Trình Xem Câu Chuyện Instagram

Endless fun amongst top work on this one from mega creative @felixbrady for @ITV.
Shot in Serbia with the lovely team from @tuna_fish_tuna_icon

Production Company: @stinkfilms
Director: @felixbrady
EP: Kate Sharpe
Producer: @richardweager
1st AD: @tyyhack
DOP: @annasmoronova
PD: Chloë Brady @chloenbrady
Director Assistant: @ottosaner
Service Company (Serbia): Tuna + Icon
Executive Producer: Ivana Antić
Producer: Diana Bojović
Local 1st: @ivan_grbin
Offline edit : @cabinedit
Editor: @fougaber
Post Production (Colour): @rascalstudio_
Grade: @timotheous
Casting: Sophie North Casting
Composed by: @lukefabia
Sound Design: @henningknoepfel & @jacks_sounds
Mix: @henningknoepfel
Soundtree Head of Music: @luisalmau
Soundtree EP: @neilathale
Post Production: @stray.ldn
Creative Director: @tomluf
VFX Sup : @weej_vfx
Compositors: @jhoxwork @ev.hammondtse
Online / Rich Greenwood
CG: @nicksladevfx Jack Enever, Tanya Ljubimtseva
FX: Luis Fos
DMP: Yit Sanalan
Design: Julia Olsson
Executive Producer: @meliacl
VFX Producer: @chloemekerr & Ellie Georgiou
Voice over: Scott Allan 1st AC: @tekola88
Gaffer: @sapalights_rental
Key grip: @lekovicivan

Director of ITV Creative: Niki Garner
ECD: Tom Houser
Snr Creatives: Toby Derham + James Briggs
Creative Director: @fred_rod_well
Head of Production: Katie Burrow
Senior Producer: Cressida Ranfield
Producer Tom: Ghazizadeh-Harris
Campaign Management: Jonny Dowling
Head of Strategy: Tatiana Jezierski
Strategist: Alex Orton
Strategist: Lloyd Scott
Director of Marketing: Paul Risdale
Head of Marketing Campaign: Simon Ricks
Senior Marketing Manager: Becky Woodbridge
Delivery: Bethany Hamlin

A lovely project with one of my favourite directors to work with. My first time spending time in Newcastle and I can definitely see the attraction, great place with great people.

Shot in 2 separate blocks with dates shifting all over the place, hence sharing the credit with @grammasterflash.

Given the profile of the talent the general vibe was to make sure the whole space is ready to shoot at all times (big up @arthur_lok1), sometimes we had the footballers in and out in like 20 mins so no time to really rehearse. Shoutout to the prod and AD team for pulling things together.

Agency: @the_midnight_club
Production company: @made__by__zero
Creatives: @charlie.warcup @joe.goic

Dir: @j.o.a.w
1st AD: @tyyhack / @grammasterflash
DoP: @arthur_lok1
EP: @charmerarmer
Prod: @akajamesbaines
Prod Manager: @rachel_bashford
Prod Co-Ord:@mollyarmer
2nd AD: @nicpringle
3rd AD: @o_haw_ick / @nufccallum95
Camera Op: @arrttiieeee
Steadie: @steadiopie
1st AC: John Scafie
2nd AC: Ben Roberts, Charlie Bradlaugh
Cam trainee: @nicsianxx
Gaffer: @mmarknolan
Spark: @lighting_jack_
Spark: Paul Rosato
Spark: @aminmusaphoto
Spark: Tony Cook
Prod Design: @syd.harmony
Stylist: @kerrysaxonstylist
Edit: @_jackwilliams_
Grade: @philiplouishambi
Sound: @sebruen

DC for Squarespace - “Everything To Sell Anything” from the main man @felixbrady
Had a lot of fun on this one, from the many set builds, few locations and also trying to wrap my head around LED Stages and how that will affect the shooting schedule, it was the type of organised chaos I strive for!

Special shout to Felix, Emm, Anna, Otto and Tom for making it a memorable one from the start!
Will throw some BTS up at some point.

Client: @squarespace
Chief Creative Officer: @dmklee
Creative Director: @guiborchert
Creative: @benhodgin
Senior Creative Producer: couchycouchcouch

Director: @felixbrady
DOP: @annasmoronova
Production:@Stink
Executive Producer:@mungomaclagan
Producer:@emmlechat
Head of Production:@mister_spruce
Production Designer: @ms.ferguerrero
1st AD: @tyyhack
Stylist UK: @_asmailz
Sound: Luke Hester & Jacob Welsh
Mix + Sound Design: @felixbrady +@snappajak
Unreal Design:@nicodesola +
Director’s Assistant: @ottosaner
PA: @evgeniaavr

VFX: The Mill UK
Executive Producer: @meliacl
Producer:@chloeensor
VFX Sup/2D Lead: @tomluf
CG Artist: Kieran Russell
Concept Designer: Jiyoung Lee

Editorial: @trimediting @cosmostreeteditorial
Editor: @elisesmelise
Post Producers: Arniesha Williams + @epollykemp
Color: @no8ldn
Colorist: @alexgregorycolour
Colour EP: @charlesedmorris
Colour Assistants: @adam.m.colour @ell.s.ward

VP Studio Tech Director: Dennis Sorokin
UE Lead Artist:@ojars.saulitis
UE Junior Artist: Edgars Laksa

LED UNIT
Producer (LV): @svetapotter
1st AD (LV): @jako_gu
A cam 1st AC : Dmitry Tartyshnikov
Key camera grip :Roberts Dreimanis
Gaffer:Eduards Stefanovics
Best boy: Toms Locmelis
Tracking system technician: @bamtaram
Location manager: Ieva Ansevica
Sound recordist: Verners Biters
Costume designer : @lienedobraja
Costume Assistant :@karinalikanse
Casting Director: @nikasteppa
Art Director: @straupedesign
Art director: Kamilla Kase
Props on set: @Kristaps Andersons
Set Dresser: @Gatis Erdmanis
Construction/ Props on set: Ivars Gansons

Latest work for Coinbase with big brain Oscar Hudson.

Hard to wrap your head around how most of this is in camera with real people, real sets, real everything basically, it’s actually unreal.

A big shift put in by the HODs and crew in Cape Town, love to all of them and special shout to my 2nd AD @ayjaforever_1987 and 3rd AD @sushi_the_ad_meyer.

More tags to come when I get the list.

Director: Oscar Hudson @o_hud
Prod Co: @mjzworldwide
President/Executive Producer: David Zander
Executive Producer: @missmollygriffin
Producer: @archiejs ❤️
Producer Supervisor: Andrea Harvey
Director of Photography: @fordesman
Production Designer: @lukemoranmorris
Choreographer: @maeva_berthelot
Costume Designer: @ameenakaracallender
Prosthetics/Masks: @studiosangeet
1st AD: @tyyhack
Casting Dir: @laramanwaring_casting
Local production: @gatehousecommercials

Lead performer: Arthur Chruszcz @karolaschneemann

Agency: @isleofany @_lauriehowell_ @t_treyer @benjamin_thomas_brown @mateus_defaria

Editorial: @cartel.tv
Editor: @leomscott
Assistant Editor: Beau Hogan
Senior Producer: Kong Yang

Post Production: @selectedworks.tv
Creative Director: Greg Spencer
Executive Producer: Alex Fitzgerald
Producer: Solomon Tiigah

Color: @ethos_studio
Colorist: @dantegiani

Mix & Sound Design: @wavestudiosny
ECD, Sound Design: @azzbattle

Latest for Gentle Monster - @gentlemonster

Just a few hurdles on this one, turned out super slick. Big up to the problem solving hustlers!

Director: FKA twigs @fkatwigs & Jordan Hemingway @jordan_hemingway
Producer: Rowan Mackintosh King @rowanmackintoch
Director’s Assistant: Max Gabbay @max_gabbay
Production Manager : Smera Kumar @herroyalspiceness
Production Manager : Kevin Cheung @bykevincheung
Production Coordinator : Jess Shadwell @jessica.shadwell
Production Coordinator : Cheruto Wang @cheruto
DOP: Alex Barber @abphotographical
Production Design: Joseph Bennett @josephbennett.studio
1st AD : Ty Hack @tyyhack
2nd AD : Rosie Wilson Myer @rosie_meyer
3rd AD : Miles Bruce-Jones @milesbrucejones
AD Runner: Rory Purdy @rory.kp
AD Runner : Finn Douglas
AD Runner : Cairn Mckenna @cairnmckenna
Runner : Brogan Cowie-Ferron @brogancowieferron
Runner : Jack Elliott @jackeclipss
Runner : Tania Muller @taniavmuller
Runner : South Cuatriz @sctrz 
Runner : Matilda Gates
Runner : Ellie Murphy @ell.murphy
1st AC : James Smith
2nd AC : Pippa Griffith-Jones
Key Grip : Pete Olney
Gaffer: Lee Williams
Best Boy: James Bruce
Master Rigger : Lee Doran @l33800
Props Master : Merl Homer
VFX Supervisor: Rick Farin @actualobjects
Choreographer : James Vu Anh Pham @jamesvuanh
Pole Teacher : Maya Luna @papayadelmaya
Production Company: Object & Animal @objectandanimal
Exec. Producer: Morgan Clement @dutty_pictures
Team Gentle Monster - #gentlemonster
Changhyo Kim @changkhyo
Jay Kim @jayquil
Hyewon Shin @hyewonshiin

A fun few days with some proper legends.

@patta_nl x @nike - The Wave

Director: @baloji
EP/MD: @emily_rudge
HOP: @fsbamford
Producer: @gtelfs
PM: @chanellyonthetelly
Production Company: @prettybirdpic
Production: @enrique_dasilver

Talent @odumodublvck, @bxksintokyo, @bnyx

Patta
Founder:@geepatta
CD: @vincentvandewaal
CD: @baloji
Music Director: @victorcrezee
Collaborations Coord: @hetismarvin
Stylist: @tirinoyspol

Nike
Nike Marketing Manager Tania Townsend

Prod Coordinator: @slatterychloe
PA / 3rd AD: @collette_burke_
Production Runner: @snailfighter

1st AD: @tyyhack
2nd AD: @komanche.dj
Runner: Ann Muether
Runner: Jessica Matthews
Runner: @konmanche.dj

DOP: @juramirezh
Steadiam: @beauxpj
Steadicam Trainee: Roy Tsang
Focus Puller: Mike Hannides
Clapper Loader: Esther Edusi

Key Grip: @opjanivisar
Video Playback: @spindolio
DIT: @lillypalmerdit
Sound Recordist: @anthonyleungsound
Data Wrangler: @Lis.stroud

Gaffer: @leopoldnaesens
Desk Op: Andres Simonitis
Best Boy: @richardoxley1916
Electrician: Angel Oxley, @markstewartdop, Antii Janunen
Master Rigger: @steve_daly
Rigger: Shane Whitlock, Sean Ramsey

Air Max Set Production Designers (BE) @fernvdg, @Geesseghers
UK Production Designer: @studio_augmenta
Art Assist @tyreis
Art Assist: @toe.to.the.bee
Construction Manager: Dave Shipway
Set Builder: @cousdela

Stylist: @neeshatulsichampaneria
Styling Assist: @zakyrhe
Styling Assist: @rumw0_
Styling Assist: @jakehunte

MUA: @mayamanartist
Makeup Assist: @makeupbybabicampos
Makeup Assist:@peggynesbitt
Hair Stylist: @kreszendsackey
Hair Assist: @heidehawthorne_

Casting Director: @jinjo.me
Dancer Casting: @liarabarussi / @jukeboxcollectiveagency

Edit: @cabinedit
Editor: @emmaohsnap
Post Producer: @clel_allen

Post: @gabhastudios
VFX Supervisor: @phil.oldham
Exec Producer: Dafyd Upsdell

Grade: @electric_theatre_collective
Colourist: @jasoncolourist
Colour Producer: @alexcarswell_

Sound Design: @bankeyojo

Coffee-Mate - “The World’s Biggest Coffee Lover”

Spent a couple of weeks brewing this one up in Mexico City with the best of the best!

Director: Walid Labri @walidlabri
DP: Harry Wheeler @harry__wheeler
Producer: Arlene McGann @arlene_mcgann
Executive Producers: Kelly Bayett, Deannie O’Neil @kellybayett @deannieo

Managing Partner: Kelly Bayett @kellybayett
Partner: Daniel Wolfe @danieljudewolfe
Head of Production: Paige Kauffman @thatgirlpk
Production Company: Love Song @lovesongfilms
Production Supervisor: Bria Wentzel / Phoenix Lawton
Production Manager: Fernanda Salazar
Production Coordinator: Andrea Araiz

Production: The Lift @theliftmx
Founder: Avelino Rodríguez @mr_avelino
Producer: Pepe Aguirre @pepeinsta
Producer: Mariana López

1st AD: Ty Hack @tyyhack
1st AD: Sandra Mayerstein (MEX)
2nd AD: Vala Cardenas (MEX)
2ND AD: Eli Guardado (MEX)
Director’s Assistant: Owen Kasparian @owenksprn

Production Designer: Fernanda Contreras (MEX)
Wardrobe Stylist: Lorena Ledezma (MEX)
Make Up & Hair Artist: Chela Olea

VFX Supervisor: Richard Lyons
Script Supervisor: Manuela Rosas

Advertising Agency: Wieden + Kennedy @wknyc
President: Jiah Choi @jiahchoi11
Chief Creative Officers: Brandon Henderson, Marques Gartrell Creative Director: Joaquin Salim @joaquinsalim , Mariana Oliveria
Art Director : Lena Barrows @lenabarrows
Copywriter: Katie Johnston
Executive Producer: Cheryl Warbrook
Head of Production: Nick Setounski
Studio Manager: Jill Kearton
Producer: Rodrigo Nino, Jennifer Hart
Group Account Director: Bola Adekoya
Account Director: Kelsey Randell

Animation/Visual Effects Production: Blacksmith
Producer: Sophie Mitchell

Editorial Company: The Den @thedeneditorial
Editor: Joseph Taylor @josephtaylr
Producer: Lucia Villalta @luciavillaltam
Producer: Rachel Seital

Post Company: Ethos Studios @ethos_studio
Colorist: Dante Pasquinelli @dantegiani
Producer: Nat Tereshchenko @sweetiepiekewpie

Sound Studio: Concret Form @concret.form
Sound Designer/Mixer: Raphaël Ajuelos @rphljls
Sound Editor: Nathan Bonetto @bricks_theme
Additional Sound Edit: Inès Adam @inesc_adam
VO Recording: Mike Regan @mikeregannoise & krADR @kradr_soho

BTS dump from @raye - Genesis.
1. Day 1 - @steadibrooks lining up the shot of Raye + Dancers.
2. Day 3 - @raye getting a well deserved applaud from the fans.
3. Day 2 - @raye and dancers about to do their thing, this involved a trick between the camera and LED screen.
4. Day 3 - Camera position for the VFX dancer replication.
5. Day 3 - @oatsiris come onnnn.
6. Day 3 - @sadeckwaff doing their thing, watching Sadeck work made me a better AD!
7. Day 3 - @oatsiris working the crowd.
8. Day 2 - A view from the back.
9. Day 2 - More crowd work from @oatsiris.
10. Day 5 - @oatsiris realising it’s day 5!

BTS dump from @raye - Genesis.
1. Day 1 - @steadibrooks lining up the shot of Raye + Dancers.
2. Day 3 - @raye getting a well deserved applaud from the fans.
3. Day 2 - @raye and dancers about to do their thing, this involved a trick between the camera and LED screen.
4. Day 3 - Camera position for the VFX dancer replication.
5. Day 3 - @oatsiris come onnnn.
6. Day 3 - @sadeckwaff doing their thing, watching Sadeck work made me a better AD!
7. Day 3 - @oatsiris working the crowd.
8. Day 2 - A view from the back.
9. Day 2 - More crowd work from @oatsiris.
10. Day 5 - @oatsiris realising it’s day 5!

BTS dump from @raye - Genesis.
1. Day 1 - @steadibrooks lining up the shot of Raye + Dancers.
2. Day 3 - @raye getting a well deserved applaud from the fans.
3. Day 2 - @raye and dancers about to do their thing, this involved a trick between the camera and LED screen.
4. Day 3 - Camera position for the VFX dancer replication.
5. Day 3 - @oatsiris come onnnn.
6. Day 3 - @sadeckwaff doing their thing, watching Sadeck work made me a better AD!
7. Day 3 - @oatsiris working the crowd.
8. Day 2 - A view from the back.
9. Day 2 - More crowd work from @oatsiris.
10. Day 5 - @oatsiris realising it’s day 5!

BTS dump from @raye - Genesis.
1. Day 1 - @steadibrooks lining up the shot of Raye + Dancers.
2. Day 3 - @raye getting a well deserved applaud from the fans.
3. Day 2 - @raye and dancers about to do their thing, this involved a trick between the camera and LED screen.
4. Day 3 - Camera position for the VFX dancer replication.
5. Day 3 - @oatsiris come onnnn.
6. Day 3 - @sadeckwaff doing their thing, watching Sadeck work made me a better AD!
7. Day 3 - @oatsiris working the crowd.
8. Day 2 - A view from the back.
9. Day 2 - More crowd work from @oatsiris.
10. Day 5 - @oatsiris realising it’s day 5!

BTS dump from @raye - Genesis.
1. Day 1 - @steadibrooks lining up the shot of Raye + Dancers.
2. Day 3 - @raye getting a well deserved applaud from the fans.
3. Day 2 - @raye and dancers about to do their thing, this involved a trick between the camera and LED screen.
4. Day 3 - Camera position for the VFX dancer replication.
5. Day 3 - @oatsiris come onnnn.
6. Day 3 - @sadeckwaff doing their thing, watching Sadeck work made me a better AD!
7. Day 3 - @oatsiris working the crowd.
8. Day 2 - A view from the back.
9. Day 2 - More crowd work from @oatsiris.
10. Day 5 - @oatsiris realising it’s day 5!

BTS dump from @raye - Genesis.
1. Day 1 - @steadibrooks lining up the shot of Raye + Dancers.
2. Day 3 - @raye getting a well deserved applaud from the fans.
3. Day 2 - @raye and dancers about to do their thing, this involved a trick between the camera and LED screen.
4. Day 3 - Camera position for the VFX dancer replication.
5. Day 3 - @oatsiris come onnnn.
6. Day 3 - @sadeckwaff doing their thing, watching Sadeck work made me a better AD!
7. Day 3 - @oatsiris working the crowd.
8. Day 2 - A view from the back.
9. Day 2 - More crowd work from @oatsiris.
10. Day 5 - @oatsiris realising it’s day 5!

BTS dump from @raye - Genesis.
1. Day 1 - @steadibrooks lining up the shot of Raye + Dancers.
2. Day 3 - @raye getting a well deserved applaud from the fans.
3. Day 2 - @raye and dancers about to do their thing, this involved a trick between the camera and LED screen.
4. Day 3 - Camera position for the VFX dancer replication.
5. Day 3 - @oatsiris come onnnn.
6. Day 3 - @sadeckwaff doing their thing, watching Sadeck work made me a better AD!
7. Day 3 - @oatsiris working the crowd.
8. Day 2 - A view from the back.
9. Day 2 - More crowd work from @oatsiris.
10. Day 5 - @oatsiris realising it’s day 5!

BTS dump from @raye - Genesis.
1. Day 1 - @steadibrooks lining up the shot of Raye + Dancers.
2. Day 3 - @raye getting a well deserved applaud from the fans.
3. Day 2 - @raye and dancers about to do their thing, this involved a trick between the camera and LED screen.
4. Day 3 - Camera position for the VFX dancer replication.
5. Day 3 - @oatsiris come onnnn.
6. Day 3 - @sadeckwaff doing their thing, watching Sadeck work made me a better AD!
7. Day 3 - @oatsiris working the crowd.
8. Day 2 - A view from the back.
9. Day 2 - More crowd work from @oatsiris.
10. Day 5 - @oatsiris realising it’s day 5!

BTS dump from @raye - Genesis.
1. Day 1 - @steadibrooks lining up the shot of Raye + Dancers.
2. Day 3 - @raye getting a well deserved applaud from the fans.
3. Day 2 - @raye and dancers about to do their thing, this involved a trick between the camera and LED screen.
4. Day 3 - Camera position for the VFX dancer replication.
5. Day 3 - @oatsiris come onnnn.
6. Day 3 - @sadeckwaff doing their thing, watching Sadeck work made me a better AD!
7. Day 3 - @oatsiris working the crowd.
8. Day 2 - A view from the back.
9. Day 2 - More crowd work from @oatsiris.
10. Day 5 - @oatsiris realising it’s day 5!

BTS dump from @raye - Genesis.
1. Day 1 - @steadibrooks lining up the shot of Raye + Dancers.
2. Day 3 - @raye getting a well deserved applaud from the fans.
3. Day 2 - @raye and dancers about to do their thing, this involved a trick between the camera and LED screen.
4. Day 3 - Camera position for the VFX dancer replication.
5. Day 3 - @oatsiris come onnnn.
6. Day 3 - @sadeckwaff doing their thing, watching Sadeck work made me a better AD!
7. Day 3 - @oatsiris working the crowd.
8. Day 2 - A view from the back.
9. Day 2 - More crowd work from @oatsiris.
10. Day 5 - @oatsiris realising it’s day 5!

@raye - Genesis

A 7 min saga shot over 7 days, this was an extremely fulfilling project, not just because the track is amazing but the collaboration and patience everyone had through each day in prep and shoot was humbling.
Thank you to Otis, Andre, Liz, Mikey, David and all the cast and crew, and of course, the real shining light - Raye!
Special shout to my AD team who put in a shift on this one!
-
Credits are mad long so some will be stuck into the comments. Doing a lil bts post with some basic breakdown of the days.
-
Written by: @raye, @mikeyrobb1ns & @oatsiris
Directed by: @oatsiris & @raye
Creative Director: @mikeyrobb1ns
Producer: @andrewooz
Producer: @petiteliz
Creative Agency: @cuyjetstudio
Production Company: @blackrush.studio x @kodemedia
Executive Producers: @raye, @nathkillham, @mikeyrobb1ns, @oatsiris, @andrewooz & @petiteliz
Cinematographer: @davidwrightdop
Lead Editor: @phxebemay
1st Assistant Director: @tyyhack
Artist Movement Choreographer: @maureenmoores_
Choreographer: @sadeckwaff
Colourist: @stefcolosi
Colourist: @jonnytully / @cheat_it
Colourist: @marty_colour / @freefolkstudios
Production Manager: @dantayroberts
Production Coordinator: @scarletgre3n
Production Assistant: @cerysimo
Production Admin Assistant: @halucienation_x
Production Designer: @jaclynpappalardo
2nd Assistant Director : @_elsa.grace_
3rd Assistant Director: @jessicaolivialee
AD Runner: @milesalexander_
AD Runner: @chantelle.kirton
1st Assistant Camera: @paulsnell_pws
1st Assistant Camera: @hopidematteo
2nd Assistant Camera: @customerdisservice_
AR Steadicam Operator: @steadibrooks
Thermal Camera Operator: @phxebemay
Key Grip: Paul Mammone
Key Grip: Grant Rowe
Crane Tech: Dan Hegarty
Crane Head Tech: Dan Blundy
Grip Trainee: Adam Simmons
LED Screen Tech: Kris Mazia @londonaudiovisual
LED Screen Tech: Michal Kyschky @londonaudiovisual
Art Assistant: Daniel Munro
Construction Assistant: Alan Roshier
Gaffer: @thatguyriaz
Best Boy: @jhs_lmage
Spark: Bailey Langford
Spark: @chaymcgill
Spark: @stanlightpro
Spark: @jampatboo
Desk Op: @eddie_______cook
Video Playback: @benmcconnel
DIT: nuria.prz
DIT: @andresapori

Feature film T.I.M. is out now on Netflix. Very proud of this one!
A pleasure to work with @spencerbrownpics on his debut feature and help bring the script to life.
With 23 days to shoot this and during the heatwave of 2022, it certainly had its challenges, BUT all made easier and memorable with a great cast and crew.
Starring: @galicecampbell @eamonfarren @markrowley90 & @amarakaran amongst other talented actors.
Produced by: @stigmafilmsuk @patchtee @wilkinframes
DP: @orangutang
Big love to all HOD’s and crew, can’t mention everyone sadly.
Special shout to my team of course
2nd AD - @rhiannonbhm
3rd ADs - @fabeebear @james.m.read.1 @james.cross_

GO WATCH

Some more random bits from feature film Into The Deep.

Some more random bits from feature film Into The Deep.

Some more random bits from feature film Into The Deep.

Some more random bits from feature film Into The Deep.

Some more random bits from feature film Into The Deep.

Some more random bits from feature film Into The Deep.

Some more random bits from feature film Into The Deep.

Some more random bits from feature film Into The Deep.

Some BTS vids of Into The Deep, a feature we shot in Cornwall last year. A big incentive for me doing this project was that all of the upper deck boat scenes were on location and not in a studio, we only spent about 9 days on water in the end, but it felt like more. Between weather days, loading kit on and off, working with the skipper and his team to find the right areas to shoot while making sure it always looked like we were out at sea, ensuring everyone stayed safe while working in these conditions, pre planning the wind and sun positions for each scene and many more variables to consider, it certainly had its challenges.

1. Standing by, 1 cam in / under water, 1 cam rigged to the rib.
2. Go go go go, @ellaraesmith doing her thing.
3. @kate__cox and I appreciating the moment while @matthewdaddario sails along.
4. Sailing some choppy waters.
5. I think this was the first day on the boat, most people threw up.
6. Night shoot wrap, our rib skipper Ben loved a singalong.
7. @ellaraesmith cycling scene with tracking vehicle.
8. Hurry up and wait, you can’t rush the animals.
9. A look at the below deck set build designed by @davidhamiltonstudio.

Directed by @kate__cox, produced by @leonoradarby and Tea Shop, Cinematography by @iwlforbes.
Starring @ellaraesmith, @matthewdaddario and @jessalxander, also with @nikkitachadha.
The film is available to watch on Sky Cinema / NOWtv.

Some BTS vids of Into The Deep, a feature we shot in Cornwall last year. A big incentive for me doing this project was that all of the upper deck boat scenes were on location and not in a studio, we only spent about 9 days on water in the end, but it felt like more. Between weather days, loading kit on and off, working with the skipper and his team to find the right areas to shoot while making sure it always looked like we were out at sea, ensuring everyone stayed safe while working in these conditions, pre planning the wind and sun positions for each scene and many more variables to consider, it certainly had its challenges.

1. Standing by, 1 cam in / under water, 1 cam rigged to the rib.
2. Go go go go, @ellaraesmith doing her thing.
3. @kate__cox and I appreciating the moment while @matthewdaddario sails along.
4. Sailing some choppy waters.
5. I think this was the first day on the boat, most people threw up.
6. Night shoot wrap, our rib skipper Ben loved a singalong.
7. @ellaraesmith cycling scene with tracking vehicle.
8. Hurry up and wait, you can’t rush the animals.
9. A look at the below deck set build designed by @davidhamiltonstudio.

Directed by @kate__cox, produced by @leonoradarby and Tea Shop, Cinematography by @iwlforbes.
Starring @ellaraesmith, @matthewdaddario and @jessalxander, also with @nikkitachadha.
The film is available to watch on Sky Cinema / NOWtv.

Some BTS vids of Into The Deep, a feature we shot in Cornwall last year. A big incentive for me doing this project was that all of the upper deck boat scenes were on location and not in a studio, we only spent about 9 days on water in the end, but it felt like more. Between weather days, loading kit on and off, working with the skipper and his team to find the right areas to shoot while making sure it always looked like we were out at sea, ensuring everyone stayed safe while working in these conditions, pre planning the wind and sun positions for each scene and many more variables to consider, it certainly had its challenges.

1. Standing by, 1 cam in / under water, 1 cam rigged to the rib.
2. Go go go go, @ellaraesmith doing her thing.
3. @kate__cox and I appreciating the moment while @matthewdaddario sails along.
4. Sailing some choppy waters.
5. I think this was the first day on the boat, most people threw up.
6. Night shoot wrap, our rib skipper Ben loved a singalong.
7. @ellaraesmith cycling scene with tracking vehicle.
8. Hurry up and wait, you can’t rush the animals.
9. A look at the below deck set build designed by @davidhamiltonstudio.

Directed by @kate__cox, produced by @leonoradarby and Tea Shop, Cinematography by @iwlforbes.
Starring @ellaraesmith, @matthewdaddario and @jessalxander, also with @nikkitachadha.
The film is available to watch on Sky Cinema / NOWtv.

Some BTS vids of Into The Deep, a feature we shot in Cornwall last year. A big incentive for me doing this project was that all of the upper deck boat scenes were on location and not in a studio, we only spent about 9 days on water in the end, but it felt like more. Between weather days, loading kit on and off, working with the skipper and his team to find the right areas to shoot while making sure it always looked like we were out at sea, ensuring everyone stayed safe while working in these conditions, pre planning the wind and sun positions for each scene and many more variables to consider, it certainly had its challenges.

1. Standing by, 1 cam in / under water, 1 cam rigged to the rib.
2. Go go go go, @ellaraesmith doing her thing.
3. @kate__cox and I appreciating the moment while @matthewdaddario sails along.
4. Sailing some choppy waters.
5. I think this was the first day on the boat, most people threw up.
6. Night shoot wrap, our rib skipper Ben loved a singalong.
7. @ellaraesmith cycling scene with tracking vehicle.
8. Hurry up and wait, you can’t rush the animals.
9. A look at the below deck set build designed by @davidhamiltonstudio.

Directed by @kate__cox, produced by @leonoradarby and Tea Shop, Cinematography by @iwlforbes.
Starring @ellaraesmith, @matthewdaddario and @jessalxander, also with @nikkitachadha.
The film is available to watch on Sky Cinema / NOWtv.

Some BTS vids of Into The Deep, a feature we shot in Cornwall last year. A big incentive for me doing this project was that all of the upper deck boat scenes were on location and not in a studio, we only spent about 9 days on water in the end, but it felt like more. Between weather days, loading kit on and off, working with the skipper and his team to find the right areas to shoot while making sure it always looked like we were out at sea, ensuring everyone stayed safe while working in these conditions, pre planning the wind and sun positions for each scene and many more variables to consider, it certainly had its challenges.

1. Standing by, 1 cam in / under water, 1 cam rigged to the rib.
2. Go go go go, @ellaraesmith doing her thing.
3. @kate__cox and I appreciating the moment while @matthewdaddario sails along.
4. Sailing some choppy waters.
5. I think this was the first day on the boat, most people threw up.
6. Night shoot wrap, our rib skipper Ben loved a singalong.
7. @ellaraesmith cycling scene with tracking vehicle.
8. Hurry up and wait, you can’t rush the animals.
9. A look at the below deck set build designed by @davidhamiltonstudio.

Directed by @kate__cox, produced by @leonoradarby and Tea Shop, Cinematography by @iwlforbes.
Starring @ellaraesmith, @matthewdaddario and @jessalxander, also with @nikkitachadha.
The film is available to watch on Sky Cinema / NOWtv.

Some BTS vids of Into The Deep, a feature we shot in Cornwall last year. A big incentive for me doing this project was that all of the upper deck boat scenes were on location and not in a studio, we only spent about 9 days on water in the end, but it felt like more. Between weather days, loading kit on and off, working with the skipper and his team to find the right areas to shoot while making sure it always looked like we were out at sea, ensuring everyone stayed safe while working in these conditions, pre planning the wind and sun positions for each scene and many more variables to consider, it certainly had its challenges.

1. Standing by, 1 cam in / under water, 1 cam rigged to the rib.
2. Go go go go, @ellaraesmith doing her thing.
3. @kate__cox and I appreciating the moment while @matthewdaddario sails along.
4. Sailing some choppy waters.
5. I think this was the first day on the boat, most people threw up.
6. Night shoot wrap, our rib skipper Ben loved a singalong.
7. @ellaraesmith cycling scene with tracking vehicle.
8. Hurry up and wait, you can’t rush the animals.
9. A look at the below deck set build designed by @davidhamiltonstudio.

Directed by @kate__cox, produced by @leonoradarby and Tea Shop, Cinematography by @iwlforbes.
Starring @ellaraesmith, @matthewdaddario and @jessalxander, also with @nikkitachadha.
The film is available to watch on Sky Cinema / NOWtv.

Some BTS vids of Into The Deep, a feature we shot in Cornwall last year. A big incentive for me doing this project was that all of the upper deck boat scenes were on location and not in a studio, we only spent about 9 days on water in the end, but it felt like more. Between weather days, loading kit on and off, working with the skipper and his team to find the right areas to shoot while making sure it always looked like we were out at sea, ensuring everyone stayed safe while working in these conditions, pre planning the wind and sun positions for each scene and many more variables to consider, it certainly had its challenges.

1. Standing by, 1 cam in / under water, 1 cam rigged to the rib.
2. Go go go go, @ellaraesmith doing her thing.
3. @kate__cox and I appreciating the moment while @matthewdaddario sails along.
4. Sailing some choppy waters.
5. I think this was the first day on the boat, most people threw up.
6. Night shoot wrap, our rib skipper Ben loved a singalong.
7. @ellaraesmith cycling scene with tracking vehicle.
8. Hurry up and wait, you can’t rush the animals.
9. A look at the below deck set build designed by @davidhamiltonstudio.

Directed by @kate__cox, produced by @leonoradarby and Tea Shop, Cinematography by @iwlforbes.
Starring @ellaraesmith, @matthewdaddario and @jessalxander, also with @nikkitachadha.
The film is available to watch on Sky Cinema / NOWtv.

Some BTS vids of Into The Deep, a feature we shot in Cornwall last year. A big incentive for me doing this project was that all of the upper deck boat scenes were on location and not in a studio, we only spent about 9 days on water in the end, but it felt like more. Between weather days, loading kit on and off, working with the skipper and his team to find the right areas to shoot while making sure it always looked like we were out at sea, ensuring everyone stayed safe while working in these conditions, pre planning the wind and sun positions for each scene and many more variables to consider, it certainly had its challenges.

1. Standing by, 1 cam in / under water, 1 cam rigged to the rib.
2. Go go go go, @ellaraesmith doing her thing.
3. @kate__cox and I appreciating the moment while @matthewdaddario sails along.
4. Sailing some choppy waters.
5. I think this was the first day on the boat, most people threw up.
6. Night shoot wrap, our rib skipper Ben loved a singalong.
7. @ellaraesmith cycling scene with tracking vehicle.
8. Hurry up and wait, you can’t rush the animals.
9. A look at the below deck set build designed by @davidhamiltonstudio.

Directed by @kate__cox, produced by @leonoradarby and Tea Shop, Cinematography by @iwlforbes.
Starring @ellaraesmith, @matthewdaddario and @jessalxander, also with @nikkitachadha.
The film is available to watch on Sky Cinema / NOWtv.

Some BTS vids of Into The Deep, a feature we shot in Cornwall last year. A big incentive for me doing this project was that all of the upper deck boat scenes were on location and not in a studio, we only spent about 9 days on water in the end, but it felt like more. Between weather days, loading kit on and off, working with the skipper and his team to find the right areas to shoot while making sure it always looked like we were out at sea, ensuring everyone stayed safe while working in these conditions, pre planning the wind and sun positions for each scene and many more variables to consider, it certainly had its challenges.

1. Standing by, 1 cam in / under water, 1 cam rigged to the rib.
2. Go go go go, @ellaraesmith doing her thing.
3. @kate__cox and I appreciating the moment while @matthewdaddario sails along.
4. Sailing some choppy waters.
5. I think this was the first day on the boat, most people threw up.
6. Night shoot wrap, our rib skipper Ben loved a singalong.
7. @ellaraesmith cycling scene with tracking vehicle.
8. Hurry up and wait, you can’t rush the animals.
9. A look at the below deck set build designed by @davidhamiltonstudio.

Directed by @kate__cox, produced by @leonoradarby and Tea Shop, Cinematography by @iwlforbes.
Starring @ellaraesmith, @matthewdaddario and @jessalxander, also with @nikkitachadha.
The film is available to watch on Sky Cinema / NOWtv.