasted grotesques, but its final form is an adventurous departure: a pristine, all-terrain typeface sculpted by and for designers that ultimately extends the tradition of its genre forebears into liminal space, opting for distinction without sacrificing readability or quality.

#typefaces #graphicdesign #fontrelease #fonts

Introducing ALPES by @imageformat ⛰️⛷️🧗‍♀️ Alpes is a condensed grotesque superfamily offered in sans and mono styles in six weights. The second joint venture between Sharp Type and Image Format, Alpes arose on the bedrock principles of contrasted grotesques, but its final form is an adventurous departure: a pristine, all-terrain typeface sculpted by and for designers that ultimately extends the tradition of its genre forebears into liminal space, opting for distinction without sacrificing readability or quality.

#typefaces #graphicdesign #fontrelease #fonts

🚨🚨🚨NEW RELEASE🚨🚨🚨

🔹🔺🔸Introducing Rotina 🔸🔺🔹By @nuformtype and the Sharp Type team

Rotina is a sturdy modernist sans with a playful secret. Built on the foundation of a clean utilitarian neo-grotesque, Rotina is a Swiss army knife of tools that brings workhorse fundamentals, robust utility, and a heavy dose of aura to your daily design routine. 

The first collaboration between Sharp Type and NuForm, Rotina was conceived by Erik Marinovich from two worlds: the meticulous order of type design and the freehand intuition of lettering. It began with dead stock Letraset sheets, cut apart, rearranged, and redrawn, where the joy of manipulating form first took root. 

That same curiosity lives on in a typeface engineered for contemporary use yet grounded in analog discovery. Rotina feels both grown up and impulsive, a structured experiment that never forgot how to improvise.

With Standard, Swash, and Script families (each in both Standard and Tight versions), Rotina balances precision and play, structure and expression. Every letter carries a quiet tension, part modernist engineering, part human gesture. 🖋️🌀🖊️

Rotina is functional yet full of character, the dependable sans you reach for instinctively, but one that rewards playfulness. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀

Explore Rotina through the link in our bio!

🚨🚨🚨NEW RELEASE🚨🚨🚨

🔹🔺🔸Introducing Rotina 🔸🔺🔹By @nuformtype and the Sharp Type team

Rotina is a sturdy modernist sans with a playful secret. Built on the foundation of a clean utilitarian neo-grotesque, Rotina is a Swiss army knife of tools that brings workhorse fundamentals, robust utility, and a heavy dose of aura to your daily design routine. 

The first collaboration between Sharp Type and NuForm, Rotina was conceived by Erik Marinovich from two worlds: the meticulous order of type design and the freehand intuition of lettering. It began with dead stock Letraset sheets, cut apart, rearranged, and redrawn, where the joy of manipulating form first took root. 

That same curiosity lives on in a typeface engineered for contemporary use yet grounded in analog discovery. Rotina feels both grown up and impulsive, a structured experiment that never forgot how to improvise.

With Standard, Swash, and Script families (each in both Standard and Tight versions), Rotina balances precision and play, structure and expression. Every letter carries a quiet tension, part modernist engineering, part human gesture. 🖋️🌀🖊️

Rotina is functional yet full of character, the dependable sans you reach for instinctively, but one that rewards playfulness. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀

Explore Rotina through the link in our bio!

🚨🚨🚨NEW RELEASE🚨🚨🚨

🔹🔺🔸Introducing Rotina 🔸🔺🔹By @nuformtype and the Sharp Type team

Rotina is a sturdy modernist sans with a playful secret. Built on the foundation of a clean utilitarian neo-grotesque, Rotina is a Swiss army knife of tools that brings workhorse fundamentals, robust utility, and a heavy dose of aura to your daily design routine. 

The first collaboration between Sharp Type and NuForm, Rotina was conceived by Erik Marinovich from two worlds: the meticulous order of type design and the freehand intuition of lettering. It began with dead stock Letraset sheets, cut apart, rearranged, and redrawn, where the joy of manipulating form first took root. 

That same curiosity lives on in a typeface engineered for contemporary use yet grounded in analog discovery. Rotina feels both grown up and impulsive, a structured experiment that never forgot how to improvise.

With Standard, Swash, and Script families (each in both Standard and Tight versions), Rotina balances precision and play, structure and expression. Every letter carries a quiet tension, part modernist engineering, part human gesture. 🖋️🌀🖊️

Rotina is functional yet full of character, the dependable sans you reach for instinctively, but one that rewards playfulness. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀

Explore Rotina through the link in our bio!

🚨🚨🚨NEW RELEASE🚨🚨🚨

🔹🔺🔸Introducing Rotina 🔸🔺🔹By @nuformtype and the Sharp Type team

Rotina is a sturdy modernist sans with a playful secret. Built on the foundation of a clean utilitarian neo-grotesque, Rotina is a Swiss army knife of tools that brings workhorse fundamentals, robust utility, and a heavy dose of aura to your daily design routine. 

The first collaboration between Sharp Type and NuForm, Rotina was conceived by Erik Marinovich from two worlds: the meticulous order of type design and the freehand intuition of lettering. It began with dead stock Letraset sheets, cut apart, rearranged, and redrawn, where the joy of manipulating form first took root. 

That same curiosity lives on in a typeface engineered for contemporary use yet grounded in analog discovery. Rotina feels both grown up and impulsive, a structured experiment that never forgot how to improvise.

With Standard, Swash, and Script families (each in both Standard and Tight versions), Rotina balances precision and play, structure and expression. Every letter carries a quiet tension, part modernist engineering, part human gesture. 🖋️🌀🖊️

Rotina is functional yet full of character, the dependable sans you reach for instinctively, but one that rewards playfulness. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀

Explore Rotina through the link in our bio!

🚨🚨🚨NEW RELEASE🚨🚨🚨

🔹🔺🔸Introducing Rotina 🔸🔺🔹By @nuformtype and the Sharp Type team

Rotina is a sturdy modernist sans with a playful secret. Built on the foundation of a clean utilitarian neo-grotesque, Rotina is a Swiss army knife of tools that brings workhorse fundamentals, robust utility, and a heavy dose of aura to your daily design routine. 

The first collaboration between Sharp Type and NuForm, Rotina was conceived by Erik Marinovich from two worlds: the meticulous order of type design and the freehand intuition of lettering. It began with dead stock Letraset sheets, cut apart, rearranged, and redrawn, where the joy of manipulating form first took root. 

That same curiosity lives on in a typeface engineered for contemporary use yet grounded in analog discovery. Rotina feels both grown up and impulsive, a structured experiment that never forgot how to improvise.

With Standard, Swash, and Script families (each in both Standard and Tight versions), Rotina balances precision and play, structure and expression. Every letter carries a quiet tension, part modernist engineering, part human gesture. 🖋️🌀🖊️

Rotina is functional yet full of character, the dependable sans you reach for instinctively, but one that rewards playfulness. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀

Explore Rotina through the link in our bio!

🚨🚨🚨NEW RELEASE🚨🚨🚨

🔹🔺🔸Introducing Rotina 🔸🔺🔹By @nuformtype and the Sharp Type team

Rotina is a sturdy modernist sans with a playful secret. Built on the foundation of a clean utilitarian neo-grotesque, Rotina is a Swiss army knife of tools that brings workhorse fundamentals, robust utility, and a heavy dose of aura to your daily design routine. 

The first collaboration between Sharp Type and NuForm, Rotina was conceived by Erik Marinovich from two worlds: the meticulous order of type design and the freehand intuition of lettering. It began with dead stock Letraset sheets, cut apart, rearranged, and redrawn, where the joy of manipulating form first took root. 

That same curiosity lives on in a typeface engineered for contemporary use yet grounded in analog discovery. Rotina feels both grown up and impulsive, a structured experiment that never forgot how to improvise.

With Standard, Swash, and Script families (each in both Standard and Tight versions), Rotina balances precision and play, structure and expression. Every letter carries a quiet tension, part modernist engineering, part human gesture. 🖋️🌀🖊️

Rotina is functional yet full of character, the dependable sans you reach for instinctively, but one that rewards playfulness. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀

Explore Rotina through the link in our bio!

🚨🚨🚨NEW RELEASE🚨🚨🚨

🔹🔺🔸Introducing Rotina 🔸🔺🔹By @nuformtype and the Sharp Type team

Rotina is a sturdy modernist sans with a playful secret. Built on the foundation of a clean utilitarian neo-grotesque, Rotina is a Swiss army knife of tools that brings workhorse fundamentals, robust utility, and a heavy dose of aura to your daily design routine. 

The first collaboration between Sharp Type and NuForm, Rotina was conceived by Erik Marinovich from two worlds: the meticulous order of type design and the freehand intuition of lettering. It began with dead stock Letraset sheets, cut apart, rearranged, and redrawn, where the joy of manipulating form first took root. 

That same curiosity lives on in a typeface engineered for contemporary use yet grounded in analog discovery. Rotina feels both grown up and impulsive, a structured experiment that never forgot how to improvise.

With Standard, Swash, and Script families (each in both Standard and Tight versions), Rotina balances precision and play, structure and expression. Every letter carries a quiet tension, part modernist engineering, part human gesture. 🖋️🌀🖊️

Rotina is functional yet full of character, the dependable sans you reach for instinctively, but one that rewards playfulness. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀

Explore Rotina through the link in our bio!

🚨🚨🚨NEW RELEASE🚨🚨🚨

🔹🔺🔸Introducing Rotina 🔸🔺🔹By @nuformtype and the Sharp Type team

Rotina is a sturdy modernist sans with a playful secret. Built on the foundation of a clean utilitarian neo-grotesque, Rotina is a Swiss army knife of tools that brings workhorse fundamentals, robust utility, and a heavy dose of aura to your daily design routine. 

The first collaboration between Sharp Type and NuForm, Rotina was conceived by Erik Marinovich from two worlds: the meticulous order of type design and the freehand intuition of lettering. It began with dead stock Letraset sheets, cut apart, rearranged, and redrawn, where the joy of manipulating form first took root. 

That same curiosity lives on in a typeface engineered for contemporary use yet grounded in analog discovery. Rotina feels both grown up and impulsive, a structured experiment that never forgot how to improvise.

With Standard, Swash, and Script families (each in both Standard and Tight versions), Rotina balances precision and play, structure and expression. Every letter carries a quiet tension, part modernist engineering, part human gesture. 🖋️🌀🖊️

Rotina is functional yet full of character, the dependable sans you reach for instinctively, but one that rewards playfulness. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀

Explore Rotina through the link in our bio!

🚨🚨🚨NEW RELEASE🚨🚨🚨

🔹🔺🔸Introducing Rotina 🔸🔺🔹By @nuformtype and the Sharp Type team

Rotina is a sturdy modernist sans with a playful secret. Built on the foundation of a clean utilitarian neo-grotesque, Rotina is a Swiss army knife of tools that brings workhorse fundamentals, robust utility, and a heavy dose of aura to your daily design routine. 

The first collaboration between Sharp Type and NuForm, Rotina was conceived by Erik Marinovich from two worlds: the meticulous order of type design and the freehand intuition of lettering. It began with dead stock Letraset sheets, cut apart, rearranged, and redrawn, where the joy of manipulating form first took root. 

That same curiosity lives on in a typeface engineered for contemporary use yet grounded in analog discovery. Rotina feels both grown up and impulsive, a structured experiment that never forgot how to improvise.

With Standard, Swash, and Script families (each in both Standard and Tight versions), Rotina balances precision and play, structure and expression. Every letter carries a quiet tension, part modernist engineering, part human gesture. 🖋️🌀🖊️

Rotina is functional yet full of character, the dependable sans you reach for instinctively, but one that rewards playfulness. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀

Explore Rotina through the link in our bio!

🚨🚨🚨NEW RELEASE🚨🚨🚨

🔹🔺🔸Introducing Rotina 🔸🔺🔹By @nuformtype and the Sharp Type team

Rotina is a sturdy modernist sans with a playful secret. Built on the foundation of a clean utilitarian neo-grotesque, Rotina is a Swiss army knife of tools that brings workhorse fundamentals, robust utility, and a heavy dose of aura to your daily design routine. 

The first collaboration between Sharp Type and NuForm, Rotina was conceived by Erik Marinovich from two worlds: the meticulous order of type design and the freehand intuition of lettering. It began with dead stock Letraset sheets, cut apart, rearranged, and redrawn, where the joy of manipulating form first took root. 

That same curiosity lives on in a typeface engineered for contemporary use yet grounded in analog discovery. Rotina feels both grown up and impulsive, a structured experiment that never forgot how to improvise.

With Standard, Swash, and Script families (each in both Standard and Tight versions), Rotina balances precision and play, structure and expression. Every letter carries a quiet tension, part modernist engineering, part human gesture. 🖋️🌀🖊️

Rotina is functional yet full of character, the dependable sans you reach for instinctively, but one that rewards playfulness. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀

Explore Rotina through the link in our bio!

🚨🚨🚨NEW RELEASE🚨🚨🚨

🔹🔺🔸Introducing Rotina 🔸🔺🔹By @nuformtype and the Sharp Type team

Rotina is a sturdy modernist sans with a playful secret. Built on the foundation of a clean utilitarian neo-grotesque, Rotina is a Swiss army knife of tools that brings workhorse fundamentals, robust utility, and a heavy dose of aura to your daily design routine. 

The first collaboration between Sharp Type and NuForm, Rotina was conceived by Erik Marinovich from two worlds: the meticulous order of type design and the freehand intuition of lettering. It began with dead stock Letraset sheets, cut apart, rearranged, and redrawn, where the joy of manipulating form first took root. 

That same curiosity lives on in a typeface engineered for contemporary use yet grounded in analog discovery. Rotina feels both grown up and impulsive, a structured experiment that never forgot how to improvise.

With Standard, Swash, and Script families (each in both Standard and Tight versions), Rotina balances precision and play, structure and expression. Every letter carries a quiet tension, part modernist engineering, part human gesture. 🖋️🌀🖊️

Rotina is functional yet full of character, the dependable sans you reach for instinctively, but one that rewards playfulness. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀

Explore Rotina through the link in our bio!

🚨🚨🚨NEW RELEASE🚨🚨🚨

🔹🔺🔸Introducing Rotina 🔸🔺🔹By @nuformtype and the Sharp Type team

Rotina is a sturdy modernist sans with a playful secret. Built on the foundation of a clean utilitarian neo-grotesque, Rotina is a Swiss army knife of tools that brings workhorse fundamentals, robust utility, and a heavy dose of aura to your daily design routine. 

The first collaboration between Sharp Type and NuForm, Rotina was conceived by Erik Marinovich from two worlds: the meticulous order of type design and the freehand intuition of lettering. It began with dead stock Letraset sheets, cut apart, rearranged, and redrawn, where the joy of manipulating form first took root. 

That same curiosity lives on in a typeface engineered for contemporary use yet grounded in analog discovery. Rotina feels both grown up and impulsive, a structured experiment that never forgot how to improvise.

With Standard, Swash, and Script families (each in both Standard and Tight versions), Rotina balances precision and play, structure and expression. Every letter carries a quiet tension, part modernist engineering, part human gesture. 🖋️🌀🖊️

Rotina is functional yet full of character, the dependable sans you reach for instinctively, but one that rewards playfulness. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀

Explore Rotina through the link in our bio!

🚨🚨🚨NEW RELEASE🚨🚨🚨

🔹🔺🔸Introducing Rotina 🔸🔺🔹By @nuformtype and the Sharp Type team

Rotina is a sturdy modernist sans with a playful secret. Built on the foundation of a clean utilitarian neo-grotesque, Rotina is a Swiss army knife of tools that brings workhorse fundamentals, robust utility, and a heavy dose of aura to your daily design routine. 

The first collaboration between Sharp Type and NuForm, Rotina was conceived by Erik Marinovich from two worlds: the meticulous order of type design and the freehand intuition of lettering. It began with dead stock Letraset sheets, cut apart, rearranged, and redrawn, where the joy of manipulating form first took root. 

That same curiosity lives on in a typeface engineered for contemporary use yet grounded in analog discovery. Rotina feels both grown up and impulsive, a structured experiment that never forgot how to improvise.

With Standard, Swash, and Script families (each in both Standard and Tight versions), Rotina balances precision and play, structure and expression. Every letter carries a quiet tension, part modernist engineering, part human gesture. 🖋️🌀🖊️

Rotina is functional yet full of character, the dependable sans you reach for instinctively, but one that rewards playfulness. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀

Explore Rotina through the link in our bio!

🚨🚨🚨NEW RELEASE🚨🚨🚨

🔹🔺🔸Introducing Rotina 🔸🔺🔹By @nuformtype and the Sharp Type team

Rotina is a sturdy modernist sans with a playful secret. Built on the foundation of a clean utilitarian neo-grotesque, Rotina is a Swiss army knife of tools that brings workhorse fundamentals, robust utility, and a heavy dose of aura to your daily design routine. 

The first collaboration between Sharp Type and NuForm, Rotina was conceived by Erik Marinovich from two worlds: the meticulous order of type design and the freehand intuition of lettering. It began with dead stock Letraset sheets, cut apart, rearranged, and redrawn, where the joy of manipulating form first took root. 

That same curiosity lives on in a typeface engineered for contemporary use yet grounded in analog discovery. Rotina feels both grown up and impulsive, a structured experiment that never forgot how to improvise.

With Standard, Swash, and Script families (each in both Standard and Tight versions), Rotina balances precision and play, structure and expression. Every letter carries a quiet tension, part modernist engineering, part human gesture. 🖋️🌀🖊️

Rotina is functional yet full of character, the dependable sans you reach for instinctively, but one that rewards playfulness. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀

Explore Rotina through the link in our bio!

🚨🚨🚨NEW RELEASE🚨🚨🚨

🔹🔺🔸Introducing Rotina 🔸🔺🔹By @nuformtype and the Sharp Type team

Rotina is a sturdy modernist sans with a playful secret. Built on the foundation of a clean utilitarian neo-grotesque, Rotina is a Swiss army knife of tools that brings workhorse fundamentals, robust utility, and a heavy dose of aura to your daily design routine. 

The first collaboration between Sharp Type and NuForm, Rotina was conceived by Erik Marinovich from two worlds: the meticulous order of type design and the freehand intuition of lettering. It began with dead stock Letraset sheets, cut apart, rearranged, and redrawn, where the joy of manipulating form first took root. 

That same curiosity lives on in a typeface engineered for contemporary use yet grounded in analog discovery. Rotina feels both grown up and impulsive, a structured experiment that never forgot how to improvise.

With Standard, Swash, and Script families (each in both Standard and Tight versions), Rotina balances precision and play, structure and expression. Every letter carries a quiet tension, part modernist engineering, part human gesture. 🖋️🌀🖊️

Rotina is functional yet full of character, the dependable sans you reach for instinctively, but one that rewards playfulness. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀

Explore Rotina through the link in our bio!

New Release 🕊️🦅Cordier Script channels the virtuosic calligraphy of Louis Barbedor, the 17th-century French master penman, 🦆🦜 reimagined as a contemporary script typeface. Drawn from the intricate plates of Les écritures financière et italienne-bastarde, engraved by Robert Cordier in 1650, ✍️✍️✍️ Cordier Script marries historical elegance with modern vitality. Designed by @benjjamiing and mastered by @mgbella Cordier Script echoes Barbedor’s daring hand—its inverted thick-and-thin strokes sweep diagonally upward, each letter a study in acrobatic finesse. 🦢🦉🐓🐤

New Release 🕊️🦅Cordier Script channels the virtuosic calligraphy of Louis Barbedor, the 17th-century French master penman, 🦆🦜 reimagined as a contemporary script typeface. Drawn from the intricate plates of Les écritures financière et italienne-bastarde, engraved by Robert Cordier in 1650, ✍️✍️✍️ Cordier Script marries historical elegance with modern vitality. Designed by @benjjamiing and mastered by @mgbella Cordier Script echoes Barbedor’s daring hand—its inverted thick-and-thin strokes sweep diagonally upward, each letter a study in acrobatic finesse. 🦢🦉🐓🐤

New Release 🕊️🦅Cordier Script channels the virtuosic calligraphy of Louis Barbedor, the 17th-century French master penman, 🦆🦜 reimagined as a contemporary script typeface. Drawn from the intricate plates of Les écritures financière et italienne-bastarde, engraved by Robert Cordier in 1650, ✍️✍️✍️ Cordier Script marries historical elegance with modern vitality. Designed by @benjjamiing and mastered by @mgbella Cordier Script echoes Barbedor’s daring hand—its inverted thick-and-thin strokes sweep diagonally upward, each letter a study in acrobatic finesse. 🦢🦉🐓🐤

New Release 🕊️🦅Cordier Script channels the virtuosic calligraphy of Louis Barbedor, the 17th-century French master penman, 🦆🦜 reimagined as a contemporary script typeface. Drawn from the intricate plates of Les écritures financière et italienne-bastarde, engraved by Robert Cordier in 1650, ✍️✍️✍️ Cordier Script marries historical elegance with modern vitality. Designed by @benjjamiing and mastered by @mgbella Cordier Script echoes Barbedor’s daring hand—its inverted thick-and-thin strokes sweep diagonally upward, each letter a study in acrobatic finesse. 🦢🦉🐓🐤

New Release 🕊️🦅Cordier Script channels the virtuosic calligraphy of Louis Barbedor, the 17th-century French master penman, 🦆🦜 reimagined as a contemporary script typeface. Drawn from the intricate plates of Les écritures financière et italienne-bastarde, engraved by Robert Cordier in 1650, ✍️✍️✍️ Cordier Script marries historical elegance with modern vitality. Designed by @benjjamiing and mastered by @mgbella Cordier Script echoes Barbedor’s daring hand—its inverted thick-and-thin strokes sweep diagonally upward, each letter a study in acrobatic finesse. 🦢🦉🐓🐤

New Release 🕊️🦅Cordier Script channels the virtuosic calligraphy of Louis Barbedor, the 17th-century French master penman, 🦆🦜 reimagined as a contemporary script typeface. Drawn from the intricate plates of Les écritures financière et italienne-bastarde, engraved by Robert Cordier in 1650, ✍️✍️✍️ Cordier Script marries historical elegance with modern vitality. Designed by @benjjamiing and mastered by @mgbella Cordier Script echoes Barbedor’s daring hand—its inverted thick-and-thin strokes sweep diagonally upward, each letter a study in acrobatic finesse. 🦢🦉🐓🐤

New Release 🕊️🦅Cordier Script channels the virtuosic calligraphy of Louis Barbedor, the 17th-century French master penman, 🦆🦜 reimagined as a contemporary script typeface. Drawn from the intricate plates of Les écritures financière et italienne-bastarde, engraved by Robert Cordier in 1650, ✍️✍️✍️ Cordier Script marries historical elegance with modern vitality. Designed by @benjjamiing and mastered by @mgbella Cordier Script echoes Barbedor’s daring hand—its inverted thick-and-thin strokes sweep diagonally upward, each letter a study in acrobatic finesse. 🦢🦉🐓🐤

New Release 🕊️🦅Cordier Script channels the virtuosic calligraphy of Louis Barbedor, the 17th-century French master penman, 🦆🦜 reimagined as a contemporary script typeface. Drawn from the intricate plates of Les écritures financière et italienne-bastarde, engraved by Robert Cordier in 1650, ✍️✍️✍️ Cordier Script marries historical elegance with modern vitality. Designed by @benjjamiing and mastered by @mgbella Cordier Script echoes Barbedor’s daring hand—its inverted thick-and-thin strokes sweep diagonally upward, each letter a study in acrobatic finesse. 🦢🦉🐓🐤

Happy Earth Day fam!!!

We’ve been doing a lot of client work recently, and what I love about that is the process of collaboration. When someone is commissioning a typeface from us, it’s because the exact design they’re looking for does not exist yet, and due to the high level of clientele that we are blessed with, this is also a window into movements within the aesthetic zeitgeist of the larger design world. I’ve been cooking up this calligraphic high-contrast Baskerville design for a long time, and it was actually a client project that gave me the idea to do a connecting semi-script for the italic. Special shout to @jackdecaluwe on that one! #ZazieTypeface will be dropping later this year- I think it needs a textface too 🤔✍️🪄

We’ve been doing a lot of client work recently, and what I love about that is the process of collaboration. When someone is commissioning a typeface from us, it’s because the exact design they’re looking for does not exist yet, and due to the high level of clientele that we are blessed with, this is also a window into movements within the aesthetic zeitgeist of the larger design world. I’ve been cooking up this calligraphic high-contrast Baskerville design for a long time, and it was actually a client project that gave me the idea to do a connecting semi-script for the italic. Special shout to @jackdecaluwe on that one! #ZazieTypeface will be dropping later this year- I think it needs a textface too 🤔✍️🪄

We’ve been doing a lot of client work recently, and what I love about that is the process of collaboration. When someone is commissioning a typeface from us, it’s because the exact design they’re looking for does not exist yet, and due to the high level of clientele that we are blessed with, this is also a window into movements within the aesthetic zeitgeist of the larger design world. I’ve been cooking up this calligraphic high-contrast Baskerville design for a long time, and it was actually a client project that gave me the idea to do a connecting semi-script for the italic. Special shout to @jackdecaluwe on that one! #ZazieTypeface will be dropping later this year- I think it needs a textface too 🤔✍️🪄

We’ve been doing a lot of client work recently, and what I love about that is the process of collaboration. When someone is commissioning a typeface from us, it’s because the exact design they’re looking for does not exist yet, and due to the high level of clientele that we are blessed with, this is also a window into movements within the aesthetic zeitgeist of the larger design world. I’ve been cooking up this calligraphic high-contrast Baskerville design for a long time, and it was actually a client project that gave me the idea to do a connecting semi-script for the italic. Special shout to @jackdecaluwe on that one! #ZazieTypeface will be dropping later this year- I think it needs a textface too 🤔✍️🪄

We’ve been doing a lot of client work recently, and what I love about that is the process of collaboration. When someone is commissioning a typeface from us, it’s because the exact design they’re looking for does not exist yet, and due to the high level of clientele that we are blessed with, this is also a window into movements within the aesthetic zeitgeist of the larger design world. I’ve been cooking up this calligraphic high-contrast Baskerville design for a long time, and it was actually a client project that gave me the idea to do a connecting semi-script for the italic. Special shout to @jackdecaluwe on that one! #ZazieTypeface will be dropping later this year- I think it needs a textface too 🤔✍️🪄

We’ve been doing a lot of client work recently, and what I love about that is the process of collaboration. When someone is commissioning a typeface from us, it’s because the exact design they’re looking for does not exist yet, and due to the high level of clientele that we are blessed with, this is also a window into movements within the aesthetic zeitgeist of the larger design world. I’ve been cooking up this calligraphic high-contrast Baskerville design for a long time, and it was actually a client project that gave me the idea to do a connecting semi-script for the italic. Special shout to @jackdecaluwe on that one! #ZazieTypeface will be dropping later this year- I think it needs a textface too 🤔✍️🪄

We’ve been doing a lot of client work recently, and what I love about that is the process of collaboration. When someone is commissioning a typeface from us, it’s because the exact design they’re looking for does not exist yet, and due to the high level of clientele that we are blessed with, this is also a window into movements within the aesthetic zeitgeist of the larger design world. I’ve been cooking up this calligraphic high-contrast Baskerville design for a long time, and it was actually a client project that gave me the idea to do a connecting semi-script for the italic. Special shout to @jackdecaluwe on that one! #ZazieTypeface will be dropping later this year- I think it needs a textface too 🤔✍️🪄

We’ve been doing a lot of client work recently, and what I love about that is the process of collaboration. When someone is commissioning a typeface from us, it’s because the exact design they’re looking for does not exist yet, and due to the high level of clientele that we are blessed with, this is also a window into movements within the aesthetic zeitgeist of the larger design world. I’ve been cooking up this calligraphic high-contrast Baskerville design for a long time, and it was actually a client project that gave me the idea to do a connecting semi-script for the italic. Special shout to @jackdecaluwe on that one! #ZazieTypeface will be dropping later this year- I think it needs a textface too 🤔✍️🪄

We’ve been doing a lot of client work recently, and what I love about that is the process of collaboration. When someone is commissioning a typeface from us, it’s because the exact design they’re looking for does not exist yet, and due to the high level of clientele that we are blessed with, this is also a window into movements within the aesthetic zeitgeist of the larger design world. I’ve been cooking up this calligraphic high-contrast Baskerville design for a long time, and it was actually a client project that gave me the idea to do a connecting semi-script for the italic. Special shout to @jackdecaluwe on that one! #ZazieTypeface will be dropping later this year- I think it needs a textface too 🤔✍️🪄

👻

Our typeface Record Laser for the X Games rebrand.

Brand identity by @wkndhrs
Design: @gwen.geng.design , @noegarsoux , @manasseto
Typeface: Record Laser by @imageformat and @sharp_type

Record Laser is available exclusively at sharptype.co

Our typeface Record Laser for the X Games rebrand.

Brand identity by @wkndhrs
Design: @gwen.geng.design , @noegarsoux , @manasseto
Typeface: Record Laser by @imageformat and @sharp_type

Record Laser is available exclusively at sharptype.co

Our typeface Record Laser for the X Games rebrand.

Brand identity by @wkndhrs
Design: @gwen.geng.design , @noegarsoux , @manasseto
Typeface: Record Laser by @imageformat and @sharp_type

Record Laser is available exclusively at sharptype.co

Our typeface Record Laser for the X Games rebrand.

Brand identity by @wkndhrs
Design: @gwen.geng.design , @noegarsoux , @manasseto
Typeface: Record Laser by @imageformat and @sharp_type

Record Laser is available exclusively at sharptype.co

Our typeface Record Laser for the X Games rebrand.

Brand identity by @wkndhrs
Design: @gwen.geng.design , @noegarsoux , @manasseto
Typeface: Record Laser by @imageformat and @sharp_type

Record Laser is available exclusively at sharptype.co

Our typeface Record Laser for the X Games rebrand.

Brand identity by @wkndhrs
Design: @gwen.geng.design , @noegarsoux , @manasseto
Typeface: Record Laser by @imageformat and @sharp_type

Record Laser is available exclusively at sharptype.co

Our typeface Record Laser for the X Games rebrand.

Brand identity by @wkndhrs
Design: @gwen.geng.design , @noegarsoux , @manasseto
Typeface: Record Laser by @imageformat and @sharp_type

Record Laser is available exclusively at sharptype.co

Our typeface Record Laser for the X Games rebrand.

Brand identity by @wkndhrs
Design: @gwen.geng.design , @noegarsoux , @manasseto
Typeface: Record Laser by @imageformat and @sharp_type

Record Laser is available exclusively at sharptype.co

Record Laser in use for TBPN ‘Technology’s Daily Show’ - The brand system initially designed by our friends at @dayjob.work drawing inspiration from Formula 1 sponsorship density, forest-green “country club” codes, and lo-fi VHS effects, embraced spectacle over startup minimalism. At the center of the media platform is Record Laser, designed by @imageformat and published under Sharp Type’s season two catalogue. Used as the sole typeface across the entire system, Record Laser carries headlines, motion graphics, and interface typography without auxiliary support. The decision to rely exclusively on a single display family underscores its range and broadcast legibility, positioning the typeface not simply as a stylistic layer but as the structural and expressive core of a contemporary media brand.

As recently reported in The New Yorker, TBPN has emerged as part of a growing ecosystem of tech-aligned media — insider-led, enthusiast-driven, and unapologetically pro-industry. At the same time, the hosts attribute the show’s success to their effort to have honest conversations about the broader impact of the industry — a balance that has helped them attract headline-making CEOs while cultivating a loyal audience.

Record Laser in use for TBPN ‘Technology’s Daily Show’ - The brand system initially designed by our friends at @dayjob.work drawing inspiration from Formula 1 sponsorship density, forest-green “country club” codes, and lo-fi VHS effects, embraced spectacle over startup minimalism. At the center of the media platform is Record Laser, designed by @imageformat and published under Sharp Type’s season two catalogue. Used as the sole typeface across the entire system, Record Laser carries headlines, motion graphics, and interface typography without auxiliary support. The decision to rely exclusively on a single display family underscores its range and broadcast legibility, positioning the typeface not simply as a stylistic layer but as the structural and expressive core of a contemporary media brand.

As recently reported in The New Yorker, TBPN has emerged as part of a growing ecosystem of tech-aligned media — insider-led, enthusiast-driven, and unapologetically pro-industry. At the same time, the hosts attribute the show’s success to their effort to have honest conversations about the broader impact of the industry — a balance that has helped them attract headline-making CEOs while cultivating a loyal audience.

Record Laser in use for TBPN ‘Technology’s Daily Show’ - The brand system initially designed by our friends at @dayjob.work drawing inspiration from Formula 1 sponsorship density, forest-green “country club” codes, and lo-fi VHS effects, embraced spectacle over startup minimalism. At the center of the media platform is Record Laser, designed by @imageformat and published under Sharp Type’s season two catalogue. Used as the sole typeface across the entire system, Record Laser carries headlines, motion graphics, and interface typography without auxiliary support. The decision to rely exclusively on a single display family underscores its range and broadcast legibility, positioning the typeface not simply as a stylistic layer but as the structural and expressive core of a contemporary media brand.

As recently reported in The New Yorker, TBPN has emerged as part of a growing ecosystem of tech-aligned media — insider-led, enthusiast-driven, and unapologetically pro-industry. At the same time, the hosts attribute the show’s success to their effort to have honest conversations about the broader impact of the industry — a balance that has helped them attract headline-making CEOs while cultivating a loyal audience.

Record Laser in use for TBPN ‘Technology’s Daily Show’ - The brand system initially designed by our friends at @dayjob.work drawing inspiration from Formula 1 sponsorship density, forest-green “country club” codes, and lo-fi VHS effects, embraced spectacle over startup minimalism. At the center of the media platform is Record Laser, designed by @imageformat and published under Sharp Type’s season two catalogue. Used as the sole typeface across the entire system, Record Laser carries headlines, motion graphics, and interface typography without auxiliary support. The decision to rely exclusively on a single display family underscores its range and broadcast legibility, positioning the typeface not simply as a stylistic layer but as the structural and expressive core of a contemporary media brand.

As recently reported in The New Yorker, TBPN has emerged as part of a growing ecosystem of tech-aligned media — insider-led, enthusiast-driven, and unapologetically pro-industry. At the same time, the hosts attribute the show’s success to their effort to have honest conversations about the broader impact of the industry — a balance that has helped them attract headline-making CEOs while cultivating a loyal audience.

Record Laser in use for TBPN ‘Technology’s Daily Show’ - The brand system initially designed by our friends at @dayjob.work drawing inspiration from Formula 1 sponsorship density, forest-green “country club” codes, and lo-fi VHS effects, embraced spectacle over startup minimalism. At the center of the media platform is Record Laser, designed by @imageformat and published under Sharp Type’s season two catalogue. Used as the sole typeface across the entire system, Record Laser carries headlines, motion graphics, and interface typography without auxiliary support. The decision to rely exclusively on a single display family underscores its range and broadcast legibility, positioning the typeface not simply as a stylistic layer but as the structural and expressive core of a contemporary media brand.

As recently reported in The New Yorker, TBPN has emerged as part of a growing ecosystem of tech-aligned media — insider-led, enthusiast-driven, and unapologetically pro-industry. At the same time, the hosts attribute the show’s success to their effort to have honest conversations about the broader impact of the industry — a balance that has helped them attract headline-making CEOs while cultivating a loyal audience.

Record Laser in use for TBPN ‘Technology’s Daily Show’ - The brand system initially designed by our friends at @dayjob.work drawing inspiration from Formula 1 sponsorship density, forest-green “country club” codes, and lo-fi VHS effects, embraced spectacle over startup minimalism. At the center of the media platform is Record Laser, designed by @imageformat and published under Sharp Type’s season two catalogue. Used as the sole typeface across the entire system, Record Laser carries headlines, motion graphics, and interface typography without auxiliary support. The decision to rely exclusively on a single display family underscores its range and broadcast legibility, positioning the typeface not simply as a stylistic layer but as the structural and expressive core of a contemporary media brand.

As recently reported in The New Yorker, TBPN has emerged as part of a growing ecosystem of tech-aligned media — insider-led, enthusiast-driven, and unapologetically pro-industry. At the same time, the hosts attribute the show’s success to their effort to have honest conversations about the broader impact of the industry — a balance that has helped them attract headline-making CEOs while cultivating a loyal audience.

Record Laser in use for TBPN ‘Technology’s Daily Show’ - The brand system initially designed by our friends at @dayjob.work drawing inspiration from Formula 1 sponsorship density, forest-green “country club” codes, and lo-fi VHS effects, embraced spectacle over startup minimalism. At the center of the media platform is Record Laser, designed by @imageformat and published under Sharp Type’s season two catalogue. Used as the sole typeface across the entire system, Record Laser carries headlines, motion graphics, and interface typography without auxiliary support. The decision to rely exclusively on a single display family underscores its range and broadcast legibility, positioning the typeface not simply as a stylistic layer but as the structural and expressive core of a contemporary media brand.

As recently reported in The New Yorker, TBPN has emerged as part of a growing ecosystem of tech-aligned media — insider-led, enthusiast-driven, and unapologetically pro-industry. At the same time, the hosts attribute the show’s success to their effort to have honest conversations about the broader impact of the industry — a balance that has helped them attract headline-making CEOs while cultivating a loyal audience.

Record Laser in use for TBPN ‘Technology’s Daily Show’ - The brand system initially designed by our friends at @dayjob.work drawing inspiration from Formula 1 sponsorship density, forest-green “country club” codes, and lo-fi VHS effects, embraced spectacle over startup minimalism. At the center of the media platform is Record Laser, designed by @imageformat and published under Sharp Type’s season two catalogue. Used as the sole typeface across the entire system, Record Laser carries headlines, motion graphics, and interface typography without auxiliary support. The decision to rely exclusively on a single display family underscores its range and broadcast legibility, positioning the typeface not simply as a stylistic layer but as the structural and expressive core of a contemporary media brand.

As recently reported in The New Yorker, TBPN has emerged as part of a growing ecosystem of tech-aligned media — insider-led, enthusiast-driven, and unapologetically pro-industry. At the same time, the hosts attribute the show’s success to their effort to have honest conversations about the broader impact of the industry — a balance that has helped them attract headline-making CEOs while cultivating a loyal audience.

Record Laser in use for TBPN ‘Technology’s Daily Show’ - The brand system initially designed by our friends at @dayjob.work drawing inspiration from Formula 1 sponsorship density, forest-green “country club” codes, and lo-fi VHS effects, embraced spectacle over startup minimalism. At the center of the media platform is Record Laser, designed by @imageformat and published under Sharp Type’s season two catalogue. Used as the sole typeface across the entire system, Record Laser carries headlines, motion graphics, and interface typography without auxiliary support. The decision to rely exclusively on a single display family underscores its range and broadcast legibility, positioning the typeface not simply as a stylistic layer but as the structural and expressive core of a contemporary media brand.

As recently reported in The New Yorker, TBPN has emerged as part of a growing ecosystem of tech-aligned media — insider-led, enthusiast-driven, and unapologetically pro-industry. At the same time, the hosts attribute the show’s success to their effort to have honest conversations about the broader impact of the industry — a balance that has helped them attract headline-making CEOs while cultivating a loyal audience.

Sharp Fraktur started from the Black style, based on an Oscar Ogg book jacket. This hairline was mostly my invention with some Spanish illuminated manuscripts references. The concept of the family now is redundant forms for both the Black and this Hairline Roman & Italic, using swaps along the weight axis to complete the set -Lucas 🦚✍️✨

Sharp Fraktur started from the Black style, based on an Oscar Ogg book jacket. This hairline was mostly my invention with some Spanish illuminated manuscripts references. The concept of the family now is redundant forms for both the Black and this Hairline Roman & Italic, using swaps along the weight axis to complete the set -Lucas 🦚✍️✨

Sharp Fraktur started from the Black style, based on an Oscar Ogg book jacket. This hairline was mostly my invention with some Spanish illuminated manuscripts references. The concept of the family now is redundant forms for both the Black and this Hairline Roman & Italic, using swaps along the weight axis to complete the set -Lucas 🦚✍️✨

Sharp Fraktur started from the Black style, based on an Oscar Ogg book jacket. This hairline was mostly my invention with some Spanish illuminated manuscripts references. The concept of the family now is redundant forms for both the Black and this Hairline Roman & Italic, using swaps along the weight axis to complete the set -Lucas 🦚✍️✨

Sharp Fraktur started from the Black style, based on an Oscar Ogg book jacket. This hairline was mostly my invention with some Spanish illuminated manuscripts references. The concept of the family now is redundant forms for both the Black and this Hairline Roman & Italic, using swaps along the weight axis to complete the set -Lucas 🦚✍️✨

Our Record typeface 📀 limited edition sticker pack is out, and it’s as dazzling as ever! ✨

Send us a DM to come and get yours at our studio in Paris or Marseille.

Record Disc & Record Laser are both available at @sharp_type 🔠

Our Record typeface 📀 limited edition sticker pack is out, and it’s as dazzling as ever! ✨

Send us a DM to come and get yours at our studio in Paris or Marseille.

Record Disc & Record Laser are both available at @sharp_type 🔠

Our Record typeface 📀 limited edition sticker pack is out, and it’s as dazzling as ever! ✨

Send us a DM to come and get yours at our studio in Paris or Marseille.

Record Disc & Record Laser are both available at @sharp_type 🔠

Our Record typeface 📀 limited edition sticker pack is out, and it’s as dazzling as ever! ✨

Send us a DM to come and get yours at our studio in Paris or Marseille.

Record Disc & Record Laser are both available at @sharp_type 🔠

Our Record typeface 📀 limited edition sticker pack is out, and it’s as dazzling as ever! ✨

Send us a DM to come and get yours at our studio in Paris or Marseille.

Record Disc & Record Laser are both available at @sharp_type 🔠

Our Record typeface 📀 limited edition sticker pack is out, and it’s as dazzling as ever! ✨

Send us a DM to come and get yours at our studio in Paris or Marseille.

Record Disc & Record Laser are both available at @sharp_type 🔠

Our Record typeface 📀 limited edition sticker pack is out, and it’s as dazzling as ever! ✨

Send us a DM to come and get yours at our studio in Paris or Marseille.

Record Disc & Record Laser are both available at @sharp_type 🔠

In Progress: Sharp Fraktur by Lucas Sharp is beginning to take shape 🕸️🧑‍💻🦇

In Progress: Sharp Fraktur by Lucas Sharp is beginning to take shape 🕸️🧑‍💻🦇

In Progress: Sharp Fraktur by Lucas Sharp is beginning to take shape 🕸️🧑‍💻🦇

Record Laser 🛸🛸🛸 How to take a contemporary look at the futuristic aesthetics of the 1980s? 🎸🎸 Record represents a balance between an update and a testimony. Not only does it take us back to a time when music was transmitted over cables and collected on shelves, it also brings this aesthetic up to date with contemporary standards of typographic design.

Record Laser 🛸🛸🛸 How to take a contemporary look at the futuristic aesthetics of the 1980s? 🎸🎸 Record represents a balance between an update and a testimony. Not only does it take us back to a time when music was transmitted over cables and collected on shelves, it also brings this aesthetic up to date with contemporary standards of typographic design.

Record Laser 🛸🛸🛸 How to take a contemporary look at the futuristic aesthetics of the 1980s? 🎸🎸 Record represents a balance between an update and a testimony. Not only does it take us back to a time when music was transmitted over cables and collected on shelves, it also brings this aesthetic up to date with contemporary standards of typographic design.

Record Laser 🛸🛸🛸 How to take a contemporary look at the futuristic aesthetics of the 1980s? 🎸🎸 Record represents a balance between an update and a testimony. Not only does it take us back to a time when music was transmitted over cables and collected on shelves, it also brings this aesthetic up to date with contemporary standards of typographic design.